1.
Frankfurt (Oder)
–
Frankfurt is a town in Brandenburg, Germany, located on the Oder River, on the German-Polish border directly opposite the town of Słubice, which was part of Frankfurt until 1945. At the end of the 1980s, it reached a peak with more than 87,000 inhabitants. The number dropped below 70,000 in 2002 and was just above 60,000 in 2010, the official name Frankfurt and the older Frankfurt an der Oder are used to distinguish it from the larger city of Frankfurt am Main. The town of Frankfurt received its charter in 1253 at the Brandendamm, the early settlers lived on the western banks of the Oder, later the town was extended to the eastern bank. In the late Middle Ages, the town dominated the trade between Breslau and Stettin. In 1430, Frankfurt joined the Hanseatic League, but was a member for only a short time, in April 1631, during the Thirty Years War, Frankfurt was the site of the Battle of Frankfurt an der Oder between the Swedish Empire and the Holy Roman Empire. After a two-day siege, Swedish forces, supported by Scottish auxiliaries, the result was a Swedish victory. The city was occupied by the Russian Imperial Army during the Seven Years War, in August 1759. With the dissolution of the Margraviate of Brandenburg during the Napoleonic Wars, in the 19th century, Frankfurt played an important role in trade. There was no fighting for the town in 1945 during World War II even though the town was declared a fortress in an attempt to block the Red Armys route to Berlin, the nearly empty town was burned down. The postwar German-Polish border ran along the Oder, separating the Dammvorstadt on the eastern bank - which became the Polish town of Słubice - from the rest of Frankfurt, while part of communist East Germany, Frankfurt was administered within Bezirk Frankfurt. It became part of the state of Brandenburg with German reunification in 1990. Today, Frankfurt and Słubice have friendly relations and run several common projects, Poland joined the European Union on 1 May 2004, and implemented the Schengen Agreement on December 21,2007 leading to the removal of permanent border controls. In the post-communist era, Frankfurt has suffered high unemployment. Its population has fallen significantly from around 87,000 at the time of German reunification in 1990, FC Viktoria Frankfurt is the towns local football team. In March 2008, the Jewish community of Frankfurt celebrated its first Torah dedication since the Holocaust, the procession of the new Torah scroll began from the spot where the towns Frankfurter Synagogue stood prior to World War II,500 meters from Germanys current border with Poland. Celebrants marched with the scroll into the towns Chabad-Lubavitch centre, where they danced with the Torah, the Margraviate of Brandenburgs first university was Frankfurts Alma Mater Viadrina, founded in 1506 by Joachim I Nestor, Elector of Brandenburg. An early chancellor, Bishop Georg von Blumenthal, was an opponent of the Protestant Reformation
2.
Province of Brandenburg
–
The Province of Brandenburg was a province of the Kingdom of Prussia and the Free State of Prussia from 1815 to 1946, from 1871 within the German Reich. The Prussian core territory comprised the bulk of the historic Margraviate of Brandenburg, other neighbouring provinces were Pomerania in the northeast, Silesia in the southeast, and Prussian Saxony in the southwest. Brandenburg also shared a border with the grand duchies of Mecklenburg-Schwerin. Beside the Elbe and Oder river areas, the province covered large parts of the Spree, the largest cities were Berlin, located in the centre together with the growing suburbs of Spandau, Charlottenburg, Schöneberg and Neukölln. The first people who are known to have inhabited Brandenburg were the Germanic Suebi, during the Migration Period, they were succeeded by the Polabian Slavs, whose fortress at Brandenburg an der Havel was conquered by the German king Henry the Fowler in 928/29. Henry subdued the Slavic tribes up to the Oder river and his son Otto I established the marca Geronis on their territory and his son Margrave Otto I already achieved the dignity of an Arch-Chamberlain of the Holy Roman Empire in 1177. Emperor Charles IV by the Golden Bull of 1356 confirmed the electoral dignity of the Brandenburg margraves, the Elector of Brandenburg held the seventh rank among the electors of the Empire and had five votes in the Council of Princes. In 1415 Brandenburg was acquired by Burgrave Frederick of Nuremberg, the first member of the Swabian House of Hohenzollern to rule the margraviate. By the 1657 Treaty of Wehlau, Frederick William reached full sovereignty in his Prussian territories, the margraviate remained a constituent part of Prussia, until after the Napoleonic Wars and the 1815 Congress of Vienna the kingdoms administration was divided into ten provinces. Most of the Margraviates territory was incorporated into the new Province of Brandenburg, however, the Altmark on the western bank of the Elbe was incorporated into the Prussian Province of Saxony. The Province of Brandenburg also encompassed the territory of Lower Lusatia as well as the area around Belzig and Jüterbog, the Province headed by an Oberpräsident was subdivided into two governorates named after their respective capitals, Potsdam in the northwest and Frankfurt in the southeast. The provincial government was at first situated at the Potsdam royal residence, in 1827, it moved to Berlin, returned to Potsdam in 1843 and in 1918 finally settled in Charlottenburg. The conditions in the countryside remained largely untouched, even during the Revolutions of 1848 that led to violent fights in the streets of Berlin, the large estates had to deal with low soil quality and—except for brown coal occurrences in Lower Lusatia—the lack of natural resources. The provincial life was perpetuated in the novels by Theodor Fontane, the Great Depression helped the Nazi Party to establish itself as an important political power. After the Machtergreifung on 30 January 1933, the Nazi Gauleiter Wilhelm Kube held the office of the Oberpräsident, in the late days of World War II it was the site of the bloody encounters of the Seelow Heights, at Halbe and finally the Battle of Berlin. In 1946, after the war, the Neumark territory east of the Oder–Neisse line was ceded to the Republic of Poland to form the Zielona Gora Voivodeship. The remaining territory became part of the Soviet occupation zone and was transformed into the state of Brandenburg, in 1949, the state of Brandenburg became part of East Germany and, along with the other states of Eastern Germany, in 1952 was dissolved and divided into administrative districts. Brandenburgs territory roughly corresponded with the districts of Potsdam, Frankfurt/Oder, in 1990, following German reunification, Brandenburg was re-established as a state of the Federal Republic of Germany
3.
Kingdom of Prussia
–
It was the driving force behind the unification of Germany in 1871 and was the leading state of the German Empire until its dissolution in 1918. Although it took its name from the region called Prussia, it was based in the Margraviate of Brandenburg, the kings of Prussia were from the House of Hohenzollern. Prussia was a power from the time it became a kingdom, through its predecessor, Brandenburg-Prussia. Prussia continued its rise to power under the guidance of Frederick II, more known as Frederick the Great. After the might of Prussia was revealed it was considered as a power among the German states. Throughout the next hundred years Prussia went on to win many battles and it was because of its power that Prussia continuously tried to unify all the German states under its rule. Attempts at creation of a federation remained unsuccessful and the German Confederation collapsed in 1866 when war ensued between its two most powerful states, Prussia and Austria. The North German Confederation which lasted from 1867–1871, created a union between the Prussian-aligned states while Austria and most of Southern Germany remained independent. The North German Confederation was seen as more of an alliance of military strength in the aftermath of the Austro-Prussian War, the German Empire lasted from 1871–1918 with the successful unification of all the German states under Prussian hegemony. This was due to the defeat of Napoleon III in the Franco-Prussian War of 1870–71, in 1871, Germany unified into a single country, minus Austria and Switzerland, with Prussia the dominant power. Prussia is considered the predecessor of the unified German Reich. The Kingdom left a significant cultural legacy, today notably promoted by the Prussian Cultural Heritage Foundation, in 1415 a Hohenzollern Burgrave came from the south to the March of Brandenburg and took control of the area as elector. In 1417 the Hohenzollern was made an elector of the Holy Roman Empire, after the Polish wars, the newly established Baltic towns of the German states including Prussia, suffered many economic setbacks. Many of the Prussian towns could not even afford to attend political meetings outside of Prussia, the towns were poverty stricken, with even the largest town, Danzig, having to borrow money from elsewhere to pay for trade. Poverty in these towns was partly caused by Prussias neighbors, who had established and developed such a monopoly on trading that these new towns simply could not compete and these issues led to feuds, wars, trade competition and invasions. However, the fall of these gave rise to the nobility, separated the east and the west. It was clear in 1440 how different Brandenburg was from the other German territories, not only did it face partition from within but also the threat of its neighbors. It prevented the issue of partition by enacting the Dispositio Achillea which instilled the principle of primogeniture to both the Brandenburg and Franconian territories, the second issue was solved through expansion
4.
Berlin
–
Berlin is the capital and the largest city of Germany as well as one of its constituent 16 states. With a population of approximately 3.5 million, Berlin is the second most populous city proper, due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one-third of the area is composed of forests, parks, gardens, rivers. Berlin in the 1920s was the third largest municipality in the world, following German reunification in 1990, Berlin once again became the capital of all-Germany. Berlin is a city of culture, politics, media. Its economy is based on high-tech firms and the sector, encompassing a diverse range of creative industries, research facilities, media corporations. Berlin serves as a hub for air and rail traffic and has a highly complex public transportation network. The metropolis is a popular tourist destination, significant industries also include IT, pharmaceuticals, biomedical engineering, clean tech, biotechnology, construction and electronics. Modern Berlin is home to world renowned universities, orchestras, museums and its urban setting has made it a sought-after location for international film productions. The city is known for its festivals, diverse architecture, nightlife, contemporary arts. Since 2000 Berlin has seen the emergence of a cosmopolitan entrepreneurial scene, the name Berlin has its roots in the language of West Slavic inhabitants of the area of todays Berlin, and may be related to the Old Polabian stem berl-/birl-. All German place names ending on -ow, -itz and -in, since the Ber- at the beginning sounds like the German word Bär, a bear appears in the coat of arms of the city. It is therefore a canting arm, the first written records of towns in the area of present-day Berlin date from the late 12th century. Spandau is first mentioned in 1197 and Köpenick in 1209, although these areas did not join Berlin until 1920, the central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in a 1237 document,1237 is considered the founding date of the city. The two towns over time formed close economic and social ties, and profited from the right on the two important trade routes Via Imperii and from Bruges to Novgorod. In 1307, they formed an alliance with a common external policy, in 1415 Frederick I became the elector of the Margraviate of Brandenburg, which he ruled until 1440. In 1443 Frederick II Irontooth started the construction of a new palace in the twin city Berlin-Cölln
5.
German Empire
–
The German Empire was the historical German nation state that existed from the unification of Germany in 1871 to the abdication of Kaiser Wilhelm II in 1918, when Germany became a federal republic. The German Empire consisted of 26 constituent territories, with most being ruled by royal families and this included four kingdoms, six grand duchies, five duchies, seven principalities, three free Hanseatic cities, and one imperial territory. Although Prussia became one of kingdoms in the new realm, it contained most of its population and territory. Its influence also helped define modern German culture, after 1850, the states of Germany had rapidly become industrialized, with particular strengths in coal, iron, chemicals, and railways. In 1871, it had a population of 41 million people, and by 1913, a heavily rural collection of states in 1815, now united Germany became predominantly urban. During its 47 years of existence, the German Empire operated as an industrial, technological, Germany became a great power, boasting a rapidly growing rail network, the worlds strongest army, and a fast-growing industrial base. In less than a decade, its navy became second only to Britains Royal Navy, after the removal of Chancellor Otto von Bismarck by Wilhelm II, the Empire embarked on a bellicose new course that ultimately led to World War I. When the great crisis of 1914 arrived, the German Empire had two allies, Italy and the Austro-Hungarian Empire, Italy, however, left the once the First World War started in August 1914. In the First World War, German plans to capture Paris quickly in autumn 1914 failed, the Allied naval blockade caused severe shortages of food. Germany was repeatedly forced to send troops to bolster Austria and Turkey on other fronts, however, Germany had great success on the Eastern Front, it occupied large Eastern territories following the Treaty of Brest-Litovsk. German declaration of unrestricted submarine warfare in early 1917 was designed to strangle the British, it failed, but the declaration—along with the Zimmermann Telegram—did bring the United States into the war. Meanwhile, German civilians and soldiers had become war-weary and radicalised by the Russian Revolution and this failed, and by October the armies were in retreat, Austria-Hungary and the Ottoman Empire had collapsed, Bulgaria had surrendered and the German people had lost faith in their political system. The Empire collapsed in the November 1918 Revolution as the Emperor and all the ruling monarchs abdicated, and a republic took over. The German Confederation had been created by an act of the Congress of Vienna on 8 June 1815 as a result of the Napoleonic Wars, German nationalism rapidly shifted from its liberal and democratic character in 1848, called Pan-Germanism, to Prussian prime minister Otto von Bismarcks pragmatic Realpolitik. He envisioned a conservative, Prussian-dominated Germany, the war resulted in the Confederation being partially replaced by a North German Confederation in 1867, comprising the 22 states north of the Main. The new constitution and the title Emperor came into effect on 1 January 1871, during the Siege of Paris on 18 January 1871, William accepted to be proclaimed Emperor in the Hall of Mirrors at the Palace of Versailles. The second German Constitution was adopted by the Reichstag on 14 April 1871 and proclaimed by the Emperor on 16 April, the political system remained the same. The empire had a parliament called the Reichstag, which was elected by universal male suffrage, however, the original constituencies drawn in 1871 were never redrawn to reflect the growth of urban areas
6.
History painting
–
History painting is a genre in painting defined by its subject matter rather than artistic style. History paintings usually depict a moment in a story, rather than a specific and static subject. The term is derived from the senses of the word historia in Latin and Italian, meaning story or narrative. Most history paintings are not of scenes from history, especially paintings from before about 1850, History paintings almost always contain a number of figures, often a large number, and normally show some type of action that is a moment in a narrative. The genre includes depictions of moments in religious narratives, above all the Life of Christ, as well as scenes from mythology. These groups were for long the most frequently painted, works such as Michelangelos Sistine Chapel ceiling are therefore history paintings, History painting may be used interchangeably with historical painting, and was especially so used before the 20th century. Where a distinction is made historical painting is the painting of scenes from secular history, in the 19th century historical painting in this sense became a distinct genre. In phrases such as historical painting materials, historical means in use before about 1900 and he placed emphasis on the ability to depict the interactions between the figures by gesture and expression. This view remained general until the 19th century, when artistic movements began to struggle against the establishment institutions of academic art, which continued to adhere to it. Scenes from ancient history had been popular in the early Renaissance, and once again became common in the Baroque and Rococo periods, and still more so with the rise of Neoclassicism. In some 19th or 20th century contexts, the term may refer specifically to paintings of scenes from history, rather than those from religious narratives. Scenes from ancient history and mythology were also popular, artists continued for centuries to strive to make their reputation by producing such works, often neglecting genres to which their talents were better suited. The large works of Raphael were long considered, with those of Michelangelo, un Peintre qui ne fait que des portraits, na pas encore cette haute perfection de lArt, & ne peut prétendre à lhonneur que reçoivent les plus sçavans. He who produces perfect landscapes is above another who only produces fruit, a painter who only does portraits still does not have the highest perfection of his art, and cannot expect the honour due to the most skilled. By the late 18th century, with religious and mytholological painting in decline, there was an increased demand for paintings of scenes from history. Classical history remained popular, but scenes from national histories were often the best-received, the unheroic nature of modern dress was regarded as a serious difficulty. When, in 1770, Benjamin West proposed to paint The Death of General Wolfe in contemporary dress and he ignored these comments and showed the scene in modern dress. Although George III refused to purchase the work, West succeeded both in overcoming his critics objections and inaugurating a more historically accurate style in such paintings. M. W, conveniently their clothes had been worn away to classical-seeming rags by the point the painting depicts
7.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
8.
Wilhelminism
–
It roughly coincided with the Belle Époque era of Western Europe. By Wilhelminism is not meant a conception of society associated with the name Wilhelm, though Bismarckss Anti-Socialist Laws were not renewed, Wilhelms government continued to implement measures against Socialist ideas. Nevertheless, the Social Democratic Party continued to grow in strength, the relations with the British were not only strained by the Scramble for Africa but also by the Anglo-German naval arms race. Wilhelm’s fascination for the German Navy, and his ambition to see it established as an instrument for the projection of power, were reflected in everyday German life. Still until the middle of the century, boys were dressed in sailor suits. It is also used to describe, among other things, an essentially Neo-Baroque, Der Untertan National Kaiser Wilhelm Monument Index of Germany-related articles Geoff Eley and James Retallack, Wilhelminism and its Legacies. German Modernities and the Meanings of Reform, 1890-1930, essays for Hartmut Pogge von Strandmann. Berghahn Books, New York and Oxford,2003 R. J. Evans and Hartmut Pogge von Strandmann, john C. G. Röhl, The Kaiser and his court, Wilhelm II and the government of Germany. John C. G. Röhl, Wilhelm II, The Kaisers Personal Monarchy, john C. G. Röhl, Kaiser, Hof und Staat. C. H. Beck, Munich ³1988, ISBN 978-3-406-49405-5, john C. G. Röhl, Wilhelm II. C. H. Beck, Munich 1993–2008, Volume 1, Die Jugend des Kaisers, Volume 2, Der Aufbau der Persönlichen Monarchie, 1888–1900. Volume 3, Der Weg in den Abgrund, 1900–1941, fritz Fischer, Griff nach der Weltmacht. Die Kriegszielpolitik des kaiserlichen Deutschland 1914/18, Droste 2000, ISBN 3-7700-0902-9, zeitreise – exhibition in Nordrhein-Westfalen Preußen – Chronik eines deutschen Staates Warum der Wilhelminismus als politischer Kampfbegriff nichts taugt - Die Zeit, February 1999
9.
East Prussia
–
East Prussia was a province of Prussia from 1773–1829 and from 1878–1945. East Prussia was the part of the region of Prussia along the southeastern Baltic Coast. East Prussia enclosed the bulk of the lands of the Baltic Old Prussians. During the 13th century, the native Prussians were conquered by the crusading Teutonic Knights, the indigenous Balts who survived the conquest were gradually converted to Christianity. Because of Germanization and colonisation over the centuries, Germans became the dominant ethnic group, while Poles. From the 13th century, East Prussia was part of the state of the Teutonic Knights. After the Second Peace of Thorn in 1466 it became a fief of the Kingdom of Poland, in 1525, with the Prussian Homage, the province became the Duchy of Prussia. The Old Prussian language had become extinct by the 17th or early 18th century, because the duchy was outside of the core Holy Roman Empire, the prince-electors of Brandenburg were able to proclaim themselves King of Prussia beginning in 1701. Between 1829 and 1878, the Province of East Prussia was joined with West Prussia to form the Province of Prussia, the Kingdom of Prussia became the leading state of the German Empire after its creation in 1871. Following Nazi Germanys defeat in World War II in 1945, war-torn East Prussia was divided at Joseph Stalins insistence between the Soviet Union and the Peoples Republic of Poland, the capital city Königsberg was renamed Kaliningrad in 1946. The German population of the province was evacuated during the war or expelled shortly thereafter in the expulsion of Germans after World War II. An estimated 300,000 died either in war time bombings raids or in the battles to defend the province. Upon the invitation of Duke Konrad I of Masovia, the Teutonic Knights took possession of Prussia in the 13th century, local Old-Prussian and Polish toponyms were gradually Germanised. Its defeat was formalised in the Second Treaty of Thorn in 1466 ending the Thirteen Years War, together with Warmia it formed the province of Royal Prussia. Eastern Prussia remained under the Knights, but as a fief of Poland,1466 and 1525 arrangements by kings of Poland were not verified by the Holy Roman Empire as well as the previous gains of the Teutonic Knights were not verified. The Teutonic Order lost eastern Prussia when Grand Master Albert of Brandenburg-Ansbach converted to Lutheranism, Albert established himself as the first duke of the Duchy of Prussia and a vassal of the Polish crown by the Prussian Homage. Walter von Cronberg, the next Grand Master, was enfeoffed with the title to Prussia after the Diet of Augsburg in 1530, in 1569 the Hohenzollern prince-electors of the Margraviate of Brandenburg became co-regents with Alberts son, the feeble-minded Albert Frederick. The Administrator of Prussia, the grandmaster of the Teutonic Order Maximilian III, when Maximilian died, Alberts line died out, and the Duchy of Prussia passed to the Electors of Brandenburg, forming Brandenburg-Prussia
10.
Prussian Academy of Arts
–
The academy had a decisive influence on art and its development in the German-speaking world throughout its existence. For an extended period of time it was also the German artists society and training organisation and it dropped Prussian from its name in 1945 and was finally disbanded in 1955 after the 1954 foundation of two separate academies of art for East Berlin and West Berlin in 1954. Those two separate academies merged in 1993 to form Berlins present-day Academy of Arts, most artists were associated with the academy as members. Membership was an honorary distinction extended to prominent domestic Prussian artists, a deliberative body of senators was chosen from the membership -- some elected, and some automatically included due to other rank. The academy was not a school, although it had associations with educational institutions, the scope was expanded in 1704 to include Mechanical Sciences. The academys first director was Swiss painter Joseph Werner, in 1833 the academy added a fine arts division, and a music division in 1835. Emil Fuchs studied at the Academy under Fritz Schaper and Anton von Werner, Otto Geyer studied there from 1859-1864. Sculptor Wilhelm Neumann-Torborg studied at the academy from 1878 until 1885, under Otto Knille, in 1885, he won the Academys Rome Scholarship for his thesis, The Judgment of Paris. Anna Gerresheim studied there from 1876 for four years in the class under Karl Gussow. Oskar Frenzel studied there between 1884 and 1889 under Paul Friedrich Meyerheim and Eugen Bracht and he was from 1904 until his death a member of the Academy. Painter Friedrich Wachenhusen studied there in 1889 under Eugen Bracht, painter and sculptor Paul Wallat studied there from 1902-1909 under Otto Brausewetter and Carl Saltzmann. On December 29,1906 he received the award of the Ginsberg Foundation of the Berlin Academy, käthe Kollwitz became the first woman elected to the Prussian Academy, but with the coming to power of Adolf Hitler in 1933 she was expelled because of her beliefs and her art. Name changes, 1882–1918 Königliche Akademie der Künste zu Berlin 1918–1926 Akademie der Künste zu Berlin 1926–1931 Preußische Akademie der Künste zu Berlin 1931–1954 Preussische Akademie der Künste
11.
Academy of Fine Arts, Karlsruhe
–
The State Academy of Fine Arts Karlsruhe, situated in Karlsruhe, Baden-Württemberg, is one of the smaller art schools in Germany with an average of 300 students. It was founded in 1854 by Frederick I, Grand Duke of Baden, the first director was the painter of landscapes Johann Wilhelm Schirmer. Today the artist Ernst Caramelle leads it, at the State Academy of Fine Arts Karlsruhe one can study all kinds of free Fine Art, but also become a teacher at a German high-school. The Academy is placed in three different buildings spread over the city of Karlsruhe, smithies Hans Thoma Christoph Voll Friedrich Wachenhusen Holger Walter Axel Heil, Harald Klingelhöller,150 Years. The History of the Academy of Fine Arts Karlsruhe in Pictures, die Geschichte der Kunstakademie Karlsruhe in Bildern und Texten. ISBN 3-89929-045-3 Vereinigung der Freunde der Kunstakademie Karlsruhe e. V, homepage of the State Academy of Fine Arts Karlsruhe
12.
Karlsruhe
–
Karlsruhe is the second-largest city in the state of Baden-Württemberg, in southwest Germany, near the French-German border. It has a population of 307,755, the city is the seat of the two highest courts in Germany, the Federal Constitutional Court and the Federal Court of Justice. Its most remarkable building is Karlsruhe Palace, which was built in 1715, the city lies at an altitude between 100 m and 322 m. Its geographical coordinates are 49°00′N 8°24′E, the 49th parallel runs through the city centre and its course is marked by a stone and painted line in the Stadtgarten. Almost all of these survived until today. The city centre is the oldest part of town and lies south of the palace in the quadrant defined by nine of the radial streets, the central part of the palace runs east-west, with two wings, each at a 45° angle, directed southeast and southwest. The market square lies on the street running south from the palace to Ettlingen, the area north of the palace is a park and forest. The area west of the palace is now mostly residential, Karlsruhe experiences an oceanic climate and its winter climate is milder, compared to most other German cities. Summers are also hotter than elsewhere in the country and it is one of the sunniest cities in Germany, precipitation is almost evenly spread throughout the year. In 2008, the station in Karlsruhe, which had been operating since 1876, was closed, it was replaced by a weather station in Rheinstetten. A variation of this claims that he built the new palace in order to find peace from his wife. Charles William founded the city on June 17,1715, after a dispute with the citizens of his previous capital, the founding of the city is closely linked to the construction of the palace. Karlsruhe became the capital of Baden-Durlach and in 1771 of the united Baden until 1945, built in 1822, the Ständehaus was the first parliament building in a German State. In the aftermath of the revolution of 1848, a republican government was elected here. Karlsruhe was visited by Thomas Jefferson during his time as the American envoy to France, Jefferson passed to him maps of 12 European towns to consult, one of which was a sketch he had made of Karlsruhe during his visit. In 1860, the international professional convention of chemists, the Karlsruhe Congress, was held in the city. Much of the area, including the palace, was reduced to rubble by Allied bombing during World War II but was rebuilt after the war. Located in the American zone of the post-war Allied occupation, Karlsruhe was home to an American military base, in 1995, the bases closed, and their facilities were turned over to the city of Karlsruhe
13.
Johann Wilhelm Schirmer
–
Johann Wilhelm Schirmer was a German landscape artist from Jülich, within the Prussian Duchy of Jülich. Johann Wilhelm Schirmer was started as a student of painting under Schadow at the academy of Düsseldorf. Later, he came under the influence of Carl Friedrich Lessing and landscape painting and he became known as one of the first of the Düsseldorf school of painting. In 1830 he became an Assistant Professor, and later, in 1839, in the meantime, he visited and painted in Belgium, the Black Forest, Switzerland, the Netherlands, Normandy and Italy. In 1854, he took up the role of a Director at the Art School at Karlsruhe and this artist is sometimes confused with August Wilhelm Ferdinand Schirmer, who had similar interests, and belonged to the same era. In addition, both were known by the name Wilhelm Schirmer, and were students of Wilhelm von Schadow, thurston, H. T. Colby, F. M. eds. This article incorporates text from a now in the public domain, Rines, George Edwin, ed. Schirmer
14.
Ludwig des Coudres
–
Ludwig des Coudres was a German historical, portrait, and genre painter. He was born at Cassel in 1820, and pursued his first studies under J. von Schnorr and he travelled in Italy in 1844–1845, and placed himself in 1848–1849 under Karl Sohn at the Kunstakademie Düsseldorf. He is associated with the Düsseldorf school of painting, in 1855, he was appointed professor in the School of Arts at Carlsruhe, in which city he died in 1878. Notable works include, Francesca da Rimini,1857 The Holy Women before the Cross. Happy Existence — a childs picture, media related to Ludwig Des Coudres at Wikimedia Commons
15.
Karl Friedrich Lessing
–
Karl Friedrich Lessing was a German historical and landscape painter, grandnephew of Gotthold Ephraim Lessing. He was born near Breslau, and was a pupil of Heinrich Anton Dähling at the Berlin Academy and he first devoted himself to landscape. In 1826 obtained a prize with his Cemetery in Ruins and he accompanied Friedrich Wilhelm Schadow to Düsseldorf, where he continued his studies, devoting himself to historical paintings. In 1830, when Schadow went to Italy, Lessing occupied his place as director of the academy and his picture Das trauernde Königspaar brought him great popularity. In 1837, he received a medal at Paris, he was a member of the Berlin Academy and was the recipient of several orders. In 1858 he was appointed director of the gallery at Karlsruhe, selected works by Karl Friedrich Lessing Wilhelm Jordan, Ausstellung der Werke Karl Friedrich Lessings This article incorporates text from a publication now in the public domain, Gilman, D. C. Thurston, H. T. Colby, F. M. eds. article name needed
16.
Eduard Devrient
–
Eduard Devrient was a German baritone, librettist, playwright, actor, theatre director, and theatre reformer and historian. Devrient came from a theatrical family and his uncle was Ludwig Devrient and his brother Karl was the first husband of Wilhelmine Schröder-Devrient. He was born and studied in Berlin and performed in a number of German opera houses between 1819 and 1834, when he lost his voice and turned his attention to writing and acting. From 1844-6 he worked in Dresden as actor/director, and he directed the Hoftheater in Karlsruhe from 1852 until his retirement in 1870. As a singer, he performed in works by Gluck, Mozart, Beethoven and Weber, among others and he also sang in the 1831 Berlin premiere of Der Templer und die Jüdin. He wrote a number of plays and two opera librettos, Die Kirmes and Der Zigeuner, both set by Wilhelm Taubert. In Karlsruhe, in the course of seventeen years, he not only raised it to a high position, but his chief work is his history of the German stage, Geschichte der deutschen Schauspielkunst. His son Otto Devrient also worked in the theatre, the New Grove Dictionary of Opera. Works by Eduard Devrient at Project Gutenberg Works by or about Eduard Devrient at Internet Archive
17.
Johannes Brahms
–
Johannes Brahms was a German composer and pianist of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his life in Vienna. Brahms composed for orchestra, chamber ensembles, piano, organ. A virtuoso pianist, he premiered many of his own works and he worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished, Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg, the diligent, highly constructed nature of Brahmss works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs, Brahmss father, Johann Jakob Brahms, was from the town of Heide in Holstein. The family name was sometimes spelt Brahmst or Brams, and derives from Bram. Against the familys will, Johann Jakob pursued a career in music, arriving in Hamburg in 1826, where he work as a jobbing musician. In 1830, he married Johanna Henrika Christiane Nissen, a seamstress 17 years older than he was, in the same year he was appointed as a horn player in the Hamburg militia. Eventually he became a player in the Hamburg Stadttheater and the Hamburg Philharmonic Society. As Johann Jakob prospered, the family moved over the years to better accommodation in Hamburg. Johannes Brahms was born in 1833, his sister Elisabeth had been born in 1831, Fritz also became a pianist, overshadowed by his brother he emigrated to Caracas in 1867, and later returned to Hamburg as a teacher. Johann Jakob gave his son his first musical training, Johannes also learnt to play the violin, from 1840 he studied piano with Otto Friedrich Willibald Cossel. Cossel complained in 1842 that Brahms could be such a good player, at the age of 10, Brahms made his debut as a performer in a private concert including Beethovens quintet for piano and winds Op.16 and a piano quartet by Mozart. He also played as a solo work an étude of Henri Herz, by 1845 he had written a piano sonata in G minor
18.
Clara Schumann
–
Clara Schumann was a German musician and composer, considered one of the most distinguished pianists of the Romantic era. She exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital and her husband was the composer Robert Schumann. She was the first to perform any work by Brahms. She later premiered some other pieces by Brahms, notably the Variations, Clara Josephine Wieck was born in Leipzig on 13 September 1819 to Friedrich Wieck and Marianne Wieck. Marianne Tromlitz was a singer in Leipzig at the time and was singing solos on a weekly basis at the well-known Gewandhaus in Leipzig. The differences between her parents were irreconcilable, in part due to her fathers unyielding nature. After an affair between Claras mother and Adolph Bargiel, her fathers friend, the Wiecks divorced in 1824, five-year-old Clara remained with her father. From an early age, Claras career and life was planned down to the smallest detail by her father and she daily received a one-hour lesson and two hours of practice, using the teaching methods he had developed on his own. In March 1828, at the age of eight, the young Clara Wieck performed at the Leipzig home of Dr. Ernst Carus, there she met another gifted young pianist who had been invited to the musical evening, named Robert Schumann, who was nine years older. Schumann admired Claras playing so much that he asked permission from his mother to discontinue his law studies, which had never interested him much, while taking lessons, he took rooms in the Wieck household, staying about a year. He would sometimes dress up as a ghost and scare Clara, in 1830, at the age of eleven, Clara left on a concert tour to Paris via other European cities, accompanied by her father. She gave her first solo concert at the Leipzig Gewandhaus, in Weimar, she performed a bravura piece by Henri Herz for Goethe, who presented her with a medal with his portrait and a written note saying, For the gifted artist Clara Wieck. During that tour, Niccolò Paganini was in Paris, and he offered to appear with her, however, her Paris recital was poorly attended, as many people had fled the city due to an outbreak of cholera. From December 1837 to April 1838, Clara Wieck performed a series of recitals in Vienna when she was 18, franz Grillparzer, Austrias leading dramatic poet, wrote a poem entitled Clara Wieck and Beethoven after hearing Wieck perform the Appassionata sonata during one of these recitals. On 15 March, Wieck was named a Königliche und Kaiserliche Kammervirtuosin, Robert was a little more than 9 years older than Clara and moved into the Wieck household as a piano student of Friedrichs by the end of 1830 when she was only 11 and he was 20. In 1837 when she was 18, he proposed to her, then Robert asked Friedrich for Claras hand in marriage. Wieck was strongly opposed to the marriage, as he did not much approve of Robert, Robert and Clara had to go to court and sue Friedrich. The judges decision was to allow the marriage, in 1840, despite Friedrichs objections, Clara and Robert were married
19.
Paul Heyse
–
Paul Johann Ludwig von Heyse was a distinguished German writer and translator. A member of two important literary societies, the Tunnel über der Spree in Berlin and Die Krokodile in Munich, he wrote novels, poetry,177 short stories, the sum of Heyses many and varied productions made him a dominant figure among German men of letters. Wirsen, one of the Nobel judges, said that Germany has not had a literary genius since Goethe. Heyse is the fifth oldest laureate in literature, after Doris Lessing, Theodor Mommsen, Alice Munro, paul Heyse was born on 15 March 1830 in Heiliggeiststraße, Berlin. His paternal grandfather Johann Christian August Heyse, was a famous German grammarian, Heyse attended the renamed Friedrich-Wilhelms-Gymnasium until 1847. He was later remembered as a model student, after leaving school Heyse began studying classical philology. He met Jacob Burckhardt, Adolph Menzel, Theodor Fontane and Theodor Storm, frühlingsanfang 1848, the first of Heyses poems to see print, expressed his enthusiasm for the recent Revolution. After a brief excursion to see the student militias he returned home without joining them, apparently out of consideration for the concerns of his parents and friends. Having studied for two years at the University of Berlin he left for Bonn in April 1849 in order to art history. Heyses first book, Der Jungbrunnen was published anonymously by his father that year as was his tragedy Francesca von Rimini. About the same time, Heyse received from the publisher Alexander Duncker a manuscript by the then-unknown Theodor Storm, Heyses enthusiastic critique of Sommergeschichten und Lieder laid the foundations of their future friendship. In 1851 Heyse won a contest held by the members of the Tunnel for the ballad Das Tal von Espigno, wolf also set poems from Heyses collection Italienisches Liederbuch of 1860. Throughout his career Heyse worked as a translator, above all of Italian literature, in May 1852 Heyse was awarded a doctorate for his work on the troubadours, and a Prussian scholarship allowed him to depart for Italy to look for old Provençal manuscripts. He made friends with Arnold Böcklin and Joseph Victor von Scheffel but was banned from the Vatican library after being discovered copying passages from unpublished manuscripts, much of his new writing appeared in the Argo, the yearbook of the Rütli writers. Emanuel Geibel persuaded the King of Bavaria, Maximilian II, to grant Heyse a titular professorship in Munich, Heyse was thus appointed professor of Romance philology, although he never taught at that citys university. After his marriage on 15 May to Margarete Kugler he arrived in Munich on 25 May 1854, in December Heyse began a long correspondence with Eduard Mörike. On 22 August 1855 Heyses first son, Franz, was born, Heyse would have four children by his first marriage, Franz, Julie or Lulu, Ernst and Clara. On 30 September 1862, his wife Margarete died in Meran of a lung illness and he completed the historical drama, Ludwig der Bayer – a Bavarian period piece which Maximilian II had long been eager to see – but its theatrical production was a failure
20.
Hans Gude
–
Hans Fredrik Gude was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norways foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism and he is associated with the Düsseldorf school of painting. Gudes artistic career was not one marked with change and revolution. Gudes early works are of idyllic, sun-drenched Norwegian landscapes which present a romantic, around 1860 Gude began painting seascapes and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with Adolph Tidemand in some of his painting, drawing the landscape himself, later Gude would work specifically on his figures while at Karlsruhe, and so began populating his paintings with them. Gude initially painted primarily with oils in a studio, basing his works on studies he had earlier in the field. However, as Gude matured as a painter he began to paint en plein air, Gude spent forty-five years as an art professor and so he played an important role in the development of Norwegian art by acting as a mentor to three generations of Norwegian artists. Young Norwegian artists flocked to wherever Gude was teaching, first at the Academy of Art in Düsseldorf and later at the School of Art in Karlsruhe. Over the course of his lifetime Gude won numerous medals, was inducted as a member into many art academies. He was the father of painter Nils Gude, Gude was born in Christiania in 1825 the son of Ove Gude, a judge, and Marie Elisabeth Brandt. Gude began his career with private lessons from Johannes Flintoe. In the autumn of 1841 Johan Sebastian Welhaven suggested that the young Gude should be sent to Düsseldorf to further his education in the arts, Gude was rejected by the academy, but attracted the attention of Andreas Achenbach who provided him with private lessons. Gude was finally accepted into the Academy in the autumn of 1842, the landscape painting class at the Academy was new at the time, having been founded in 1839 as a counterpart to the more long standing figure painting class. At the time figure painting was considered a more prestigious genre than landscape painting as it was only through painting the human body could true beauty be expressed. Gude, along with most of the class of twelve, received a grade of good his first semester and was described as talented, while Gude was a student, two different trends in landscaping were developing at the Academy, a romantic trend and a classical trend. The romanticists depicted wild, untamed wildernesses with dark forests, soaring peaks and they used rich, saturated colors with strong contrast of light and shadow. The classicists were more interested in recreating landscapes from the heroic or mythical past, the classicists focused on lines and clarity in their compositions. Their relationship was such a one that Gudes eldest daughter eventually married one of Lessings sons
21.
Joseph Victor von Scheffel
–
Joseph Victor von Scheffel was a German poet and novelist. Young Scheffel was educated at the lyceum at Karlsruhe and afterwards at the universities of Munich, Heidelberg, after passing the state examination for admission to the judicial service, he graduated Doctor juris and for four years held an official position at the town of Säckingen. Here he wrote his poem Der Trompeter von Säckingen, a romantic and it has reached more than 250 editions and was made into an opera by Viktor Nessler in 1884. Scheffel next undertook a journey to Italy, returning home in 1853 he found his parents more than ever anxious that he should continue his legal career. The first ideas for work he got from the Monumenta Germaniae Historica. It was hardly less popular than the Trompeter von Säckingen, in 1901 it reached the 179th edition. In these songs the author shows himself the light-hearted student, a friend of wine and song, one example is Im schwarzen Walfisch zu Askalon, the lyrics reflect an endorsement of the bacchanalian mayhem of student life. The song describes a old assyrian drinking binge with some references to the Classics, the large invoice is being provided in cuneiform on six brick stones. However the carouser has to admit that he left his money already in Nineves Lamb inn, in typical manner of Scheffel, it contains an anachronistic mixture of various times and eras, parodistic notions on current science, as e. g. Historical criticism. There are various verses, including political parody and verses mocking different sorts of fraternities or even one just. The song has been used as name for traditional students inns and he also used natural science to mock the political environment, as he mocked Hegel with his Guano poem or referred to the course of time in his Ichthyosaurus poem. On the occasion of his jubilee, which was celebrated all over Germany and he died at Karlsruhe on 9 April 1886. 1891 Joseph Stöckle founded the Scheffelbund in Schwetzingen, the largest literary society in Germany with about 7.000 members, the Scheffelprize is dedicated to excellent pupils. There are various Scheffel memorials, street and place names, the Scheffel Archive is partially at the Scheffelbund and partially in Badischen Landesbibliothek. His works, other than those mentioned, are, Frau Aventiure. Scheffels Gesammelte Werke have been published in six volumes, a tale of the tenth century. Translated from the German by Sofie Delffs, humorous Poems by Joseph Viktor von Scheffel, Ebook-Nr. 35848 on gutenberg. org This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Scheffel
22.
Frederick I, Grand Duke of Baden
–
Frederick I was the Grand Duke of Baden from 1856 to 1907. Frederick was born in Karlsruhe, on 9 September 1826 and he was the third son of Grand Duke Leopold and of his wife, Grand Duchess Sophie, who was born Princess of Sweden, daughter of King Gustav IV Adolf of Sweden. He became the heir presumptive to the Grand Duchy upon the death of his father in 1852, due to his brothers mental ill-health, he was Regent ad interim of Baden in 1852–1855, and took the title of Grand Duke in 1856. His brother, Louis II, died in 1858 and he was considered a relatively liberal supporter of a constitutional monarchy. During his reign the option of civil marriages was introduced in Baden as well as elections to the Lower House of the Parliament of Baden in 1904. In 1856, he married Princess Louise, daughter of Prince Wilhelm of Prussia and his wife, the Grand Duke had a pivotal role in the history of the Zionist Movement. In 1896 the Grand Duke met Theodor Herzl via their mutual acquaintance the reverend William Hechler, and helped Herzl in obtaining an audience with his nephew, the German Emperor. Frederick I was present at the proclamation of the German Empire at Versailles in 1871, as he was the only son-in-law of the Emperor and he died at his summer residence at the island of Mainau in southern Germany on 28 September 1907. Today, Mainau is owned by the Lennart Bernadotte-Stiftung, created by Fredericks great-grandson Count Lennart Bernadotte
23.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
24.
Exposition Universelle (1867)
–
The International Exposition of 1867, was the second worlds fair to be held in Paris, from 1 April to 3 November 1867. Forty two nations were represented at the fair, following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. In 1864, Napoleon III decreed that an international exposition should be held in Paris in 1867, a commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. In addition to the building, there were nearly 100 smaller buildings on the grounds. There were 50,226 exhibitors, of whom 15,055 were from France and her colonies,6176 from Great Britain and Ireland,703 from the United States and a small contingent from Canada. In the gallery of Labour History Jacques Boucher de Perthes, exposes one of the first prehistoric tools whose authenticity has been recognized with the accuracy of these theories. The exhibition also included two prototypes of the acclaimed and prize-winning hydrochronometer invented in 1867 by Gian Battista Embriaco. Farcot and sculptor Albert-Ernest Carrier-Be Belleuse, farcot exhibited several units, one of them it is currently in the Roosevelt Hotel in New Orleans. Its base, which features the face and inner mechanical movements, is carved from solid onyx marble. Atop the base, a sculpture depicting a robed female figure holds a scepter. Rotating soundlessly from the subjects hand, the scepter provides consistent motion that adds to the clocks sense of grandeur. From its base to the top of the figure stands at nearly 10 feet tall. Carrier de Belleuse was one of the most important and renowned sculptors of the 19th century, the exposition was formally opened on 1 April and closed on 31 October 1867, and was visited by 9,238,967 persons, including exhibitors and employees. This exposition was the greatest up to its time of all international expositions, for the first time Japan presented art pieces to the world in a national pavilion, especially pieces from the Satsuma and Saga clans in Kyushu. The Paris street near Champs de Mars, Rue de LExposition was named in hommage to this 1867 universal exhibition. Jules Verne visited the exhibition in 1867, his take on the newly publicized discovery of electricity inspiring him heavily in his writing of 20,000 Leagues Under the Sea. A famous revival of the ballet Le Corsaire was staged by the Ballet Master Joseph Mazilier in honor of the exhibition at the Théâtre Impérial de l´Opéra on 21 October 1867. The World Rowing Championships were held on the Seine River in July and was won by the underdog Canadian team from Saint John, rejtan This article incorporates text from a publication now in the public domain, Gilman, D. C
25.
Jean-Auguste-Dominique Ingres
–
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. A man profoundly respectful of the past, he assumed the role of a guardian of orthodoxy against the ascendant Romantic style represented by his nemesis. His exemplars, he explained, were the great masters which flourished in that century of glorious memory when Raphael set the eternal. I am thus a conservator of good doctrine, and not an innovator, Ingres was born in Montauban, Tarn-et-Garonne, France, the first of seven children of Jean-Marie-Joseph Ingres and his wife Anne Moulet. From his father the young Ingres received early encouragement and instruction in drawing and music, and his first known drawing, the deficiency in his schooling would always remain for him a source of insecurity. In 1791, Joseph Ingres took his son to Toulouse, where the young Jean-Auguste-Dominique was enrolled in the Académie Royale de Peinture, Sculpture et Architecture, there he studied under the sculptor Jean-Pierre Vigan, the landscape painter Jean Briant, and the neoclassical painter Guillaume-Joseph Roques. Roques veneration of Raphael was an influence on the young artist. Ingres won prizes in several disciplines, such as composition, figure and antique and his musical talent was developed under the tutelage of the violinist Lejeune, and from the ages of thirteen to sixteen he played second violin in the Orchestre du Capitole de Toulouse. Ingres followed his masters neoclassical example but revealed, according to David and his trip to Rome, however, was postponed until 1806, when the financially strained government finally appropriated the travel funds. Working in Paris alongside several other students of David in a provided by the state. He found inspiration in the works of Raphael, in Etruscan vase paintings, in 1802 he made his debut at the Salon with Portrait of a Woman. The following year brought a commission, when Ingres was one of five artists selected to paint full-length portraits of Napoleon Bonaparte as First Consul. These were to be distributed to the towns of Liège, Antwerp, Dunkerque, Brussels. In the summer of 1806 Ingres became engaged to Marie-Anne-Julie Forestier, although he had hoped to stay in Paris long enough to witness the opening of that years Salon, in which he was to display several works, he reluctantly left for Italy just days before the opening. Chaussard condemned Ingress style as gothic and asked, How, with so much talent, a line so flawless, the answer is that he wanted to do something singular, something extraordinary. M. Ingress intention is nothing less than to make art regress by four centuries, to carry us back to its infancy, Ingres stylistic eclecticism represented a new tendency in art. As art historian Marjorie Cohn has written, At the time, Artists and critics outdid each other in their attempts to identify, interpret, and exploit what they were just beginning to perceive as historical stylistic developments. From the beginning of his career, Ingres freely borrowed from earlier art, adopting the style appropriate to his subject
26.
Ernest Meissonier
–
Jean-Louis Ernest Meissonier was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille, Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a glass, marvelling at Meissoniers manual dexterity. Meissoniers work commanded enormous prices and in 1846 he purchased a mansion in Poissy. Meissonier himself said that his house and temperament belonged to another age, Ernest Meissonier was born at Lyon. His father, Charles, had been a businessman, the proprietor of a factory in Saint-Denis, north of Paris. He expected Ernest, the eldest of his two sons, to him into the dye business. Yet from his schooldays Ernest showed a taste for painting, to some early sketches, dated 1823. After being placed with a druggist in the Rue des Lombards, at age seventeen, following the recommendation of a painter named Potier, himself a second class Prix de Rome, he was admitted to Léon Cogniets studio. He also formed his style after the Dutch masters as represented in the Louvre and it was the first attempt in France in the particular genre which was destined to make Meissonier famous, microscopic painting miniature in oils. Working hard for daily bread at illustrations for the publishers Curmer, Hetzel and Dubocherhe, Meissonier also exhibited at the Salon of 1836 with Chess Player and the Errand Boy. In 1838 Meissonier married a Protestant woman from Strasbourg named Emma Steinhel, two children were born in due course, Thérèse, and Charles. On the birth registration of his daughter he described himself as a painter of history, typical examples include Halt at an Inn, owned by the Duc de Morny and The Brawl, which was owned by Queen Victoria. After his Soldiers he began A Day in June, which was never finished, in 1855 he touched the highest mark of his achievement with The Gamblers and The Quarrel, which was presented by Napoleon III to the English Court. The Emperor Napoleon III at Solferino took Meissonier more than three years to complete, in autumn 1861 he was elected to a chair in the Institut de France when the members of the Académie des Beaux-Arts voted for him to join their number. To the Salon of 1861 he sent A Shoeing Smith, A Musician, A Painter, and M. Louis Fould, to that of 1864 The Emperor at Solferino and he subsequently exhibited A Gamblers Quarrel and Desaix and the Army of the Rhine. In June 1868 Meissonier travelled to Antibes with canvas and easel, together with his wife, son and daughter, the light of the south attracted Meissonnier. It is delightful to sun oneself in the brilliant light of the South instead of wandering about like gnomes in the fog, the view at Antibes is one of the fairest sights in nature
27.
Kingdom of Italy
–
The state was founded as a result of the unification of Italy under the influence of the Kingdom of Sardinia, which can be considered its legal predecessor state. Italy declared war on Austria in alliance with Prussia in 1866, Italian troops entered Rome in 1870, ending more than one thousand years of Papal temporal power. Italy entered into a Triple Alliance with Germany and Austria-Hungary in 1882, victory in the war gave Italy a permanent seat in the Council of the League of Nations. Fascist Italy is the era of National Fascist Party rule from 1922 to 1943 with Benito Mussolini as head of government, according to Payne, Fascist regime passed through several relatively distinct phases. The first phase was nominally a continuation of the parliamentary system, then came the second phase, the construction of the Fascist dictatorship proper from 1925 to 1929. The third phase, with activism, was 1929–34. The war itself was the phase with its disasters and defeats. Italy was allied with Nazi Germany in World War II until 1943 and it switched sides to the Allies after ousting Mussolini and shutting down the Fascist party in areas controlled by the Allied invaders. Shortly after the war, civil discontent led to the referendum of 1946 on whether Italy would remain a monarchy or become a republic. Italians decided to abandon the monarchy and form the Italian Republic, the Kingdom of Italy claimed all of the territory which is modern-day Italy. The development of the Kingdoms territory progressed under Italian re-unification until 1870, the state for a long period of time did not include Trieste or Trentino-Alto Adige/Südtirol, which are in Italy today, and only annexed them in 1919. After the Second World War, the borders of present-day Italy were founded, the Kingdom of Italy was theoretically a constitutional monarchy. Executive power belonged to the monarch, as executed through appointed ministers, two chambers of parliament restricted the monarchs power—an appointive Senate and an elective Chamber of Deputies. The kingdoms constitution was the Statuto Albertino, the governing document of the Kingdom of Sardinia. In theory, ministers were responsible to the king. However, in practice, it was impossible for an Italian government to stay in office without the support of Parliament, members of the Chamber of Deputies were elected by plurality voting system elections in uninominal districts. A candidate needed the support of 50% of those voting, and of 25% of all enrolled voters, if not all seats were filled on the first ballot, a runoff was held shortly afterwards for the remaining vacancies. After a brief multinominal experimentation in 1882, proportional representation into large, regional, Socialists became the major party, but they were unable to form a government in a parliament split into three different factions, with Christian Populists and classical liberals
28.
Anselm Feuerbach
–
Anselm Feuerbach was a German painter. He was the leading classicist painter of the German 19th-century school, Feuerbach was born at Speyer, the son of the well-known archaeologist Joseph Anselm Feuerbach and the grandson of the legal scholar Paul Johann Anselm Ritter von Feuerbach. The house of his birth is now a small museum, between 1845 and 1848 he attended the Düsseldorf Academy, where he was taught by Johann Wilhelm Schirmer, Wilhelm von Schadow, and Carl Sohn. He went on to the Munich Academy, but in 1850, along with a number of dissatisfied students, he moved to the academy at Antwerp. Feuerbach moved to Paris in 1851, where he was a pupil of Thomas Couture until 1854 and it was in Paris that he produced his first masterpiece, Hafiz at the Fountain. From there he continued to Florence and then to Rome and he remained in Rome until 1873, making brief visits back to Germany. In 1861 he met Anna Risi, who sat as his model for the four years. In 1866 she was succeeded as his model by Lucia Brunacci. In 1862 Feuerbach met Count Adolf Friedrich von Schack, who commissioned copies of Italian old masters from him, the count introduced him to Arnold Böcklin and Hans von Marées. The three artists became known as the Deutschrömer because of their preference for Italian over German art, in 1873 Feuerbach moved to Vienna, having been appointed professor of history painting at the Academy. Feuerbach developed a disagreement with architect Theophil Hansen over his ceiling mural The Fall of the Titans, while in the Vienna he came to know Johannes Brahms. In 1877 he resigned from his post at the Vienna Academy and moved to Venice, Brahms composed Nänie, a piece for chorus and orchestra, in his memory. It proved enormously successful and greatly enhanced his posthumous reputation, according to the 1911 Encyclopædia Britannica, He was steeped in classic knowledge, and his figure compositions have the statuesque dignity and simplicity of Greek art. His works are housed at leading public galleries in Germany, stuttgart has the second version of Iphigenia, Karlsruhe, the Dante at Ravenna, Munich, the Medea, and Berlin, The Concert, his last important painting. Other major works include The Battle of the Amazons, Pietà, The Symposium of Plato, Orpheus and Eurydice, list of German painters Chisholm, Hugh, ed. Feuerbach, Anselm. Rines, George Edwin, ed. Feuerbach, Anselm
29.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
30.
Franco-Prussian War
–
The conflict was caused by Prussian ambitions to extend German unification and French fears of the shift in the European balance of power that would result if the Prussians succeeded. On 16 July 1870, the French parliament voted to declare war on the German Kingdom of Prussia, the German coalition mobilised its troops much more quickly than the French and rapidly invaded northeastern France. The German forces were superior in numbers, had training and leadership and made more effective use of modern technology, particularly railroads. The German states proclaimed their union as the German Empire under the Prussian king Wilhelm I, the Treaty of Frankfurt of 10 May 1871 gave Germany most of Alsace and some parts of Lorraine, which became the Imperial territory of Alsace-Lorraine. French determination to regain Alsace-Lorraine and fear of another Franco-German war, along with British apprehension about the balance of power, the causes of the Franco-Prussian War are deeply rooted in the events surrounding the unification of Germany. In the aftermath of the Austro-Prussian War of 1866, Prussia had annexed numerous territories and this new power destabilized the European balance of power established by the Congress of Vienna in 1815 after the Napoleonic Wars. France was strongly opposed to any further alliance of German states, in Prussia, some officials considered a war against France both inevitable and necessary to arouse German nationalism in those states that would allow the unification of a great German empire. Bismarck also knew that France should be the aggressor in the conflict to bring the southern German states to side with Prussia, many Germans also viewed the French as the traditional destabilizer of Europe, and sought to weaken France to prevent further breaches of the peace. The immediate cause of the war resided in the candidacy of Leopold of Hohenzollern-Sigmaringen, France feared encirclement by an alliance between Prussia and Spain. The Hohenzollern princes candidacy was withdrawn under French diplomatic pressure, releasing the Ems Dispatch to the public, Bismarck made it sound as if the king had treated the French envoy in a demeaning fashion, which inflamed public opinion in France. They also argue that he wanted a war to resolve growing domestic political problems, other historians, notably French historian Pierre Milza, dispute this. According to Milza, the Emperor had no need for a war to increase his popularity, the Ems telegram had exactly the effect on French public opinion that Bismarck had intended. This text produced the effect of a red flag on the Gallic bull, gramont, the French foreign minister, declared that he felt he had just received a slap. Napoleons new prime minister, Emile Ollivier, declared that France had done all that it could humanly and honorably do to prevent the war, a crowd of 15–20,000 people, carrying flags and patriotic banners, marched through the streets of Paris, demanding war. On 19 July 1870 a declaration of war was sent to the Prussian government, the southern German states immediately sided with Prussia. The French Army consisted in peacetime of approximately 400,000 soldiers, some of them were veterans of previous French campaigns in the Crimean War, Algeria, the Franco-Austrian War in Italy, and in the Mexican campaign. Under Marshal Adolphe Niel, urgent reforms were made, universal conscription and a shorter period of service gave increased numbers of reservists, who would swell the army to a planned strength of 800,000 on mobilisation. Those who for any reason were not conscripted were to be enrolled in the Garde Mobile, however, the Franco-Prussian War broke out before these reforms could be completely implemented
31.
Frederick III, German Emperor
–
Frederick III was German Emperor and King of Prussia for ninety-nine days in 1888, the Year of the Three Emperors. Friedrich Wilhelm Nikolaus Karl, known informally as Fritz, was the son of Emperor Wilhelm I and was raised in his familys tradition of military service. Following the unification of Germany in 1871 his father, then King of Prussia, Frederick was suffering from cancer of the larynx when he died on 15 June 1888, aged fifty-six, following unsuccessful medical treatments for his condition. Frederick married Victoria, Princess Royal, eldest daughter of Queen Victoria of the United Kingdom, the couple were well-matched, their shared liberal ideology led them to seek greater representation for commoners in the government. Frederick, in spite of his conservative militaristic family background, had developed liberal tendencies as a result of his ties with Britain, liberals in both Germany and Britain hoped that as emperor, Frederick III would move to liberalize the German Empire. Frederick and Victoria were great admirers of Prince Albert, Victorias father and they planned to rule as consorts, like Albert and Queen Victoria, and to reform what they saw as flaws in the executive branch that Bismarck had created for himself. The office of Chancellor, responsible to the Emperor, would be replaced with a British-style cabinet, government policy would be based on the consensus of the cabinet. Frederick described the Imperial Constitution as ingeniously contrived chaos and he sought to guard against such a turn by keeping the Crown Prince from a position of any influence and by using foul means as well as fair to make him unpopular. The timing of Fredericks death and the length of his reign are important topics among historians, Frederick William was born in the New Palace at Potsdam in Prussia on 18 October 1831. He was a scion of the House of Hohenzollern, rulers of Prussia, Fredericks father, Prince William, was a younger brother of King Frederick William IV and, having been raised in the military traditions of the Hohenzollerns, developed into a strict disciplinarian. Because of their differences, the couple did not have a marriage and, as a result, Frederick grew up in a troubled household. He had one sister, Louise, who was eight years his junior, Frederick also had a very good relationship with his uncle, King Frederick William IV, who has been called the romantic on the throne. Frederick grew up during a tumultuous political period as the concept of liberalism in Germany, overall, the liberals desired a government ruled by popular representation. When Frederick was 17, these emergent nationalistic and liberal sentiments sparked a series of uprisings across the German states. In Germany, their goal was to protect freedoms, such as the freedom of assembly and freedom of the press, although the uprisings ultimately brought about no lasting changes, liberal sentiments remained an influential force in German politics throughout Fredericks life. Despite the value placed by the Hohenzollern family on a military education. Accordingly, Frederick was thoroughly tutored in military traditions and the liberal arts. His private tutor was Ernst Curtius, a famous archaeologist, Frederick was a talented student, particularly good at foreign languages, becoming fluent in English and French, and studying Latin
32.
Palace of Versailles
–
The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
33.
Hall of Mirrors
–
The Hall of Mirrors is the central gallery of the Palace of Versailles in Versailles, France. As the principal and most remarkable feature of King Louis XIV of Frances third building campaign of the Palace of Versailles, the principal feature of this hall is the seventeen mirror-clad arches that reflect the seventeen arcaded windows that overlook the gardens. Each arch contains twenty-one mirrors with a complement of 357 used in the decoration of the galerie des glaces. The arches themselves are fixed between marble pilasters whose capitals depict the symbols of France and these gilded bronze capitals include the fleur-de-lys and the Gallic cockerel or rooster. In the 17th century, mirrors were among the most expensive items to possess at the time, according to legend, in order to keep its monopoly, the government of the Venetian Republic sent agents to France to poison the workers whom Colbert had brought to France. The Hall of Mirrors dimensions are 73.0 m ×10.5 m ×12.3 m and is flanked by the de la guerre. Construction on the galerie and its two salons continued until 1684, at time it was pressed into use for court. The ceiling decoration is dedicated to the policies and military victories of Louis XIV. The central panel of the ceiling, Le roi gouverne par lui-même alludes to the establishment of the reign of Louis XIV in 1661. The present decorative schema represents the last of three that were presented to Louis XIV, the original decorative plan was to have depicted the exploits of Apollo, being consistent with the imagery associated with the Sun-King, Louis XIV. The next decorative plan was one in which the exploits of Hercules — as allegories to the actions of Louis XIV — were to be depicted, again, as with the first plan, the Hercules theme was rejected by the king. The final plan represents military victories of Louis XIV starting with the Treaty of the Pyrenees to the Treaty of Nijmegen. In a departure from the decoration of the ceilings in the appartement du roi, Le Brun has depicted Louis XIV directly. In this way, themes such as governance and military prowess are rendered with Louis XIV himself as the key figure. During the 17th century, the Hall of Mirrors was used daily by Louis XIV when he walked from his apartment to the chapel. At this time, courtiers assembled to watch the king and members of the family pass. However, of all the events transpired in this room during the reign of Louis XIV. At this time, the galerie des glaces and the grands appartements were still appointed with silver furniture, in February 1715, Louis XIV held his last embassy in the galerie des glaces, one in which he received Mehemet Reza Bey, ambassador of the Shah of Persia
34.
Otto von Bismarck
–
Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg, known as Otto von Bismarck, was a conservative Prussian statesman who dominated German and European affairs from the 1860s until 1890. In the 1860s, he engineered a series of wars that unified the German states, significantly and deliberately excluding Austria, into a powerful German Empire under Prussian leadership. With that accomplished by 1871, he skillfully used balance of power diplomacy to maintain Germanys position in a Europe which, despite many disputes and war scares, in 1862, King Wilhelm I appointed Bismarck as Minister President of Prussia, a position he would hold until 1890. He provoked three short, decisive wars against Denmark, Austria, and France, aligning the smaller German states behind Prussia in its defeat of France, in 1871, he formed the German Empire with himself as Chancellor, while retaining control of Prussia. His diplomacy of realpolitik and powerful rule at home gained him the nickname the Iron Chancellor, German unification and its rapid economic growth was the foundation to his foreign policy. He disliked colonialism but reluctantly built an empire when it was demanded by both elite and mass opinion. A master of politics at home, Bismarck created the first welfare state in the modern world. In the 1870s, he allied himself with the Liberals and fought the Catholic Church in what was called the Kulturkampf and he lost that battle as the Catholics responded by forming a powerful Centre party and using universal male suffrage to gain a bloc of seats. Bismarck then reversed himself, ended the Kulturkampf, broke with the Liberals, imposed protective tariffs, a devout Lutheran, he was loyal to his king, who argued with Bismarck but in the end supported him against the advice of his wife and his heir. Under Wilhelm I, Bismarck largely controlled domestic and foreign affairs, until he was removed by the young Kaiser Wilhelm II in 1890, bismarck—a Junker himself—was strong-willed, outspoken and sometimes judged overbearing, but he could also be polite, charming and witty. Occasionally he displayed a violent temper, and he kept his power by threatening resignation time and again. He possessed not only a national and international vision but also the short-term ability to juggle complex developments. As the leader of what historians call revolutionary conservatism, Bismarck became a hero to German nationalists, many historians praise him as a visionary who was instrumental in uniting Germany and, once that had been accomplished, kept the peace in Europe through adroit diplomacy. Bismarck was born in Schönhausen, a family estate situated west of Berlin in the Prussian province of Saxony. He had two siblings, Bernhard and Malwine, the world saw Bismarck as a typical Prussian Junker, an image that he encouraged by wearing military uniforms. Bismarck was well educated and cosmopolitan with a gift for conversation, in addition to his native German, he was fluent in English, French, Italian, Polish and Russian. Bismarck was educated at Johann Ernst Plamanns elementary school, and the Friedrich-Wilhelm, from 1832 to 1833, he studied law at the University of Göttingen, where he was a member of the Corps Hannovera, and then enrolled at the University of Berlin. In 1838, while stationed as an army reservist in Greifswald, at Göttingen, Bismarck befriended the American student John Lothrop Motley
35.
Helmuth von Moltke the Elder
–
Helmuth Karl Bernhard Graf von Moltke was a German Field Marshal. The chief of staff of the Prussian Army for thirty years, he is regarded as the creator of a new, more modern method of directing armies in the field. He is often referred to as Moltke the Elder to distinguish him from his nephew Helmuth Johann Ludwig von Moltke, Moltke was born in Parchim, Mecklenburg-Schwerin, son of the Danish Generalleutnant Friedrich Philipp Victor von Moltke. Young Moltke therefore grew up under difficult circumstances, at nine he was sent as a boarder to Hohenfelde in Holstein, and at age twelve went to the cadet school at Copenhagen, being destined for the Danish army and court. In 1818 he became a page to the king of Denmark, at twenty-one Moltke resolved to enter the Swedish service, in spite of the loss of seniority. In 1822 he became a lieutenant in the 8th Infantry Regiment stationed at Frankfurt. At twenty-three, he was allowed to enter the war school. For a year Moltke had charge of a school at Frankfurt an der Oder. In 1832 he was seconded for service on the staff at Berlin. He was at this time regarded as a brilliant officer by his superiors, including Prince William, max Boot says of Moltke in his War Made New, Moltke loved music, poetry, art, archaeology, and theater. He was a prolific artist who filled sketchbooks with landscapes and portraits, as well as a popular author. For all his catholicity of interests and he was a nationalist to the core who was appalled by the liberal revolutions that swept Europe on 1848. He placed his faith in the king and the forces of the old regime, Moltke was well received at court and in the best society of Berlin. His tastes inclined him to literature, to study and to travel. In 1827 he had published a romance, The Two Friends. In 1831 he wrote an essay entitled Holland and Belgium in their Mutual Relations, a year later he wrote An Account of the Internal Circumstances and Social Conditions of Poland, a study based both on reading and on personal observation of Polish life and character. In eighteen months he had finished nine volumes out of twelve, in 1835 on his promotion as captain, Moltke obtained six months leave to travel in south-Eastern Europe. After a short stay in Constantinople he was requested by the Sultan Mahmud II to help modernize the Ottoman Empire army and he remained two years at Constantinople, learned Turkish and surveyed the city of Constantinople, the Bosphorus and the Dardanelles. He travelled through Wallachia, Bulgaria and Rumelia, and made other journeys on both sides of the Strait
36.
William I, German Emperor
–
William I, or in German Wilhelm I, of the House of Hohenzollern was the King of Prussia and the first German Emperor, as well as the first Head of State of a united Germany. Under the leadership of William and his Minister President Otto von Bismarck, Prussia achieved the unification of Germany and the establishment of the German Empire. Contrary to the domineering Bismarck, William was described as polite, gentlemanly and, while a staunch conservative, the future king and emperor was born William Frederick Louis of Prussia in the Kronprinzenpalais in Berlin on 22 March 1797. As the second son of Prince Frederick William, himself son of King Frederick William II and his grandfather died the year he was born, at age 53, in 1797, and his father Frederick William III became king. He was educated from 1801 to 1809 by Johann Friedrich Gottlieb Delbrück, who was also in charge of the education of Williams brother, at age twelve, his father appointed him an officer in the Prussian army. William served in the army from 1814 onward, like his father he fought against Napoleon I of France during the part of the Napoleonic Wars known in Germany as the Befreiungskriege, and was reportedly a very brave soldier. He was made a Captain and won the Iron Cross for his actions at Bar-sur-Aube, the war and the fight against France left a lifelong impression on him, and he had a long-standing antipathy towards the French. In 1815, William was promoted to Major and commanded a battalion of the 1 and he fought under Gebhard Leberecht von Blücher at the Battles of Ligny and Waterloo. He also became an excellent diplomat by engaging in diplomatic missions after 1815, in 1816, William became the commander of the Stettiner Gardelandwehrbataillon and in 1818 was promoted to Generalmajor. The next year, William was appointed inspector of the VII. and this made him a spokesman of the Prussian Army within the House of Hohenzollern. He argued in favour of a strong, well-trained and well-equipped army, in 1820, William became commander of the 1. Gardedivision and in 1825 was promoted to commanding general of the III, in 1829, William married Princess Augusta von Sachsen-Weimar-Eisenach after Princess Elisa Radziwill, his cousin whom he had been attracted to, was deemed an inappropriate match by his father. William had been forced to abandon the relationship with Elisa in 1826, Augusta was the daughter of Grand Duke Karl Friedrich von Sachsen-Weimar-Eisenach. Their marriage was stable, but not a very happy one. In 1840 his older brother became King of Prussia, since he had no children, William was first in line to succeed him to the throne and thus was given the title Prinz von Preußen. Against his convictions but out of loyalty towards his brother, in 1847 William signed the bill setting up a Prussian parliament and took a seat in the upper chamber, the Herrenhaus. During the Revolutions of 1848, William successfully crushed a revolt in Berlin that was aimed at his elder brother, the use of cannon made him unpopular at the time and earned him the nickname Kartätschenprinz. Indeed, he had to flee to England for a while and he returned and helped to put down an uprising in Baden, where he commanded the Prussian army
37.
Velarium
–
A velarium was a type of awning used in Roman times. It stretched over the whole of the cavea, the area in the Colosseum. Precisely how the awning was supported is a matter of conjecture, juvenal iv.121 Suetonius, Life of Caligula 26
38.
Unter den Linden
–
Unter den Linden is a boulevard in the central Mitte district of Berlin, the capital of Germany. Running from the City Palace to Brandenburg Gate, it is named after the trees that line the grassed pedestrian mall on the median. The avenue links numerous Berlin sights and landmarks, Unter den Linden runs east–west from the site of the Stadtschloss royal palace at the Lustgarten park, where the demolished Palace of the Republic once stood, to Pariser Platz and Brandenburg Gate. Eastward the boulevard crosses the Spree river at Berlin Cathedral and continues as Karl-Liebknecht-Straße, the western continuation behind Brandenburg Gate is Straße des 17. Major north–south streets crossing Unter den Linden are Friedrichstraße and Wilhelmstrasse and it was replaced by a boulevard of linden trees planted in 1647, extending from the city palace to the gates of the city, by order of the Great Elector Frederick William. By the 19th century, as Berlin grew and expanded to the west, Unter den Linden became the best-known, in 1851 the famous equestrian statue of King Frederick II of Prussia was erected on the centre strip, designed by Christian Daniel Rauch. Johann Strauss III wrote the waltz „Unter den Linden“ in 1900, the present-day linden were replanted in the 1950s. Since 1937, the numbering of the properties on the street has started at the Schlossbrücke, the reconstructed Alte Kommandantur is at No. 1, standing opposite the Zeughaus arsenal, the oldest building on Unter den Linden, buildings along the street include the Crown Princes Palace, at No. 3, opposite the Neue Wache war memorial, No,4, Karl Friedrich Schinkel’s masterpiece built in 1817. Further along, on Bebelplatz, the Berlin State Opera, No,7, colloquially called Lindenoper, St. Hedwigs Cathedral and the Altes Palais, No. 9, the residence of Emperor Wilhelm I, next on the north side are the main building of the Humboldt University. 6, and House I of the Berlin State Library, No.8, at the western end are the Russian Embassy (former Soviet Embassy, Nos. 63-65, the Hungarian Embassy, No. 76, standing at the junction with Wilhelmstrasse, and finally the Hotel Adlon,77, at the corner of Pariser Platz, which has been completely rebuilt on the site of the pre-war hotel. Well-known statues of Alexander and Wilhelm von Humboldt in front of the university as well as of the Prussian generals Scharnhorst and Bülow, also adorn the street. A street sign carrying the name Unter den Linden dating from before the 1930s was taken away by British forces and can now be seen at the Imperial War Museum, London. Unter den Linden - Interactive 360° Panorama Webcam, Live-View of the street Unter den Linden with Brandenburg Gate in Berlin, Germany
39.
Berlin Victory Column
–
The Victory Column is a monument in Berlin, Germany. Berliners have given the statue the nickname Goldelse, meaning something like Golden Lizzy, the Victory Column is a major tourist attraction in the city of Berlin. Its viewing platform, for which a ticket is required, offers a view over Berlin, built on a base of polished red granite, the column sits on a hall of pillars with a glass mosaic designed by Anton von Werner. A fourth ring is decorated with garlands and was added in 1938–39 as the whole monument has been relocated. The entire column, including the sculpture, is 67 metres tall, the relief decoration was removed in 1945. It was restored for the 750th anniversary of Berlin in 1987 by the French president at that time, Werner designed the original hall of pillars with a glass mosaic. The foundation is decorated with four bronze reliefs showing the three wars and the marching of the troops into Berlin. They were created by, Moritz Schulz Karl Keil Alexander Calandrelli and Albert Wolff The Victory Column originally stood in Königsplatz, at the same time, the column was augmented by another 7.5 metres, giving it its present height of 66.89 metres. The monument survived World War II without much damage, during the 1945 Battle of Berlin of 1945, Soviet Troops nicknamed the column the Tall Woman. Polish Army troops, fighting alongside their Soviet allies, hoisted the Polish flag on the column on 2 May 1945 at the end of the Battle in Berlin. It served as the location for Barack Obamas speech in Berlin as a US presidential candidate during his visit to Germany on 24 July 2008, the choice of site was controversial as it symbolises German military victories of the past and is still seen by some as a Nazi symbol. The column is shown in Wim Wenders Wings of Desire as a place for angels. Being a right-wing spy among the Communist plotters, he foils their plans
40.
Stained glass
–
The term stained glass can refer to coloured glass as a material or to works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches, mosques, although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has extended the term stained glass to include domestic leadlight. As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture. The coloured glass is crafted into stained glass windows in which pieces of glass are arranged to form patterns or pictures, held together by strips of lead. Painted details and yellow stain are used to enhance the design. The term stained glass is applied to windows in which the colours have been painted onto the glass. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the space for which it is made, must resist wind and rain, Many large windows have withstood the test of time and remained substantially intact since the late Middle Ages. In Western Europe they constitute the form of pictorial art to have survived. In this context, the purpose of a glass window is not to allow those within a building to see the world outside or even primarily to admit light. For this reason stained glass windows have been described as illuminated wall decorations, Stained glass is still popular today, but often referred to as art glass. It is prevalent in luxury homes, commercial buildings, and places of worship, artists and companies are contracted to create beautiful art glass ranging from domes, windows, backsplashes, etc. During the late Medieval period, glass factories were set up there was a ready supply of silica. Silica requires very high heat to become molten, something not all glass factories were able to achieve, such materials as potash, soda, and lead can be added to lower the melting temperature. Other substances, such as lime, are added to rebuild the weakened network, Glass is coloured by adding metallic oxide powders or finely divided metals while it is in a molten state. Copper oxides produce green or bluish green, cobalt makes deep blue, much modern red glass is produced using copper, which is less expensive than gold and gives a brighter, more vermilion shade of red. Glass coloured while in the pot in the furnace is known as pot metal glass
41.
Academy of Arts, Berlin
–
The Academy of Arts is a state arts institution in Berlin, Germany. The task of the Academy is to art, as well as to advise. The current Academy was founded on 1 October 1993 as the re-unification of formerly separate East and West German academies, the Academy is an incorporated body of the public right under the laws of the Federal Republic of Germany. New members are nominated by secret ballot of the general assembly, founded by the Hohenzollern elector Frederick III, it was the third-oldest such academy in Europe. The institution was housed on No.8 Unter den Linden, until from 1902 the site was cleared, the Academy also served as a training school since its founding, and created a number of affiliated schools. The first was the Bauakademie for architectural training, founded in 1799, the academic arm was fully separated in 1931 and developed into the present-day Berlin University of the Arts. In postwar divided Germany, two parallel organizations took its place, the western successor organization was called the Akademie der Künste, founded in 1954 under President Hans Scharoun, which resided in the rebuilt Hansaviertel quarter of West Berlin. Its presidents included Arnold Zweig, Ludwig Renn, Johannes R. Becher, Otto Nagel, Willi Bredel, Konrad Wolf, Manfred Wekwerth and Heiner Müller. These two were merged on 1 October 1993 into the academy, which took its seat in a new building at the former location on Pariser Platz
42.
Wilhelm II, German Emperor
–
Wilhelm II or William II was the last German Emperor and King of Prussia, ruling the German Empire and the Kingdom of Prussia from 15 June 1888 to 9 November 1918. He was the eldest grandchild of the British Queen Victoria and related to many monarchs and his leading generals, Paul von Hindenburg and Erich Ludendorff, dictated policy during the First World War with little regard for the civilian government. An ineffective war-time leader, he lost the support of the army, abdicated in November 1918, and fled to exile in the Netherlands. Wilhelm was born on 27 January 1859 at the Crown Princes Palace, Berlin to Prince Frederick William of Prussia and his wife, Victoria, Princess Royal, the eldest daughter of Britains Queen Victoria. At the time of his birth, his great-uncle Frederick William IV was king of Prussia, a traumatic breech birth left him with a withered left arm due to Erbs palsy, which he tried with some success to conceal. His left arm was about 6 inches shorter than his right arm, historians have suggested that this disability affected his emotional development. In 1863, Wilhelm was taken to England to be present at the wedding of his Uncle Bertie, William attended the ceremony in a Highland costume, complete with a small toy dirk. During the ceremony the four-year-old became restless and his eighteen-year-old uncle Alfred, Duke of Edinburgh, charged with keeping an eye on him, told him to be quiet, but Wilhelm drew his dirk and threatened Alfred. When Alfred attempted to subdue him by force, Wilhelm bit him on the leg and his grandmother, Queen Victoria, missed seeing the fracas, to her Wilhelm remained a clever, dear, good little child, the great favourite of my beloved Vicky. His mother, Vicky, was obsessed with his damaged arm and she blamed herself for the childs handicap and insisted that he become a good rider. The thought that he, as heir to the throne, should not be able to ride was intolerable to her, riding lessons began when Wilhelm was eight and were a matter of endurance for Wilhelm. Over and over, the prince was set on his horse. He fell off time after time but despite his tears was set on its back again, after weeks of this he finally got it right and was able to maintain his balance. Wilhelm, from six years of age, was tutored and heavily influenced by the 39-year-old teacher Georg Hinzpeter, Hinzpeter, he later wrote, was really a good fellow. Whether he was the tutor for me, I dare not decide. The torments inflicted on me, in this riding, must be attributed to my mother. As a teenager he was educated at Kassel at the Friedrichsgymnasium, in January 1877, Wilhelm finished high school and on his eighteenth birthday received as a present from his grandmother, Queen Victoria, the Order of the Garter. After Kassel he spent four terms at the University of Bonn, studying law and he became a member of the exclusive Corps Borussia Bonn
43.
Richard Wagner
–
Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is primarily known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works and he described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen and his advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, greatly influenced the development of classical music. His Tristan und Isolde is sometimes described as marking the start of modern music, Wagner had his own opera house built, the Bayreuth Festspielhaus, which embodied many novel design features. The Ring and Parsifal were premiered here and his most important stage works continue to be performed at the annual Bayreuth Festival, until his final years, Wagners life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment, notably, since the late 20th century, where they express antisemitic sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century, his influence spread beyond composition into conducting, philosophy, literature, Richard Wagner was born to an ethnic German family in Leipzig, where his family lived at No. 3, the Brühl in the Jewish quarter and he was baptized at St. Thomas Church. He was the child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service, and his wife, Johanna Rosine. Wagners father Carl died of typhus six months after Richards birth, afterwards his mother Johanna lived with Carls friend, the actor and playwright Ludwig Geyer. In August 1814 Johanna and Geyer probably married—although no documentation of this has found in the Leipzig church registers. She and her family moved to Geyers residence in Dresden, until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father, Geyers love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel, in late 1820, Wagner was enrolled at Pastor Wetzels school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a scale at the keyboard and preferred playing theatre overtures by ear. Following Geyers death in 1821, Richard was sent to the Kreuzschule, at the age of nine he was hugely impressed by the Gothic elements of Carl Maria von Webers opera Der Freischütz, which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright and his first creative effort, listed in the Wagner-Werk-Verzeichnis as WWV1, was a tragedy called Leubald. Begun when he was in school in 1826, the play was influenced by Shakespeare
44.
Tiergarten (park)
–
The Tiergarten is Berlin’s most popular inner-city park, located completely in the district of the same name. The park is 210 hectares in size and is among the largest urban gardens of Germany, only the Tempelhofer Park and Munichs Englischer Garten are larger. The beginnings of the Tiergarten can be traced back to 1527 and it was founded as a hunting area for the Elector of Brandenburg, and was situated to the west of the Cölln city wall, which was the sister town of Old Berlin. It also sat in the vicinity as the City Palace. In 1530 the expansion began, acres of land were purchased, the total area extended beyond the current Tiergarten, and the forests were perfect for hunting deer and other wild animals. This hobby, however, began to fade away as the city of Berlin began to expand, Frederick Wilhelm I, Elector of Brandenburg, feeling the need to bring change to his private hunting grounds, built many structures that are still visible today. Der Große Stern, the square of the Tiergarten, and Kurfürstenplatz. This is seen as the beginning of a transformation in the Tiergarten, Frederick Wilhelm Is son and successor, Frederick II did not appreciate the hunt as his predecessors did, In 1740, he opened the parks first public gardens. Unique to the period, areas of congregation called salons were established along the many different walkways in the park. Such freedom was common under the rule of Frederick II, there were even allowed to live within the Tiergarten. Refugees, Huguenots in hiding from the French, were allowed to erect tents, a pheasant house was erected, which would later become the core of the Zoological Garden, a zoo founded in 1844 that lies within the greater Tiergarten. During the revolutions of 1848, the hosted the first assembly demanding the abolishment of the national censors. At the end of the 18th century, Knobelsdorffs late-baroque form had been all but replaced by ideas for a new, the castle park Bellevue and Rousseau Island were laid out by court gardener Justus Ehrenreich Sello in the late 18th century. It was then in 1818 that the king commissioned the help of Peter Joseph Lenné and his plans involved the creation of a rural Volkspark, or peoples park, that would also serve as a sort of Prussian national park that would help lift the spirits of those who visited. However, the King Frederick William III rejected Lennés plan, against the opposition of a hesitant bureaucracy, Lenné submitted a modified version of his concept. This plan was accepted and realized between 1833 and 1840, the park was modeled after English gardens, but Lenné made sure to pay attention to Knobelsdorffs structures and layouts. By draining forests areas he allowed for more footpaths, roadways, several features became characteristic components of the Tiergarten. Up until 1881, the Tiergarten was owned by the monarchy, soon after Emperor William I abolished his rights to the forest, he added the boundaries to the new district of Berlin, so that the people may use and uphold it
45.
Mosaic
–
A mosaic is a piece of art or image made from the assemblage of small pieces of colored glass, stone, or other materials. It is often used in art or as interior decoration. Most mosaics are made of small, flat, roughly square, pieces of stone or glass of different colors, some, especially floor mosaics, are made of small rounded pieces of stone, and called pebble mosaics. Others are made of other materials, mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece, mosaics with patterns and pictures became widespread in classical times, Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practise the old technique, Roman and Byzantine influence led Jews to decorate 5th and 6th century synagogues in the Middle East with floor mosaics. Mosaic was widely used on buildings and palaces in early Islamic art, including Islams first great religious building, the Dome of the Rock in Jerusalem. Mosaic went out of fashion in the Islamic world after the 8th century, modern mosaics are made by professional artists, street artists, and as a popular craft. Many materials other than stone and ceramic tesserae may be employed, including shells, glass. The earliest known examples of made of different materials were found at a temple building in Abra, Mesopotamia. They consist of pieces of colored stones, shells and ivory, excavations at Susa and Chogha Zanbil show evidence of the first glazed tiles, dating from around 1500 BC. However, mosaic patterns were not used until the times of Sassanid Empire, mythological subjects, or scenes of hunting or other pursuits of the wealthy, were popular as the centrepieces of a larger geometric design, with strongly emphasized borders. Pliny the Elder mentions the artist Sosus of Pergamon by name, describing his mosaics of the left on a floor after a feast. Both of these themes were widely copied, most recorded names of Roman mosaic workers are Greek, suggesting they dominated high quality work across the empire, no doubt most ordinary craftsmen were slaves. Splendid mosaic floors are found in Roman villas across North Africa, in such as Carthage. The tiny tesserae allowed very fine detail, and an approach to the illusionism of painting, often small panels called emblemata were inserted into walls or as the highlights of larger floor-mosaics in coarser work. The normal technique was opus tessellatum, using larger tesserae, which was laid on site, there was a distinct native Italian style using black on a white background, which was no doubt cheaper than fully coloured work. In Rome, Nero and his architects used mosaics to cover surfaces of walls and ceilings in the Domus Aurea, built 64 AD
One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Werner, Anton Alexander von". Encyclopædia Britannica. 28 (11th ed.). Cambridge University Press. p. 523. This work in turn cites:
One or more of the preceding sentences incorporates text from a publication now in the 
