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Diana and Actaeon, Titian, 1556–1559, a classic history painting, showing a dramatic moment in a mythological story, with elements of figure painting,
Diana and Actaeon, Titian, 1556–1559, a classic history painting, showing a dramatic moment in a mythological story, with elements of figure painting, landscape painting and still-life.
Judas Returning the Thirty Silver Pieces by Rembrandt, 1629.
Judas Returning the Thirty Silver Pieces by Rembrandt, 1629.
Jacques-Louis David's Oath of the Horatii, 1786, with a scene from ancient history.
Jacques-Louis David's Oath of the Horatii, 1786, with a scene from ancient history.
Venus, Cupid, Folly and Time, Agnolo Bronzino, c. 1545. According to André Félibien allegory was the highest form of all history painting.
Venus, Cupid, Folly and Time, Agnolo Bronzino, c. 1545. According to André Félibien allegory was the highest form of all history painting.
Ingres in c. 1850–1867
Ingres in c. 1850–1867
Male Torso (1800), Montauban, Musée Ingres
Male Torso (1800), Montauban, Musée Ingres
The Envoys of Agamemnon, 1801, oil on canvas, École des Beaux Arts, Paris
The Envoys of Agamemnon, 1801, oil on canvas, École des Beaux Arts, Paris
Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Musée de l'Armée, Paris
Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm, Musée de l'Armée, Paris