1.
Male portraits by Antonello da Messina
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Portrait of a Man is the conventional title of several male portraits finished by the Italian Renaissance artist Antonello da Messina in the course of his career. Despite the sign, the strict nearness to the Flemish portrait art, the work has been dated to the 1460s basing on the fashion of the subjects dress and headgear. 1475, is housed in the Museo Thyssen-Bornemisza, in Madrid, among Antonellos portraits, it is among the most expressively animated ones. The subject, a man, is drawn from a quite near point of view. The picture has been dated to the early 1470s, basing on the typical zuccotto headgear. Often called the Trivulzio portrait, this portrait is housed in the Turin City Museum of Ancient Art and it was signed by Antonello and dated 1476. It was part of the collection of the Florentine noble family Rinuccini, in 1935 the collection was scattered, although most of the material went to Milan. The Turin museum obtained this portrait and the Turin-Milan Hours, Portrait of a Man is a c.1476 oil painting, now in the United Kingdoms National Gallery of London collection. Its image was printed on the Italian 5,000 lire note that was issued from 1979 to 1983, the work portrays an unknown man, whose garments belonged to the middle-upper class of the time. He wears a leather blouse, under which a white shirt is visible, the man is depicted from three-quarters, differently from the tradition of the time. X-ray analysis proved that originally the eyes looked in a different direction, perhaps there was a parapet with the signature, which was cut off later. It has been suggested that this work could be a self-portrait. Portrait of a Man, Portrait of a Man, The portrait usually known as The Condottiero, now in the Louvre of Paris De Vecchi, Pierluigi, barbera, K, ed. Antonello da Messina, Sicilys Renaissance master. New York, The Metropolitan Museum of Art, National Gallery, Portrait of a Man by Antonello da Messina Mostraantonellodamessina. it, Exhibition of Antonello da Messinas main works
2.
Messina
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Messina is the capital of the Italian Metropolitan City of Messina. It is located near the northeast corner of Sicily, at the Strait of Messina, opposite Villa San Giovanni on the mainland, according to Eurostat the FUA of the metropolitan area of Messina has, in 2014,277,584 inhabitants. The citys main resources are its seaports, cruise tourism, commerce, the city has been a Roman Catholic Archdiocese and Archimandrite seat since 1548 and is home to a locally important international fair. The city has the University of Messina, founded in 1548 by Ignatius of Loyola, Messina has a light rail system, Tranvia di Messina, that was opened on 3 April 2003. This line is 7.7 kilometres and links the central railway station with the city centre. The city is home to a significant Greek-speaking minority, rooted in its history, founded by Greek colonists in the 8th century BC, Messina was originally called Zancle, from the Greek ζάγκλον meaning scythe because of the shape of its natural harbour. A comune of its Metropolitan City, located at the entrance of the Strait of Messina, is to this day called Scaletta Zanclea. In the early 5th century BC, Anaxilas of Rhegium renamed it Messene in honour of the Greek city Messene, the city was sacked in 397 BC by the Carthaginians and then reconquered by Dionysius I of Syracuse. In 288 BC the Mamertines seized the city by treachery, killing all the men, the city became a base from which they ravaged the countryside, leading to a conflict with the expanding regional empire of Syracuse. Hiero II, tyrant of Syracuse, defeated the Mamertines near Mylae on the Longanus River, carthage assisted the Mamertines because of a long-standing conflict with Syracuse over dominance in Sicily. When Hiero attacked a second time in 264 BC, the Mamertines petitioned the Roman Republic for an alliance, although initially reluctant to assist lest it encourage other mercenary groups to mutiny, Rome was unwilling to see Carthaginian power spread further over Sicily and encroach on Italy. Rome therefore entered into an alliance with the Mamertines, in 264 BC, Roman troops were deployed to Sicily, the first time a Roman army acted outside the Italian Peninsula. At the end of the First Punic War it was a city allied with Rome. In Roman times Messina, then known as Messana, had an important pharos, Messana was the base of Sextus Pompeius, during his war against Octavian. In 1548 St. Ignatius founded there the first Jesuit college in the world, the Christian ships that won the Battle of Lepanto left from Messina, the Spanish author Miguel de Cervantes, who took part in the battle, recovered for some time in the Grand Hospital. The city reached the peak of its splendour in the early 17th century, under Spanish domination, in 1674 the city rebelled against the foreign garrison. A massive fortress was built by the occupants and Messina decayed steadily, in 1743,48,000 died of plague in the city. In 1783, an earthquake devastated much of the city, and it took decades to rebuild, in 1847 it was one of the first cities in Italy where Risorgimento riots broke out
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
Sicily
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Sicily is the largest island in the Mediterranean Sea. It is an autonomous Region of Italy, along with surrounding minor islands, Sicily is located in the central Mediterranean Sea, south of the Italian Peninsula, from which it is separated by the narrow Strait of Messina. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, the island has a typical Mediterranean climate. The earliest archaeological evidence of activity on the island dates from as early as 12,000 BC. It became part of Italy in 1860 following the Expedition of the Thousand, a revolt led by Giuseppe Garibaldi during the Italian unification, Sicily was given special status as an autonomous region after the Italian constitutional referendum of 1946. Sicily has a rich and unique culture, especially regard to the arts, music, literature, cuisine. It is also home to important archaeological and ancient sites, such as the Necropolis of Pantalica, the Valley of the Temples, Sicily has a roughly triangular shape, earning it the name Trinacria. To the east, it is separated from the Italian mainland by the Strait of Messina, about 3 km wide in the north, and about 16 km wide in the southern part. The northern and southern coasts are each about 280 km long measured as a line, while the eastern coast measures around 180 km. The total area of the island is 25,711 km2, the terrain of inland Sicily is mostly hilly and is intensively cultivated wherever possible. Along the northern coast, the ranges of Madonie,2,000 m, Nebrodi,1,800 m. The cone of Mount Etna dominates the eastern coast, in the southeast lie the lower Hyblaean Mountains,1,000 m. The mines of the Enna and Caltanissetta districts were part of a leading sulphur-producing area throughout the 19th century, Sicily and its surrounding small islands have some highly active volcanoes. Mount Etna is the largest active volcano in Europe and still casts black ash over the island with its ever-present eruptions and it currently stands 3,329 metres high, though this varies with summit eruptions, the mountain is 21 m lower now than it was in 1981. It is the highest mountain in Italy south of the Alps, Etna covers an area of 1,190 km2 with a basal circumference of 140 km. This makes it by far the largest of the three volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. In Greek Mythology, the deadly monster Typhon was trapped under the mountain by Zeus, Mount Etna is widely regarded as a cultural symbol and icon of Sicily. The Aeolian Islands in the Tyrrhenian Sea, to the northeast of mainland Sicily form a volcanic complex, the three volcanoes of Vulcano, Vulcanello and Lipari are also currently active, although the latter is usually dormant
6.
Early Netherlandish painting
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Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, the major Netherlandish painters include Campin, van Eyck, Rogier van der Weyden, Dieric Bouts, Petrus Christus, Hans Memling, Hugo van der Goes and Hieronymus Bosch. These artists made significant advances in natural representation and illusionism, and their subjects are usually religious scenes or small portraits, with narrative painting or mythological subjects being relatively rare. Landscape is often richly described but relegated as a background detail before the early 16th century, the painted works are generally oil on panel, either as single works or more complex portable or fixed altarpieces in the form of diptychs, triptychs or polyptychs. The period is noted for its sculpture, tapestries, illuminated manuscripts, stained glass. Assisted by the system, panels and a variety of crafts were sold to foreign princes or merchants through private engagement or market stalls. A majority were destroyed during waves of iconoclasm in the 16th and 17th centuries, Early northern art in general was not well regarded from the early 17th to the mid-19th century, and the painters and their works were not well documented until the mid-19th century. Art historians spent almost another century determining attributions, studying iconography, attribution of some of the most significant works is still debated. These artists became a driving force behind the Northern Renaissance. In this political and art-historical context, the north follows the Burgundian lands which straddled areas that encompass parts of modern France, Germany, Belgium, the Netherlandish artists have been known by a variety of terms. Late Gothic is a designation which emphasises continuity with the art of the Middle Ages. In the early 20th century, the artists were variously referred to in English as the Ghent-Bruges school or the Old Netherlandish school. In this context, primitive does not refer to a lack of sophistication. When the Burgundian dukes established centres of power in the Netherlands, in the 19th century the Early Netherlandish artists were classified by nationality, with Jan van Eyck identified as German and van der Weyden as French. Scholars were at times preoccupied as to whether the schools genesis was in France or Germany, in the 14th century, as Gothic art gave way to the International Gothic era, a number of schools developed in northern Europe. Early Netherlandish art originated in French courtly art, and is tied to the tradition. Modern art historians see the era as beginning with 14th-century manuscript illuminators and this patronage continued in the low countries with the Burgundian dukes, Philip the Good and his son Charles the Bold. The demand for illuminated manuscripts declined towards the end of the century, following van Eycks innovations, the first generation of Netherlandish painters emphasised light and shadow, elements usually absent from 14th-century illuminated manuscripts
7.
Giorgio Vasari
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Vasari was born in Arezzo, Tuscany. Recommended at an age by his cousin Luca Signorelli, he became a pupil of Guglielmo da Marsiglia. He was befriended by Michelangelo whose painting style would influence his own, in 1529, he visited Rome where he studied the works of Raphael and other artists of the Roman High Renaissance. Vasaris own Mannerist paintings were admired in his lifetime than afterwards. In 1547 he completed the hall of the chancery in Palazzo della Cancelleria in Rome with frescoes that received the name Sala dei Cento Giorni and he was consistently employed by members of the Medici family in Florence and Rome, and worked in Naples, Arezzo and other places. He also helped to organize the decoration of the Studiolo, now reassembled in the Palazzo Vecchio, aside from his career as a painter, Vasari was also successful as an architect. In Florence, Vasari also built the long passage, now called Vasari Corridor, the enclosed corridor passes alongside the River Arno on an arcade, crosses the Ponte Vecchio and winds around the exterior of several buildings. He also renovated the medieval churches of Santa Maria Novella and Santa Croce, at both he removed the original rood screen and loft, and remodelled the retro-choirs in the Mannerist taste of his time. In Santa Croce, he was responsible for the painting of The Adoration of the Magi which was commissioned by Pope Pius V in 1566 and it was recently restored, before being put on exhibition in 2011 in Rome and in Naples. Eventually it is planned to return it to the church of Santa Croce in Bosco Marengo, in 1562 Vasari built the octagonal dome on the Basilica of Our Lady of Humility in Pistoia, an important example of high Renaissance architecture. In Rome, Vasari worked with Giacomo Barozzi da Vignola and Bartolomeo Ammanati at Pope Julius IIIs Villa Giulia, the Lives also included a novel treatise on the technical methods employed in the arts. The book was rewritten and enlarged in 1568, with the addition of woodcut portraits of artists. The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art – for example, Venetian art in particular, is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the edition gave more attention to Venetian art. Vasaris biographies are interspersed with amusing gossip, with a few exceptions, however, Vasaris aesthetic judgement was acute and unbiased. He did not research archives for exact dates, as art historians do, and naturally his biographies are most dependable for the painters of his own generation. Modern criticism – with new materials opened up by research – has corrected many of his traditional dates and attributions. Vasari includes a sketch of his own biography at the end of the Lives, according to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term competition in its economic sense
8.
Naples
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Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
9.
Petrus Christus
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Petrus Christus was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. Today, some 30 works are attributed to him. Christus was a figure for centuries, his importance not established until the work of modern art historians. Giorgio Vasari barely mentions him in his biographies of painters, written in the Renaissance, in the early to mid-nineteenth century, Gustav Waagen and Johann David Passavant were important in establishing Christuss biographical details and in attributing works to him. Christus was born in Baarle, near Antwerp and Breda, long considered a student of and successor to Jan van Eyck, his paintings have sometimes been confused with those of van Eyck. At the death of van Eyck in 1441, it is thought that Christus took over his masters workshop, had he been an active pupil in van Eycks Bruges workshop in 1441, he would have received his citizenship automatically after the customary period of one year and one day. Christus may have been van Eycks successor in the Bruges school, a document testifying to the presence of a Piero da Bruggia in Milan may suggest that he visited that city at the same time as Antonello, and the two artists may even have met. It would also explain how Italian painters learned about oil painting, Antonello, along with Giovanni Bellini, was one of the first Italian painters to use oil paint like his Netherlandish contemporaries. And Christus Virgin and Child Enthroned with Saints Francis and Jerome in Frankfurt, a late work, the reserved Portrait of a Young Girl belongs among the masterworks of Early Netherlandish painting, marking a new development in Netherlandish portraiture. It no longer shows the sitter in front of a neutral background, Christus had already perfected this format in his two portraits of 1446. Christus died in Bruges in 1475 or 1476, Hans Memling succeeded him as the next great painter in Bruges. Christus produced at least six signed and dated works, which form the basis for any other attributions to him and these are, the Portrait of Edward Grymeston, the Portrait of a Carthusian, the so-called St. In addition, a pair of panels in the Groeningemuseum in Bruges bears a date of 1452, but its authenticity is suspect. Oclc. org, 15th to 18th century European paintings, France, Central Europe, the Netherlands, Spain,2 Painting by or after Petrus Christus at the Art UK site
10.
Reggio Calabria
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Reggio di Calabria, commonly known as Reggio Calabria listen or simply Reggio in Southern Italy, is the biggest city and the most populated comune of Calabria, Southern Italy. It is the capital of the Metropolitan City of Reggio Calabria, Reggio is located on the toe of the Italian Peninsula and is separated from the island of Sicily by the Strait of Messina. It is situated on the slopes of the Aspromonte, a long, about 560,000 people live in the metropolitan area, recognised in 2015 by Italian Republic as a metropolitan city. The region has been subject to earthquakes and it is a major economic center for regional services and transport on the southern shores of the Mediterranean. Reggio, with Naples and Taranto, is home to one of the most important archaeological museums, Reggio is the seat, since 1907, of the Archeological Superintendence of Bruttium and Lucania. The city center, consisting primarily of Liberty buildings, has a development along the coast with parallel streets. The city was an Italian candidate to become the European Capital of Culture. in 2019, during its 3, 500-year history Reggio has often been renamed. Each name corresponds with the major historical phases, Recion. Erythrà, the pre-Greek settlement populated by the Italic people, Rhégion, the Greek city from the archaic age to the Magna Grecia age, from the 8th to the 3rd centuries BC. Febèa, a period under Dionysius II of Syracuse, in the 4th century BC. Regium, its first Latin name, during the 3rd and 2nd centuries BC, rhègium Julium, as a noble Roman city during the Imperial age. Rivàh, Arabic name under the domination by Emirate of Sicily. Rìsa, under the Normans, between the 11th and 12th centuries, regols, Aragonese name under the Crown of Aragon, in the late 13th century. Reggio or Regio, usual Italian name in the Middle and Modern age, règgio di Calàbria, post Italian Unification. The toponym of the city is derived from Chaldean word Rec or maybe from the Greek one régnȳmi referring to the Straits between Calabria and Sicily as a break in the land. The sculptor Léarchos was at Reggio at the end of the 15th century BC, the land around Reggio was first known as Saturnia, or Neptunia, and later Italia, which in Roman times became the name of the whole Italian peninsula. After Cumae, Reggio is one of the oldest Greek colonies in southern Italy, the colony was settled by the inhabitants of Chalcis in 730 or 743 BC on the site of the older settlement, Erythrà, meaning the Red one. This dated back to the 3rd millennium BC and was established by the Ausones
11.
Calabria
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Calabria, known in antiquity as Bruttium and formerly as Italia, is a region in Southern Italy and forms the traditionally conceptualized toe of the Italian Peninsula which resembles a boot. The capital city of Calabria is Catanzaro and its most populated city, and the seat of the Regional Council of Calabria, is Reggio Calabria in the Province of Reggio Calabria. The region is bordered to the north by the Basilicata Region, to the west by the Tyrrhenian Sea, the region covers 15,080 km2 and has a population of just under 2 million. The demonym of Calabria in English is Calabrian, in ancient times Calabria was referred to as Italy. The Romans later extended the name to cover Southern Italy and then the entire peninsula, the region is a long and narrow peninsula which stretches from north to south for 248 km, with a maximum width of 110 km. Some 42% of Calabrias area, corresponding to 15,080 km2, is mountainous, 49% is hilly and it is surrounded by the Ionian and Tyrrhenian seas. It is separated from Sicily by the Strait of Messina, where the narrowest point between Capo Peloro in Sicily and Punta Pezzo in Calabria is only 3.2 km, three mountain ranges are present, Pollino, La Sila and Aspromonte. All three mountain ranges are unique with their own flora and fauna, the Pollino Mountains in the north of the region are rugged and form a natural barrier separating Calabria from the rest of Italy. Parts of the area are heavily wooded, while others are vast and these mountains are home to a rare Bosnian Pine variety, and are included in the Pollino National Park. The highest point is Botte Donato, which reaches 1,928 metres, the area boasts numerous lakes and dense coniferous forests. La Sila also has some of the tallest trees in Italy which are called the Giants of the Sila, the Sila National Park is also known to have the purest air in Europe. The Aspromonte massif forms the southernmost tip of the Italian peninsula bordered by the sea on three sides and this unique mountainous structure reaches its highest point at Montalto, at 1,995 metres, and is full of wide, man-made terraces that slope down towards the sea. In general, most of the terrain in Calabria has been agricultural for centuries. The lowest slopes are rich in vineyards and citrus fruit orchards, the Diamante citron is one of the citrus fruits. Moving upwards, olives and chestnut trees appear while in the regions there are often dense forests of oak, pine, beech. Calabrias climate is influenced by the sea and mountains, mountain areas have a typical mountainous climate with frequent snow during winter. Erratic behavior of the Tyrrhenian Sea can bring heavy rainfall on the slopes of the region, while hot air from Africa makes the east coast of Calabria dry. The mountains that run along the region also influence the climate, the east coast is much warmer and has wider temperature ranges than the west coast
12.
Piero della Francesca
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Piero della Francesca was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its humanism, its use of geometric forms. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo. He was most probably apprenticed to the local painter Antonio di Giovanni dAnghiari, because in documents about payments it is noted that he was working with Antonio in 1432 and May 1438. Besides, he took notice of the work of some of the Sienese artists active in San Sepolcro during his youth. In 1439 Piero received, together with Domenico Veneziano, payments for his work on frescoes for the church of SantEgidio in Florence, in Florence he must have met leading masters like Fra Angelico, Luca della Robbia, Donatello and Brunelleschi. The classicism of Masaccios frescoes and his figures in the Santa Maria del Carmine were for him an important source of inspiration. Dating of Pieros undocumented work is difficult because his style does not seem to have developed over the years, in 1442 he was listed as eligible for the City Council of San Sepolcro. Three years later, he received the commission for the Madonna della Misericordia altarpiece for the church of the Misericordia in Sansepolcro, in 1449 he executed several frescoes in the Castello Estense and the church of SantAndrea of Ferrara, also lost. His influence was strong in the later Ferrarese allegorical works of Cosimo Tura. Two years later he was in Rimini, working for the condottiero Sigismondo Pandolfo Malatesta, in this sojourn he executed in 1451 the famous fresco of St. Sigismund and Sigismondo Pandolfo Malatesta in the Tempio Malatestiano, as well as Sigismondos portrait. Thereafter Piero was active in Ancona, Pesaro and Bologna, in 1454 he signed a contract for the Polyptych of Saint Augustine in the church of SantAgostino in Sansepolcro. The central panel of this polyptic is lost and the four panels of the wings, a few years later, summoned by Pope Nicholas V, he moved to Rome, here he executed frescoes in the Basilica di Santa Maria Maggiore, of which only fragments remain. Two years later he was again in the Papal capital, for frescoes in Vatican Palace which have also been destroyed, the Baptism of Christ, in The National Gallery in London, was executed around 1460 for the high altar of the church of the Priory of S. Other notable works of Piero della Francescas maturity are the frescoes of the Resurrection of Christ in Sansepolcro, in 1452, Piero della Francesca was called to Arezzo to replace Bicci di Lorenzo in painting the frescoes of the basilica of San Francesco. The work was finished before 1466, probably between 1452 and 1456, the cycle of frescoes, depicting the Legend of the True Cross, is generally considered among his masterworks and those of Renaissance painting in general. The story in these frescoes derives from medieval sources as to how timber relics of the True Cross came to be found
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. 2 (11th ed.). Cambridge University Press. p. 148.
This article incorporates text from a publication now in the 
