Art and engraving on United States banknotes
In early 18th century Colonial America, engravers began experimenting with copper plates as an alternative medium to wood. Applied to the production of paper currency, copper-plate engraving allowed for greater detail and production during printing. It was the transition to steel engraving that enabled banknote design and printing to rapidly advance in the United States during the 19th century.
Eight pence note (1778), engraved and printed by Paul Revere
Image: US NBN IL Lebanon 2057 Orig 1 400 C
Image: BEP BURT Concordia
Image: BEP BURT Landing of the Pilgrims
Steel engraving is a technique for printing illustrations based on steel instead of copper. It has been rarely used in artistic printmaking, although it was much used for reproductions in the 19th century. Steel engraving was introduced in 1792 by Jacob Perkins (1766–1849), an American inventor, for banknote printing. When Perkins moved to London in 1818, the technique was adapted in 1820 by Charles Warren and especially by Charles Heath (1785–1848) for Thomas Campbell's Pleasures of Hope, which contained the first published plates engraved on steel. The new technique only partially replaced the other commercial techniques of that time such as wood engraving, copper engraving and later lithography.
Detail of the image below; click to enlarge further
Landing of Columbus, engraved by the BEP based on Vanderlyn's 1847 painting. This vignette was used as the back of the Series 1875 $5 National Bank Note.
Baptism of Pocahontas, engraved by Charles Burt for the BEP based on Chapman's 1840 painting. This vignette was used as the back of the Series 1875 $20 National Bank Note.
Trinity College, Cambridge; View from St John's College Old Bridge, c. 1840. steel engraving was much used for decorative topographical prints such as this, by John Le Keux.