1.
Word
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In linguistics, a word is the smallest element that can be uttered in isolation with semantic or pragmatic content. This contrasts deeply with a morpheme, which is the smallest unit of meaning, a word may consist of a single morpheme, or several, whereas a morpheme may not be able to stand on its own as a word. A complex word will typically include a root and one or more affixes, words can be put together to build larger elements of language, such as phrases, clauses, and sentences. The term word may refer to a word or to a written word. Spoken words are made up of units of sound called phonemes, the difficulty of deciphering a word depends on the language. Dictionaries categorize a languages lexicon into lemmas and these can be taken as an indication of what constitutes a word in the opinion of the writers of that language. The most appropriate means of measuring the length of a word is by counting its syllables or morphemes, when a word has multiple definitions or multiple senses, it may result in confusion in a debate or discussion. Leonard Bloomfield introduced the concept of Minimal Free Forms in 1926, words are thought of as the smallest meaningful unit of speech that can stand by themselves. However, some words are not minimal free forms as they make no sense by themselves. Some semanticists have put forward a theory of so-called semantic primitives or semantic primes, according to this theory, semantic primes serve as the basis for describing the meaning, without circularity, of other words and their associated conceptual denotations. In the Minimalist school of theoretical syntax, words are construed as bundles of features that are united into a structure with form. For example, the word koalas has semantic features, category features, number features, phonological features, the task of defining what constitutes a word involves determining where one word ends and another word begins—in other words, identifying word boundaries. There are several ways to determine where the boundaries of spoken language should be placed, Potential pause, A speaker is told to repeat a given sentence slowly. The speaker will tend to insert pauses at the word boundaries, however, this method is not foolproof, the speaker could easily break up polysyllabic words, or fail to separate two or more closely linked words. Indivisibility, A speaker is told to say a sentence out loud, thus, I have lived in this village for ten years might become My family and I have lived in this little village for about ten or so years. These extra words will tend to be added in the boundaries of the original sentence. However, some languages have infixes, which are put inside a word, similarly, some have separable affixes, in the German sentence Ich komme gut zu Hause an, the verb ankommen is separated. Phonetic boundaries, Some languages have rules of pronunciation that make it easy to spot where a word boundary should be
2.
Writing
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Writing is a medium of human communication that represents language and emotion through the inscription or recording of signs and symbols. In most languages, writing is a complement to speech or spoken language, Writing is not a language but a form of technology that developed as tools developed with human society. Within a language system, writing relies on many of the structures as speech, such as vocabulary, grammar and semantics. The result of writing is called text, and the recipient of text is called a reader. Motivations for writing include publication, storytelling, correspondence and diary, Writing has been instrumental in keeping history, maintaining culture, dissemination of knowledge through the media and the formation of legal systems. As human societies emerged, the development of writing was driven by pragmatic exigencies such as exchanging information, maintaining financial accounts, codifying laws, in both ancient Egypt and Mesoamerica writing may have evolved through calendrics and a political necessity for recording historical and environmental events. H. G. Wells argued that writing has the ability to put agreements, laws and it made the growth of states larger than the old city states possible. It made a continuous historical consciousness possible, the command of the priest or king and his seal could go far beyond his sight and voice and could survive his death. The major writing systems—methods of inscription—broadly fall into four categories, logographic, syllabic, alphabetic, another category, ideographic, has never been developed sufficiently to represent language. A sixth category, pictographic, is insufficient to represent language on its own, a logogram is a written character which represents a word or morpheme. A vast number of logograms are needed to write Chinese characters, cuneiform, and Mayan, where a glyph may stand for a morpheme, many logograms have an ideographic component. For example, in Mayan, the glyph for fin, pronounced ka, was used to represent the syllable ka whenever the pronunciation of a logogram needed to be indicated. In Chinese, about 90% of characters are compounds of an element called a radical with an existing character to indicate the pronunciation. However, such phonetic elements complement the elements, rather than vice versa. A syllabary is a set of symbols that represent syllables. A glyph in a syllabary typically represents a consonant followed by a vowel, or just a vowel alone, phonetically related syllables are not so indicated in the script. For instance, the syllable ka may look nothing like the syllable ki, syllabaries are best suited to languages with a relatively simple syllable structure, such as Japanese. Other languages that use syllabic writing include the Linear B script for Mycenaean Greek, Cherokee, Ndjuka, an English-based creole language of Surinam, most logographic systems have a strong syllabic component
3.
Abstract art
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Abstract art uses a visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective, the arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, Abstract art, non-figurative art, non-objective art, and nonrepresentational art are loosely related terms. They are similar, but perhaps not of identical meaning, Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be slight, partial, or complete, even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance color and form in ways that are conspicuous, total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities, Figurative art and total abstraction are almost mutually exclusive. But figurative and representational art often contains partial abstraction, both geometric abstraction and lyrical abstraction are often totally abstract. It is at level of visual meaning that abstract art communicates. One can enjoy the beauty of Chinese calligraphy or Islamic calligraphy without being able to read it, in Chinese painting, abstraction can be traced to the Tang dynasty painter Wang Mo, who is credited to have invented the splashed-ink painting style. While none of his paintings remain, this style is seen in some Song Dynasty Paintings. A late Song painter named Yu Jian, adept to Tiantai buddhism and his paintings show heavily misty mountains in which the shapes of the objects are barely visible and extremely simplified. This type of painting was continued by Sesshu Toyo in his later years, another instance of abstraction in Chinese painting is seen in Zhu Deruns Cosmic Circle. The painting is a reflection of the Daoist metaphysics in which chaos, in Tokugawa Japan some zen monk-painters created Enso, a circle who represents the absolute enlightenment. Usually made in one spontaneous brush stroke, it became the paradigm of the minimalist aesthetic that guided part of the zen painting, three art movements which contributed to the development of abstract art were Romanticism, Impressionism and Expressionism. Artistic independence for artists was advanced during the 19th century, patronage from the church diminished and private patronage from the public became more capable of providing a livelihood for artists. Expressionist painters explored the use of paint surface, drawing distortions and exaggerations
4.
Image
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Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water. The word image is used in the broader sense of any two-dimensional figure such as a map, a graph. A volatile image is one that only for a short period of time. This may be a reflection of an object by a mirror, a fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or any other digital process. A mental image exists in a mind, as something one remembers or imagines. The subject of an image need not be real, it may be a concept, such as a graph, function. For example, Sigmund Freud claimed to have dreamed purely in aural-images of dialogs, a still image is a single static image, as distinguished from a kinetic image. This phrase is used in photography, visual media and the industry to emphasize that one is not talking about movies. A film still is a taken on the set of a movie or television program during production. In literature, imagery is a picture which appeals to the senses. It can both be figurative and literal, a moving image is typically a movie or video, including digital video. It could also be an animated display such as a zoetrope, library of Congress – Format Descriptions for Still Images Image Processing – Online Open Research Group Legal Issues Regarding Images Image Copyright Case
5.
Linguistics
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Linguistics is the scientific study of language, and involves an analysis of language form, language meaning, and language in context. Linguists traditionally analyse human language by observing an interplay between sound and meaning, phonetics is the study of speech and non-speech sounds, and delves into their acoustic and articulatory properties. While the study of semantics typically concerns itself with truth conditions, Grammar is a system of rules which governs the production and use of utterances in a given language. These rules apply to sound as well as meaning, and include componential sub-sets of rules, such as those pertaining to phonology, morphology, modern theories that deal with the principles of grammar are largely based within Noam Chomskys ideological school of generative grammar. In the early 20th century, Ferdinand de Saussure distinguished between the notions of langue and parole in his formulation of structural linguistics. According to him, parole is the utterance of speech, whereas langue refers to an abstract phenomenon that theoretically defines the principles. This distinction resembles the one made by Noam Chomsky between competence and performance in his theory of transformative or generative grammar. According to Chomsky, competence is an innate capacity and potential for language, while performance is the specific way in which it is used by individuals, groups. The study of parole is the domain of sociolinguistics, the sub-discipline that comprises the study of a system of linguistic facets within a certain speech community. Discourse analysis further examines the structure of texts and conversations emerging out of a speech communitys usage of language, Stylistics also involves the study of written, signed, or spoken discourse through varying speech communities, genres, and editorial or narrative formats in the mass media. In the 1960s, Jacques Derrida, for instance, further distinguished between speech and writing, by proposing that language be studied as a linguistic medium of communication in itself. Palaeography is therefore the discipline that studies the evolution of scripts in language. Linguistics also deals with the social, cultural, historical and political factors that influence language, through which linguistic, research on language through the sub-branches of historical and evolutionary linguistics also focus on how languages change and grow, particularly over an extended period of time. Language documentation combines anthropological inquiry with linguistic inquiry, in order to describe languages, lexicography involves the documentation of words that form a vocabulary. Such a documentation of a vocabulary from a particular language is usually compiled in a dictionary. Computational linguistics is concerned with the statistical or rule-based modeling of natural language from a computational perspective, specific knowledge of language is applied by speakers during the act of translation and interpretation, as well as in language education – the teaching of a second or foreign language. Policy makers work with governments to implement new plans in education, related areas of study also includes the disciplines of semiotics, literary criticism, translation, and speech-language pathology. Before the 20th century, the philology, first attested in 1716, was commonly used to refer to the science of language
6.
Symbol
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A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences, all communication is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas or visual images and are used to other ideas. For example, a red octagon may be a symbol for STOP, on a map, a blue line might represent a river. Alphabetic letters may be symbols for sounds, personal names are symbols representing individuals. A red rose may symbolize love and compassion, the variable x, in a mathematical equation, may symbolize the position of a particle in space. In cartography, a collection of symbols forms a legend for a map The word derives from the Greek symbolon meaning token or watchword. It is an amalgam of syn- together + bole a throwing, a casting, the sense evolution in Greek is from throwing things together to contrasting to comparing to token used in comparisons to determine if something is genuine. The meaning something which stands for something else was first recorded in 1590, later, expanding on what he means by this definition Campbell says, a symbol, like everything else, shows a double aspect. We must distinguish, therefore between the sense and the meaning of the symbol. The term meaning can only to the first two but these, today, are in the charge of science – which is the province as we have said, not of symbols. The ineffable, the unknowable, can be only sensed. Heinrich Zimmer gives an overview of the nature, and perennial relevance. Concepts and words are symbols, just as visions, rituals, through all of these a transcendent reality is mirrored. They are so many metaphors reflecting and implying something which, though thus variously expressed, is ineffable, though thus rendered multiform, Symbols hold the mind to truth but are not themselves the truth, hence it is delusory to borrow them. Each civilisation, every age, must bring forth its own, in the book Signs and Symbols, it is stated that A symbol. Is a visual image or sign representing an idea -- a deeper indicator of a universal truth, Symbols are a means of complex communication that often can have multiple levels of meaning. This separates symbols from signs, as signs have only one meaning, human cultures use symbols to express specific ideologies and social structures and to represent aspects of their specific culture
7.
Infinity
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Infinity is an abstract concept describing something without any bound or larger than any number. In mathematics, infinity is treated as a number but it is not the same sort of number as natural or real numbers. Georg Cantor formalized many ideas related to infinity and infinite sets during the late 19th, in the theory he developed, there are infinite sets of different sizes. For example, the set of integers is countably infinite, while the set of real numbers is uncountable. Ancient cultures had various ideas about the nature of infinity, the ancient Indians and Greeks did not define infinity in precise formalism as does modern mathematics, and instead approached infinity as a philosophical concept. The earliest recorded idea of infinity comes from Anaximander, a pre-Socratic Greek philosopher who lived in Miletus and he used the word apeiron which means infinite or limitless. However, the earliest attestable accounts of mathematical infinity come from Zeno of Elea, aristotle called him the inventor of the dialectic. He is best known for his paradoxes, described by Bertrand Russell as immeasurably subtle, however, recent readings of the Archimedes Palimpsest have found that Archimedes had an understanding about actual infinite quantities. The Jain mathematical text Surya Prajnapti classifies all numbers into three sets, enumerable, innumerable, and infinite, on both physical and ontological grounds, a distinction was made between asaṃkhyāta and ananta, between rigidly bounded and loosely bounded infinities. European mathematicians started using numbers in a systematic fashion in the 17th century. John Wallis first used the notation ∞ for such a number, euler used the notation i for an infinite number, and exploited it by applying the binomial formula to the i th power, and infinite products of i factors. In 1699 Isaac Newton wrote about equations with an number of terms in his work De analysi per aequationes numero terminorum infinitas. The infinity symbol ∞ is a symbol representing the concept of infinity. The symbol is encoded in Unicode at U+221E ∞ infinity and in LaTeX as \infty and it was introduced in 1655 by John Wallis, and, since its introduction, has also been used outside mathematics in modern mysticism and literary symbology. Leibniz, one of the co-inventors of infinitesimal calculus, speculated widely about infinite numbers, in real analysis, the symbol ∞, called infinity, is used to denote an unbounded limit. X → ∞ means that x grows without bound, and x → − ∞ means the value of x is decreasing without bound. ∑ i =0 ∞ f = ∞ means that the sum of the series diverges in the specific sense that the partial sums grow without bound. Infinity can be used not only to define a limit but as a value in the real number system
8.
Evolution (term)
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The English noun evolution refers to any kind of accumulation of change, or gradual directional change. It is the 3, 117th most commonly used word in English. g, stellar evolution, cultural evolution, the evolution of an idea, metaphysical evolution, spiritual evolution, etc. The English term prior to the late 19th century was confined to referring to goal-directed, pre-programmed processes such as embryological development, a pre-programmed task, as in a military maneuver, using this definition, may be termed an evolution. The term evolution carries a connotation of gradual improvement or directionality from a beginning to an end point and this contrasts with the more general development, which can indicate change in any direction, or revolution, which implies recurring, periodic change. The term biological devolution is coined as an antonym to evolution, indicating such degeneration or decrease in quality or complexity
9.
Translation
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Translation is the communication of the meaning of a source-language text by means of an equivalent target-language text. While interpreting—the facilitating of oral or sign-language communication between users of different languages—antedates writing, translation began only after the appearance of written literature, there exist partial translations of the Sumerian Epic of Gilgamesh into Southwest Asian languages of the second millennium BCE. Translators always risk inappropriate spill-over of source-language idiom and usage into the target-language translation, on the other hand, spill-overs have imported useful source-language calques and loanwords that have enriched the target languages. Indeed, translators have helped substantially to shape the languages into which they have translated, because of the laboriousness of translation, since the 1940s engineers have sought to automate translation or to mechanically aid the human translator. The rise of the Internet has fostered a world-wide market for services and has facilitated language localization. Translation studies systematically study the theory and practice of translation, the English word translation derives from the Latin word translatio, which comes from trans, across + ferre, to carry or to bring. Thus translatio is a carrying across or a bringing across, in this case, the Germanic languages and some Slavic languages have calqued their words for the concept of translation on translatio. The Romance languages and the remaining Slavic languages have derived their words for the concept of translation from an alternative Latin word, traductio, the Ancient Greek term for translation, μετάφρασις, has supplied English with metaphrase — as contrasted with paraphrase. Metaphrase corresponds, in one of the more recent terminologies, to formal equivalence, nevertheless, metaphrase and paraphrase may be useful as ideal concepts that mark the extremes in the spectrum of possible approaches to translation. Discussions of the theory and practice of translation reach back into antiquity, the ancient Greeks distinguished between metaphrase and paraphrase. Literally graceful, it were an injury to the author that they should be changed, Dryden cautioned, however, against the license of imitation, i. e. of adapted translation, When a painter copies from the life. He has no privilege to alter features and lineaments, despite occasional theoretical diversity, the actual practice of translation has hardly changed since antiquity. The grammatical differences between languages and free-word-order languages have been no impediment in this regard. The particular syntax characteristics of a source language are adjusted to the syntactic requirements of the target language. When a target language has lacked terms that are found in a language, translators have borrowed those terms. However, due to shifts in ecological niches of words, an etymology is sometimes misleading as a guide to current meaning in one or the other language. For example, the English actual should not be confused with the cognate French actuel, the Polish aktualny, the Swedish aktuell, the translators role as a bridge for carrying across values between cultures has been discussed at least since Terence, the 2nd-century-BCE Roman adapter of Greek comedies. The translators role is, however, by no means a passive, mechanical one, the main ground seems to be the concept of parallel creation found in critics such as Cicero
10.
Exploration
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Exploration is the act of searching for the purpose of discovery of information or resources. Exploration occurs in all animal species, including humans. In human history, its most dramatic rise was during the Age of Discovery when European explorers sailed and charted much of the rest of the world for a variety of reasons. Since then, major explorations after the Age of Discovery have occurred for reasons mostly aimed at information discovery, in scientific research, exploration is one of three purposes of empirical research. The term is used metaphorically. For example, an individual may speak of exploring the Internet, sexuality, the Phoenicians traded throughout the Mediterranean Sea and Asia Minor though many of their routes are still unknown today. The presence of tin in some Phoenician artifacts suggests that they may have traveled to Britain, according to Virgils Aeneid and other ancient sources, the legendary Queen Dido was a Phoenician from Tyre who sailed to North Africa and founded the city of Carthage. Hanno the Navigator, a Carthaginean navigator explored the Western Coast of Africa, the Greek explorer from Marseille, Pytheas was the first to circumnavigate Great Britain, explore Germany, and reach Thule. Africa Exploration The Romans organized expeditions to cross the Sahara desert with five different routes, through the western Sahara, toward the Niger river, through the Tibesti mountains, toward Lake Chad and actual Nigeria through the Nile river, toward actual Uganda. Though the western coast of Africa, toward the Canary Islands, through the Red Sea, toward actual Somalia and perhaps Tanzania. All these expeditions were supported by legionaries and had mainly a commercial purpose, only the one done by emperor Nero seemed to be a preparative for the conquest of Ethiopia or Nubia, in 62 AD two legionaries explored the sources of the Nile river. One of the reasons of the explorations was to get gold using the camel to transport it. The explorations near the African western and eastern coasts were supported by Roman ships, Romans organized several explorations also in Northern Europe, and as far as Asia up to China. 30 BC-640 AD With the acquisition of Ptolemaic Egypt, The Romans begin trading with India, the Empire now has a direct connection to the Spice trade Egypt had established beginning in 118 BC.100 AD-166 AD Romano-Chinese relations begin. Ptolemy writes of the Golden Chersonese and the port of Kattigara, now identified as Óc Eo in northern Vietnam, then part of Jiaozhou. The Chinese historical texts describe Roman embassies, from a land they called Daqin, 2nd century Roman traders reach Siam, Cambodia, Sumatra, and Java. 161 An embassy from Roman Emperor Antoninus Pius or his successor Marcus Aurelius reaches Chinese Emperor Huan of Han at Luoyang, when Zhang returned to China in 125 BC, he reported on his visits to Dayuan, Kangju, and Daxia. Zhang described Dayuan and Daxia as agricultural and urban countries like China, from about 800 Ad to 1040 AD, the Vikings explored Europe and much of the Western Northern Hemisphere via rivers and oceans
11.
Visual poetry
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Literary theorists have identified visual poetry as a development of concrete poetry but with the characteristics of intermedia in which non-representational language and visual elements predominate. In her survey, Concrete Poetry, A World View, Mary Ellen Solt, Visual poetry, on the other hand, is to be distinguished by its deployment of typography. Solt included in her new genre the work of Ian Hamilton Finlay, John Furnival. He also separated out artist-generated picture poems and artists books as an allied category, also to be found in the university collection is Tom Phillips A Humument, as well as an assortment of handwritten but non-linguistic texts. N. The last also used the typewriter to create patterns, using not just letters. Created during the 1920s, they anticipated the intermediary typestracts of the Concrete poet Dom Sylvester Houédard during the 1960s that would qualify as Visual Poetry. Klaus Peter Dencker also stresses the continuity to the new genre in his theoretical paper From Concrete to Visual Poetry, pointing out its intermedial, the two are also interdependent and without concrete poetry the current forms of visual poetry would be unthinkable. From his reductionist point of view, Visual poetry can be defined as poetry that is meant to be seen – poetry that presupposes a viewer as well as a reader, also published as a chapter in his Horizons, the Poetics and Theory of the Intermedia
12.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
13.
Magazine
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A magazine is a publication, usually a periodical publication, which is printed or electronically published. Magazines are generally published on a schedule and contain a variety of content. They are generally financed by advertising, by a price, by prepaid subscriptions. At its root, the magazine refers to a collection or storage location. In the case of written publication, it is a collection of written articles and this explains why magazine publications share the word root with gunpowder magazines, artillery magazines, firearms magazines, and, in French, retail stores such as department stores. By definition, a magazine paginates with each issue starting at three, with the standard sizing being 8 3/8 ×10 7/8 inches. However, in the sense a journal has continuous pagination throughout a volume. Some professional or trade publications are also peer-reviewed, an example being the Journal of Accountancy, academic or professional publications that are not peer-reviewed are generally professional magazines. That a publication calls itself a journal does not make it a journal in the technical sense, magazines can be distributed through the mail, through sales by newsstands, bookstores, or other vendors, or through free distribution at selected pick-up locations. The subscription business models for distribution fall into three main categories. In this model, the magazine is sold to readers for a price, either on a basis or by subscription. Paid circulation allows for defined readership statistics and this means that there is no cover price and issues are given away, for example in street dispensers, airline, or included with other products or publications. Because this model involves giving issues away to unspecific populations, the statistics only entail the number of issues distributed and this is the model used by many trade magazines distributed only to qualifying readers, often for free and determined by some form of survey. This allows a level of certainty that advertisements will be received by the advertisers target audience. This latter model was used before the rise of the World Wide Web and is still employed by some titles. For example, in the United Kingdom, a number of computer-industry magazines use this model, including Computer Weekly and Computing, for the global media industry, an example would be VideoAge International. The earliest example of magazines was Erbauliche Monaths Unterredungen, a literary and philosophy magazine, the Gentlemans Magazine, first published in 1731, in London was the first general-interest magazine. Edward Cave, who edited The Gentlemans Magazine under the pen name Sylvanus Urban, was the first to use the term magazine, founded by Herbert Ingram in 1842, The Illustrated London News was the first illustrated magazine
14.
Art movement
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Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde. According to theories associated with modernism and the concept of postmodernism, the period of time called modern art is posited to have changed approximately halfway through the 20th century and art made afterward is generally called contemporary art. Postmodernism in visual art begins and functions as a parallel to late modernism, the postmodern period began during late modernism, and according to some theorists postmodernism ended in the 21st century. During the period of time corresponding to modern art each movement was often considered a new avant-garde. Also during the period of time referred to as modern art movement was seen corresponding to a somewhat grandiose rethinking of all that came before it. Generally there was a commonality of visual style linking the works, postmodernist theorists posit that the idea of art movements are no longer as applicable, or no longer as discernible, as the notion of art movements had been before the postmodern era. There are many theorists however who doubt as to whether or not such an era was actually a fact, the term refers to tendencies in visual art, novel ideas and architecture, and sometimes literature. In music it is common to speak about genres and styles instead. See also cultural movement, a term with a broader connotation, as the names of many art movements use the -ism suffix, they are sometimes referred to as isms. 20th-century Western painting Art periods List of art movements Post-expressionism Western art history the-artists. org Art movements since 1900, 20th-Century Art Compiled by Dr. Witcombe, Sweet Briar College, Virginia. WebMuseum, Paris Themes index and detailed glossary of art periods
15.
Pen
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A pen is a writing implement used to apply ink to a surface, such as paper, for writing or drawing. Historically, reed pens, quill pens, and dip pens were used, ruling pens allow precise adjustment of line width, and still find a few specialized uses, but technical pens such as the Rapidograph are more commonly used. Modern types also include ballpoint, rollerball, fountain, and felt or ceramic tip pens, the ink dries almost immediately on contact with paper. The ballpoint pen is usually reliable and comes in both inexpensive and expensive types and it has replaced the fountain pen as the most common tool for everyday writing. A rollerball pen dispenses a water-based liquid or gel ink through a ball tip similar to that of a ballpoint pen, the less-viscous ink is more easily absorbed by paper than oil-based ink, and the pen moves more easily across a writing surface. The rollerball pen was designed to combine the convenience of a ballpoint pen with the smooth wet ink effect of a fountain pen. A fountain pen uses water-based liquid ink delivered through a nib, the ink flows from a reservoir through a feed to the nib, then through the nib, due to capillary action and gravity. The nib has no moving parts and delivers ink through a slit to the writing surface. A fountain pen reservoir can be refillable or disposable, this type being an ink cartridge. A pen with a refillable reservoir may have a mechanism, such as a piston, to ink from a bottle through the nib. Refill reservoirs, also known as cartridge converters, are available for some pens which use disposable cartridges, a marker, or felt-tip pen, has a porous tip of fibrous material. The smallest, finest-tipped markers are used for writing on paper, medium-tip markers are often used by children for coloring and drawing. Larger markers are used for writing on other such as corrugated boxes, whiteboards and for chalkboards. Markers with wide tips and bright but transparent ink, called highlighters, are used to mark existing text, markers designed for children or for temporary writing typically use non-permanent inks. Large markers used to label shipping cases or other packages are usually permanent markers, a dip pen usually has no ink reservoir and must be repeatedly recharged with ink while drawing or writing. The dip pen has certain advantages over a fountain pen, dip pens are now mainly used in illustration, calligraphy, and comics. The ink brush is the writing implement in East Asian calligraphy. The body of the brush can be made from bamboo, or rarer materials such as red sandalwood, glass, ivory, silver
16.
Brush
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A brush is a tool with bristles, wire or other filaments, used for cleaning, grooming hair, make up, painting, surface finishing and for many other purposes. It is one of the most basic and versatile tools known to mankind, and it generally consists of a handle or block to which filaments are affixed either parallel- or perpendicular-wise, depending on the way the brush is to be gripped during use. The material of both the block and bristles or filaments is chosen to withstand hazards of its application, such as corrosive chemicals, heat or abrasion. The staple can be replaced with a kind of anchor, which is a piece of rectangular profile wire that is anchored to the wall of the hole, configurations include twisted-in wire, cylinders and disks. The action of these brushes is mainly in the tip of each flexible bristle which dislodges particles of matter, broom The action of such brushes is mostly from the sides, not the tip, contact with which releases material held by capillary action. Certain varieties of hairbrush are however designed to brush the scalp itself free of such as dead skin. Hair brush Dog-grooming brush Cat fur brush Brush, used on electrical motors Drum stick#Brushes Magnetic brush Stippling brush Medical sampling brush Brushes used for cleaning come in various sizes. They vary in size ranging from that of a toothbrush, to the standard household version accompanied by a dustpan, there are brushes for cleaning tiny cracks and crevices and brushes for cleaning enormous warehouse floors. Brushes perform a multitude of cleaning tasks, specific brushes are used for diverse activities from cleaning vegetables, as a toilet brush, washing glass, cleaning tiles, and as a mild abrasive for sanding. Wire brush Hairbrush Ink brush Pastry brush Test tube brush The Grove Encyclopedia of Materials and Techniques in Art, ISBN 978-0-19-531391-8 Glossary of Brush Terms
17.
Photography
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Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic sensor, this produces an electrical charge at each pixel. A negative image on film is used to photographically create a positive image on a paper base, known as a print. The word photography was created from the Greek roots φωτός, genitive of φῶς, light and γραφή representation by means of lines or drawing, several people may have coined the same new term from these roots independently. Johann von Maedler, a Berlin astronomer, is credited in a 1932 German history of photography as having used it in an article published on 25 February 1839 in the German newspaper Vossische Zeitung. Both of these claims are now widely reported but apparently neither has ever been confirmed as beyond reasonable doubt. Credit has traditionally given to Sir John Herschel both for coining the word and for introducing it to the public. Photography is the result of combining several technical discoveries, later Greek mathematicians Aristotle and Euclid also independently described a pinhole camera in the 5th and 4th centuries BCE. Daniele Barbaro described a diaphragm in 1566, wilhelm Homberg described how light darkened some chemicals in 1694. The fiction book Giphantie, published in 1760, by French author Tiphaigne de la Roche, the discovery of the camera obscura that provides an image of a scene dates back to ancient China. Leonardo da Vinci mentions natural camera obscura that are formed by dark caves on the edge of a sunlit valley, a hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the birth of photography was primarily concerned with inventing means to capture, renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means dark chamber in Latin and it is a box with a hole in it which allows light to go through and create an image onto the piece of paper. Around the year 1800, British inventor Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance and he used paper or white leather treated with silver nitrate. The shadow images eventually darkened all over, the first permanent photoetching was an image produced in 1822 by the French inventor Nicéphore Niépce, but it was destroyed in a later attempt to make prints from it. Niépce was successful again in 1825, in 1826 or 1827, he made the View from the Window at Le Gras, the earliest surviving photograph from nature. Because Niépces camera photographs required a long exposure, he sought to greatly improve his bitumen process or replace it with one that was more practical. With an eye to eventual commercial exploitation, the partners opted for total secrecy, Daguerres efforts culminated in what would later be named the daguerreotype process
18.
Canvas
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Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, and other items for which sturdiness is required. It is also used by artists as a painting surface. It is also used in such objects as handbags, electronic device cases. The word canvas is derived from the 13th century Anglo-French canevaz, both may be derivatives of the Vulgar Latin cannapaceus for made of hemp, originating from the Greek κάνναβις. Modern canvas is made of cotton or linen, although. It differs from other cotton fabrics, such as denim. Canvas comes in two types, plain and duck. The threads in duck canvas are more tightly woven, the term duck comes from the Dutch word for cloth, doek. In the United States, canvas is classified in two ways, by weight and by a number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number 4, canvas has become the most common support medium for oil painting, replacing wooden panels. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, however, panel painting remained more common until the 16th century in Italy and the 17th century in Northern Europe. Mantegna and Venetian artists were among those leading the change, Venetian sail canvas was readily available, as lead-based paint is poisonous, care has to be taken in using it. Early canvas was made of linen, a sturdy brownish fabric of considerable strength, linen is particularly suitable for the use of oil paint. In the early 20th century, cotton canvas, often referred to as cotton duck, linen is composed of higher quality material, and remains popular with many professional artists, especially those who work with oil paint. Cotton duck, which stretches more fully and has an even, mechanical weave, the advent of acrylic paint has greatly increased the popularity and use of cotton duck canvas. Linen and cotton derive from two different plants, the flax plant and the cotton plant, respectively. Gessoed canvases on stretchers are also available and they are available in a variety of weights, light-weight is about 4 oz or 5 oz, medium-weight is about 7 oz or 8 oz, heavy-weight is about 10 oz or 12 oz. They are prepared with two or three coats of gesso and are ready for use straight away, artists desiring greater control of their painting surface may add a coat or two of their preferred gesso
19.
Paper
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Paper is a thin material produced by pressing together moist fibres of cellulose pulp derived from wood, rags or grasses, and drying them into flexible sheets. It is a material with many uses, including writing, printing, packaging, cleaning. The modern pulp and paper industry is global, with China leading its production, the oldest known archaeological fragments of the immediate precursor to modern paper, date to the 2nd century BC in China. The pulp papermaking process is ascribed to Cai Lun, a 2nd-century AD Han court eunuch, with paper as an effective substitute for silk in many applications, China could export silk in greater quantity, contributing to a Golden Age. Because of papers introduction to the West through the city of Baghdad, in the 19th century, industrial manufacture greatly lowered its cost, enabling mass exchange of information and contributing to significant cultural shifts. In 1844, the Canadian inventor Charles Fenerty and the German F. G. Keller independently developed processes for pulping wood fibres, before the industrialisation of the paper production the most common fibre source was recycled fibres from used textiles, called rags. The rags were from hemp, linen and cotton, a process for removing printing inks from recycled paper was invented by German jurist Justus Claproth in 1774. Today this method is called deinking and it was not until the introduction of wood pulp in 1843 that paper production was not dependent on recycled materials from ragpickers. The word paper is etymologically derived from Latin papyrus, which comes from the Greek πάπυρος, although the word paper is etymologically derived from papyrus, the two are produced very differently and the development of the first is distinct from the development of the second. Papyrus is a lamination of natural plant fibres, while paper is manufactured from fibres whose properties have changed by maceration. To make pulp from wood, a chemical pulping process separates lignin from cellulose fibres and this is accomplished by dissolving lignin in a cooking liquor, so that it may be washed from the cellulose, this preserves the length of the cellulose fibres. Paper made from chemical pulps are also known as wood-free papers–not to be confused with paper, this is because they do not contain lignin. The pulp can also be bleached to produce paper, but this consumes 5% of the fibres, chemical pulping processes are not used to make paper made from cotton. There are three main chemical pulping processes, the process dates back to the 1840s and it was the dominant method extent before the second world war. Most pulping operations using the process are net contributors to the electricity grid or use the electricity to run an adjacent paper mill. Another advantage is that this process recovers and reuses all inorganic chemical reagents, soda pulping is another specialty process used to pulp straws, bagasse and hardwoods with high silicate content. There are two major mechanical pulps, thermomechanical pulp and groundwood pulp, in the TMP process, wood is chipped and then fed into steam heated refiners, where the chips are squeezed and converted to fibres between two steel discs. In the groundwood process, debarked logs are fed into grinders where they are pressed against rotating stones to be made into fibres
20.
Computer
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A computer is a device that can be instructed to carry out an arbitrary set of arithmetic or logical operations automatically. The ability of computers to follow a sequence of operations, called a program, such computers are used as control systems for a very wide variety of industrial and consumer devices. The Internet is run on computers and it millions of other computers. Since ancient times, simple manual devices like the abacus aided people in doing calculations, early in the Industrial Revolution, some mechanical devices were built to automate long tedious tasks, such as guiding patterns for looms. More sophisticated electrical machines did specialized analog calculations in the early 20th century, the first digital electronic calculating machines were developed during World War II. The speed, power, and versatility of computers has increased continuously and dramatically since then, conventionally, a modern computer consists of at least one processing element, typically a central processing unit, and some form of memory. The processing element carries out arithmetic and logical operations, and a sequencing, peripheral devices include input devices, output devices, and input/output devices that perform both functions. Peripheral devices allow information to be retrieved from an external source and this usage of the term referred to a person who carried out calculations or computations. The word continued with the same meaning until the middle of the 20th century, from the end of the 19th century the word began to take on its more familiar meaning, a machine that carries out computations. The Online Etymology Dictionary gives the first attested use of computer in the 1640s, one who calculates, the Online Etymology Dictionary states that the use of the term to mean calculating machine is from 1897. The Online Etymology Dictionary indicates that the use of the term. 1945 under this name, theoretical from 1937, as Turing machine, devices have been used to aid computation for thousands of years, mostly using one-to-one correspondence with fingers. The earliest counting device was probably a form of tally stick, later record keeping aids throughout the Fertile Crescent included calculi which represented counts of items, probably livestock or grains, sealed in hollow unbaked clay containers. The use of counting rods is one example, the abacus was initially used for arithmetic tasks. The Roman abacus was developed from used in Babylonia as early as 2400 BC. Since then, many forms of reckoning boards or tables have been invented. In a medieval European counting house, a checkered cloth would be placed on a table, the Antikythera mechanism is believed to be the earliest mechanical analog computer, according to Derek J. de Solla Price. It was designed to calculate astronomical positions and it was discovered in 1901 in the Antikythera wreck off the Greek island of Antikythera, between Kythera and Crete, and has been dated to circa 100 BC
21.
Animation
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Animation is the process of making the illusion of motion and the illusion of change by means of the rapid display of a sequence of images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon, animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation. To display animation, a camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures, Images are displayed in a rapid succession, usually 24,25,30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery, 3D animation uses computer graphics, while 2D animation is used for stylistic, low bandwidth and faster real-time renderings. An earthen goblet discovered at the site of the 5, 200-year-old Shahr-e Sūkhté in southeastern Iran, the artifact bears five sequential images depicting a Persian Desert Ibex jumping up to eat the leaves of a tree. They may, of course, refer to Chinese shadow puppets, in the 19th century, the phenakistoscope, zoetrope and praxinoscope were introduced. A thaumatrope is a toy with a small disk with different pictures on each side. The phenakistoscope was invented simultaneously by Belgian Joseph Plateau and Austrian Simon von Stampfer in 1831, the phenakistoscope consists of a disk with a series of images, drawn on radi evenly space around the center of the disk. John Barnes Linnett patented the first flip book in 1868 as the kineograph, the first animated projection was created in France, by Charles-Émile Reynaud, who was a French science teacher. Reynaud created the Praxinoscope in 1877 and the Théâtre Optique in December 1888, on 28 October 1892, he projected the first animation in public, Pauvre Pierrot, at the Musée Grévin in Paris. This film is notable as the first known instance of film perforations being used. His films were not photographed, they were drawn directly onto the transparent strip, in 1900, more than 500,000 people had attended these screenings. Stuart Blackton, who, because of that, is considered the father of American animation, in Europe, the French artist, Émile Cohl, created the first animated film using what came to be known as traditional animation creation methods - the 1908 Fantasmagorie. The film largely consisted of a figure moving about and encountering all manner of morphing objects. There were also sections of live action in which the hands would enter the scene. The film was created by drawing each frame on paper and then shooting each frame onto negative film, the author of the first puppet-animated film was the Russian-born director Wladyslaw Starewicz, known as Ladislas Starevich
22.
Eye
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Eyes are organs of the visual system. They provide organisms vision, the ability to process visual detail, eyes detect light and convert it into electro-chemical impulses in neurons. Eyes with resolving power have come in ten different forms. Image-resolving eyes are present in molluscs, chordates and arthropods, the simplest eyes, such as those in microorganisms, do nothing but detect whether the surroundings are light or dark, which is sufficient for the entrainment of circadian rhythms. Complex eyes can distinguish shapes and colours, the visual fields of many organisms, especially predators, involve large areas of binocular vision to improve depth perception. In other organisms, eyes are located so as to maximise the field of view, such as in rabbits and horses, the first proto-eyes evolved among animals 600 million years ago about the time of the Cambrian explosion. The last common ancestor of animals possessed the biochemical toolkit necessary for vision, in most vertebrates and some molluscs, the eye works by allowing light to enter and project onto a light-sensitive panel of cells, known as the retina, at the rear of the eye. The cone cells and the rod cells in the retina detect, the visual signals are then transmitted to the brain via the optic nerve. The eyes of most cephalopods, fish, amphibians and snakes have fixed lens shapes, and focusing vision is achieved by telescoping the lens—similar to how a camera focuses. Compound eyes are found among the arthropods and are composed of many simple facets which, depending on the details of anatomy, may give either a single pixelated image or multiple images, each sensor has its own lens and photosensitive cell. Some eyes have up to 28,000 such sensors, which are arranged hexagonally, compound eyes are very sensitive to motion. Some arthropods, including many Strepsiptera, have eyes of only a few facets, each with a retina capable of creating an image. With each eye viewing a different thing, an image from all the eyes is produced in the brain, providing very different. Possessing detailed hyperspectral colour vision, the Mantis shrimp has been reported to have the worlds most complex colour vision system, trilobites, which are now extinct, had unique compound eyes. They used clear calcite crystals to form the lenses of their eyes, in this, they differ from most other arthropods, which have soft eyes. The number of lenses in such an eye varied, however, some trilobites had only one, in contrast to compound eyes, simple eyes are those that have a single lens. For example, jumping spiders have a pair of simple eyes with a narrow field of view. Some insect larvae, like caterpillars, have a different type of simple eye which gives a rough image, some of the simplest eyes, called ocelli, can be found in animals like some of the snails, which cannot actually see in the normal sense
23.
Pictogram
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A pictogram, also called a pictogramme, pictograph, or simply picto, and in computer usage an icon, is an ideogram that conveys its meaning through its pictorial resemblance to a physical object. Pictographs are often used in writing and graphic systems in which the characters are to a considerable extent pictorial in appearance, a pictogram may also be used in subjects such as leisure, tourism and geography. Some pictograms, such as Hazards pictograms, are elements of formal languages, pictograph has a rather different meaning in the field of prehistoric art, including recent art by traditional societies. Here it means art painted on surfaces, as opposed to petroglyphs that are carved or incised. Such images may or may not be considered pictograms in the general sense, early written symbols were based on pictographs and ideograms. Ancient Sumerian, Egyptian, and Chinese civilizations began to adapt such symbols to represent concepts, pictographs are still in use as the main medium of written communication in some non-literate cultures in Africa, the Americas, and Oceania. Pictographs are often used as simple, pictorial, representational symbols by most contemporary cultures, one example of many is the Rock art of the Chumash people, part of the Native American history of California. In 2011, UNESCOs World Heritage List added Petroglyph Complexes of the Mongolian Altai, because of their graphical nature and fairly realistic style, they are widely used to indicate public toilets, or places such as airports and train stations. Contemporary artist Xu Bing created Book from the Ground, a language made up of pictograms collected from around the world. A Book from the Ground chat program has been exhibited in museums, pictograms are used in many areas of modern life for commodity purposes, often as a formal language. In statistics, pictograms are chartsin which icons represent numbers to make it more interesting, a key is often included to indicate what each icon represents. All icons must be of the size, but a fraction of an icon can be used to show the respective fraction of that amount. For example, the table, can be graphed as follows, Key, =10 letters As the values are rounded to the nearest 5 letters. This is why road signs and similar material are often applied as global standards expected to be understood by nearly all. A standard set of pictographs was defined in the international standard ISO7001, other common sets of pictographs are the laundry symbols used on clothing tags and the chemical hazard symbols as standardized by the GHS system. Pictograms have been popularized in use on the web and in software, better known as icons displayed on a computer screen in order to help user navigate a computer system or mobile device
24.
Ideogram
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An ideogram or ideograph is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. In proto-writing, used for inventories and the like, physical objects are represented by stylized or conventionalized pictures, for example, the pictorial Dongba symbols without Geba annotation cannot represent the Naxi language, but are used as a mnemonic for reciting oral literature. Some systems also use ideograms, symbols denoting abstract concepts, the term ideogram is often used to describe symbols of writing systems such as Egyptian hieroglyphs, Sumerian cuneiform and Chinese characters. However, these symbols are logograms, representing words or morphemes of a language rather than objects or concepts. In these writing systems, a variety of strategies were employed in the design of logographic symbols, pictographic symbols depict the object referred to by the word, such as an icon of a bull denoting the Semitic word ʾālep ox. Some words denoting abstract concepts may be represented iconically, but most other words are represented using the rebus principle, many signs in hieroglyphic as well as in cuneiform writing could be used either logographically or phonetically. Semantic compounds are semantic combinations of characters, such as 明 míng bright, composed of 日 rì sun and 月 yuè moon, or 休 xiū rest, composed of 人 rén person and 木 mù tree. An example of ideograms is the collection of 50 signs developed in the 1970s by the American Institute of Graphic Arts at the request of the US Department of Transportation, the system was initially used to mark airports and gradually got more widespread. An early proposal was An Essay towards a Real Character, a recent example is the system of Blissymbols, which was proposed by Charles K. Bliss in 1949 and currently includes over 2,000 symbols, emoji Heterogram Icon Lexigram List of symbols List of writing systems Logotype Therblig Traffic sign The Ideographic Myth Extract from DeFrancis book. American Heritage Dictionary definition Merriam-Webster OnLine definition
25.
Abstract expressionism
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Action painting, sometimes called gestural abstraction, is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the act of painting itself as an essential aspect of the finished work or concern of its artist. The style was widespread from the 1940s until the early 1960s, a comparison is often drawn between the American action painting and the French tachisme. According to Rosenberg the canvas was an arena in which to act, to Greenberg, it was the physicality of the paintings clotted and oil-caked surfaces that was the key to understanding them. – Clement Greenberg, Post Painterly Abstraction and it is essential for the understanding of action painting to place it in historical context. Action painting took this a further, using both Jung and Freud’s ideas of the subconscious as its underlying foundations. The paintings of the Action painters were not meant to portray objects per se or even specific emotions, instead they were meant to touch the observer deep in the subconscious mind, evoking a sense of the primeval and tapping the collective sense of an archetypal visual language. This was done by the artist painting unconsciously, and spontaneously, creating an arena of raw emotion and action. Action painting was influenced by the surrealist emphasis on automatism which influenced by psychoanalysis claimed a more direct access to the subconscious mind. Important exponents of this concept of art making were the painters Joan Miró, however the action painters took everything the surrealists had done a step further. Action Writing, Jack Kerouacs Wild Form, Carbondale, IL, auction record including a color image of a 1960 action painting by Elaine Hamilton. 9th Street Art Exhibition-abstract expressionist artists reminisce—YouTube video
26.
Calligraphic
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Calligraphy is a visual art related to writing. It is the design and execution of lettering with a broad tip instrument, brush, a contemporary calligraphic practice can be defined as, the art of giving form to signs in an expressive, harmonious, and skillful manner. Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable, classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may practice both. It is also used for props and moving images for film and television, testimonials, birth and death certificates, maps, the principal tools for a calligrapher are the pen and the brush. Calligraphy pens write with nibs that may be flat, round, for some decorative purposes, multi-nibbed pens—steel brushes—can be used. However, works have also created with felt-tip and ballpoint pens. There are some styles of calligraphy, like Gothic script, which require a stub nib pen, Writing ink is usually water-based and is much less viscous than the oil-based inks used in printing. Normally, light boxes and templates are used to achieve straight lines without pencil markings detracting from the work, ruled paper, either for a light box or direct use, is most often ruled every quarter or half inch, although inch spaces are occasionally used. This is the case with litterea unciales, and college-ruled paper often acts as a guideline well, common calligraphy pens and brushes are, Quill Dip pen Ink brush Qalam Fountain pen Western calligraphy is recognizable by the use of the Latin script. The Latin alphabet appeared about 600 BC, in Rome, and by the first century developed into Roman imperial capitals carved on stones, Rustic capitals painted on walls, in the second and third centuries the uncial lettering style developed. As writing withdrew to monasteries, uncial script was more suitable for copying the Bible. It was the monasteries which preserved calligraphic traditions during the fourth and fifth centuries, at the height of the Empire, its power reached as far as Great Britain, when the empire fell, its literary influence remained. The Semi-uncial generated the Irish Semi-uncial, the small Anglo-Saxon, each region developed its own standards following the main monastery of the region, which are mostly cursive and hardly readable. Christian churches promoted the development of writing through the copying of the Bible, particularly the New Testament. Two distinct styles of writing known as uncial and half-uncial developed from a variety of Roman bookhands, the 7th-9th centuries in northern Europe were the heyday of Celtic illuminated manuscripts, such as the Book of Durrow, Lindisfarne Gospels and the Book of Kells. Charlemagnes devotion to improved scholarship resulted in the recruiting of a crowd of scribes, according to Alcuin, Alcuin developed the style known as the Caroline or Carolingian minuscule. The first manuscript in hand was the Godescalc Evangelistary — a Gospel book written by the scribe Godescalc. Carolingian remains the one hand from which modern booktype descends
27.
Cipher
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In cryptography, a cipher is an algorithm for performing encryption or decryption—a series of well-defined steps that can be followed as a procedure. An alternative, less common term is encipherment, to encipher or encode is to convert information into cipher or code. In common parlance, cipher is synonymous with code, as they are both a set of steps that encrypt a message, however, the concepts are distinct in cryptography, especially classical cryptography. Codes generally substitute different length strings of characters in the output, there are exceptions and some cipher systems may use slightly more, or fewer, characters when output versus the number that were input. Codes operated by substituting according to a large codebook which linked a random string of characters or numbers to a word or phrase, for example, UQJHSE could be the code for Proceed to the following coordinates. When using a cipher the original information is known as plaintext, the ciphertext message contains all the information of the plaintext message, but is not in a format readable by a human or computer without the proper mechanism to decrypt it. The operation of a cipher usually depends on a piece of auxiliary information, the encrypting procedure is varied depending on the key, which changes the detailed operation of the algorithm. A key must be selected using a cipher to encrypt a message. Without knowledge of the key, it should be difficult, if not impossible. Most modern ciphers can be categorized in several ways By whether they work on blocks of symbols usually of a fixed size, by whether the same key is used for both encryption and decryption, or if a different key is used for each. If the algorithm is symmetric, the key must be known to the recipient and sender, if the algorithm is an asymmetric one, the enciphering key is different from, but closely related to, the deciphering key. If one key cannot be deduced from the other, the asymmetric key algorithm has the key property. The word cipher in former times meant zero and had the same origin, Middle French as cifre and Medieval Latin as cifra, cipher was later used for any decimal digit, even any number. There are many theories about how the word cipher may have come to mean encoding, the Roman number system was very cumbersome because there was no concept of zero. Cipher came to mean concealment of clear messages or encryption, the French formed the word chiffre and adopted the Italian word zero. The English used zero for 0, and cipher from the word ciphering as a means of computing, the Germans used the words Ziffer and Chiffre. The Dutch still use the word cijfer to refer to a numerical digit, the Serbians use the word cifra, which refers to a digit, or in some cases, any number. Besides cifra, they use word broj for a number, the Italians and the Spanish also use the word cifra to refer to a number
28.
Wildstyle
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Wildstyle is a complicated and intricate form of graffiti. Due to its complexity, it is very hard to read by people who are not familiar with it. Usually, this form of graffiti incorporates interwoven and overlapping letters and it may include arrows, spikes, and other decorative elements depending on the technique used. Wildstyle pieces are the most complex form of lettering, a stage higher than the quick simplified stylised letters known as burners. Wildstyle is seen as one of the most complicated and difficult masterpiece styles, wildstyle commonly includes a set of arrows, curves and letters which have been so transformed as to be rendered arcane to the eyes of non-graffiti artists. It has also common practice to incorporate 3D elements into the pieces. Letter structures are rendered to add depth of visual perception of the work. Veteran artists tend to go for more complicated forms of wildstyle in which the types are hard to read but broad in creativity, getting ones style mastered is key to achieving this success. The term wildstyle was popularized by the Wild Style graffiti crew formed by Tracy 168 of the Bronx, formerly a street gang with over 500 members, the Bronx-based Wild Style crew is still active. Members include the founder Tracy 168, Cope2, T-Kid 170, Lava I&II, Taki 183, Daze, Comet, Blade, Futura 200, Dan Plasma, Jimmy Ha-Ha, complex and elaborate graffiti writing had been called numerous terms such as mechanical letters. It was founded by Rif, Phase II and Stan 153, the stylistic approach advanced at the same time Wild Style crew grew large and spread throughout New York City. So many members executed the style that eventually the crews name was associated with the complex style
29.
Manuscript
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A manuscript is any document written by hand or typewritten, as opposed to being mechanically printed or reproduced in some automated way. More recently, it is understood to be a written, typed, or word-processed copy of a work. Before the arrival of printing, all documents and books were manuscripts, manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations. The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS. ms or ms. for singular, and MSS. mss or mss. for plural are also accepted. The second s is not simply the plural, by an old convention, it doubles the last letter of the abbreviation to express the plural, just as pp. means pages. Before the invention of printing in China or by moveable type in a printing press in Europe. Historically, manuscripts were produced in form of scrolls or books, manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived, in India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century. Paper spread from China via the Islamic world to Europe by the 14th century, when Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud. Manuscripts in Tocharian languages, written on leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum, ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Originally, all books were in manuscript form, in China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868, in the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. Manuscript copying of books continued for a least a century, as printing remained expensive, private or government documents remained hand-written until the invention of the typewriter in the late 19th century. In the Philippines, for example, as early as 900AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the document in the hot
30.
Cave painting
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Cave paintings are painted drawings on cave walls or ceilings, mainly of prehistoric origin, to some 40,000 years ago in Eurasia. The exact purpose of the Paleolithic cave paintings is not known, evidence suggests that they were not merely decorations of living areas since the caves in which they have been found do not have signs of ongoing habitation. They are also located in areas of caves that are not easily accessible. Some theories hold that cave paintings may have been a way of communicating with others, the paintings are remarkably similar around the world, with animals being common subjects that give the most impressive images. Humans mainly appear as images of hands, mostly hand stencils made by blowing pigment on a hand held to the wall. The earliest known cave paintings/drawings of animals are at least 35,000 years old and are found in Pettakere cave on the island of Sulawesi in Indonesia, previously it was believed that the earliest paintings were in Europe. The earliest non-figurative rock art dates back to approximately 40,000 years ago, nearly 340 caves have now been discovered in France and Spain that contain art from prehistoric times. But subsequent technology has made it possible to date the paintings by sampling the pigment itself, the choice of subject matter can also indicate chronology. For instance, the reindeer depicted in the Spanish cave of Cueva de las Monedas places the drawings in the last Ice Age. The oldest date given to a cave painting is now a pig that has a minimum age of 35,400 years old at Pettakere cave in Sulawesi. Indonesian and Australian scientists have dated other non-figurative paintings on the walls to be approximately 40,000 years old, the method they used to confirm this was dating the age of the stalactites that formed over the top of the paintings. The art is similar in style and method to that of the Indonesian caves as there were also hand stencils and this date coincides with the earliest known evidence for Homo sapiens in Europe. Because of the cave arts age, some scientists have conjectured that the paintings may have made by Neanderthals. The earliest known European figurative cave paintings are those of Chauvet Cave in France and these paintings date to earlier than 30,000 BCE according to radiocarbon dating. Some researchers believe the drawings are too advanced for this era, the radiocarbon dates from these samples show that there were two periods of creation in Chauvet,35,000 years ago and 30,000 years ago. In 2009, cavers discovered drawings in Coliboaia Cave in Romania, an initial dating puts the age of an image in the same range as Chauvet, about 32,000 years old. Some caves probably continued to be painted over a period of thousands of years. This was created roughly between 10,000 and 5,500 years ago, and painted in rock shelters under cliffs or shallow caves, though individual figures are less naturalistic, they are grouped in coherent grouped compositions to a much greater degree
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Doodle
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A doodle is a drawing made while a persons attention is otherwise occupied. Despite this, it is not uncommon to see such behaviour with adults, in case it generally is done jovially. Typical examples of doodling are found in notebooks, often in the margins. Other common examples of doodling are produced during long telephone conversations if a pen, popular kinds of doodles include cartoon versions of teachers or companions in a school, famous TV or comic characters, invented fictional beings, landscapes, geometric shapes, patterns and textures. The word doodle first appeared in the early 17th century to mean a fool or simpleton and it may derive from the German Dudeltopf or Dudeldop, meaning simpleton or noodle. It is the origin of the eighteenth century verb to doodle. The modern meaning emerged in the 1930s either from this meaning or from the verb to dawdle, the meaning fool, simpleton is intended in the song title Yankee Doodle, originally sung by British colonial troops prior to the American Revolutionary War. Thus, it acts as a mediator between the spectrum of thinking too much or thinking too little and helps focus on the current situation, alexander Pushkins notebooks are celebrated for their superabundance of marginal doodles, which include sketches of friends profiles, hands, and feet. These notebooks are regarded as a work of art in their own right, full editions of Pushkins doodles have been undertaken on several occasions. Some of Pushkins doodles were animated by Andrei Khrzhanovsky and Yuriy Norshteyn in the 1987 film My Favorite Time, nobel laureate poet Rabindranath Tagore made huge number of doodles in his manuscript. Poet and physician John Keats doodled in the margins of his notes, other literary doodlers have included Samuel Beckett. Mathematician Stanislaw Ulam developed the Ulam spiral for visualization of prime numbers while doodling during a presentation at a mathematics conference. Many American Presidents have been known to doodle during meetings, some doodles and drawings can be found in notebooks of Leonardo da Vinci. Gombrich, E. H. Pleasures of Boredom, Four Centuries of Doodles, in E. H. Gombrich, The Uses of Images, 212-225. Try Doodling To Keep The Brain On Task, Doodling Your Way to a More Mindful Life
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Sigil (magic)
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A sigil is a symbol used in magic. The term sigil derives from the Latin sigillum, meaning seal, the current use of the term is derived from Renaissance magic, which was in turn inspired by the magical traditions of antiquity. In medieval ceremonial magic, the term sigil was commonly used to refer to occult signs which represented various angels, the magical training books called grimoires often listed pages of such sigils. A particularly well-known list is in The Lesser Key of Solomon, such sigils were considered to be the equivalent of the true name of the spirit and thus granted the magician a measure of control over the beings. A common method of creating the sigils of spirits was to use kameas — the names of the spirits were converted to numbers. The locations were connected by lines, forming an abstract figure. The use of symbols for magical or cultic purposes has been widespread since at least the Neolithic era, some examples from other cultures include the yantra from Hindu tantra, historical runic magic among the Germanic peoples, or the use of veves in Voudon. Spares technique, now known as sigilization, has become an element of chaos magic. The inherently individualistic nature of chaos magic leads most chaos magicians to prepare and cast sigils in unique ways, sigils are used for spells as well as for the creation of thoughtforms. A hypersigil is a work of art with magical meaning and willpower. The term was popularized by Grant Morrison and his comic book series The Invisibles was intended as a hypersigil. Along with being used in magic, the practice of using a Sigil in magical arts is commonly used amongst Occultist, Spiritual Satanist. The purpose of the use of a sigil in these groups can be classified under the Conjuration aspect of the Arcane or Magical Arts. Sigils are typically used to summon forth angelic beings and demons to commune with or what-so-ever the will, amulet Red string Veve The Book of Pleasure. Austin Osman Spare ISBN 1-872189-58-X Liber Null and Psychonaut
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Graffiti
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Graffiti are writing or drawings that have been scribbled, scratched, or painted illicitly on a wall or other surface, often within public view. Graffiti range from simple written words to elaborate wall paintings, and they have existed since ancient times, with examples dating back to Ancient Egypt, Ancient Greece, in modern times, paint and marker pens have become the most commonly used graffiti materials. In most countries, marking or painting property without the property owners permission is considered defacement and vandalism, Graffiti may also express underlying social and political messages and a whole genre of artistic expression is based upon spray paint graffiti styles. Within hip hop culture, graffiti have evolved alongside hip hop music, b-boying, unrelated to hip-hop graffiti, gangs use their own form of graffiti to mark territory or to serve as an indicator of gang-related activities. Controversies that surround graffiti continue to create disagreement amongst city officials, law enforcement, both graffiti and its occasional singular form graffito are from the Italian word graffiato. Graffiti is applied in art history to works of art produced by scratching a design into a surface, a related term is sgraffito, which involves scratching through one layer of pigment to reveal another beneath it. This technique was used by potters who would glaze their wares. In ancient times graffiti were carved on walls with a sharp object, the word originates from Greek γράφειν — graphein — meaning to write. The term graffiti referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, use of the word has evolved to include any graphics applied to surfaces in a manner that constitutes vandalism. Safaitic dates from the first century BC to the fourth century AD, the first known example of modern style graffiti survives in the ancient Greek city of Ephesus. Local guides say it is an advertisement for prostitution, located near a mosaic and stone walkway, the graffiti shows a handprint that vaguely resembles a heart, along with a footprint and a number. This is believed to indicate that a brothel was nearby, with the handprint symbolizing payment, the ancient Romans carved graffiti on walls and monuments, examples of which also survive in Egypt. Graffiti in the world had different connotations than they carry in todays society concerning content. One inscription gives the address of a woman named Novellia Primigenia of Nuceria, another shows a phallus accompanied by the text, mansueta tene. Etched on the surface of the Mirror Wall, they contain pieces of prose, poetry, the majority of these visitors appear to have been from the elite of society, royalty, officials, professions, and clergy. There were also soldiers, archers, and even some metalworkers, the topics range from love to satire, curses, wit, and lament. Many demonstrate a high level of literacy and a deep appreciation of art. Most of the graffiti refer to the frescoes of semi-nude females found there, one reads, Among the ancient political graffiti examples were Arab satirist poems
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Creativity
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Creativity is a phenomenon whereby something new and somehow valuable is formed. The created item may be intangible or a physical object, authors have diverged dramatically in their precise definitions beyond these general commonalities, Peter Meusburger reckons that over a hundred different analyses can be found in the literature. As an illustration, one given by Dr. E. Theories of creativity have focused on a variety of aspects, the dominant factors are usually identified as the four Ps — process, product, person, and place. A focus on process is shown in cognitive approaches that try to describe thought mechanisms, theories invoking divergent rather than convergent thinking, or those describing the staging of the creative process are primarily theories of creative process. A focus on creative product usually appears in attempts to measure creativity, the psychometric approach to creativity reveals that it also involves the ability to produce more. A focus on the nature of the person considers more general intellectual habits, such as openness, levels of ideation, autonomy, expertise, exploratory behavior. A focus on place considers the circumstances in which creativity flourishes, such as degrees of autonomy, access to resources, Creative lifestyles are characterized by nonconforming attitudes and behaviors as well as flexibility. The lexeme in the English word creativity comes from the Latin term creō to create, make, the word create appeared in English as early as the 14th century, notably in Chaucer, to indicate divine creation. However, its meaning as an act of human creation did not emerge until after the Enlightenment. Most ancient cultures, including thinkers of Ancient Greece, Ancient China, the ancient Greeks had no terms corresponding to to create or creator except for the expression poiein, which only applied to poiesis and to the poietes who made it. Plato did not believe in art as a form of creation, asked in The Republic, Will we say, of a painter, that he makes something. He answers, Certainly not, he merely imitates and it is commonly argued that the notion of creativity originated in Western culture through Christianity, as a matter of divine inspiration. According to the historian Daniel J. Boorstin, the early Western conception of creativity was the Biblical story of creation given in the Genesis, however, this is not creativity in the modern sense, which did not arise until the Renaissance. In the Judaeo-Christian tradition, creativity was the province of God. A concept similar to that of Christianity existed in Greek culture, for instance, romans and Greeks invoked the concept of an external creative daemon or genius, linked to the sacred or the divine. However, none of these views are similar to the concept of creativity. It was during the Renaissance that creativity was first seen, not as a conduit for the divine, the rejection of creativity in favor of discovery and the belief that individual creation was a conduit of the divine would dominate the West probably until the Renaissance and even later
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Idea
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In philosophy, ideas are usually construed as mental representational images of some object. Ideas can also be abstract concepts that do not present as mental images, many philosophers have considered ideas to be a fundamental ontological category of being. The capacity to create and understand the meaning of ideas is considered to be an essential and defining feature of human beings. In a popular sense, an idea arises in a reflexive, spontaneous manner, even without thinking or serious reflection, for example, a new or original idea can often lead to innovation. The word idea comes from Greek ἰδέα idea form, pattern, from the root of ἰδεῖν idein and these are distinguished from adventitious ideas which are images or concepts which are accompanied by the judgment that they are caused or occasioned by an external object. Another view holds that we only discover ideas in the way that we discover the real world. The view that humans acquire all or almost all their traits from nurture is known as tabula rasa. Most of the confusions in the way ideas arise is at least in part due to the use of the idea to cover both the representation percept and the object of conceptual thought. This can be illustrated in terms of the doctrines of innate ideas, Plato in Ancient Greece was one of the earliest philosophers to provide a detailed discussion of ideas. Consequently, Plato seems to assert that material things can only be the objects of opinion, and we also assert that there is a fair itself, a good itself, and so on for all things that we set down as many. Now, again, we refer to them as one idea of each as though the idea were one, and, moreover, we say that the former are seen, but not intellected, while the ideas are intellected but not seen. Descartes often wrote of the meaning of idea as an image or representation, often but not necessarily in the mind and he sometimes maintained that ideas were innate and uses of the term idea diverge from the original primary scholastic use. He provides multiple non-equivalent definitions of the term, uses it to refer to as many as six distinct kinds of entities, for him knowledge took the form of ideas and philosophical investigation is the deep consideration of these entities. In striking contrast to Platos use of idea is that of John Locke and he said he regarded the book necessary to examine our own abilities and see what objects our understandings were, or were not, fitted to deal with. Locke always believed in good sense—not pushing things to extremes and on taking fully into account the plain facts of the matter and he considered his common sense ideas good-tempered, moderate, and down-to-earth. Hume differs from Locke by limiting idea to the more or less vague mental reconstructions of perceptions, the perceptual process being described as an impression. In choosing the means to ends, they shall follow their accustomed associations of ideas. d Hume has contended and defended the notion that reason alone is merely the slave of the passions. Immanuel Kant defines an idea as opposed to a concept, regulative ideas are ideals that one must tend towards, but by definition may not be completely realized
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Nonverbal communication
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Nonverbal communication between people is communication through sending and receiving wordless clues. It includes the use of visual cues such as language, distance and physical environments/appearance, of voice. It can also include chronemics and oculesics, Nonverbal communication involves the conscious and unconscious processes of encoding and decoding. Encoding is the act of generating such as facial expressions, gestures. Decoding is the interpretation of information from received sensations from previous experiences, only a small percentage of the brain processes verbal communication. As infants, nonverbal communication is learned from social-emotional communication, making the face rather than voice the dominant communication channel, as children become verbal communicators, they begin to look at facial expressions, vocal tones, and other nonverbal elements more subconsciously. Culture plays an important role in communication, and it is one aspect that helps to influence how learning activities are organized. In many Indigenous American Communities, for example, there is often an emphasis on nonverbal communication, Nonverbal communication represents two-thirds of all communication. Nonverbal communication can portray a message both vocally and with the body signals or gestures. Body signals comprise physical features, conscious and unconscious gestures and signals, the wrong message can also be established if the body language conveyed does not match a verbal message. First encounters or interactions with another person strongly affect a persons perception, Scientific research on nonverbal communication and behavior was started in 1872 with the publication of Charles Darwins book The Expression of the Emotions in Man and Animals. In the book, Darwin argued that all mammals, both humans and animals, showed emotion through facial expressions. He posed questions such as, Why do our facial expressions of emotions take the forms they do. and Why do we wrinkle our nose when we are disgusted. Darwin attributed these facial expressions to serviceable associated habits, which are behaviors that earlier in our evolutionary history had specific and direct functions. For example, a species that attacked by biting, baring the teeth was an act before an assault. In response to the question asking why facial expressions persist even when no longer serve their original purposes. According to Darwin, humans continue to make facial expressions because they have acquired communicative value throughout evolutionary history, in other words, humans utilize facial expressions as external evidence of their internal state. Despite the introduction of nonverbal communication in the 1800s, the emergence of behaviorism in the 1920s paused further research on nonverbal communication, behaviorism is defined as the theory of learning that describes peoples behavior as acquired through conditioning
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Hoax
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A hoax is a deliberately fabricated falsehood made to masquerade as the truth. It is distinguishable from errors in observation or judgment, rumors, urban legends, pseudosciences, although practical jokes have likely existed for thousands of years, one of the earliest recorded hoaxes in history was the drummer of Tedworth in 1661. The communication of hoaxes can be accomplished in almost any manner that a story can be communicated, in person, via word of mouth, via words printed on paper. However, hoaxes could also be spread via chain letters, which became easier as the cost of mailing a letter dropped. The invention of the press in the 15th century brought down the cost of a mass-produced books and pamphlets. During the 20th century, the hoax found a market in the form of supermarket tabloids. Hocus is a shortening of the magic incantation hocus pocus, whose origin is disputed, robert Nares defined the word hoax as meaning to cheat, dating from Thomas Adys 1656 book A candle in the dark, or a treatise on the nature of witches and witchcraft. T. Barnum, whose Fiji mermaid contributed to his wealth—often acquire monetary gain or fame through their fabrications, one of the earliest recorded media hoaxes is a fake almanac published by Jonathan Swift under the pseudonym of Isaac Bickerstaff in 1708. Swift predicted the death of John Partridge, one of the astrologers in England at that time, in the almanac. Partridges reputation was damaged as a result and his astrological almanac was not published for the six years. It is possible to perpetrate a hoax by making only true statements using unfamiliar wording or context, political hoaxes are sometimes motivated by the desire to ridicule or besmirch opposing politicians or political institutions, often before elections. A hoax differs from a trick or from fiction in that the audience is unaware of being deceived. A hoax is often intended as a joke or to cause embarrassment. It can also emerge from a marketing or advertising purpose, a resulting video clip of Chloe and Keiths Wedding was uploaded to YouTube and was viewed by over 30 million people and the couple was interviewed by numerous talk shows. Viewers were deluded into thinking that it was a clip of a real accident at a real wedding. A borderline case between fiction and hoax is a 1938 radio broadcast by Orson Welles describing a Martian invasion of Earth, many people who tuned in without hearing the introduction of the program as fiction were concerned that the invasion was real. Governments sometimes spread false information to facilitate their objectives, such as going to war, the Iraq dossier is an example of this, there is often a mixture of outright hoax and suppression and management of information to give the desired impression. In wartime and times of international tension rumors abound, some of which may be deliberate hoaxes, examples of politics-related hoaxes, Belgium is a country with a Flemish-speaking region and a French-speaking region
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Avant-garde
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The avant-garde are people or works that are experimental, radical, or unorthodox, with respect to art, culture, and society. It may be characterized by nontraditional, aesthetic innovation and initial unacceptability, the avant-garde pushes the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The avant-garde is considered by some to be a hallmark of modernism, the avant-garde also promotes radical social reforms. Several writers have attempted, with limited success, to map the parameters of avant-garde activity, the Italian essayist Renato Poggioli provides one of the best-known analyses of vanguardism as a cultural phenomenon in his 1962 book Teoria dellarte davanguardia. Other authors have attempted both to clarify and to extend Poggiolis study, bürgers essay also greatly influenced the work of contemporary American art-historians such as the German Benjamin H. D. Buchloh. Buchloh, in the collection of essays Neo-avantgarde and Culture Industry critically argues for an approach to these positions. Subsequent criticism theorized the limitations of these approaches, noting their circumscribed areas of analysis, including Eurocentric, chauvinist, and genre-specific definitions. The concept of avant-garde refers primarily to artists, writers, composers and thinkers whose work is opposed to cultural values. For Greenberg, these forms were therefore kitsch, phony, faked or mechanical culture, for instance, during the 1930s the advertising industry was quick to take visual mannerisms from surrealism, but this does not mean that 1930s advertising photographs are truly surreal. In this way the autonomous artistic merit so dear to the vanguardist was abandoned and sales became the measure. It has become common to describe successful rock musicians and celebrated film-makers as avant-garde, nevertheless, an incisive critique of vanguardism as against the views of mainstream society was offered by the New York critic Harold Rosenberg in the late 1960s. Since then it has been flanked by what he called avant-garde ghosts to the one side, and this has seen culture become, in his words, a profession one of whose aspects is the pretense of overthrowing it. Avant-garde in music can refer to any form of working within traditional structures while seeking to breach boundaries in some manner. The term is used loosely to describe the work of any musicians who radically depart from tradition altogether, although most avant-garde composers have been men, this is not exclusively the case. Women avant-gardists include Pauline Oliveros, Diamanda Galás, Meredith Monk, there are movements in theatre history that are characterized by their contributions to the avant-garde traditions in both the United States and Europe. Among these are Fluxus, Happenings, and Neo-Dada, Avant-garde – Wikipedia book Barron, Stephanie, and Maurice Tuchman. The Avant-garde in Russia, 1910–1930, New Perspectives, Los Angeles County Museum of Art Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C. Los Angeles, CA, Los Angeles County Museum of Art ISBN 0-87587-095-3, Cambridge, MA, ISBN 0-671-20422-X Berg, Hubert van den, and Walter Fähnders
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Proto-writing
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They used ideographic and/or early mnemonic symbols to convey information yet were probably devoid of direct linguistic content. These systems emerged in the early Neolithic period, as early as the 7th millennium BCE, in 2003, tortoise shells were found in 24 Neolithic graves excavated at Jiahu, Henan province, northern China, with radiocarbon dates from the 7th millennium BCE. According to some archaeologists, the symbols carved on the shells had similarities to the late 2nd millennium BCE oracle bone script, others have dismissed this claim as insufficiently substantiated, claiming that simple geometric designs such as those found on the Jiahu shells cannot be linked to early writing. 5300 BCE, it has argued that the alignment of the symbols evokes the impression of a text. The Dispilio Tablet of the late 6th millennium is similar, the hieroglyphic scripts of the Ancient Near East seamlessly emerge from such symbol systems, so that it is difficult to say at what point precisely writing emerges from proto-writing. Adding to this difficulty is the fact very little is known about the symbols meanings. The transition from proto-writing to the earliest fully developed writing systems took place in the late 4th to early 3rd millennium BCE in the Fertile Crescent. The Kish tablet, dated to 3500 BCE, reflects the stage of proto-cuneiform, by the end of the 4th millennium BCE, this symbol system had evolved into a method of keeping accounts, using a round-shaped stylus impressed into soft clay at different angles for recording numbers. This was gradually augmented with pictographic writing using a stylus to indicate what was being counted. The transitional stage to a writing system takes place in the Jemdet Nasr period. A similar development took place in the genesis of the Egyptian hieroglyphs, various scholars believe that Egyptian hieroglyphs came into existence a little after Sumerian script, and. Invented under the influence of the latter, although it is pointed out and held that the evidence for such direct influence remains flimsy and that a very credible argument can also be made for the independent development of writing in Egypt. The so-called Indus script is a system used during the 3rd millennium BCE in the Indus Valley Civilization. With the exception of the Aegean, the writing systems of the Near East did not reach Bronze Age Europe. The earliest writing systems of Europe arise in the Iron Age, however, there are number of interpretations regarding symbols found on artefacts of the European Bronze Age which amount to interpreting them as an indigenous tradition of proto-writing. Of special interest in this context are the Central European Bronze Ages cultures derived from the Beaker culture in the half of the 2nd millennium BCE. Sommerfeld favours an interpretation of symbols as numerals associated with a lunar calendar. Even after the Bronze Age, several cultures have gone through a period of using systems of proto-writing as a stage before the adoption of writing proper
