1.
Oxford
–
Oxford is a city in the South East region of England and the county town of Oxfordshire. With an estimated 2015 population of 168,270, it is the 52nd largest city in the United Kingdom, the city is situated 57 miles from London,69 miles from Bristol,65 miles from both Southampton and Birmingham and 25 miles from Reading. The city is known worldwide as the home of the University of Oxford, buildings in Oxford demonstrate notable examples of every English architectural period since the late Saxon period. Oxford is known as the city of dreaming spires, a term coined by poet Matthew Arnold, Oxford has a broad economic base. Its industries include motor manufacturing, education, publishing and a number of information technology and science-based businesses. Oxford was first settled in Saxon times and was known as Oxenaforda, meaning Ford of the Oxen. It began with the establishment of a crossing for oxen around AD900. In the 10th century, Oxford became an important military frontier town between the kingdoms of Mercia and Wessex and was on several occasions raided by Danes, Oxford was heavily damaged during the Norman Invasion of 1066. Following the conquest, the town was assigned to a governor, Robert DOyly, the castle has never been used for military purposes and its remains survive to this day. DOyly set up a community in the castle consisting of a chapel. The community never grew large but it earned its place in history as one of Britains oldest places of formal education and it was there that in 1139 Geoffrey of Monmouth wrote his History of the Kings of Britain, a compilation of Arthurian legends. Mary at Oseney and to the canons serving God in that place and we have made this concession and confirmation in the Common council of the City and we have confirmed it with our common seal. These are those who have made this concession and confirmation, a grandson of King John established Rewley Abbey for the Cistercian Order, and friars of various orders all had houses of varying importance at Oxford. Parliaments were often held in the city during the 13th century, the Provisions of Oxford were instigated by a group of barons led by Simon de Montfort, these documents are often regarded as Englands first written constitution. Richard I of England and John, King of England the sons of Henry II of England, were born at Beaumont Palace in Oxford, on 8 September 1157 and 24 December 1166 respectively. A plaque in Beaumont Street commemorates these events, the University of Oxford is first mentioned in 12th century records. Of the hundreds of Aularian houses that sprang up across the city, what put an end to the halls was the emergence of colleges. Oxfords earliest colleges were University College, Balliol and Merton and these colleges were established at a time when Europeans were starting to translate the writings of Greek philosophers
Oxford
–
From top left to bottom right: Oxford skyline panorama from St Mary's Church; Radcliffe Camera; High Street from above looking east; University College; High Street by night; Natural History Museum and Pitt Rivers Museum.
Oxford
–
The
Radcliffe Camera, completed in 1748
Oxford
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Royal proclamation granting Lord Mayoralty to Oxford.
Oxford
–
Photochrom of the High Street, 1890–1900
2.
Beaumont Street
–
Beaumont Street is a street in the centre of Oxford, England. The street was laid out from 1828 to 1837 with elegant terraced houses in the Regency style, before that, it was the location of Beaumont Palace, now noted by a plaque near the junction with Walton Street. Nikolaus Pevsner considered it the finest street ensemble of Oxford, richard I of England and John, King of England the sons of Henry II of England were both born at Beaumont Palace in Oxford on 8 September 1157 and 24 December 1166 respectively. At the western end is Worcester College and the junction with Walton Street to the north, halfway along to the north is St John Street. To the south is the Oxford Playhouse, designed by Sir Edward Maufe and built in 1938, to the north at the eastern end is the Ashmolean Museum. Opposite the eastern end is the Martyrs Memorial, here, Beaumont Street adjoins St Giles to the north and Magdalen Street to the south. Oxfords foremost hotel, the Randolph, is on the corner with Magdalen Street, designed by William Wilkinson in the Victorian Gothic style, an extension was added in 1952 to the west, designed by J. Hopgood. The Institute of Archaeology, part of the School of Archaeology in the University of Oxford, was established in 1962 and is located at 36 Beaumont Street, the street is a favoured location for dentists and doctors
Beaumont Street
–
View along Beaumont Street.
Beaumont Street
–
View from the south end of
St Giles' looking west along Beaumont Street with the
Macdonald Randolph Hotel on the left and
Taylor Institution Library on the right.
Beaumont Street
–
A 19th century print of the main entrance of
Worcester College, which faces down Beaumont Street at the western end.
Beaumont Street
–
The plaque noting the site of
Beaumont Palace.
3.
England
–
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west, the Irish Sea lies northwest of England and the Celtic Sea lies to the southwest. England is separated from continental Europe by the North Sea to the east, the country covers five-eighths of the island of Great Britain in its centre and south, and includes over 100 smaller islands such as the Isles of Scilly, and the Isle of Wight. England became a state in the 10th century, and since the Age of Discovery. The Industrial Revolution began in 18th-century England, transforming its society into the worlds first industrialised nation, Englands terrain mostly comprises low hills and plains, especially in central and southern England. However, there are uplands in the north and in the southwest, the capital is London, which is the largest metropolitan area in both the United Kingdom and the European Union. In 1801, Great Britain was united with the Kingdom of Ireland through another Act of Union to become the United Kingdom of Great Britain and Ireland. In 1922 the Irish Free State seceded from the United Kingdom, leading to the latter being renamed the United Kingdom of Great Britain, the name England is derived from the Old English name Englaland, which means land of the Angles. The Angles were one of the Germanic tribes that settled in Great Britain during the Early Middle Ages, the Angles came from the Angeln peninsula in the Bay of Kiel area of the Baltic Sea. The earliest recorded use of the term, as Engla londe, is in the ninth century translation into Old English of Bedes Ecclesiastical History of the English People. According to the Oxford English Dictionary, its spelling was first used in 1538. The earliest attested reference to the Angles occurs in the 1st-century work by Tacitus, Germania, the etymology of the tribal name itself is disputed by scholars, it has been suggested that it derives from the shape of the Angeln peninsula, an angular shape. An alternative name for England is Albion, the name Albion originally referred to the entire island of Great Britain. The nominally earliest record of the name appears in the Aristotelian Corpus, specifically the 4th century BC De Mundo, in it are two very large islands called Britannia, these are Albion and Ierne. But modern scholarly consensus ascribes De Mundo not to Aristotle but to Pseudo-Aristotle, the word Albion or insula Albionum has two possible origins. Albion is now applied to England in a poetic capacity. Another romantic name for England is Loegria, related to the Welsh word for England, Lloegr, the earliest known evidence of human presence in the area now known as England was that of Homo antecessor, dating to approximately 780,000 years ago. The oldest proto-human bones discovered in England date from 500,000 years ago, Modern humans are known to have inhabited the area during the Upper Paleolithic period, though permanent settlements were only established within the last 6,000 years
England
–
Stonehenge, a
Neolithic monument
England
–
Flag
England
–
Boudica led an uprising against the
Roman Empire
England
–
Replica of a 7th-century ceremonial
helmet from the
Kingdom of East Anglia, found at
Sutton Hoo
4.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
5.
Art
–
In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
Art
–
Clockwise from upper left: a
self-portrait by
Vincent van Gogh; a female ancestor figure by a
Chokwe artist; detail from the
Birth of Venus by
Sandro Botticelli; and an Okinawan
Shisa lion.
Art
–
Works of art can tell stories or simply express an aesthetic truth or feeling. Panorama of a section of A Thousand Li of Mountains and Rivers, a 12th-century painting by Song dynasty artist
Wang Ximeng.
Art
–
20th-century Rwandan bottle. Artistic works may serve practical functions, in addition to their decorative value.
Art
–
Venus of Willendorf, circa 24,000–22,000
BP
6.
Archaeology
–
Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, Archaeology can be considered both a social science and a branch of the humanities. In North America, archaeology is considered a sub-field of anthropology, archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology as a field is distinct from the discipline of palaeontology, Archaeology is particularly important for learning about prehistoric societies, for whom there may be no written records to study. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of literacy in societies across the world, Archaeology has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time. The discipline involves surveying, excavation and eventually analysis of data collected to learn more about the past, in broad scope, archaeology relies on cross-disciplinary research. Archaeology developed out of antiquarianism in Europe during the 19th century, Archaeology has been used by nation-states to create particular visions of the past. Nonetheless, today, archaeologists face many problems, such as dealing with pseudoarchaeology, the looting of artifacts, a lack of public interest, the science of archaeology grew out of the older multi-disciplinary study known as antiquarianism. Antiquarians studied history with attention to ancient artifacts and manuscripts. Tentative steps towards the systematization of archaeology as a science took place during the Enlightenment era in Europe in the 17th and 18th centuries, in Europe, philosophical interest in the remains of Greco-Roman civilization and the rediscovery of classical culture began in the late Middle Age. Antiquarians, including John Leland and William Camden, conducted surveys of the English countryside, one of the first sites to undergo archaeological excavation was Stonehenge and other megalithic monuments in England. John Aubrey was a pioneer archaeologist who recorded numerous megalithic and other monuments in southern England. He was also ahead of his time in the analysis of his findings and he attempted to chart the chronological stylistic evolution of handwriting, medieval architecture, costume, and shield-shapes. Excavations were also carried out in the ancient towns of Pompeii and Herculaneum and these excavations began in 1748 in Pompeii, while in Herculaneum they began in 1738. The discovery of entire towns, complete with utensils and even human shapes, however, prior to the development of modern techniques, excavations tended to be haphazard, the importance of concepts such as stratification and context were overlooked. The father of archaeological excavation was William Cunnington and he undertook excavations in Wiltshire from around 1798, funded by Sir Richard Colt Hoare. Cunnington made meticulous recordings of neolithic and Bronze Age barrows, one of the major achievements of 19th century archaeology was the development of stratigraphy. The idea of overlapping strata tracing back to successive periods was borrowed from the new geological and paleontological work of scholars like William Smith, James Hutton, the application of stratigraphy to archaeology first took place with the excavations of prehistorical and Bronze Age sites
Archaeology
–
Roman ruins,
Lausanne, Switzerland.
Archaeology
–
An early photograph of Stonehenge taken July 1877
Archaeology
–
Artifacts discovered at the 1808
Bush Barrow excavation by Sir
Richard Colt Hoare and
William Cunnington.
Archaeology
–
Mortimer Wheeler pioneered
systematic excavation in the early 20th century. Pictured, are his excavations at
Maiden Castle, Dorset, in October 1937.
7.
Cabinet of curiosities
–
Cabinets of curiosities were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Modern terminology would categorize the objects included as belonging to natural history, geology, ethnography, archaeology, religious or historical relics, works of art, the Kunstkammer was regarded as a microcosm or theater of the world, and a memory theater. The Kunstkammer conveyed symbolically the patrons control of the world through its indoor, the term cabinet originally described a room rather than a piece of furniture. The classic cabinet of curiosities emerged in the century, although more rudimentary collections had existed earlier. The earliest pictorial record of a natural history cabinet is the engraving in Ferrante Imperatos DellHistoria Naturale, some of the volumes doubtless represent his herbarium. Every surface of the ceiling is occupied with preserved fishes, stuffed mammals and curious shells. Examples of corals stand on the bookcases, above them, stuffed birds stand against panels inlaid with square polished stone samples, doubtless marbles and jaspers or fitted with pigeonhole compartments for specimens. Below them, a range of cupboards contain specimen boxes and covered jars, two of the most famously described seventeenth-century cabinets were those of Ole Worm, known as Olaus Wormius, and Athanasius Kircher. Often they would contain a mix of fact and fiction, including apparently mythical creatures, Worms collection contained, for example, what he thought was a Scythian Lamb, a woolly fern thought to be a plant/sheep fabulous creature. However he was responsible for identifying the narwhals tusk as coming from a whale rather than a unicorn. The specimens displayed were often collected during exploring expeditions and trading voyages, Cabinets of curiosities would often serve scientific advancement when images of their contents were published. The catalog of Worms collection, published as the Museum Wormianum, used the collection of artifacts as a point for Worms speculations on philosophy, science, natural history. Cabinets of curiosities were limited to those who could afford to create, many monarchs, in particular, developed large collections. A rather under-used example, stronger in art than other areas, was the Studiolo of Francesco I, frederick III of Denmark, who added Worms collection to his own after Worms death, was another such monarch. A third example is the Kunstkamera founded by Peter the Great in Saint Petersburg in 1714, many items were bought in Amsterdam from Albertus Seba and Frederik Ruysch. The fabulous Habsburg Imperial collection included important Aztec artifacts, including the feather head-dress or crown of Montezuma now in the Museum of Ethnology, similar collections on a smaller scale were the complex Kunstschränke produced in the early seventeenth century by the Augsburg merchant, diplomat and collector Philipp Hainhofer. The best preserved example is the one given by the city of Augsburg to King Gustavus Adolphus of Sweden in 1632, the curio cabinet, as a modern single piece of furniture, is a version of the grander historical examples. In 1714, Michael Bernhard Valentini published an early work, Museum Museorum
Cabinet of curiosities
–
"Musei Wormiani Historia", the
frontispiece from the Museum Wormianum depicting
Ole Worm 's cabinet of curiosities.
Cabinet of curiosities
–
Fold-out engraving from
Ferrante Imperato 's Dell'Historia Naturale (Naples 1599), the earliest illustration of a natural history cabinet
Cabinet of curiosities
–
A corner of a cabinet, painted by
Frans II Francken in 1636 reveals the range of connoisseurship a Baroque-era
virtuoso might evince
Cabinet of curiosities
–
"Male Narwhal or Unicorn"
8.
Elias Ashmole
–
Elias Ashmole was a celebrated English antiquary, politician, officer of arms, astrologer and student of alchemy. Ashmole supported the royalist side during the English Civil War, Ashmole was an antiquary with a strong Baconian leaning towards the study of nature. His library reflected his intellectual outlook, including works on English history, law, numismatics, chorography, alchemy, astrology, astronomy, and botany. Although he was one of the founding Fellows of the Royal Society and he was an early freemason, although the extent of his involvement and commitment is unclear. Throughout his life he was a collector of curiosities and other artefacts. Many of these he acquired from the traveller, botanist, Ashmole donated most of his collection, his antiquarian library and priceless manuscripts to the University of Oxford to create the Ashmolean Museum. Ashmole was born in Breadmarket Street, Lichfield, Staffordshire and his family had been prominent, but its fortunes had declined by the time of Ashmoles birth. His mother, Anne, was the daughter of a wealthy Coventry draper, Anthony Bowyer, and a relative of James Paget and his father, Simon Ashmole, was a saddler, who had served as a soldier in Ireland and Europe. Elias Ashmole attended Lichfield Grammar School and became a chorister at Lichfield Cathedral, in 1633, he went to live in London as mentor to Pagets sons, and in 1638, with James Pagets help, he qualified as a solicitor. Still in his twenties, Ashmole had taken the first steps towards status. He also became allied with Major-General Charles Worsley, brother-in-law of his sister, Mary Ashmole, Ashmole supported the side of Charles I in the Civil War. At the outbreak of fighting in 1642, he left London for the house of his father-in-law, Peter Mainwaring of Smallwood, there he lived a retired life until 1644, when he was appointed Kings Commissioner of Excise at Lichfield. In his spare time, he studied mathematics and physics at his lodgings, there he acquired a deep interest in astronomy, astrology, and magic. In late 1645, he left Oxford to accept the position of Commissioner of Excise at Worcester, Ashmole was given the additional military post of captain in Lord Astleys Regiment of Foot, part of the Royalist Infantry, though as a mathematician, he was seconded to artillery positions. He seems never to have participated in any actual fighting, after the surrender of Worcester to the Parliamentary Forces in July 1646, he retired to Cheshire. Passing through Lichfield on his way there, he learnt that his mother had died just three weeks before from the plague, during this period, he was admitted as a freemason. His diary entry for 16 October 1646 reads in part, I was made a Free Mason at Warrington in Lancashire, with Coll, Henry Mainwaring of Karincham in Cheshire. Although there is one other mention of masonic activity in his diary he seems to have remained in good standing
Elias Ashmole
–
Elias Ashmole by an unknown artist (detail), c. 1688, after the portrait by
John Riley, below.
National Portrait Gallery (United Kingdom)
Elias Ashmole
–
Ashmole's birthplace, Lichfield
Elias Ashmole
–
Elias Ashmole by
William Faithorne, 1656
Elias Ashmole
–
Theatrum Chemicum Britannicum (1652), Ashmole's annotated compilation of
alchemical poems in English.
9.
University of Oxford
–
The University of Oxford is a collegiate research university located in Oxford, England. It grew rapidly from 1167 when Henry II banned English students from attending the University of Paris, after disputes between students and Oxford townsfolk in 1209, some academics fled north-east to Cambridge where they established what became the University of Cambridge. The two ancient universities are frequently referred to as Oxbridge. The university is made up of a variety of institutions, including 38 constituent colleges, All the colleges are self-governing institutions within the university, each controlling its own membership and with its own internal structure and activities. Being a city university, it not have a main campus, instead, its buildings. Oxford is the home of the Rhodes Scholarship, one of the worlds oldest and most prestigious scholarships, the university operates the worlds oldest university museum, as well as the largest university press in the world and the largest academic library system in Britain. Oxford has educated many notable alumni, including 28 Nobel laureates,27 Prime Ministers of the United Kingdom, the University of Oxford has no known foundation date. Teaching at Oxford existed in form as early as 1096. It grew quickly in 1167 when English students returned from the University of Paris, the historian Gerald of Wales lectured to such scholars in 1188 and the first known foreign scholar, Emo of Friesland, arrived in 1190. The head of the university had the title of chancellor from at least 1201, the university was granted a royal charter in 1248 during the reign of King Henry III. After disputes between students and Oxford townsfolk in 1209, some academics fled from the violence to Cambridge, the students associated together on the basis of geographical origins, into two nations, representing the North and the South. In later centuries, geographical origins continued to many students affiliations when membership of a college or hall became customary in Oxford. At about the time, private benefactors established colleges as self-contained scholarly communities. Among the earliest such founders were William of Durham, who in 1249 endowed University College, thereafter, an increasing number of students lived in colleges rather than in halls and religious houses. In 1333–34, an attempt by some dissatisfied Oxford scholars to found a new university at Stamford, Lincolnshire was blocked by the universities of Oxford and Cambridge petitioning King Edward III. Thereafter, until the 1820s, no new universities were allowed to be founded in England, even in London, thus, Oxford and Cambridge had a duopoly, the new learning of the Renaissance greatly influenced Oxford from the late 15th century onwards. Among university scholars of the period were William Grocyn, who contributed to the revival of Greek language studies, and John Colet, the noted biblical scholar. With the English Reformation and the breaking of communion with the Roman Catholic Church, recusant scholars from Oxford fled to continental Europe, as a centre of learning and scholarship, Oxfords reputation declined in the Age of Enlightenment, enrolments fell and teaching was neglected
University of Oxford
–
Balliol College – one of the university's oldest constituent colleges
University of Oxford
–
University of Oxford
seal
University of Oxford
–
Aerial view of
Merton College 's
Mob Quad, the oldest
quadrangle of the university, constructed in the years from 1288 to 1378
University of Oxford
–
In 1605 Oxford was still a walled city, but several colleges had been built outside the city walls (north is at the bottom on this map)
10.
Egypt
–
Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
Egypt
–
The
Giza Necropolis is the oldest of the
ancient Wonders and the only one still in existence.
Egypt
–
Flag
Egypt
–
The Greek Ptolemaic queen
Cleopatra VII and her son by Julius Caesar,
Caesarion at the
Temple of Dendera.
Egypt
–
The 1803
Cedid Atlas, showing
Ottoman Egypt.
11.
Nubia
–
Nubia is a region along the Nile river located in what is today northern Sudan and southern Egypt. It was the seat of one of the earliest civilizations of ancient Africa, with a history that can be traced from at least 2000 B. C. onward, and was home to one of the African empires. Nubia was again united within Ottoman Egypt in the 19th century, the name Nubia is derived from that of the Noba people, nomads who settled the area in the 4th century following the collapse of the kingdom of Meroë. The Noba spoke a Nilo-Saharan language, ancestral to Old Nubian, Old Nubian was mostly used in religious texts dating from the 8th and 15th centuries AD. Before the 4th century, and throughout classical antiquity, Nubia was known as Kush, or, in Classical Greek usage, until at least 1970, the Birgid language was spoken north of Nyala in Darfur, but is now extinct. Nubia was divided into two regions, Upper and Lower Nubia, so called because of their location in the Nile river valley. Early settlements sprouted in both Upper and Lower Nubia, Egyptians referred to Nubia as Ta-Seti, or The Land of the Bow, since the Nubians were known to be expert archers. Modern scholars typically refer to the people from this area as the “A-Group” culture, fertile farmland just south of the Third Cataract is known as the “pre-Kerma” culture in Upper Nubia, as they are the ancestors. The Neolithic people in the Nile Valley likely came from Sudan, as well as the Sahara, by the 5th millennium BC, the people who inhabited what is now called Nubia participated in the Neolithic revolution. Saharan rock reliefs depict scenes that have been thought to be suggestive of a cult, typical of those seen throughout parts of Eastern Africa. Megaliths discovered at Nabta Playa are early examples of what seems to be one of the worlds first astronomical devices, around 3500 BC, the second Nubian culture, termed the A-Group, arose. It was a contemporary of, and ethnically and culturally similar to. The A-Group people were engaged in trade with the Egyptians and this trade is testified archaeologically by large amounts of Egyptian commodities deposited in the graves of the A-Group people. The imports consisted of gold objects, copper tools, faience amulets and beads, seals, slate palettes, stone vessels, and a variety of pots. Around 3300 BC, there is evidence of a kingdom, as shown by the finds at Qustul. The Nubian culture may have contributed to the unification of the Nile Valley. The earliest known depiction of the crown is on a ceremonial incense burner from Cemetery at Qustul in Lower Nubia. New evidence from Abydos, however, particularly the excavation of Cemetery U, around the turn of the protodynastic period, Naqada, in its bid to conquer and unify the whole Nile Valley, seems to have conquered Ta-Seti and harmonized it with the Egyptian state
Nubia
–
Nubians in worship
Nubia
–
Nubian woman circa 1900
Nubia
–
Head of a Nubian Ruler
Nubia
–
Ramesses II in his war chariot charging into battle against the Nubians
12.
John Tradescant the elder
–
John Tradescant the elder, father of John Tradescant the younger, was an English naturalist, gardener, collector and traveller, probably born in Suffolk, England. He began his career as head gardener to Robert Cecil, 1st Earl of Salisbury at Hatfield House and he was kept on by Roberts son William, to produce gardens at the familys London house, Salisbury House. He then designed gardens on the site of St Augustines Abbey for Edward Lord Wotton in 1615-23, later, Tradescant was gardener to the royal favourite George Villiers, 1st Duke of Buckingham, remodelling his gardens at New Hall, Essex and at Burley-on-the-Hill. On all his trips he collected seeds and bulbs everywhere and assembled a collection of curiosities of natural history and ethnography which he housed in a house, The Ark, in Lambeth. The Ark was the prototypical Cabinet of Curiosity, a collection of rare and strange objects, that became the first museum open to the public in England, the Musaeum Tradescantianum. He also gathered specimens through American colonists, including his personal friend John Smith, who bequeathed Tradescant a quarter of his library. From their botanical garden in Lambeth, on the bank of the Thames, he and his son, John. A genus of flowering plants is named to honour him, Tradescant Road, off South Lambeth Road in Vauxhall, marks the former boundary of the Tradescant estate. He was buried in the churchyard of St-Mary-at-Lambeth, as was his son and he is the subject of the novel Earthly Joys by Philippa Gregory. Edward Lhuyd - curator of the Ashmolean Museum Prudence Leith-Ross, The John Tradescants, Gardeners to the Rose, arthur MacGregor, Tradescants Rarities, Essays on the Foundation of the Ashmolean Museum,1983. Their Plants, Gardens and Museum 1570-1662, London 1964, jennifer Potter, Strange Blooms, The Curious Lives and Adventures of the John Tradescants,2006. ISBN 1-84354-334-6 Tradescant Collection at the Ashmolean Museum Vauxhall Society Botany A Chilham garden designed by him
John Tradescant the elder
–
John Tradescant the elder (portrait attributed to
Cornelis de Neve)
John Tradescant the elder
–
Engraving of John Tradescant the elder by
Wenceslas Hollar
13.
John Tradescant the younger
–
John Tradescant the Younger, son of John Tradescant the elder, was a botanist and gardener, born in Meopham, Kent and educated at The Kings School, Canterbury. Unlike his father, who collected specimens that other people back for him. Among the seeds he brought back, to introduce to English gardens were great American trees, like Magnolias, Bald Cypress and Tulip tree, John Tradescant the Younger added his American acquisitions to the familys cabinet of curiosities, known as The Ark. These included the ceremonial cloak of Chief Powhatan, an important Native American relic, Tradescant bequeathed his library and museum to Elias Ashmole, whose name it bears as the core of the Ashmolean Museum in Oxford where the Tradescant collections remain largely intact. He was buried beside his father in the churchyard of St-Mary-at-Lambeth which is now established as the Garden Museum and he is the subject of the novel Virgin Earth by Philippa Gregory, sequel to Earthly Joys about his father. The standard author abbreviation Trad. is applied to species he described, jane Hurte, died 1634 John, died age 19 Frances, married Alexander Norman Ester Pooks Prudence Leith-Ross, The John Tradescants, Gardeners to the Rose and Lily Queen,1984. Arthur MacGregor, Tradescants Rarities, Essays on the Foundation of the Ashmolean Museum,1983, jennifer Potter, Strange Blooms, The Curious Lives and Adventures of the John Tradescants,2006
John Tradescant the younger
–
John Tradescant the Younger, attributed to
Thomas de Critz
John Tradescant the younger
–
Ester, his second wife
14.
Dodo
–
The dodo is an extinct flightless bird that was endemic to the island of Mauritius, east of Madagascar in the Indian Ocean. The dodos closest genetic relative was the also extinct Rodrigues solitaire, the closest living relative of the dodo is the Nicobar pigeon. A white dodo was once thought to have existed on the island of Réunion. Subfossil remains show the dodo was about 1 metre tall and may have weighed 10. 6–21.1 kg, the dodos appearance in life is evidenced only by drawings, paintings, and written accounts from the 17th century. Though the dodo has historically been considered fat and clumsy, it is now thought to have been well-adapted for its ecosystem. It has been depicted with brownish-grey plumage, yellow feet, a tuft of feathers, a grey, naked head, and a black, yellow. It used gizzard stones to help digest its food, which is thought to have included fruits, one account states its clutch consisted of a single egg. It is presumed that the dodo became flightless because of the availability of abundant food sources. The first recorded mention of the dodo was by Dutch sailors in 1598, in the following years, the bird was hunted by sailors and invasive species, while its habitat was being destroyed. The last widely accepted sighting of a dodo was in 1662 and its extinction was not immediately noticed, and some considered it to be a mythical creature. In the 19th century, research was conducted on a quantity of remains of four specimens that had been brought to Europe in the early 17th century. Among these is a head, the only soft tissue of the dodo that remains today. Since then, an amount of subfossil material has been collected on Mauritius. The extinction of the dodo within less than a century of its discovery called attention to the previously unrecognised problem of human involvement in the disappearance of entire species. The dodo was variously declared a small ostrich, a rail, Strickland stated that although not identical, these birds shared many distinguishing features of the leg bones, otherwise known only in pigeons. Strickland and Melville established that the dodo was anatomically similar to pigeons in many features and they pointed to the very short keratinous portion of the beak, with its long, slender, naked basal part. Other pigeons also have bare skin around their eyes, almost reaching their beak, the forehead was high in relation to the beak, and the nostril was located low on the middle of the beak and surrounded by skin, a combination of features shared only with pigeons. The legs of the dodo were generally similar to those of terrestrial pigeons than of other birds
Dodo
–
Dodo Temporal range: Late
Holocene
Dodo
–
Skull in the
Zoological Museum of Copenhagen
Dodo
–
Sketch of the Oxford head made before it was dissected in 1848
Dodo
–
Landscape with Birds, showing a dodo in the lower right, by
Roelant Savery, 1628
15.
Natural history
–
Natural history is the research and study of organisms including animals, fungi and plants in their environment, leaning more towards observational than experimental methods of study. It encompasses scientific research but is not limited to it, with articles nowadays more often published in magazines than in academic journals. Grouped among the sciences, natural history is the systematic study of any category of natural objects or organisms. That is a broad designation in a world filled with many narrowly focused disciplines. For example, geobiology has a strong multi-disciplinary nature combining scientists, a person who studies natural history is known as a naturalist or natural historian. The English term natural history is a translation of the Latin historia naturalis and its meaning has narrowed progressively with time, while the meaning of the related term nature has widened. In antiquity, it covered essentially anything connected with nature or which used materials drawn from nature. For example, Pliny the Elders encyclopedia of this title, published circa 77 to 79 AD, covers astronomy, geography, man and his technology, medicine and superstition as well as animals and plants. Medieval European academics considered knowledge to have two divisions, the humanities and divinity, with science studied largely through texts rather than observation or experiment. In modern terms, natural philosophy roughly corresponded to modern physics and chemistry, natural history had been encouraged by practical motives, such as Linnaeus aspiration to improve the economic condition of Sweden. Similarly, the Industrial Revolution prompted the development of geology to help find useful mineral deposits, the astronomer, William Herschel was also a natural historian. Instead of working with plants or minerals he worked with the stars and he spent his time building telescopes to see the stars and the rest of the time watching the stars. In the beginning, he believed there to be a known as a nebulae. Herschel can be considered a natural historian because he observed the natural world, in the process he made charts of all the stars and kept records of all that he saw. S. Wilcove and T. Eisner, The close observation of organisms—their origins, their evolution, their behavior and it encompasses changes in internal states insofar as they pertain to what organisms do. Some definitions go further, focusing on observation of organisms in their environment. Bartholomew, A student of history, or a naturalist, studies the world by observing plants. A common thread in many definitions of natural history is the inclusion of a component, as seen in a recent definition by H. W. Greene
Natural history
–
Tables of natural history, from
Ephraim Chambers 's 1728
Cyclopaedia.
Natural history
–
A natural history collection in a French public secondary school
Natural history
–
Blackberry from the 6th century
Vienna Dioscurides manuscript
Natural history
–
Georges Buffon is best remembered for his Histoire naturelle, a 44 volume encyclopedia describing everything known about the natural world.
16.
Robert Plot
–
Robert Plot was an English naturalist, first Professor of Chemistry at the University of Oxford, and the first keeper of the Ashmolean Museum. Born in Borden, Kent to parents Robert Plot and Elisabeth Patenden and he entered Magdalen Hall, Oxford in 1658 where he graduated with a BA in 1661 and a MA in 1664. Plot subsequently taught and served as dean and vice principal at Magdalen Hall while preparing for his BCL and DCL, by this time, Plot had already developed an interest in the systematic study of natural history and antiquities. The favourable reception of his findings not only earned him the nickname of the learned Dr, in the field of chemistry he searched for a universal solvent that could be obtained from wine spirits, and believed that alchemy was necessary for medicine. In 1684, Plot published De origine fontium, a treatise on the source of springs, Plot shifted his focus towards archaeology in the 1686 publication of his second book, The Natural History of Staffordshire, but misinterpreted Roman remains as Saxon. He also describes a double sunset viewable from Leek and the Abbots Bromley Horn Dance, in 1687, Plot was made a notary public by the Archbishop of Canterbury as well as appointed the registrar to the Norfolk Court of Chivalry. The office of Mowbray Herald Extraordinary was created in January 1695 for Plot, although able to go on an archaeological tour of Anglia in September 1695, Plot was greatly suffering from urinary calculi, and succumbed to his illness on 30 April 1696. He was buried at Borden Church, where a plaque memorialises him, the Natural History of Oxford-shire, Being an Essay Towards the Natural History of England. The Correspondence of Robert Plot in EMLO Plot, Robert, Robert Plot from the Ashmolean Museum, Oxford Plot, Robert The natural history of Oxford-shire - digital facsimile from the Linda Hall Library
Robert Plot
–
Portrait of Robert Plot, D.D.
17.
Museum of the History of Science, Oxford
–
The Museum of the History of Science in Broad Street, Oxford, England, holds a leading collection of scientific instruments from Middle Ages to the 19th century. The museum building is known as the Old Ashmolean Building to distinguish it from the newer Ashmolean Museum building completed in 1894. The museum was built in 1683, and it is the worlds oldest surviving purpose-built museum, the museum is open to the general public with free admission every afternoon except Mondays. Built in 1683 to house Elias Ashmoles collection, it was the worlds first purpose-built museum building and was open to the public. The collection and the building now occupies a special position in the study of the history of science and in the development of western culture. J. Bowen and Gavin de Beer, the museum shows the development of mechanical clocks. Lantern clocks and longcase clocks are exhibited in the Beeson Room, early turret clocks are exhibited above the stairs from the basement to the raised ground floor. From October 2009 until February 2010, the Museum hosted the first major exhibition of Steampunk art objects, curated by Art Donovan and presented by Dr Jim Bennett, then the museum director. The following have been Curator or Secretary to the Committee or Director at the museum, R. T. Gunther F. Sherwood Taylor C. H. Josten F. R. Maddison J
Museum of the History of Science, Oxford
–
The Old Ashmolean Building as it stands today
Museum of the History of Science, Oxford
–
Einstein's Blackboard, used by
Albert Einstein in a 1931 lecture in Oxford
Museum of the History of Science, Oxford
–
Beevers–Lipson strips, part of the Crystals exhibition in 2014, used by
Nobel Prize winner
Dorothy Hodgkin for crystallography calculations at Oxford
Museum of the History of Science, Oxford
–
An early radio receiver in the Museum, made by
Guglielmo Marconi
18.
Christopher Wren
–
Sir Christopher Wren PRS is one of the most highly acclaimed English architects in history. The principal creative responsibility for a number of the churches is now commonly attributed to others in his office. Other notable buildings by Wren include the Royal Naval College, Greenwich, the Wren Building, the main building at the College of William and Mary, Virginia, is attributed to Wren. Educated in Latin and Aristotelian physics at the University of Oxford, Wren was a notable anatomist, astronomer, geometer and he was a founder of the Royal Society, and his scientific work was highly regarded by Isaac Newton and Blaise Pascal. Wren was born in East Knoyle in Wiltshire, the surviving son of Christopher Wren Sr. and Mary Cox. Christopher Sr. was at time the rector of East Knoyle. Their son Christopher was born in 1632 then, two later, another daughter named Elizabeth was born. Mary must have died shortly after the birth of Elizabeth, although there does not appear to be any surviving record of the date, through Mary Cox, however, the family became well off financially for, as the only heir, she had inherited her fathers estate. As a child Wren seemd consumptive, although a sickly child, he would survive into robust old age. He was first taught at home by a tutor and his father. After his fathers appointment as Dean of Windsor in March 1635, his family spent part of each year there. He spent his first eight years at East Knoyle and was educated by the Rev. William Shepherd and it was a tough time in his life, but one which would go on to have a significant impact upon his later works. Some of Wrens youthful exercises preserved or recorded showed that he received a grounding in Latin. According to Parentalia, he was initiated in the principles of mathematics by Dr William Holder, who married Wrens elder sister Susan in 1643. His drawing was put to use in providing many of the anatomical drawings for the anatomy textbook of the brain, Cerebri Anatome, published by Thomas Willis. During this time period, Wren manifested an interest in the design and it was probably through Holder that Wren met Sir Charles Scarburgh whom Wren assisted in his anatomical studies. On 25 June 1650, Wren entered Wadham College, Oxford, where he studied Latin and it is anachronistic to imagine that he received scientific training in the modern sense. However, Wren became closely associated with John Wilkins, the Warden of Wadham, the Wilkins circle was a group whose activities led to the formation of the Royal Society, comprising a number of distinguished mathematicians, creative workers and experimental philosophers
Christopher Wren
–
Wren in a portrait by
Godfrey Kneller (1771)
Christopher Wren
Christopher Wren
–
Wadham College, Oxford, where Wren was a student in 1650–51
Christopher Wren
–
Wren's
Greek Cross design for St Paul's.
19.
Oxford English Dictionary
–
The Oxford English Dictionary is a descriptive dictionary of the English language, published by the Oxford University Press. The second edition came to 21,728 pages in 20 volumes, in 1895, the title The Oxford English Dictionary was first used unofficially on the covers of the series, and in 1928 the full dictionary was republished in ten bound volumes. In 1933, the title The Oxford English Dictionary fully replaced the name in all occurrences in its reprinting as twelve volumes with a one-volume supplement. More supplements came over the years until 1989, when the edition was published. Since 2000, an edition of the dictionary has been underway. The first electronic version of the dictionary was available in 1988. The online version has been available since 2000, and as of April 2014 was receiving two million hits per month. The third edition of the dictionary will probably appear in electronic form, Nigel Portwood, chief executive of Oxford University Press. As a historical dictionary, the Oxford English Dictionary explains words by showing their development rather than merely their present-day usages, therefore, it shows definitions in the order that the sense of the word began being used, including word meanings which are no longer used. The format of the OEDs entries has influenced numerous other historical lexicography projects and this influenced later volumes of this and other lexicographical works. As of 30 November 2005, the Oxford English Dictionary contained approximately 301,100 main entries, the dictionarys latest, complete print edition was printed in 20 volumes, comprising 291,500 entries in 21,730 pages. The longest entry in the OED2 was for the verb set, as entries began to be revised for the OED3 in sequence starting from M, the longest entry became make in 2000, then put in 2007, then run in 2011. Despite its impressive size, the OED is neither the worlds largest nor the earliest exhaustive dictionary of a language, the Dutch dictionary Woordenboek der Nederlandsche Taal is the worlds largest dictionary, has similar aims to the OED and took twice as long to complete. Another earlier large dictionary is the Grimm brothers dictionary of the German language, begun in 1838, the official dictionary of Spanish is the Diccionario de la lengua española, and its first edition was published in 1780. The Kangxi dictionary of Chinese was published in 1716, trench suggested that a new, truly comprehensive dictionary was needed. On 7 January 1858, the Society formally adopted the idea of a new dictionary. Volunteer readers would be assigned particular books, copying passages illustrating word usage onto quotation slips, later the same year, the Society agreed to the project in principle, with the title A New English Dictionary on Historical Principles. He withdrew and Herbert Coleridge became the first editor, on 12 May 1860, Coleridges dictionary plan was published and research was started
Oxford English Dictionary
–
Seven of the twenty volumes of the printed version of the second edition of the OED
Oxford English Dictionary
–
Frederick Furnivall, 1825–1910
Oxford English Dictionary
–
James Murray in the Scriptorium at Banbury Road
Oxford English Dictionary
–
The 78 Banbury Road,
Oxford, house, erstwhile residence of
James Murray, Editor of the Oxford English Dictionary
20.
Astrolabe
–
An astrolabe is an elaborate inclinometer, historically used by astronomers and navigators, to measure the inclined position in the sky of a celestial body, day or night. It can thus be used to identify stars or planets, to determine local latitude given local time and vice versa, to survey and it was used in classical antiquity, the Islamic Golden Age, the European Middle Ages and the Renaissance for all these purposes. While the astrolabe is effective for determining latitude on land or calm seas, the mariners astrolabe was developed to solve that problem. OED gives the translation star-taker for the English word astrolabe and traces it, through medieval Latin, to the Greek word astrolabos from astron star, in the medieval Islamic world the word asturlab was given various etymologies. In Arabic texts, the word is translated as akhdh al-kawakib which corresponds to an interpretation of the Greek word, al-Biruni quotes and criticizes the medieval scientist Hamzah al-Isfahani who had stated, asturlab is an arabization of this Persian phrase. In medieval Islamic sources, there is also a fictional and popular etymology of the words as lines of lab, in this popular etymology, Lab is a certain son of Idris. This etymology is mentioned by a 10th-century scientist named al-Qummi but rejected by al-Khwarizmi, Lab in Arabic also means sun and black stony places. An early astrolabe was invented in the Hellenistic world by Apollonius of Perga, a marriage of the planisphere and dioptra, the astrolabe was effectively an analog calculator capable of working out several different kinds of problems in spherical astronomy. Theon of Alexandria wrote a treatise on the astrolabe. Some historians attribute the invention to Hypatia, the daughter of Theon of Alexandria, noting that Synesius. Astrolabes continued in use in the Greek-speaking world throughout the Byzantine period, about 550 AD the Christian philosopher John Philoponus wrote a treatise on the astrolabe in Greek, which is the earliest extant Greek treatise on the instrument. In addition, Severus Sebokht, a bishop who lived in Mesopotamia, Astrolabes were further developed in the medieval Islamic world, where Muslim astronomers introduced angular scales to the astrolabe, adding circles indicating azimuths on the horizon. It was widely used throughout the Muslim world, chiefly as an aid to navigation and as a way of finding the Qibla, the first person credited with building the astrolabe in the Islamic world is reportedly the 8th-century mathematician Muhammad al-Fazari. The mathematical background was established by the Muslim astronomer Albatenius in his treatise Kitab az-Zij, the earliest surviving dated astrolabe is dated AH315. In the Islamic world, astrolabes were used to find the times of sunrise and the rising of fixed stars, to help schedule morning prayers. In the 10th century, al-Sufi first described over 1,000 different uses of an astrolabe, in areas as diverse as astronomy, astrology, navigation, surveying, timekeeping, prayer, Salat, Qibla, etc. The spherical astrolabe, a variation of both the astrolabe and the sphere, was invented during the Middle Ages by astronomers and inventors in the Islamic world. The earliest description of the spherical astrolabe dates back to Al-Nayrizi, in the 12th century, Sharaf al-Dīn al-Tūsī invented the linear astrolabe, sometimes called the staff of al-Tusi, which was a simple wooden rod with graduated markings but without sights
Astrolabe
–
A modern astrolabe, made in
Tabriz, Iran in 2013.
Astrolabe
–
Astrolabe quadrant, England, 1388
Astrolabe
–
A 16th-century astrolabe, showing a tulip rete and
rule
Astrolabe
–
A treatise explaining the importance of the astrolabe by
Nasir al-Din al-Tusi, Persian scientist.
21.
Charles Robert Cockerell
–
Charles Robert Cockerell RA was an English architect, archaeologist, and writer. From the age of sixteen, he trained in the practice of his father, who held the post of surveyor to East India House. From 1809 to 1810 Cockerell became an assistant to Robert Smirke, on 14 April 1810 he set off on the Grand Tour. Due to the Napoleonic Wars much of Europe was closed to the British, so he headed for Cadiz, Malta and Constantinople, from there he went to Troy, finally arriving in Athens, in Constantinople he met John Foster who would accompany him on his tour. In April 1811 he was in Aegina where he helped excavate the Temple of Aphaea, finding fallen fragmentary pediment sculptures, on 18 August 1811 he set out with three companions from Zakynthos on a tour of Morea, aiming for the temple of Apollo Epicurius at Bassae in Arcadia. The magnificent Bassae Frieze that Cockerell discovered at the temple was eventually excavated and his tour continued visiting, Sparta, Argos, Tiryns, Mycenae, Epidaurus and Corinth returning to Athens. They arrived in Malta on 18 July 1812, where Cockerell was confined to bed for three weeks with a fever. By 28 August 1812 they were in Sicily, where they stayed several months studying the chief Greek temples, drawing a reconstruction of the Temple of the Olympian Zeus, Agrigento. On his recovery he continued his travels, in January 1814 he was in Ioannina, returning to Athens, before going on in May 1814 to Zakynthos to attend the sale of the Bassae Frieze. In December 1814 he returned to the Temple of Aphaea for a fortnight to check, in a letter of 23 December 1814 he details his re-discovery of entasis, he enclosed a sketch for Robert Smirke of one of the Parthenon columns showing its outline. Much of his time in Rome was spent on preparing his drawings for publication, in 1816 Cockrell moved on to Florence. Cockerell was presented to Ferdinand III, Grand Duke of Tuscany and was awarded the diploma of Academician of the Accademia delle Arti del Disegno, in June he suffered another bout of ill health. Cockerell returned to London on 17 June 1817, over seven years since his departure, Cockerell set about preparing his drawings of Greek antiquities for exhibition at the Royal Academy. Cockerell was living and working at 8 Old Burlington Street, it was owned by his father, from 1832 to 1836 he rented as his office 34 Savile Row. Cockerell was a member of three clubs, Athenaeum Club, London, Travellers Club and Grillions to which he was elected in 1822. In 1819 he was appointed surveyor to St. Pauls Cathedral and he was elected an Associate of the Royal Academy on 2 November 1829, and an academician on 10 February 1836, his diploma work being his design for the Palace of Westminster competition. In September 1839, he was appointed Professor of Architecture at the Academy and he won the first Royal Gold Medal for architecture in 1848 and became president of the Royal Institute of British Architects in 1860. Replicas of these reliefs were included in the frieze of the library of the Travellers Club
Charles Robert Cockerell
–
Charles Robert Cockerell (portrait by
Ingres, 1817)
Charles Robert Cockerell
–
Cockerell's depiction of the temple of Apollo at Bassae, 1860
Charles Robert Cockerell
–
Cockerell's Hanover Chapel, in 1828
Charles Robert Cockerell
–
Entrance portico, Ashmolean Museum
22.
Classicism
–
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. Classicism is a genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources. It was particularly expressed in the Neoclassicism of the Age of Enlightenment, Classicism is a recurrent tendency in the Late Antique period, and had a major revival in Carolingian and Ottonian art. Until that time the identification with antiquity had been seen as a history of Christendom from the conversion of Roman Emperor Constantine I. Renaissance classicism introduced a host of elements into European culture, including the application of mathematics and empiricism into art, humanism, literary and depictive realism, importantly it also introduced Polytheism, or paganism, and the juxtaposition of ancient and modern. The classicism of the Renaissance led to, and gave way to and this period sought the revival of classical art forms, including Greek drama and music. Opera, in its modern European form, had its roots in attempts to recreate the combination of singing and dancing with theatre thought to be the Greek norm, examples of this appeal to classicism included Dante, Petrarch, and Shakespeare in poetry and theatre. Tudor drama, in particular, modeled itself after classical ideals, studying Ancient Greek became regarded as essential for a well-rounded education in the liberal arts. They also began reviving plastic arts such as bronze casting for sculpture, for example, the painting of Jacques-Louis David which was seen as an attempt to return to formal balance, clarity, manliness, and vigor in art. Various movements of the period saw themselves as classical revolts against a prevailing trend of emotionalism and irregularity. The 20th century saw a number of changes in the arts, thus, both pre-20th century disciplines were labelled classical and modern movements in art which saw themselves as aligned with light, space, sparseness of texture, and formal coherence. Examples of classicist playwrights are Pierre Corneille, Jean Racine and Moliere, the influence of these French rules on playwrights in other nations is debatable. In the English theatre, Restoration playwrights such as William Wycherly and those of Shakespeares plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity. Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and this style quickly spread to other Italian cities and then to France, Germany, England, Russia and elsewhere. In the 16th century, Sebastiano Serlio helped codify the classical orders, building off of these influences, the 17th-century architects Inigo Jones and Christopher Wren firmly established classicism in England. For the development of classicism from the mid-18th-century onwards, see Neoclassical architecture, for Greek art of the 5th century B. C. E. See Classical art in ancient Greece and the Severe style Italian Renaissance painting and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realised product with Raphaels School of Athens during the High Renaissance
Classicism
–
Fountain of the Four Rivers,
Bernini, 1651.
Classicism
–
Classicist door in
Olomouc, The
Czech Republic.
Classicism
–
Molière in classical dress, by
Nicolas Mignard, 1658.
Classicism
–
Villa Rotonda,
Palladio, 1591
23.
Taylor Institution
–
The Taylor Institution is the Oxford University library dedicated to the study of the European Languages. Its building also includes lecture rooms used by the Faculty of Medieval and Modern Languages, since 1889 a prestigious Annual Lecture on a subject of Foreign Literature has been given at the Taylorian Institution. The Taylor Institution was established in 1845, funded largely by a bequest from the estate of the notable architect Sir Robert Taylor, Modern European languages were not then taught at the University. Since the Bodleian lacked space, the Taylorian was initially used to things as varied as Stubbss lectures on English history. There is a building in Wellington Square which houses the Institutions Greek, the library serves, for the greater part, those studying for the degree of Bachelor of Arts, for the various Masters degrees, and for the D Phil. The Greek and Slavonic annexe consists of European languages found further eastward, including the Greek, Slavic, Uralic, the library holds many world-class collections. Its holdings in German start with Luthers Flugschriften, including the first edition of his Sendbrief vom Dolmetschen, italian works run from Dante and Tasso through one of the largest collections of Giovanni Battista Guarinis seminal Il Pastor fido to Foscolo and Futurist manifestos. The Spanish and Portuguese collections contain early editions of Lope de Vega, Camoens, Cervantes, Góngora, Quevedo, russian first editions are well represented. The librarys greatest strength, however, lies in its French holdings and its collection of French Enlightenment authors stars the only complete collection in the world of all the French editions of Voltaires Candide printed in 1759, the year of first publication. The Taylorian also owns one of the two known copies of the first edition of Benjamin Constants Adolphe. Media related to Taylor Institution, Oxford at Wikimedia Commons Taylor Institution Library Brief history of the Taylorian building
Taylor Institution
–
The Taylor Institute seen from the
Martyrs' Memorial
24.
Ionic order
–
The Ionic order forms one of the three classical orders of classical architecture, the other two canonic orders being the Doric and the Corinthian. There are two orders, the Tuscan, and the rich variant of Corinthian called the composite order. The Ionic columns are the thinnest and smallest columns out of the three canonic orders, the Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform, since Vitruvius a female character has been ascribed to the Ionic, in contrast to the masculine Doric. The major features of the Ionic order are the volutes of its capital, the only tools required to design these features were a straight-edge, a right angle, string and a compass. Originally the volutes lay in a plane, then it was seen that they could be angled out on the corners. Ionic columns are most often fluted, after a little early experimentation, the number of hollow flutes in the shaft settled at 24. This standardization kept the fluting in a proportion to the diameter of the column at any scale. Roman fluting leaves a little of the surface between each hollow, Greek fluting runs out to a knife edge that was easily scarred. In some instances, the fluting has been omitted, mohr included 8 unfluted Ionic frontal columns on his 1928 design for the railroads St. Louis suburban stop Delmar Station. Pictorial often narrative bas-relief frieze carving provides a feature of the Ionic order. Roman and Renaissance practice condensed the height of the entablature by reducing the proportions of the architrave, the Ionic order originated in the mid-6th century BC in Ionia, the southwestern coastland and islands of Asia Minor settled by Ionian Greeks, where an Ionian dialect was spoken. The Ionic order column was being practiced in mainland Greece in the 5th century BC and it was most popular in the Archaic Period in Ionia. The first of the great Ionic temples was the Temple of Hera on Samos and it stood for only a decade before it was leveled by an earthquake. A longer-lasting 6th century Ionic temple was the Temple of Artemis at Ephesus, the Parthenon, although it conforms mainly to the Doric order, also has some Ionic elements. A more purely Ionic mode to be seen on the Athenian Acropolis is exemplified in the Erechtheum, following the conquests of Alexander the Great in the east, a few examples of the Ionic order can be found as far as Pakistan with the Jandial temple near Taxila. Several examples of capitals displaying Ionic influences can seen as far away as Patna, especially with the Pataliputra capital. Renaissance architectural theorists took his hints, to interpret the Ionic order as matronly in comparison to the Doric order, the Ionic is a natural order for post-Renaissance libraries and courts of justice, learned and civilized
Ionic order
–
Architects' first real look at the Greek Ionic order: Julien David LeRoy, Les ruines plus beaux des monuments de la Grèce Paris, 1758 (Plate XX)
Ionic order
–
Drawing by Piranesi of the
Temple of Portunus
Ionic order
–
Ionic capital at Priene
Ionic order
–
Scamozzian Ionic capitals on
Castle Coole portico
25.
Pre-Raphaelite
–
The Pre-Raphaelite Brotherhood was a group of English painters, poets, and critics, founded in 1848 by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti. The three founders were joined by William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner to form the seven-member brotherhood and their principles were shared by other artists, including Marie Spartali Stillman and Ford Madox Brown. A later, medievalising strain inspired by Rossetti included Edward Burne-Jones, the groups intention was to reform art by rejecting what it considered the mechanistic approach first adopted by Mannerist artists who succeeded Raphael and Michelangelo. Its members believed the Classical poses and elegant compositions of Raphael in particular had been an influence on the academic teaching of art. In particular, the group objected to the influence of Sir Joshua Reynolds, founder of the English Royal Academy of Arts, to the Pre-Raphaelites, according to William Michael Rossetti, sloshy meant anything lax or scamped in the process of painting. Any thing or person of a commonplace or conventional kind, the brotherhood sought a return to the abundant detail, intense colours and complex compositions of Quattrocento Italian art. The group associated their work with John Ruskin, an English critic whose influences were driven by his religious background, the group continued to accept the concepts of history painting and mimesis, imitation of nature, as central to the purpose of art. The Pre-Raphaelites defined themselves as a movement, created a distinct name for their form of art. The groups debates were recorded in the Pre-Raphaelite Journal, the Pre-Raphaelite Brotherhood was founded in John Millaiss parents house on Gower Street, London in 1848. At the first meeting, the painters John Everett Millais, Dante Gabriel Rossetti, Hunt and Millais were students at the Royal Academy of Arts and had met in another loose association, the Cyclographic Club, a sketching society. At his own request Rossetti became a pupil of Ford Madox Brown in 1848, at that date, Rossetti and Hunt shared lodgings in Cleveland Street, Fitzrovia, Central London. Hunt had started painting The Eve of St. Agnes based on Keatss poem of the same name, as an aspiring poet, Rossetti wished to develop the links between Romantic poetry and art. Ford Madox Brown was invited to join, but the more senior artist remained independent but supported the group throughout the PRB period of Pre-Raphaelitism, other young painters and sculptors became close associates, including Charles Allston Collins, Thomas Tupper, and Alexander Munro. The PRB intended to keep the existence of the secret from members of the Royal Academy. The principles were deliberately non-dogmatic, since the brotherhood wished to emphasise the personal responsibility of artists to determine their own ideas. Influenced by Romanticism, the members thought freedom and responsibility were inseparable, nevertheless, they were particularly fascinated by medieval culture, believing it to possess a spiritual and creative integrity that had been lost in later eras. The emphasis on medieval culture clashed with principles of realism which stress the independent observation of nature, in its early stages, the Pre-Raphaelite Brotherhood believed its two interests were consistent with one another, but in later years the movement divided and moved in two directions. The realists were led by Hunt and Millais, while the medievalists were led by Rossetti and his followers, Edward Burne-Jones and William Morris
Pre-Raphaelite
–
Proserpine, by
Dante Gabriel Rossetti
Pre-Raphaelite
–
Illustration by Holman Hunt of Thomas Woolner's poem "My Beautiful Lady", published in The Germ, 1850
Pre-Raphaelite
–
Christ in the House of His Parents, by John Everett Millais, 1850
Pre-Raphaelite
–
Ophelia, by
John Everett Millais
26.
Maiolica
–
Maiolica, also called Majolica is Italian tin-glazed pottery dating from the Renaissance period. It is decorated in colours on a background, sometimes depicting historical and mythical scenes. By the late 15th century, several places, mainly small cities in northern and central Italy, were producing sophisticated pieces for a market in Italy. The name is thought to come from the medieval Italian word for Majorca, moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone. An alternative explanation of the name is that it comes from the Spanish term obra de Malaga, denoting “ wares from Malaga”. or obra de mélequa, the Spanish name for lustre. In the 15th century, the term maiolica referred solely to lusterware, eventually the term came to be used when describing ceramics made in Italy, lustred or not, of tin-glazed earthenware. With the Spanish conquest of Mexico, tin-glazed maiolica wares came to be produced in the Valley of Mexico as early as 1540, mexican maiolica is known famously as Talavera. By a convenient extension and limitation the name may be applied to all tin-glazed ware, of whatever nationality, the name faïence being reserved for the later wares of the 17th Century onwards, either in original styles or, more frequently, in the Dutch-Chinese tradition. The term maiolica is sometimes applied to modern tin-glazed ware made by studio potters, the word, majolica, is also used for Victorian majolica, a hard-wearing type of pottery where coloured lead glazes are applied direct to the biscuit. Tin glazing creates a brilliant white, opaque surface for painting, the colours are applied as metallic oxides or as fritted underglazes to the unfired glaze, which absorbs pigment like fresco, making errors impossible to fix, but preserving the brilliant colors. Sometimes the surface is covered with a glaze that lends greater shine. In the case of lustred wares, a further firing at a temperature is required. Kilns required wood as well as suitable clay, glaze was made from sand, wine lees, lead compounds and tin compounds. Analysis of samples of Italian maiolica pottery from the Middle Ages has indicated that tin was not always a component of the glaze, such archaic wares are sometimes called proto-maiolica. During the later fourteenth century, the palette of colours was expanded from the traditional manganese purple and copper green to include cobalt blue, antimony yellow. Sgraffito wares were produced, in which the white tin-oxide glaze was scratched through to produce a design from the revealed body of the ware. Refined production of tin-glazed earthenwares made for more local needs was concentrated in central Italy from the later thirteenth century. The medium was adopted by the Della Robbia family of Florentine sculptors
Maiolica
–
Istoriato decoration on a plate from
Castel Durante, c.1550-1570 (
Musée des Beaux-Arts de Lille)
Maiolica
–
Istoriato charger,
Faenza, ca 1555 (
Dallas Museum of Art)
Maiolica
–
Dish with bird, in Islamic-derived style,
Orvieto, ca.1270-1330 (
Victoria and Albert Museum)
Maiolica
–
Dish from
Deruta, 2nd quarter of the 16th century, shows the full range of glaze colors (
Victoria and Albert Museum)
27.
Arthur Evans
–
Sir Arthur John Evans FRS FREng was an English archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete, Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing. He was, on request of the organizations of the peoples of the Balkans. Arthur Evans was born in Nash Mills, England, the first child of John Evans and Harriet Ann Dickinson, the daughter of Johns employer, inventor and founder of Messrs John Dickinson, a paper mill. John Evans came from a family of men who were educated and intellectually active, they were nevertheless undistinguished by either wealth or aristocratic connection. Johns father, Arthur Benoni Evans, Arthurs grandfather, had been headmaster of Market Bosworth Grammar School, John knew Latin and could quote the classical authors. In 1840, instead of going to college, John started work in the mill owned by his maternal uncle and he married his cousin, Harriet, in 1850, which entitled him, in 1851, to a junior partnership in the family business. Profits from the mill would eventually help fund Arthurs excavations, restorations at Knossos, for the time being they were an unpretentious and affectionate family. They moved into a row house built for the purpose near the mill. Grandmother Evans called Arthur darling Trot, asserting in a note that, compared to his father, in 1856, with Harriets declining health and Jacks growing reputation and prosperity, they moved into Harriets childhood home, a mansion with a garden, where the children ran free. John maintained his status as an officer in the company, which eventually became John Dickinson Stationery and his interest in geology came from an assignment by the company to study the diminishing water resources in the area with a view toward protecting the company from lawsuits. The mill consumed large amounts of water, which was also needed for the canals and he became an expert and a legal consultant. However, collecting was endemic to the family, his father and grandfather both had done it and he was more interested in the stone-age artifacts he was discovering while mapping stream beds. As Arthur grew older, he was allowed to assist John in looking for artifacts, ultimately John became a distinguished antiquary, publishing numerous books and articles. In 1859 he conducted a survey of the Somme Valley with Joseph Prestwich. His connections and invaluable advice were indispensable to Arthurs career throughout the remainder of his long life, Arthurs mother, Harriet, died in 1858 when Arthur was seven. He had two brothers, Philip Norman and Lewis, and two sisters, Alice and Harriet and he would remain on excellent terms with all of them all of his life. He was raised by a stepmother, Fanny, née Phelps and she had no children of her own and also predeceased her husband
Arthur Evans
–
Sir Arthur Evans
Arthur Evans
–
The Nash paper mill
Arthur Evans
–
Harrow
Arthur Evans
–
Brasenose College
28.
Ancient Greece
–
Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
Ancient Greece
–
The
Parthenon, a temple dedicated to
Athena, located on the
Acropolis in
Athens, is one of the most representative symbols of the culture and sophistication of the ancient Greeks.
Ancient Greece
–
Dipylon Vase of the late Geometric period, or the beginning of the Archaic period,
c. 750 BC.
Ancient Greece
–
Political geography of ancient Greece in the Archaic and Classical periods
29.
Minoan civilization
–
The Minoan civilization was an Aegean Bronze Age civilization on the island of Crete and other Aegean islands which flourished from about 2600 to 1100 BC. It preceded the Mycenaean civilization of Ancient Greece, the civilization was rediscovered at the beginning of the 20th century through the work of British archaeologist Arthur Evans. It has been described as the earliest of its kind in Europe, the term Minoan, which refers to the mythical King Minos, originally described the pottery of the period. Minos was associated in Greek mythology with the labyrinth and the Minotaur, according to Homer, Crete once had 90 cities. The Minoan period saw trade between Crete and Aegean and Mediterranean settlements, particularly the Near East, traders and artists, the Minoan cultural influence reached beyond Crete to the Cyclades, Egypts Old Kingdom, copper-bearing Cyprus, Canaan and the Levantine coast, and Anatolia. Some of its best art is preserved in the city of Akrotiri on the island of Santorini, although the Minoan language and writing systems remain undecipherable and are subjects of academic dispute, they apparently conveyed a language entirely different from the later Greek. The reason for the end of the Minoan period is unclear, theories include Mycenaean invasions from mainland Greece, the term Minoan refers to the mythical King Minos of Knossos. Its origin is debated, but it is attributed to archeologist Arthur Evans. Minos was associated in Greek mythology with the labyrinth, which Evans identified with the site at Knossos. However, Karl Hoeck had already used the title Das Minoische Kreta in 1825 for volume two of his Kreta, this appears to be the first known use of the word Minoan to mean ancient Cretan, Evans said that applied it, not invented it. Hoeck, with no idea that the archaeological Crete had existed, had in mind the Crete of mythology, although Evans 1931 claim that the term was unminted before he used it was called a brazen suggestion by Karadimas and Momigliano, he coined its archaeological meaning. Instead of dating the Minoan period, archaeologists use two systems of relative chronology, the first, created by Evans and modified by later archaeologists, is based on pottery styles and imported Egyptian artifacts. Evans system divides the Minoan period into three eras, early, middle and late. These eras are subdivided—for example, Early Minoan I, II and III, another dating system, proposed by Greek archaeologist Nicolas Platon, is based on the development of architectural complexes known as palaces at Knossos, Phaistos, Malia and Kato Zakros. Platon divides the Minoan period into pre-, proto-, neo-, the relationship between the systems in the table includes approximate calendar dates from Warren and Hankey. The Thera eruption occurred during a phase of the LM IA period. Efforts to establish the volcanic eruptions date have been controversial, the eruption is identified as a natural event catastrophic for the culture, leading to its rapid collapse. Although stone-tool evidence exists that hominins may have reached Crete as early as 130,000 years ago, evidence for the first anatomically-modern human presence dates to 10, the oldest evidence of modern human habitation on Crete are pre-ceramic Neolithic farming-community remains which date to about 7000 BC
Minoan civilization
–
Minoan civilization
Minoan civilization
–
Minoan
copper ingot.
Minoan civilization
–
Fresco showing three women who were possibly
queens. [
citation needed]
30.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
31.
Early history of Sudan
–
The history of Sudan includes both the territory that is today part of the Republic of the Sudan as well as a larger region known by the term Sudan. The term is derived from Arabic, بلاد السودان bilād as-sūdān land of the black people, the modern Republic of Sudan was formed in 1956 and inherited its boundaries from Anglo-Egyptian Sudan, established 1899. For times predating 1899, usage of the term Sudan for the territory of the Republic of Sudan is somewhat anachronistic, and may also refer to the more diffuse concept of the Sudan. By virtue of its proximity to ancient Egypt, the Sudan participated in the history of the Near East in as much as it was Christianized by the sixth century. As a result of Christianization, the Old Nubian language stands as the oldest recorded Nilo-Saharan language, during the fifth millennium BC migrations from the drying Sahara brought neolithic people into the Nile Valley along with agriculture. The population that resulted from this cultural and genetic mixing developed social hierarchy over the centuries become the Kingdom of Kush at 1700 BC. Together with other countries on Red Sea, Sudan is considered the most likely location of the known to the ancient Egyptians as Punt. Northern Sudans earliest historical record comes from ancient Egyptian sources, which described the land upstream from the First Cataract, or Kush, Egyptian caravans carried grain to Kush and returned to Aswan with ivory, incense, hides, and carnelian for shipment downriver. Egyptian governors particularly valued gold in Nubia and soldiers in the pharaohs army, Egyptian military expeditions penetrated Kush periodically during the Old Kingdom. Around 1720 BC, Canaanite nomads called the Hyksos took over Egypt, ended the Middle Kingdom, severed links with Kush, to fill the vacuum left by the Egyptian withdrawal, a culturally distinct indigenous Kushite kingdom emerged at al-Karmah, near present-day Dongola. After Egyptian power revived during the New Kingdom, the pharaoh Ahmose I incorporated Kush as an Egyptian ruled province governed by a viceroy, Egyptian authorities ensured the loyalty of local chiefs by drafting their children to serve as pages at the pharaohs court. Egypt also expected tribute in gold and slaves from local Kushite chiefs, once Egypt had established political and military mastery over Kush, officials, priests merchants and artisans settled in the region. The Egyptian language became widely used in everyday activities, many rich Kushites took to worshipping Egyptian gods and built temples for them. The temples remained centers of religious worship until the coming of Christianity to the region during the sixth century. When Egyptian influence declined or succumbed to foreign domination, the Kushite elite regarded themselves as central powers and believed themselves as idols of Egyptian culture and religion. By the 11th century BC, the authority of the New Kingdom dynasties had diminished, allowing divided rule in Egypt, with the withdrawal of the Egyptians, there ceased to be any written record or information from Kush about the regions activities over the next three hundred years. In the early eighth century BC, however, Kush emerged as an independent kingdom ruled from Napata by a line of monarchs who slowly extended their influence into Egypt. Around 750 BC, a Kushite king called Kashta conquered Upper Egypt and his successor, Piye, subdued the Nile Delta and conquered Egypt, thus initiating the Twenty-fifth Dynasty
Early history of Sudan
–
Aerial view of the Nubian pyramids at Meroe (2001).
Early history of Sudan
–
A typical slave merchant of Khartoum, 1875
Early history of Sudan
–
South Sudanese independence referendum, 2011
32.
Egyptology
–
A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
Egyptology
–
The
Great Sphinx of Giza against
Khafre's Pyramid at the
Giza pyramid complex
Egyptology
–
Hieroglyphs and depictions transcribed by
Ippolito Rosellini in 1832
Egyptology
–
A section of the
Papyrus of Ani showing
cursive hieroglyphs
33.
Andrew W. Mellon Foundation
–
It is the product of the 1969 merger of the Avalon Foundation and the Old Dominion Foundation. These foundations were set up separately by Paul Mellon and Ailsa Mellon-Bruce and it is housed in the expanded former offices of the Bollingen Foundation in New York City, another educational philanthropy supported by Paul Mellon. Earl Lewis is the Foundations president and his predecessors have included Don Randel, William G. Bowen, John Edward Sawyer and Nathan Pusey. Lewis is the former Provost of Emory University, in 2004, the Foundation was awarded the National Medal of Arts. Mellons endowment has fluctuated in the range of $5–6 billion in recent years, aluka ARTstor JSTOR Open Library of Humanities List of wealthiest charitable foundations The Andrew W. W. Mellon Educational and Charitable Trust Records at the Archives Service Center, University of Pittsburgh
Andrew W. Mellon Foundation
–
Andrew W. Mellon Foundation
34.
Van Heyningen and Haward Architects
–
The London architects work primarily in education, and have also worked in the heritage, community and health sectors. In 2010 the practice produced a monograph detailing their work to date, van Heyningen and Haward - Buildings, the book was published by Right Angle Publishing and edited by Ian Latham. As well as giving an overview of the projects undertaken by the practice from inception until publication, it includes essays by Trevor Garnham and contributions by Ken Powell. Featuring, The National Centre for Early Music RIBA Sector Reviews, RIBA - Creating Excellent Buildings - A Guide for Clients, CABE London
Van Heyningen and Haward Architects
–
City and Islington College
Van Heyningen and Haward Architects
–
RSPB Environment and Education Centre, Rainham Marshes
Van Heyningen and Haward Architects
–
Clare College, Cambridge - Lerner Court
Van Heyningen and Haward Architects
–
Cory Environmental Centre, Essex
35.
Sackler Library
–
The Sackler Library holds a large portion of the classical, art historical, and archaeological works belonging to the University of Oxford, England. The Library was completed in 2001 and opened on 24 September of that year, the library is located at 1 St John Street, to the rear of the Ashmolean. It was founded with a donation by the multi-millionaire Dr Mortimer Sackler, designed by architects Robert Adam with Paul Hanvey of ADAM Architecture, it is a distinctive building, as the central block is circular. Its holdings incorporate the collections of four libraries, namely the Ashmolean library, the Classics Lending Library, the Eastern Art Library. Major subject areas are, Western European Art since c
Sackler Library
–
The library entrance on St John Street, Oxford
Sackler Library
–
The
Heracles Papyrus, held by the Sackler Library.
36.
Rick Mather
–
Rick Mather was an American-born architect working in England. Born in Portland, Oregon and awarded a B. arch, Rick set up his own practice, Rick Mather Architects, in 1973. Rick was widely respected for his sensitive and carefully considered approach, rick’s vision and insight, with its clear logic, and elegant articulation, is reflected in many award winning buildings, both in the UK and abroad. Characteristics of his buildings include extensive use of glass and natural lighting of interior spaces, respect for existing buildings. Rick oversaw many significant buildings, including The Ashmolean Museum, Keble College, The Dulwich Picture Gallery and his built projects include, School of Education and Information Systems, Climatic Research Unit and development plan for the campus, University of East Anglia. Series of restaurants for the Zen chain in London, Hong Kong, arco Building and Sloane-Robinson building at Keble College, Oxford. Master plan, Gower Building and Jubilee Sports Centre for Highfield Campus of University of Southampton, extension and refurbishment of Dulwich Picture Gallery, London. ISMA Centre for the University of Reading National Maritime Museum Wallace Collection Centenary Project, new galleries and refurbishment for National Maritime Museum, Greenwich and Masterplan for Maritime Greenwich World Heritage Site landscape. School of Architecture, University of Lincoln, Brayford campus, towner Gallery, Eastbourne Art and Design Academy, Liverpool John Moores University. Ashmolean Museum Masterplan and Expansion Ashmolean, Oxford, stowe School Masterplan and Girls Boarding Houses. Barking Town Centre London Road Masterplan Central Milton Keynes Residential Quarter Corpus Christi College Auditorium, sunken library extension, The Queens College, Oxford. Campus wide masterplan and expansion of the Virginia Museum of Fine Arts, Richmond, acland Hospital Site development, Keble College North Harlow Masterplan. South Kilburn residential development, Brent, London Chester Balmore residential development, Camden, London Amery, four London architects, Chipperfield, Mather, Parry, Stanton & Williams. Maxwell, Robert, Bellew, Patrick, Macfarlane, Tim
Rick Mather
–
Dulwich Picture Gallery showing extensions
Rick Mather
–
In Neptune Court, National Maritime Museum.
Rick Mather
–
Liverpool John Moores University Art and Design Academy
37.
Heritage Lottery Fund
–
The Heritage Lottery Fund was established in the United Kingdom under the National Lottery etc. The Fund opened for applications in 1994, although HLF is branded as though a body in its own right, it is administered by a pre-existing non-departmental public body – the Board of Trustees of the National Heritage Memorial Fund. The turnover of HLF is considerably larger than the work of the NHMF. Decisions about policies and large applications are made by the Trustees of the NHMF, there are also decision-making committees in the English regions, Scotland, Wales and Northern Ireland. Head office is in London, with offices in nine English regions and in Scotland, Wales. The Heritage Lottery Fund offers a range of different grant programmes from £3,000 to over £5 million
Heritage Lottery Fund
–
This sign indicates a Heritage Lottery funded project
Heritage Lottery Fund
–
Heritage Lottery Fund logo
38.
David Sainsbury, Baron Sainsbury of Turville
–
David John Sainsbury, Baron Sainsbury of Turville, FRS, HonFREng is a British businessman and politician. From 1992 to 1997, he served as the Chair of Sainsburys and he was made a life peer in 1997 as a member of the Labour Party, and is on a leave of absence from the House of Lords since 15 July 2013. He served in the government as the Minister for Science and Innovation from 1998 and 2006 and he is a major donor to the University of Cambridge and in 2011 was elected Chancellor of the University of Cambridge. He is the son of Sir Robert Sainsbury and Lisa van den Bergh and his elder sister was Elizabeth and his younger sisters are Celia and Annabel. He is the nephew of Lord Sainsbury and his cousins are the Conservative peer Lord Sainsbury of Preston Candover, Simon Sainsbury, and former Tory MP Sir Tim Sainsbury. His great-grandparents, John James Sainsbury and Mary Ann Staples, established a grocers at 173 Drury Lane in 1869 which became the British supermarket chain Sainsburys. He attended Eton College before going on to the University of Cambridge and he then completed an MBA at Columbia Business School in the United States. He and his wife, Susan Carol Susie a former teacher, have three daughters and he lives in the Manor of Turville in Turville, Buckinghamshire. The Manor once belonged to the abbey at St Albans, but was seized by the Crown in the Dissolution of the Monasteries in 1547, the manor house has since been rebuilt as Turville Park, a fine stately home in the village. He was also appointed as a Honorary Fellow of the Royal Academy of Engineering in 1994 and he was made a life peer as Baron Sainsbury of Turville in the County of Buckinghamshire in 1997, following the Labour Partys election victory. In 2007, he was awarded an degree in science by University College London. In 2007, Lord Sainsbury also received an Honorary Doctorate from Heriot-Watt University, David Sainsbury joined the family firm, then known as J. Sainsbury Ltd. in 1963, working in the personnel department. He became a director in 1966 and he was Financial Controller from 1971 to 1973, just before the companys flotation. When the company listed on the London Stock Exchange on 12 July 1973, at the time the largest flotation ever, John Davan Sainsbury became chairman in 1969 on Sir Robert Sainsburys retirement. He was the groups Finance Director from 1973 to 1990, during which time the company grew rapidly and he was Chair of Savacentre from 1984 to 1993, during which time the hypermarkets business grew slowly. He was deputy chairman from 1988 to 1992, on JD Sainsburys retirement as chairman and chief executive on 2 November 1992, David Sainsbury became chairman. In 1996, Sainsburys announced its first drop in profits in 22 years, profits fell the next year, but rose in 1998. Sainsburys share price increased on the day of this announcement, on his retirement as chairman, to avoid any conflict of interest, David Sainsbury placed his then 23% stake in Sainsburys into a blind trust, to be administered by lawyer Judith Portrait
David Sainsbury, Baron Sainsbury of Turville
–
David Sainsbury in 2013
David Sainsbury, Baron Sainsbury of Turville
–
Eton College
39.
Victorian era
–
The Victorian era was the period of Queen Victorias reign, from 20 June 1837 until her death on 22 January 1901. It was a period of peace, prosperity, refined sensibilities. Some scholars date the beginning of the period in terms of sensibilities, the era followed the Georgian period and preceded the Edwardian period. The later half of the Victorian age roughly coincided with the first part of the Belle Époque era of continental Europe, culturally there was a transition away from the rationalism of the Georgian period and toward romanticism and mysticism with regard to religion, social values, and arts. The end of the saw the Boer War. Domestically, the agenda was increasingly liberal with a number of shifts in the direction of political reform, industrial reform. Two especially important figures in period of British history are the prime ministers Benjamin Disraeli and William Gladstone. Disraeli, favoured by the queen, was a gregarious Conservative and his rival Gladstone, a Liberal distrusted by the Queen, served more terms and oversaw much of the overall legislative development of the era. The population of England and Wales almost doubled from 16.8 million in 1851 to 30.5 million in 1901, Scotlands population also rose rapidly, from 2.8 million in 1851 to 4.4 million in 1901. However, Irelands population decreased sharply, from 8.2 million in 1841 to less than 4.5 million in 1901, mostly due to the Great Famine. Between 1837 and 1901 about 15 million emigrants departed the UK permanently, in search of a life in the United States, Canada, South Africa, New Zealand, Australia. During the early part of the era, politics in the House of Commons involved battles between the two parties, the Whigs/Liberals and the Conservatives. These parties were led by such prominent statesmen as Lord Melbourne, Sir Robert Peel, Lord Derby, Lord Palmerston, Gladstone, Disraeli, Victoria became queen in 1837 at age 18. Her long reign until 1901 was mainly a time of peace, Britain reached the zenith of its economic, political, diplomatic and cultural power. The era saw the expansion of the second British Empire, Historians have characterised the mid-Victorian era as Britains Golden Years. There was prosperity, as the income per person grew by half. There was peace abroad, and social peace at home, opposition to the new order melted away, says Porter. The Chartist movement peaked as a movement among the working class in 1848, its leaders moved to other pursuits, such as trade unions
Victorian era
–
Queen Victoria, after whom the era is named
Victorian era
–
The Louth-London
Royal Mail travelling by train from
Peterborough East, 1845
Victorian era
–
A picture of
Leadenhall Street, London, c. 1837
Victorian era
–
The Poultry Cross,
Salisbury, painted by
Louise Rayner, c. 1870
40.
Great Bookcase
–
The Great Bookcase is a large piece of painted furniture designed by the English architect and designer William Burges. The bookcase is 10 feet high and 5 feet wide and it has been described as the most important example of Victorian painted furniture ever made. The paintings on the bookcase depict Pagan and Christian art depicted in allegories of poetry, architecture, sculpture, painting, believed to have been constructed by the firm of Thomas Sneddon, it was designed in 1859 and finished in 1862. A cabinet designed by Burges and painted by Poynter was also displayed at the exhibition, the Great Bookcase was poorly received by the Building News and Architectural Review at the exhibition. The bookcase was designed by Burges to hold his collection of art books and it was later placed in the library at the house Burges had designed for himself, The Tower House in Holland Park. The architectural writer and collector and Burges connoisseur Charles Handley-Read described the bookcase as occupying a position in the history of Victorian painted furniture. The bookcase is now in the collection of the Ashmolean Museum in Oxford, the base of the bookcase features four metamorphosic figures, in the form of Arachne, the Pierides and Syrinx, all painted by Marks. Decorative bands run horizontally between each section of the bookcase. The bands feature paintings by Poynter of the Sea, the Earth, and the Air, Shells and Fishes of the Ocean, Flowers and Beasts of the Field, the Birds of the Air, and the Stars of the Firmament. Two designs on the bands were painted by Burges, of Aesops fables, above the front panels is a cornice decorated with muses painted by Poynter, and surmounting the cornice are three painted gables. The three gables feature painted depictions of Religion and Love by Westlake, and between them, Art by Burne-Jones, the interior of the bookcase is also decorated, with birds are painted by Marks. After the bookcase fell over in 1878, extra decoration was added inside with the addition of allegories of eight metals by Weeks to replace paintings by Fitzgerald damaged in the fall. The Holland Park Circle, Artists and Victorian Society Yale University Press ISBN 978-0-30008-164-0 Crook, William Burges and the High Victorian Dream
Great Bookcase
–
Castles, houses and colleges
41.
William Burges
–
William Burges ARA was an English architect and designer. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and his architectural output was small but varied. Working with a team of craftsmen, he built churches, a cathedral, a warehouse, a university. Burgess most notable works are Cardiff Castle, constructed between 1866 and 1928, and Castell Coch, both of which were built for John Crichton-Stuart, 3rd Marquess of Bute. Other significant buildings include Gayhurst House, Buckinghamshire, Knightshayes Court, the Church of Christ the Consoler, St Marys, Studley Royal, in Yorkshire, many of his designs were never executed or were subsequently demolished or altered. His competition entries for cathedrals at Lille, Adelaide, Colombo, Brisbane, Edinburgh and he lost out to George Edmund Street in the competition for the Royal Courts of Justice in The Strand. His plans for the redecoration of the interior of St Pauls Cathedral were abandoned, skilbecks Warehouse was demolished in the 1970s, and work at Salisbury Cathedral, at Worcester College, Oxford, and at Knightshayes Court had been lost in the decades before. Beyond architecture, Burges designed metalwork, sculpture, jewellery, furniture, for most of the century following his death, Victorian architecture was neither the subject of intensive study nor sympathetic attention and Burgess work was largely ignored. However the revival of interest in Victorian art, architecture, and design in the twentieth century has led to a renewed appreciation of Burges. Burges was born on 2 December 1827, the son of Alfred Burges, Alfred made a considerable fortune, some £113,000 at his death, enabling his son to devote his life to the study and practice of architecture without requiring that he actually earn a living. Burges entered Kings College School, London, in 1839 to study engineering, his contemporaries there including Dante Gabriel Rossetti and he left in 1844 to join the office of Edward Blore, surveyor to Westminster Abbey. Blore was an architect, having worked for both William IV and Queen Victoria, and had made his reputation as a proponent of the Gothic Revival. In 1848 or 1849, Burges moved to the offices of Matthew Digby Wyatt, Wyatt was as prominent an architect as Blore, evidenced by his leading role in the direction of The Great Exhibition in 1851. Burgess work with Wyatt, particularly on the Medieval Court for this exhibition, was influential on the subsequent course of his career. During this period, he worked on drawings of medieval metalwork for Wyatts book, Metalwork, published in 1852. Of equal importance to Burgess subsequent career was his travelling, Burges believed that all architects should travel, remarking that it was absolutely necessary to see how various art problems have been resolved in different ages by different men. Enabled by his income, Burges moved through England, then France, Belgium, Holland, Switzerland, Germany, Spain, Italy, Greece. In total, he spent some 18 months abroad developing his skills, what he saw and drew provided a repository of influences and ideas that he used and re-used for the whole of his career
William Burges
–
William Burges
William Burges
–
The Arab Room ceiling – Cardiff Castle
William Burges
–
All Saints Church, Fleet in
Hampshire
William Burges
–
Maison Dieu, Dover
42.
Joseph Mallord William Turner
–
Joseph Mallord William Turner, RA was an English Romanticist landscape painter. Turner was considered a figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting and he is commonly known as the painter of light. Joseph Mallord William Turner was baptised on 14 May 1775, and it is generally believed he was born between late April and early May. Turner himself claimed he was born on 23 April, but there is no proof and he was born in Maiden Lane, Covent Garden, in London, England. His father, William Turner, was a barber and wig maker and his mother, Mary Marshall, came from a family of butchers. A younger sister, Mary Ann, was born in September 1778, the earliest known artistic exercise by Turner is from this period—a series of simple colourings of engraved plates from Henry Boswells Picturesque View of the Antiquities of England and Wales. Around 1786, Turner was sent to Margate on the north-east Kent coast, here he produced a series of drawings of the town and surrounding area foreshadowing his later work. Turner returned to Margate many times in later life, by this time, Turners drawings were being exhibited in his fathers shop window and sold for a few shillings. His father boasted to the artist Thomas Stothard that, My son, in 1789, Turner again stayed with his uncle who had retired to Sunningwell in Berkshire. A whole sketchbook of work from time in Berkshire survives as well as a watercolour of Oxford. The use of sketches on location, as the foundation for later finished paintings. By the end of 1789, he had begun to study under the topographical draughtsman Thomas Malton. Turner learned from him the tricks of the trade, copying and colouring outline prints of British castles. He would later call Malton My real master, topography was a thriving industry by which a young artist could pay for his studies. In the same year of 1789 he entered the Royal Academy of Art schools, when he was 14 years old, Sir Joshua Reynolds, president of the Royal Academy, chaired the panel that admitted him. At first Turner showed a keen interest in architecture, but was advised by the architect Thomas Hardwick to continue painting and his first watercolour painting A View of the Archbishops Palace, Lambeth was accepted for the Royal Academy summer exhibition of 1790 when Turner was 15. As a probationer in the academy, he was drawing from plaster casts of antique sculptures
Joseph Mallord William Turner
–
Self-portrait, oil on canvas, circa 1799
Joseph Mallord William Turner
–
Drawing of St John's Church, Margate by Turner from around 1786, when he would have been 11 or 12 years old. The ambitious but unsure drawing shows an early struggle with perspective, which can be contrasted with his later work
Joseph Mallord William Turner
–
A View of the Archbishop's Palace, Lambeth – this watercolour was Turner's first to be accepted for the Royal Academy's annual exhibition in April 1790, the month he turned 15. The image is a technical presentation of Turner's strong grasp of the elements of perspective with several buildings at sharp angles to each other, demonstrating Turner's thorough mastery of Thomas Malton's topographical style.
Joseph Mallord William Turner
–
Fishermen at Sea exhibited in 1796 was the first oil painting exhibited by Turner at the Royal Academy
43.
Akhenaten
–
Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
Akhenaten
–
Statue of Akhenaten in the early
Amarna style.
Akhenaten
–
Relief representing Amenhotep IV before he changed his name to Akhenaten,
Neues Museum, Berlin
Akhenaten
–
Bronze plate with the titulary of Amenhotep IV before he changed his name to Akhenaten,
British Museum.
Akhenaten
–
Pharaoh Akhenaten (center) and his family worshiping the
Aten, with characteristic rays seen emanating from the solar disk.
44.
Nefertiti
–
Neferneferuaten Nefertiti was an Egyptian queen and the Great Royal Wife of Akhenaten, an Egyptian Pharaoh. Nefertiti and her husband were known for a revolution, in which they worshiped one god only, Aten. Together Akhenaten and Nefertiti were responsible for the creation of a new monotheistic religion which changed the ways of religion within Egypt. With her husband, she reigned at what was arguably the wealthiest period of Ancient Egyptian history, some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husbands death and before the accession of Tutankhamun, although this identification is a matter of ongoing debate. She was made famous by her bust, now in Berlins Neues Museum, the bust is one of the most copied works of ancient Egypt. It was attributed to the sculptor Thutmose, and it was found in his workshop, the bust is notable for exemplifying the understanding Ancient Egyptians had regarding realistic facial proportions. Nefertiti, Egyptian Nfr. t-jy. tj, original pronunciation approximately Nafteta, Nefertitis parentage is not known with certainty, but one often cited theory is that she was the daughter of Ay, later to be pharaoh. Nefertitis Scenes in the tombs of the nobles in Amarna mention the queens sister who is named Mutbenret, another theory that gained some support identified Nefertiti with the Mitanni princess Tadukhipa. The exact dates when Nefertiti married Akhenaten and became the great royal wife of Egypt are uncertain. Their six known daughters were, Meritaten, No later than year 1, ankhesenpaaten, also known as Ankhesenamen, later queen of Tutankhamun Neferneferuaten Tasherit, Year 8, possibly later became Pharaoh Neferneferuaten. Nefertiti first appears in scenes in Thebes, in the damaged tomb of the royal butler Parennefer, the new king Amenhotep IV is accompanied by a royal woman, and this lady is thought to be an early depiction of Nefertiti. The king and queen are shown worshiping the Aten, in the tomb of the vizier Ramose, Nefertiti is shown standing behind Amenhotep IV in the Window of Appearance during the reward ceremony for the vizier. During the early years in Thebes, Akhenaten had several temples erected at Karnak, one of the structures, the Mansion of the Benben, was dedicated to Nefertiti. She is depicted with her daughter Meritaten and in some scenes the princess Meketaten participates as well, in scenes found on the talatat, Nefertiti appears almost twice as often as her husband. She is shown smiting the enemy, and captive enemies decorate her throne, in the fourth year of his reign, Amenhotep IV decided to move the capital to Akhetaten. In his fifth year, Amenhotep IV officially changed his name to Akhenaten, the name change was a sign of the ever-increasing importance of the cult of the Aten. It changed Egypts religion from a religion to a religion which may have been better described as a monolatry or henotheism. The boundary stelae of years 4 and 5 mark the boundaries of the new city, the new city contained several large open-air temples dedicated to the Aten
Nefertiti
–
The
bust of Nefertiti from the
Ägyptisches Museum Berlin collection, presently in the
Neues Museum.
Nefertiti
–
A "house altar" depicting Akhenaten, Nefertiti and three of their daughters; limestone; New Kingdom,
Amarna period, 18th dynasty; c. 1350 BC - Collection: Ägyptisches Museum Berlin, Inv. 14145
Nefertiti
–
A standing/striding figure of Nefertiti made of limestone. Originally from Amarna, part of the
Ägyptisches Museum Berlin collection.
Nefertiti
–
Nefertiti worshipping the Aten. She is given the title of Mistress of the Two Lands. On display at the
Ashmolean Museum, Oxford.
45.
Ju Ming
–
Ju Ming is a Taiwanese sculptor who attained fame in Taiwan in the 1970s, and in New York City in 1983. Ju Ming was trained as a woodcarver, apprenticed to Lee Chin-chuan as a teenager and he developed his skill and applied it to a range of media, including bronze, styrofoam, ceramics, and stainless steel. In 1959, he moved back to Tunghsiao and opened his own studio with apprentices and he became more artistic and tried innovative techniques. Ju married Chen Fu-mei, also from Tunghsiao, three years later, Yang agreed, impressed by Jus flowing lines through the natural grain of the wood, the form executed with such an assured gentleness and humility. In 1976, Ju took up Tai chi on Yangs advice to develop physical and mental discipline and he developed greatly from this practice and started thinking about sculpting works on the theme of Tai chi, which had never been done before. Jus solo exhibition occurred in March at the National Museum of History in Taipei due to Yang Yu-yu convincing the authorities to show his students pieces. It was highly successful and he was named as one of the Ten Outstanding Youths of 1976, from 1980, Ju continued to gain international acclaim and exhibited abroad. He started The Living World family which he continues to expand and these bright figures are made of bronze, stainless steel, painted wood, foam rubber and cast bronze, giving him freedom to depict the human form in all its varieties. Another is his Living World series, depicting figures drawn from a modern, much of Ju Mings work is housed at the Ju Ming Museum, just outside Taipei. The museum was built at the expense, and is open to the public. He was awarded the 18th Fukuoka Asian Culture Prize in 2007, Ju Ming was born in Tongxiao in Miaoli, Japanese-era Taiwan. His father is Ju Li Chi and his mother is Wang Ai and his original name is Ju Chuan Tai. As the youngest in his family, his nickname is Jiu Er. Ju Ming was apprenticed to a woodcarver, Lee Chin-chuan from the Temple of the Empress of Heaven when Ju was 15. He learned about woodcarving and painting during his apprenticeship, which set the foundation for his career as a sculptor. Ju Ming mentioned that during that period, he did woodcarving during the days and he recalled that Lee Chin-chuan’s saying, “If a sculptor does not know how to paint, it is like an architect who can build houses but does not know how to do blueprint design drawings. In 1959, Ju finished his apprenticeship and opened his own studio and he developed more carving experience and sharpened his carving skills through the crafts business. In 1961, Ju married Chem Fu-mei who is the model of one of Ju’s famous sculptures and he further started to develop his innovative techniques and to explore different artistic approaches
Ju Ming
–
Ju Ming
Ju Ming
–
Ju Ming's sculpture in
Ju Ming Museum
Ju Ming
–
'Living World' by Ju Ming. Permanent outdoor exhibit at the
National Museum of Singapore
Ju Ming
–
'Taichi Thrust', bronze sculpture by Ju Ming, 1990,
Tel Aviv Museum of Art,
Tel Aviv, Israel
46.
Michelangelo
–
Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
Michelangelo
–
Portrait of Michelangelo by
Daniele da Volterra
Michelangelo
–
The
Madonna of the Stairs (1490–92), Michelangelo's earliest known work
Michelangelo
–
Michelangelo's
Pietà, St Peter's Basilica (1498–99)
Michelangelo
–
The
Statue of David, completed by Michelangelo in 1504, is one of the most renowned works of the Renaissance.
47.
Raffaello Santi
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Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running a large workshop and, despite his death at 37. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, the best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings and he was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region and his poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Under them, the court continued as a centre for literary culture, growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a humanistic education however, it is unclear how easily he read Latin. His mother Màgia died in 1491 when Raphael was eight, followed on August 1,1494 by his father, Raphael was thus orphaned at eleven, his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master and he had already shown talent, according to Vasari, who says that Raphael had been a great help to his father. A self-portrait drawing from his teenage years shows his precocity and his fathers workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter, and Luca Signorelli, according to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice despite the tears of his mother. The evidence of an apprenticeship comes only from Vasari and another source, an alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters, the Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a master, that is to say fully trained and his first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was named in the commission
Raffaello Santi
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Presumed Portrait of Raphael
Raffaello Santi
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Self-portrait with a friend (1518 circa),
Louvre,
Paris
Raffaello Santi
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Giovanni Santi, Raphael's father; Christ supported by two angels, c.1490
Raffaello Santi
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The
Mond Crucifixion, 1502–3, very much in the style of
Perugino
48.
Leonardo da Vinci
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He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, many historians and scholars regard Leonardo as the prime exemplar of the Universal Genius or Renaissance Man, an individual of unquenchable curiosity and feverishly inventive imagination. Much of his working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded to him by Francis I of France, Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait, Leonardos drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated power, an adding machine. Some of his inventions, however, such as an automated bobbin winder. A number of Leonardos most practical inventions are nowadays displayed as working models at the Museum of Vinci. He made substantial discoveries in anatomy, civil engineering, geology, optics, and hydrodynamics, today, Leonardo is widely considered one of the most diversely talented individuals ever to have lived. Leonardo was born on 15 April 1452 at the hour of the night in the Tuscan hill town of Vinci. He was the son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina. Leonardo had no surname in the modern sense – da Vinci simply meaning of Vinci, his birth name was Lionardo di ser Piero da Vinci, meaning Leonardo. The inclusion of the title ser indicated that Leonardos father was a gentleman, little is known about Leonardos early life. He spent his first five years in the hamlet of Anchiano in the home of his mother and his father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen, his father married again to twenty-year-old Francesca Lanfredini, pieros legitimate heirs were born from his third wife Margherita di Guglielmo and his fourth and final wife, Lucrezia Cortigiani. Leonardo received an education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents, one, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face
Leonardo da Vinci
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Portrait of Leonardo
Leonardo da Vinci
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Leonardo's childhood home in
Anchiano
Leonardo da Vinci
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Leonardo's earliest known drawing, the Arno Valley (1473),
Uffizi
Leonardo da Vinci
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The Baptism of Christ (1472–75)—
Uffizi, by Verrocchio and Leonardo
49.
Pablo Picasso
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Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Picasso demonstrated extraordinary artistic talent in his years, painting in a naturalistic manner through his childhood. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, Picassos work is often categorized into periods. Much of Picassos work of the late 1910s and early 1920s is in a neoclassical style and his later work often combines elements of his earlier styles. Ruiz y Picasso were included for his father and mother, respectively, born in the city of Málaga in the Andalusian region of Spain, he was the first child of Don José Ruiz y Blasco and María Picasso y López. His mother was of one quarter Italian descent, from the territory of Genoa, though baptized a Catholic, Picasso would later on become an atheist. Picassos family was of middle-class background and his father was a painter who specialized in naturalistic depictions of birds and other game. For most of his life Ruiz was a professor of art at the School of Crafts, Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were piz, piz, a shortening of lápiz, from the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was an academic artist and instructor, who believed that proper training required disciplined copying of the masters. His son became preoccupied with art to the detriment of his classwork, the family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. On one occasion, the father found his son painting over his sketch of a pigeon. In 1895, Picasso was traumatized when his sister, Conchita. After her death, the moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso thrived in the city, regarding it in times of sadness or nostalgia as his true home, Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, the student lacked discipline but made friendships that would affect him in later life. His father rented a room for him close to home so he could work alone, yet he checked up on him numerous times a day. Picassos father and uncle decided to send the young artist to Madrids Real Academia de Bellas Artes de San Fernando, at age 16, Picasso set off for the first time on his own, but he disliked formal instruction and stopped attending classes soon after enrolment
Pablo Picasso
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Picasso in 1908
Pablo Picasso
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Pablo Picasso with his sister Lola, 1889
Pablo Picasso
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Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm,
Philadelphia Museum of Art
Pablo Picasso
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Pablo Picasso, 1901-02, Femme au café (Absinthe Drinker), oil on canvas, 73 x 54 cm,
Hermitage Museum, Saint Petersburg, Russia
50.
Giambattista Pittoni
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Giambattista Pittoni or Giovanni Battista Pittoni was an Italian painter of the late Baroque or Rococo period. He was among the founders of the Academy of Fine Arts of Venice, of which in 1758 he became the second president, Pittoni was born in Venice on 6 June 1687.383 The theory of Rodolfo Pallucchini that Pittoni studied under Antonio Balestra is now generally discounted. However, in 1720 he may have travelled to France with his uncle Francesco, together with Rosalba Carriera, Antonio Pellegrini and he was elected to the Accademia Clementina of Bologna in 1727.28 Pittoni died in Venice on 6 November 1767. His tomb is in the church of San Giacomo dellOrio, Venice.384 The catalogue raisonné by Franca Zava Boccazzi of Pittonis paintings lists 247 extant and 117 lost, missing or destroyed works. The catalogue raisonné by Alice Binion of his drawings includes 304 items.91 Pittoni had a reputation during his lifetime. He was a restorer of older paintings, he was often selected as restorer or inspector of the quadri pubblici. He sold nine paintings to the soldier-turned-collector Johann Matthias von der Schulenburg, Pittoni was successful, well liked and well respected. His reputation rapidly faded after his death, and by the end of the century he was totally forgotten. Interest in him was revived in the century by the publications of Laura Coggiola Pittoni, beginning with Dei Pittoni. Compendio delle vite de pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale, della pittura veneziana e delle opere pubbliche de veneziani maestri libri V. Venezia, Stamperia di G. Albrizzi. Pittoni Firenze, Istituto di edizioni artistiche, ——— Pseudo influenza francese nellarte di Giambattista Pittoni. Die Tätigkeit der Venezianer Maler Piazzetta und Pittoni für den Kurfürsten Clemens August von Köln, westfalen, Hefte für Geschichte, Kunst und Volkskunde 19, 364–72. Muzeum i twórca, Studia z historii sztuki i kultury ku czci Stanisława Lorentza, per il catalogo di Giambattista Pittoni, Proposte e inediti. Nota sulla grafica di Antonio Kern, pitture mitologiche di Giambattista Pittoni in rapporto a Sebastiano Ricci. Atti del Congresso internazionale di studi su Sebastiano Ricci e il suo tempo 1, la vicenda dei Tombeaux des princes, Matrici, storia e fortuna della serie Swiny tra Bologna e Venezia. Saggi e memorie di storia dellarte 10,79, 81-102, due nuove micropitture di Giambattista Pittoni. In. Per Maria Cionini Visani, Scritti di amici, münchner Jahrbuch der bildenden Kunst 32, 182–206. Three New Mythological Paintings by Giambattista Pittoni, Piazzetta, Pittoni and Tiepolo at Parma
Giambattista Pittoni
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Portrait of Pittoni by
Alessandro Longhi, 1762
Giambattista Pittoni
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Portrait of Pittoni by
Bartolomeo Nazari
Giambattista Pittoni
Giambattista Pittoni
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