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Au Vélodrome
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Au Vélodrome, also known as At the Cycle-Race Track and Le cycliste, is a painting by the French artist and theorist Jean Metzinger. The work illustrates the final meters of the Paris–Roubaix race, and portrays its 1912 winner Charles Crupelandt. Metzinger's painting is the first in Modernist art to represent a specific sporting event and its champion.
Au Vélodrome
Cycles J.B. Louvet, Poster Tour de France, 1912, Collection Ivan Bonduelle
Cycles J.B. Louvet, Poster Tour de France, 1912, Collection Ivan Bonduelle
Henri de Toulouse-Lautrec publicity poster from circa 1890s, Constant Huret riding with a Simpson chain behind the Gladiator tandem pacer at the Velod
Henri de Toulouse-Lautrec publicity poster from circa 1890s, Constant Huret riding with a Simpson chain behind the Gladiator tandem pacer at the Velodrome de la Seine
John Quinn (collector)
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John Quinn was an Irish-American cognoscente of the art world and a lawyer in New York City who fought to overturn censorship laws restricting modern literature and art from entering the United States.
John Quinn by John Butler Yeats, 1908
Photograph of works in a Quinn estate auction, New York, 1927
Photograph of works in a Quinn estate auction, New York, 1927
Vincent van Gogh, 1887, Self-Portrait, oil on canvas, 41 × 33.5 cm, Wadsworth Athenaeum, Hartford, CT
Vincent van Gogh, 1887, Self-Portrait, oil on canvas, 41 × 33.5 cm, Wadsworth Athenaeum, Hartford, CT
Georges Seurat, 1888, Les Poseuses, ensemble, oil on canvas, 39.4 × 48.7 cm, Henry P. McIlhenny Collection, Philadelphia Museum of Art
Georges Seurat, 1888, Les Poseuses, ensemble, oil on canvas, 39.4 × 48.7 cm, Henry P. McIlhenny Collection, Philadelphia Museum of Art