1.
Auguste Maquet
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Auguste Maquet was a French author, best known as the chief collaborator of French novelist Alexandre Dumas, père, co-writing such works as The Count of Monte Cristo and The Three Musketeers. Maquet was born in Paris in 1813 and he studied at the Lycée Charlemagne where he became a professor at the age of 18. Trained as a historian, he turned to literature, and became close with such figures as Théophile Gautier. Through Nerval, he acquainted with the already famous Dumas in 1838. Dumas was given a play by Maquet and rewrote it, producing the successful drama Bathilde, the two started writing historical romances together, with Maquet outlining the plot and characters in draft form and Dumas adding colorful dialogue and details. At the insistence of the publisher, Maquets name was left off the title page, the collaboration with Dumas ended in 1851. Maquet went on to produce a large body of work in terms of historical romances, plays. In 1861, he became an officer of the Légion dhonneur and he is buried in Père Lachaise Cemetery in Paris. Maquet collaborated with Dumas on eighteen novels, and many plays, among the works he co-authored with Dumas are, Le Chevalier dHarmental — Maquets outline was called Bonhomme Buvat. Sylvandire — Based on Les Mémoires de Madame la Marquise de Fresne by Gatien de Courtilz de Sandras, a Bibliography of Alexandre Dumas père. Works by Auguste Maquet at Project Gutenberg Works by Alexandre Dumas, père at Project Gutenberg Works by or about Auguste Maquet at Internet Archive French works on Gallica
2.
Self-portrait
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A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. With better and cheaper mirrors, and the advent of the panel portrait, Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a portrait of his wife, and he belonged to the social group that had begun to commission portraits. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, a self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in these works, the artist usually appears as a face in the crowd or group, often towards the edges or corner of the work and behind the main participants. Rubenss The Four Philosophers is a good example and this culminated in the 17th century with the work of Jan de Bray. Many artistic media have used, apart from paintings, drawings. In the famous Arnolfini Portrait, Jan van Eyck is probably one of two figures glimpsed in a mirror – a surprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in view as the painter creating Las Meninas, as the Van Eyck hung in the palace in Madrid where he worked. This was another modern flourish, given that he appears as the painter, in what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in naturalistic style as a 13-year-old boy in 1484. In later years he appears variously as a merchant in the background of Biblical scenes, leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often reproduced as Da Vincis appearance, although this is not certain. In the 17th century, Rembrandt painted a range of self-portraits, family and professional group paintings, including the artists depiction, became increasingly common from the 17th century on. From the later 20th century on, video plays a part in self-portraiture. Vigée-Lebrun painted a total of 37 self-portraits, many of which were copies of earlier ones, Women artists have historically embodied a number of roles within their self-portraiture. Most common is the artist at work, showing themselves in the act of painting, or at least holding a brush and palette. Often, the viewer if the clothes worn were those they normally painted in. Images of artists at work are encountered in Ancient Egyptian painting, one of the first self-portraits was made by the Pharaoh Akhenatens chief sculptor Bak in 1365 BC
3.
Meschede
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Meschede is a town in the Hochsauerland district, in North Rhine-Westphalia, Germany. It is the capital of the district Hochsauerlandkreis, one of the five branches of South Westphalia University of Applied Sciences is located here. Meschede is situated in the Ruhr valley, near to the Hennesee, major towns in the vicinity of Meschede are Paderborn, Kassel, Siegen, Hagen, Dortmund and Hamm. Arnsberg Bestwig Eslohe Schmallenberg Sundern Warstein After the local government reforms of 1975 Meschede consists of districts and villages. Meschede is connected with two roads, the federal roads B7 and B55, and the motorway A46. It has an airfield, the Meschede-Schüren Airfield, with a 900 m runway, the lowest temperature recorded was −20 °C, its highest was recorded at 39 °C. The Fachhochschule Südwestfalen runs its own station called radioFH. The regional newspapers are Westfalenpost and Westfälische Rundschau, the local newspaper is the Sauerlandkurier. Dieter Wurm, chairman of Sauerländer Heimatbund Abbey Königsmünster, built by Order of Saint Benedict Hennesee - The Hennesee is a lake near Meschede and it was built to secure the water supply of the close Ruhrgebiet and is today mainly use to generate hydropower, flood protection and baseflow. Recreational areas are the lawn and bath area, fishing, rowing, sailing, walking and hiking
4.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
7.
Der Blaue Reiter
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Der Blaue Reiter was a group of artists united in rejection of the Neue Künstlervereinigung München in Munich, Germany. They considered that the principles of the Neue Künstlervereinigung München, a group Kandinsky had founded in 1909, had become too strict, Der Blaue Reiter was an art movement lasting from 1911 to 1914, fundamental to Expressionism, along with Die Brücke which was founded in 1905. Der Blaue Reiter lacked an artistic manifesto, but it was centered on Kandinsky, Kandinsky wrote 20 years later that the name is derived from Marcs enthusiasm for horses and Kandinskys love of riders, combined with a shared love of the colour blue. For Kandinsky, blue is the colour of spirituality, the darker the blue, within the group, artistic approaches and aims varied from artist to artist, however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of art, the connection between visual art and music, the spiritual and symbolic associations of colour, and a spontaneous. Members were interested in European medieval art and primitivism, as well as the contemporary, as a result of their encounters with cubist, fauvist and Rayonist ideas, they moved towards abstraction. Der Blaue Reiter organized exhibitions in 1911 and 1912 that toured Germany and they also published an almanac featuring contemporary, primitive and folk art, along with childrens paintings. In 1913 they exhibited in the first German Herbstsalon, the group was disrupted by the outbreak of the First World War in 1914. Franz Marc and August Macke were killed in combat, Wassily Kandinsky, Marianne von Werefkin and Alexej von Jawlensky were forced to move back to Russia because of their Russian citizenship. There were also differences in opinion within the group, as a result, Der Blaue Reiter was short-lived, lasting for only three years from 1911 to 1914. Supported by their dealer Galka Scheyer, Kandinsky, Feininger, Klee, together they exhibited and lectured together in the United States from 1924 on. An extensive collection of paintings by Der Blaue Reiter is exhibited in the Städtische Galerie in the Lenbachhaus in Munich. Conceived in June 1911, Der Blaue Reiter Almanach was published in early 1912, by Piper, Munich, in an edition of 1100 copies, on 11 May, Franz Marc received a first print. The volume was edited by Kandinsky and Marc, its costs were underwritten by the industrialist and art collector Bernhard Koehler and it contained reproductions of more than 140 artworks, and 14 major articles. A second volume was planned, but the start of World War I prevented it, instead, a second edition of the original was printed in 1914, again by Piper. The art reproduced in the Almanac marked a turn away from a Eurocentric. The five works by Van Gogh, Cézanne, and Gauguin were outnumbered by seven from Henri Rousseau and thirteen from child artists. From January 1912 through July 1914, the exhibition toured Europe with venues in Cologne, Berlin, Bremen, Hagen, Frankfurt, Hamburg, Budapest, Oslo, Helsinki, Trondheim and Göteborg
8.
Westphalia
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Westphalia is a region in northwestern Germany and one of the three historic parts of the state of North Rhine-Westphalia. It has an area of 7,802 sq mi and 7.9 million inhabitants, the region is almost identical with the Province of Westphalia which was a part of the Kingdom of Prussia from 1815 to 1918 and the Free State of Prussia from 1918 to 1946. In 1946, Westphalia merged with the Northern Rhineland, another part of Prussia. In 1947, the state with its two parts was joined by a third one, Lippe, a former principality and free state. All of the 17 districts and 9 independent cities of Westphalia, the Westphalian language, a variant of the German language, spreads north of Westphalias borders into southwest Lower Saxony. Being a part of the North German Plain, most of Westphalias north is flat, in the south the German Central Uplands emerge. Westphalia is divided into the following landscapes, other important rivers are the Ems and the Lippe. The Langenberg and the Kahler Asten in the Sauerlands part of the Rothaar Mountains are Westphalias, Westphalia is divided into three governmental districts. These are subdivided into districts and independent cities. All districts and independent cities of the districts of Arnsberg. The District of Lippe as successor of the Free State of Lippe in the Governmental District of Detmold is rather considered to be a historic region. The traditional symbol of Westphalia is the Westphalian Steed, a horse on a red field. It is derived from the Saxon Steed in the coat of arms of the medieval Duchy of Saxony which most of todays Westphalia was part of. In official contexts the coat of arms of Westphalia is being used by the Westphalia-Lippe Regional Association which represents these two historic parts of North Rhine-Westphalia. The coat of arms of Lower Saxony uses a different version of the Saxon Steed since the state also covers parts of the Old Saxons duchy. The colors of Westphalia are white and red, the flag of the Westphalia-Lippe Regional Association uses these colors with the Westphalian coat of arms in its center. The flag of North Rhine-Westphalia is a combination of the Northern Rhinelands colors green/white, the flag of the Prussian Province of Westphalia already displayed the colors white and red. The flag of Lower Saxony shows the colors of Germany and the Saxon Steed, composed in Iserlohn in 1886 by Emil Rittershaus, the Westfalenlied is an unofficial anthem of Westphalia
9.
Sauerland
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The Sauerland is a rural, hilly area spreading across most of the south-eastern part of North Rhine-Westphalia, in parts heavily forested and, apart from the major valleys, sparsely inhabited. For these reasons, it has chosen as the first place in Germany to reintroduce the Wisent. The Sauerland is the largest tourist region in North Rhine-Westphalia, in particular for mountain biking & cycling, water sports, the town and Skiliftkarussell of Winterberg in the Hochsauerlandkreis is a major winter sport resort. The name Sauerland is first mentioned as Suderland in a document from 1266. After 1400 the letter d started to disappear, therefore, Sauerland = southern country is the most convincing meaning, opposed to the theory that Sauer is from the German word sauer meaning sour. Linguistically, suder-“ is similar to the Old Saxon sûðar, the Duchy of Limburg covered a very small area in the lower Lenne river valley. After the Napoleonic Wars the area part of Prussia and was integrated into the new province of Westphalia. After World War II Westphalia was merged with the new state of North Rhine-Westphalia. Today, the Sauerland belongs to the districts Märkischer Kreis, Olpe, to the west the hills continue into the Bergisches Land, to the south into the Siegerland, and to the north-east into the Teutoburg Forest. The major rivers of the Sauerland are the Ruhr and the Lenne, several artificial lakes were created on the smaller rivers by building dams to store water for the nearby Ruhr area, the biggest reservoirs being the Möhne and Bigge. Both Langenberg and Kahler Asten are peaks in the Rothaargebirge mountains, the Sauerland has six reservoir lakes. The Rheinisches Schiefergebirge was subjected to folding and faulting in the Variscan orogeny in Carboniferous times, the tectonic uplift to the present-day low mountain range began approximately 500,000 years ago and is still going on. Most of the Sauerland rock originates from a Middle and Upper Devonian marginal shallow sea, in some areas limestones from an ancient reef fringe prevail and are karstified. The Sauerland has several caves, especially in the northern part, in some areas of the Sauerland the occurrence of lead-zinc-silver-ores lead to the development of a considerable mining industry, the center of which was the town of Meggen. Mining in this area lasted until the second half of the 20th century. The sandstones, greywackes and quartzites of the Sauerland as well as, to a minor extent, the largest town of the Sauerland is Iserlohn, other larger towns are Lüdenscheid and Arnsberg. Meschede is the home of an abbey, another abbey is placed at Bestwig. Upland Parts of the Sauerland, especially the valleys in the northwest
10.
National Museum of Art, Architecture and Design
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The National Museum of Art, Architecture and Design in Oslo is the national museum of art of Norway. Its directors have been Sune Nordgren, Anne Kjellberg, Allis Helleland, Ingar Pettersen, chairmen of the board have been Christian Bjelland and Svein Aaser. Among its collection is one of the versions of The Scream by Edvard Munch, a major reconstruction is planned for the National Museum. In 2020 this will integrate The National Museum of Art, Architecture and this will be placed in the location of the old Oslo West Station train station at Bjørvika. The building will open in 2020, with an exhibition area 13,000 m², architect is Kleihues + Schuwerk Gesellschaftvon Architekten mbH. Ramboll is technical advisor and builders enigineer on the project, official website New National Museum project description
11.
Bonn
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The Federal City of Bonn is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of 311,287. About 24 km south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr region, Germanys largest metropolitan area, the title of Federal City reflects its particular political status within Germany. Founded in the 1st century BC as a Roman settlement, Bonn is one of Germanys oldest cities, from 1597 to 1794, Bonn was the capital of the Electorate of Cologne, and residence of the Archbishops and Prince-electors of Cologne. Composer Ludwig van Beethoven was born here in 1770, from 1949 to 1990, Bonn was the capital of West Germany, and it is here where Germanys present constitution, the Grundgesetz, was declared in 1949. From 1990 to 1999, Bonn served as the seat of government, two DAX-listed corporations, Deutsche Post DHL and Deutsche Telekom, have headquarters in Bonn. The city is the location of the University of Bonn, spanning an area of more 141.2 km2 on both sides of the River Rhine, almost three quarters of the city lie on the rivers left bank. To the south and to the west, Bonn is bordering the Eifel region which encompasses the Rhineland Nature Park, to the north, Bonn borders the Cologne Lowland. Natural borders are constituted by the River Sieg to the north-east, the largest extension of the city in north-south dimensions is 15 km and 12.5 km in west-east dimensions. The city borders have a length of 61 km. The geographical centre of Bonn is the Bundeskanzlerplatz in Bonn-Gronau, the German state of North Rhine-Westphalia is divided into five governmental districts, and Bonn is part of the governmental district of Cologne. Within this governmental district, the city of Bonn is an district in its own right. The urban district of Bonn is then divided into four administrative municipal districts. These are Bonn, Bonn-Bad Godesberg, Bonn-Beuel and Bonn-Hardtberg, in 1969, the independent towns of Bad Godesberg and Beuel as well as several villages were incorporated into Bonn, resulting in a city more than twice as large as before. In the south of the Cologne lowland in the Rhine valley, the history of the city dates back to Roman times. In about 12 BC, the Roman army appears to have stationed a small unit in what is presently the historical centre of the city, even earlier, the army had resettled members of a Germanic tribal group allied with Rome, the Ubii, in Bonn. The Latin name for that settlement, Bonna, may stem from the population of this and many other settlements in the area. The Eburoni were members of a tribal coalition effectively wiped out during the final phase of Caesars War in Gaul. After several decades, the gave up the small camp linked to the Ubii-settlement
12.
Lake Thun
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Lake Thun is an Alpine lake in the Bernese Oberland in Switzerland named after the city of Thun, on its northern shore. The lake was created after the last glacial period, after the 10th century, it split from Lake Brienz, before which the two lakes were combined, as Wendelsee. The culminating point of the drainage basin is the Finsteraarhorn at 4,274 metres above sea level. Lake Thuns approximate 2,500 km² catchment area frequently causes local flooding after heavy rainfalls and this occurs because the river Aare, which drains Lake Thun, has only limited capacity to handle the excess runoff. The lake is fed by water from Lake Brienz to the southeast, which is 6 metres higher than Lake Thun, in 1835, passenger ships began operating on the lake. Following World War II and up until 1964, the Swiss Government disposed of unused munitions into Lake Thun, the quantity of munitions dumped is reported to be from 3,000 to more than 9,020 tons. Media related to Lake Thun at Wikimedia Commons Lake Thun Tourism Portal
13.
Netherlands
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The Netherlands, also informally known as Holland is the main constituent country of the Kingdom of the Netherlands. It is a densely populated country located in Western Europe with three territories in the Caribbean. The European part of the Netherlands borders Germany to the east, Belgium to the south, and the North Sea to the northwest, sharing borders with Belgium, the United Kingdom. The three largest cities in the Netherlands are Amsterdam, Rotterdam and The Hague, Amsterdam is the countrys capital, while The Hague holds the Dutch seat of parliament and government. The port of Rotterdam is the worlds largest port outside East-Asia, the name Holland is used informally to refer to the whole of the country of the Netherlands. Netherlands literally means lower countries, influenced by its low land and flat geography, most of the areas below sea level are artificial. Since the late 16th century, large areas have been reclaimed from the sea and lakes, with a population density of 412 people per km2 –507 if water is excluded – the Netherlands is classified as a very densely populated country. Only Bangladesh, South Korea, and Taiwan have both a population and higher population density. Nevertheless, the Netherlands is the worlds second-largest exporter of food and agricultural products and this is partly due to the fertility of the soil and the mild climate. In 2001, it became the worlds first country to legalise same-sex marriage, the Netherlands is a founding member of the EU, Eurozone, G-10, NATO, OECD and WTO, as well as being a part of the Schengen Area and the trilateral Benelux Union. The first four are situated in The Hague, as is the EUs criminal intelligence agency Europol and this has led to the city being dubbed the worlds legal capital. The country also ranks second highest in the worlds 2016 Press Freedom Index, the Netherlands has a market-based mixed economy, ranking 17th of 177 countries according to the Index of Economic Freedom. It had the thirteenth-highest per capita income in the world in 2013 according to the International Monetary Fund, in 2013, the United Nations World Happiness Report ranked the Netherlands as the seventh-happiest country in the world, reflecting its high quality of life. The Netherlands also ranks joint second highest in the Inequality-adjusted Human Development Index, the region called Low Countries and the country of the Netherlands have the same toponymy. Place names with Neder, Nieder, Nether and Nedre and Bas or Inferior are in use in all over Europe. They are sometimes used in a relation to a higher ground that consecutively is indicated as Upper, Boven, Oben. In the case of the Low Countries / the Netherlands the geographical location of the region has been more or less downstream. The geographical location of the region, however, changed over time tremendously
14.
Tunisia
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Tunisia, officially the Republic of Tunisia is the northernmost country in Africa, covering 165,000 square kilometres. Its northernmost point, Cape Angela, is the northernmost point on the African continent and it is bordered by Algeria to the west and southwest, Libya to the southeast, and the Mediterranean Sea to the north and east. Tunisias population was estimated to be just under 11 million in 2014, Tunisias name is derived from its capital city, Tunis, which is located on Tunisias northeast coast. Geographically, Tunisia contains the end of the Atlas Mountains. Much of the rest of the land is fertile soil. Tunisia is a unitary semi-presidential representative democratic republic and it is considered to be the only full democracy in the Arab World. It has a human development index. In addition, Tunisia is also a state of the United Nations. Close relations with Europe – in particular with France and with Italy – have been forged through economic cooperation, privatisation, in ancient times, Tunisia was primarily inhabited by Berbers. Phoenician immigration began in the 12th century BC, these immigrants founded Carthage, a major mercantile power and a military rival of the Roman Republic, Carthage was defeated by the Romans in 146 BC. The Romans, who would occupy Tunisia for most of the eight hundred years, introduced Christianity. After several attempts starting in 647, the Arabs conquered the whole of Tunisia by 697, the Ottomans held sway for over three hundred years. The French colonization of Tunisia occurred in 1881, Tunisia gained independence with Habib Bourguiba and declared the Tunisian Republic in 1957. In 2011, the Tunisian Revolution resulted in the overthrow of President Zine El Abidine Ben Ali, the country voted for parliament again on 26 October 2014, and for President on 23 November 2014. The word Tunisia is derived from Tunis, an urban hub. The present form of the name, with its Latinate suffix -ia, the French derivative Tunisie was adopted in some European languages with slight modifications, introducing a distinctive name to designate the country. Other languages remained untouched, such as the Russian Туни́с and Spanish Túnez, in this case, the same name is used for both country and city, as with the Arabic تونس, and only by context can one tell the difference. The name Tunis can be attributed to different origins and it is generally associated with the Berber root ⵜⵏⵙ, transcribed tns, which means to lay down or encampment
15.
Impressionism
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Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the art community in France. The development of Impressionism in the arts was soon followed by analogous styles in other media that became known as impressionist music. Radicals in their time, early Impressionists violated the rules of academic painting and they constructed their pictures from freely brushed colours that took precedence over lines and contours, following the example of painters such as Eugène Delacroix and J. M. W. Turner. They also painted scenes of modern life, and often painted outdoors. Previously, still lifes and portraits as well as landscapes were painted in a studio. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting en plein air, the Impressionists, however, developed new techniques specific to the style. The public, at first hostile, gradually came to believe that the Impressionists had captured a fresh and original vision, even if the art critics and art establishment disapproved of the new style. In the middle of the 19th century—a time of change, as Emperor Napoleon III rebuilt Paris, the Académie was the preserver of traditional French painting standards of content and style. Historical subjects, religious themes, and portraits were valued, landscape, the Académie preferred carefully finished images that looked realistic when examined closely. Paintings in this style were made up of brush strokes carefully blended to hide the artists hand in the work. Colour was restrained and often toned down further by the application of a golden varnish, the Académie had an annual, juried art show, the Salon de Paris, and artists whose work was displayed in the show won prizes, garnered commissions, and enhanced their prestige. The standards of the juries represented the values of the Académie, represented by the works of artists as Jean-Léon Gérôme. In the early 1860s, four young painters—Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and they discovered that they shared an interest in painting landscape and contemporary life rather than historical or mythological scenes. A favourite meeting place for the artists was the Café Guerbois on Avenue de Clichy in Paris, where the discussions were led by Édouard Manet. They were soon joined by Camille Pissarro, Paul Cézanne, during the 1860s, the Salon jury routinely rejected about half of the works submitted by Monet and his friends in favour of works by artists faithful to the approved style. In 1863, the Salon jury rejected Manets The Luncheon on the Grass primarily because it depicted a woman with two clothed men at a picnic. While the Salon jury routinely accepted nudes in historical and allegorical paintings, the jurys severely worded rejection of Manets painting appalled his admirers, and the unusually large number of rejected works that year perturbed many French artists
16.
Lovis Corinth
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Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group and his early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and his use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinths subject matter also included nudes and biblical scenes, Corinth was born Franz Heinrich Louis on 21 July 1858 in Tapiau, in Prussia. The son of a tanner, he displayed a talent for drawing as a child, in 1876 he went to study painting in the academy of Königsberg. Initially intending to become a painter, he was dissuaded from this course by his chief instructor at the academy. In 1880 he traveled to Munich, which rivaled Paris as the art center in Europe at the time. There he studied briefly with Franz von Defregger before gaining admittance to the Academy of Fine Arts Munich, the realism of Corinths early works was encouraged by Löfftzs teaching, which emphasized careful observation of colors and values. Other important influences were Courbet and the Barbizon school, through their interpretation by the Munich artists Wilhelm Leibl, except for an interruption for military service in 1882–83, Corinth studied with Löfftz until 1884. He concentrated especially on improving his skills, and made the female nude his frequent subject. He was disappointed, however, in his failure to win a medal at the Salon. In 1891, Corinth returned to Munich, but in 1892 he abandoned the Munich Academy, in 1894 he joined the Free Association, and in 1899 he participated in an exhibition organized by the Berlin Secession. These nine years in Munich were not his most productive, Corinth moved to Berlin in 1900, and had a one-man exhibition at a gallery owned by Paul Cassirer. In 1902 at the age of 43, he opened a school of painting for women and married his first student, Charlotte Berend, Charlotte was his youthful muse, his spiritual partner, and the mother of his two children. She had a influence on him, and family life became a major theme in his art. He published numerous essays on art history, and in 1908 published Das Erlenen der Malerei, in December 1911, he suffered a stroke, and was partially paralyzed on his left side. Thereafter he walked with a limp, and his hands displayed a chronic tremor, with the help of his wife, within a year he was painting again with his right hand. His disability inspired in the artist an intense interest in the simple, in the summer of 1919, for example, he produced a cycle of casual etchings of his family in their country home
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Post-Impressionism
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Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists concern for the depiction of light. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, the term Post-Impressionism was first used by art critic Roger Fry in 1906. Three weeks later, Roger Fry used the term again when he organized the 1910 exhibition, Manet, the Post-Impressionists were dissatisfied with what they felt was the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward. Georges Seurat and his followers concerned themselves with Pointillism, the use of tiny dots of colour. Paul Cézanne set out to restore a sense of order and structure to painting, to make of Impressionism something solid and durable and he achieved this by reducing objects to their basic shapes while retaining the saturated colours of Impressionism. The Impressionist Camille Pissarro experimented with Neo-Impressionist ideas between the mid-1880s and the early 1890s, Vincent van Gogh used colour and vibrant swirling brush strokes to convey his feelings and his state of mind. Although they often exhibited together, Post-Impressionist artists were not in agreement concerning a cohesive movement, yet, the abstract concerns of harmony and structural arrangement, in the work of all these artists, took precedence over naturalism. Artists such as Seurat adopted a scientific approach to colour. Younger painters during the early 20th century worked in geographically disparate regions and in various categories, such as Fauvism and Cubism. Most of the artists in Frys exhibition were younger than the Impressionists, Fry later explained, For purposes of convenience, it was necessary to give these artists a name, and I chose, as being the vaguest and most non-committal, the name of Post-Impressionism. This merely stated their position in time relatively to the Impressionist movement, john Rewald limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism, From Van Gogh to Gauguin. This volume would extend the period covered to other artistic movements derived from Impressionism, though confined to the late 19th, Rewald focused on such outstanding early Post-Impressionists active in France as van Gogh, Gauguin, Seurat, and Redon. Pont-Aven School, implying more than that the artists involved had been working for a while in Pont-Aven or elsewhere in Brittany. Symbolism, a highly welcomed by vanguard critics in 1891. Rewald wrote that the term Post-Impressionism is not a precise one. Convenient, when the term is by definition limited to French visual arts derived from Impressionism since 1886, rewalds approach to historical data was narrative rather than analytic, and beyond this point he believed it would be sufficient to let the sources speak for themselves. Rival terms like Modernism or Symbolism were never as easy to handle, for they covered literature, architecture and other arts as well, Symbolism, however, is considered to be a concept which emerged a century later in France, and implied an individual approach
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Fauvism
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While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Henri Matisse and André Derain, the paintings of the Fauves were characterized by seemingly wild brush work and strident colors, while their subject matter had a high degree of simplification and abstraction. Fauvism can be classified as a development of Van Goghs Post-Impressionism fused with the pointillism of Seurat and other Neo-Impressionist painters. Other key influences were Paul Cézanne and Paul Gauguin, whose employment of areas of saturated color—notably in paintings from Tahiti—strongly influenced Derains work at Collioure in 1905, in 1888 Gauguin had said to Paul Sérusier, How do you see these trees. So, put in yellow, this shadow, rather blue, paint it with pure ultramarine, Fauvism can also be seen as a mode of Expressionism. Moreaus broad-mindedness, originality and affirmation of the potency of pure color was inspirational for his students. Matisse said of him, He did not set us on the right roads and this source of empathy was taken away with Moreaus death in 1898, but the artists discovered other catalysts for their development. In 1896, Matisse, then an art student, visited the artist John Peter Russell on the island of Belle Île off the coast of Brittany. The next year he returned as Russells student and abandoned his earth-colored palette for bright Impressionist colors, later stating, Russell was my teacher, Russell had been a close friend of Vincent van Gogh and gave Matisse a Van Gogh drawing. In parallel with the discovery of contemporary avant-garde art came an appreciation of pre-Renaissance French art. Another aesthetic influence was African sculpture, of which Vlaminck, Derain, many of the Fauve characteristics first cohered in Matisses painting, Luxe, Calme et Volupté, which he painted in the summer of 1904, whilst in Saint-Tropez with Paul Signac and Henri-Edmond Cross. The artists shared their first exhibition at the 1905 Salon dAutomne, Henri Rousseau was not a Fauve, but his large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited near Matisses work and may have had an influence on the pejorative used. Vauxcelles comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, the pictures gained considerable condemnation—A pot of paint has been flung in the face of the public, wrote the critic Camille Mauclair —but also some favorable attention. Matisses Neo-Impressionist landscape, Luxe, Calme et Volupté, had already exhibited at the Salon des Indépendants in the spring of 1905. Art history History of painting Neo-Fauvism Visual arts Western painting Gerdts, the Color of Modernism, The American Fauves. Spivey, Virginia, Fauvism, Smarthistory at Khan Academy Whitfield, Fauve Painting from the Permanent Collection at the National Gallery of Art Fauvism, The Wild Beasts of Early Twentieth Century Art Rewald, Sabine. New York, The Metropolitan Museum of Art Gelett Burgess, The Wild Men of Paris, Matisse, Picasso and Les Fauves,1910
19.
Franz Marc
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Franz Marc was a German painter and printmaker, one of the key figures of the German Expressionist movement. He was a member of Der Blaue Reiter, a journal whose name later became synonymous with the circle of artists collaborating in it. Franz Marc was born in 1880 in Munich, then the capital of the Kingdom of Bavaria and his father, Wilhelm Marc, was a professional landscape painter, his mother, Sophie, was a homemaker and a devout, socially liberal Calvinist. In 1900 Marc began to study at the Academy of Fine Arts, Munich, in 1903 and 1907, he spent time in France, particularly in Paris, visiting the museums in the city and copying many paintings, a traditional way for artists to study and develop technique. In Paris, Marc frequented artistic circles, meeting numerous artists and he discovered a strong affinity for the work of painter Vincent van Gogh. In 1906, Marc traveled with his elder brother Paul, a Byzantine expert, to Thessaloniki, Mount Athos, a few years later, in 1910, Marc developed an important friendship with the artist August Macke. In 1910 Marc painted Nude with Cat and Grazing Horses, Marc showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912. As it was the apex of the German expressionist movement, the exhibit also showed in Berlin, Cologne, Hagen and he painted The Tiger and Red Deer in 1912 and The Tower of Blue Horses, Foxes, and Fate of the Animals in 1913. With the outbreak of World War I in 1914, Marc was drafted into the German Army as a cavalryman, by February 1916, as shown in a letter to his wife, he had gravitated to military camouflage. His technique for hiding artillery from aerial observation was to paint canvas covers in broadly pointillist style, after mobilization of the German Army, the government identified notable artists to be withdrawn from combat for their own safety. Marc was on the list but was struck in the head, Marc made some sixty prints in woodcut and lithography. Most of his mature work portrays animals, usually in natural settings and his work is characterized by bright primary color, an almost cubist portrayal of animals, stark simplicity and a profound sense of emotion. Even in his own time, his work attracted notice in influential circles. ”One of Marcs best-known paintings is Tierschicksale, Marc had completed the work in 1913, when the tension of impending cataclysm had pervaded society, as one art historian noted. On the rear of the canvas, Marc wrote, Und Alles Sein ist flammend Leid, serving in World War I, Marc wrote to his wife about the painting, is like a premonition of this war—horrible and shattering. I can hardly conceive that I painted it and his family house in Munich is marked with a historical plaque. In October 1998, several of Marcs paintings garnered record prices at Christies art auction house in London, including Rote Rehe I, in October 1999, his Der Wasserfall was sold by Sothebys in London to a private collector for $5. 06m. This price set a record for both Franz Marcs work, and twentieth-century German painting, during his twenties, Marc was involved in a number of stormy relationships, including an affair lasting for many years with Annette Von Eckardt, a married antique dealer nine years his senior. He married twice, first to Marie Schnür, then to Maria Franck, both were artists
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Wassily Kandinsky
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Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. He is credited with painting one of the first recognised purely abstract works, born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics, successful in his profession—he was offered a professorship at the University of Dorpat—Kandinsky began painting studies at the age of 30. In 1896 Kandinsky settled in Munich, studying first at Anton Ažbes private school and he returned to Moscow in 1914, after the outbreak of World War I. Kandinsky was unsympathetic to the theories on art in Communist Moscow. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and he died at Neuilly-sur-Seine in 1944. Kandinskys creation of work followed a long period of development. He called this devotion to beauty, fervor of spirit. Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics, later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew, in 1889, he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them and this experience, and his study of the regions folk art, was reflected in much of his early work. The artist is the hand plays, touching one key or another. Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève, in 1896, at the age of 30, Kandinsky gave up a promising career teaching law and economics to enroll in the Munich Academy where his teachers would eventually include Franz von Stuck. He was not immediately granted admission, and began learning art on his own and that same year, before leaving Moscow, he saw an exhibit of paintings by Monet. He was particularly taken with the style of Haystacks, this. Later, he would write about this experience, That it was a haystack the catalogue informed me and this non-recognition was painful to me
21.
Robert Delaunay
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Robert Delaunay was a French artist who, with his wife Sonia Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were abstract, reminiscent of Paul Klee. His key influence related to use of colour and a clear love of experimentation with both depth and tone. Robert Delaunay was born in Paris, the son of George Delaunay, while he was a child, Delaunays parents divorced, and he was raised by his mothers sister Marie and her husband Charles Damour, in La Ronchère near Bourges. When he failed his exam and said he wanted to become a painter. At age 19, he left Ronsin to focus entirely on painting and contributed six works to the Salon des Indépendants in 1904. He traveled to Brittany, where he was influenced by the group of Pont-Aven, and, in 1906, he contributed works he painted in Brittany to the 22nd Salon des Indépendants, where he met Henri Rousseau. Delaunay formed a friendship at this time with Jean Metzinger. The two of them were singled out by the art critic Louis Vauxcelles in 1907 as Divisionists who used large, mosaic-like cubes to construct small, Robert Herbert writes, Metzingers Neo-Impressionist period was somewhat longer than that of his close friend Delaunay. The height of his Neo-Impressionist work was in 1906 and 1907, piet Mondrian developed a similar mosaic-like Divisionist technique circa 1909. The Futurists later would incorporate the style, under the influence of Gino Severinis Parisian works, into their dynamic paintings, Delaunay is most closely identified with Orphism. From 1912 to 1914, he painted nonfigurative paintings based on the characteristics of brilliant colors that were so dynamic they would function as the form. Apollinaire was strongly influenced by Delaunay’s theories of color and often quoted from them to explain Orphism, Delaunay’s fixations with color as the expressive and structural means were sustained with his study of color. He believes painting is a visual art that depends on intellectual elements. The contrasts and harmonies of color produce in the eye simultaneous movements, vision becomes the subject of painting. His early paintings are deeply rooted in Neoimpressionism, night Scene for example has vigorous activity with the use of lively brushstrokes in bright colors against a dark background. It doesn’t define solid object but the areas that surround them, spectral colors of Neoimpressionism were later abandoned, the Eiffel Tower series, were fragmentation of solid objects and their merging with space was learned. Influences in this series were Cézanne, Analytical Cubism, and Futurism, in the Eiffel Tower the interpenetration of tangible objects and surrounding space is accompanies by intense movement of geometric plans that are more dynamic than static equilibrium of Cubist forms
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Cubism
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Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century, the term is broadly used in association with a wide variety of art produced in Paris during the 1910s and extending through the 1920s. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. A primary influence that led to Cubism was the representation of form in the late works of Paul Cézanne. The impact of Cubism was far-reaching and wide-ranging, Cubism spread rapidly across the globe and in doing so evolved to a greater or lesser extent. In essence, Cubism was the origin of a process that produced diversity. In France, offshoots of Cubism developed, including Orphism, Abstract art, in other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. Other common threads between these movements include the faceting or simplification of geometric forms, and the association of mechanization. Cubism began between 1907 and 1911, Pablo Picassos 1907 painting Les Demoiselles dAvignon has often been considered a proto-Cubist work. Georges Braques 1908 Houses at L’Estaque prompted the critic Louis Vauxcelles to refer to bizarreries cubiques, Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. A second phase, Synthetic Cubism, remained vital until around 1919, english art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch. Douglas Coopers restrictive use of terms to distinguish the work of Braque, Picasso, Gris. Alternative interpretations of Cubism have therefore developed, wider views of Cubism include artists who were later associated with the Salle 41 artists, e. g. John Berger identifies the essence of Cubism with the mechanical diagram. The metaphorical model of Cubism is the diagram, The diagram being a symbolic representation of invisible processes, forces, structures. A diagram need not eschew certain aspects of appearance but these too will be treated as not as imitations or recreations. During the late 19th and early 20th centuries, Europeans were discovering African, Polynesian, Micronesian, artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures. Around 1906, Picasso met Matisse through Gertrude Stein, at a time when artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. Picassos paintings of 1907 have been characterized as Protocubism, as seen in Les Demoiselles dAvignon
23.
Guillaume Apollinaire
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Guillaume Apollinaire was a French poet, playwright, short story writer, novelist, and art critic of Polish descent. Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term cubism in 1911 to describe the art movement. The term Orphism is also his, Apollinaire wrote one of the earliest Surrealist literary works, the play The Breasts of Tiresias, which became the basis for the 1947 opera Les mamelles de Tirésias. Two years after being wounded in World War I, Apollinaire died in the Spanish flu pandemic of 1918, wilhelm Albert Włodzimierz Apolinary Kostrowicki was born in Rome, Italy, and was raised speaking French, Italian, and Polish. He emigrated to France in his teens and adopted the name Guillaume Apollinaire. His mother, born Angelika Kostrowicka, was a Polish noblewoman born near Navahrudak and his maternal grandfather was a general in the Russian Imperial Army who was killed in the Crimean War. Apollinaires father is unknown but may have been Francesco Costantino Camillo Flugi dAspermont, Francesco Flugi von Aspermont was a nephew of Conradin Flugi dAspermont, a poet who wrote in ladin putèr, and perhaps also of the Minnesänger Oswald von Wolkenstein. Apollinaire eventually moved from Rome to Paris and became one of the most popular members of the community of Paris. He became romantically involved with Marie Laurencin, who is identified as his muse. In late 1909 or early 1910, Metzinger painted a Cubist portrait of Apollinaire. In his Vie anecdotique, the poet proudly writes, I am honoured to be the first model of a Cubist painter, Jean Metzinger, in 1911 he joined the Puteaux Group, a branch of the Cubist movement soon to be known as the Section dOr. The opening address of the 1912 Salon de la Section dOr—the most important pre-World War I Cubist exhibition—was given by Apollinaire. On 7 September 1911, police arrested and jailed him on suspicion of aiding and abetting the theft of the Mona Lisa and a number of Egyptian statuettes from the Louvre, but released him a week later. The theft of the statues was committed by a secretary of Apollinaires, Honoré Joseph Géry Pieret. Apollinaire implicated his friend Pablo Picasso, who was brought in for questioning in the theft of the Mona Lisa. The theft of the Mona Lisa was perpetrated by Vincenzo Peruggia, Apollinaire was active as a journalist and art critic for Le Matin, Intransigeant, and Paris Journal. He once called for the Louvre to be burnt down, Apollinaire wrote the preface for the first Cubist exposition outside of Paris, VIII Salon des Indépendants, Brussels,1911
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Orphism (art)
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The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. The Orphists were rooted in Cubism but moved toward a pure lyrical abstraction, more concerned with the expression and significance of sensation, this movement began with recognizable subjects but was rapidly absorbed by increasingly abstract structures. Orphism aimed to dispense with recognizable subject matter and to rely on form, the movement also aimed to express the ideals of Simultanism, the existence of an infinitude of interrelated states of being. The decomposition of spectral light expressed in Neo-Impressionist color theory of Paul Signac, Robert Delaunay, Albert Gleizes, and Gino Severini, all knew Henry personally. Henry would take the step in bringing emotional associational theory into the world of artistic sensation. The underlying theory behind Neo-Impressionsim would have an effect on the works produced in the coming years by the likes of Robert Delaunay. Indeed, the Neo-Impressionists had succeeded in establishing a scientific basis for their painting in the domain of color. The Cubists were to do so in both the domain of form and dynamics, and the Orphists would do so with color too, the Symbolists had used the word orphique in relation to the Greek myth of Orpheus, who they perceived as the ideal artist. Apollinaire had written a collection of quatrains in 1907 entitled Bestiaire ou cortège d’Orphée, within which Orpheus was symbolized as a poet, for both Apollinaire and the Symbolists who preceded him, Orpheus was associated with mysticism, something that would inspire artistic endeavors. The voice of light that Apollinaire mentioned in his poems was a metaphor for inner experiences, though not fully articulated in his poems, the voice of light is identified as a line that could be colored and become a painting. The Orphic metaphor thus represented the power to create new structures and color harmonies. The term Orphism was coined by poet and art critic Guillaume Apollinaire at the Salon de la Section dOr in 1912, during his lecture at the Section dOr exhibit Apollinaire presented three of Kupkas abstract works as perfect examples of pure painting, as anti-figurative as music. An Orphic painters works should convey an aesthetic pleasure, but at the same time a meaningful structure. According to Apollinaire Orphism represented a move towards a completely new art-form, kandinskys detailed theoretical essays described the correlations between color and sound. Fernand Léger and Marcel Duchamp, as they tended towards abstraction, were included as Orphists in the writings of Apollinaire. Apollinaire stayed with the Delaunays during the winter of 1912, becoming close friends, Apollinaire wrote several texts discussing their work to promote the concept of Orphism. In March 1913 Orphism was exhibited to the public at the Salon des Indépendants, and in Montjoie Apollinaire argued for the abolition of Cubism in favour of Orphism, ‘If Cubism is dead, long live Cubism. The kingdom of Orpheus is at hand and this exhibition marked a turning-point in Apollinaire’s relation with R. Delaunay, following some remarks in an argument with Umberto Boccioni about the ambiguity of the term ‘simultaneity’
25.
Futurism
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Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
26.
Paul Klee
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Paul Klee was a Swiss-German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism and he and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality. First of all, the art of living, then as my ideal profession, poetry and philosophy, Paul Klee was born in Münchenbuchsee, Switzerland, as the second child of German music teacher Hans Wilhelm Klee and Swiss singer Ida Marie Klee, née Frick. His sister Mathilde was born on 28 January 1876 in Walzenhausen and their father came from Tann and studied at the Stuttgart Conservatory singing, piano, organ and violin, meeting there his future wife Ida Frick. Hans Wilhelm Klee was active as a teacher at the Bern State Seminary in Hofwil near Bern until 1931. Klee was able to develop his skills as his parents encouraged and inspired him until his death. In 1880, his family moved to Bern, where they moved 17 years later after numerous changes of residence into a house at the Kirchenfeld district. From 1886 to 1890, Klee visited primary school and received, at the age of 7 and he was so talented on violin that, aged 11, he received an invitation to play as an extraordinary member of the Bern Music Association. He stated, I didnt find the idea of going in for music creatively particularly attractive in view of the decline in the history of musical achievement. As a musician, he played and felt emotionally bound to traditional works of the eighteenth and nineteenth century, at sixteen, Klee’s landscape drawings already show considerable skill. Around 1897, Klee started his diary, which he kept until 1918, during his school years, he avidly drew in his school books, in particular drawing caricatures, and already demonstrating skill with line and volume. He barely passed his exams at the Gymnasium of Bern. With his characteristic dry wit, he wrote, After all, it’s rather difficult to achieve the exact minimum, and it involves risks. On his own time, in addition to his interests in music and art, Klee was a great reader of literature. With his parents reluctant permission, in 1898 Klee began studying art at the Academy of Fine Arts in Munich with Heinrich Knirr and he excelled at drawing but seemed to lack any natural color sense. He later recalled, During the third winter I even realized that I probably would never learn to paint, during these times of youthful adventure, Klee spent much time in pubs and had affairs with lower class women and artists models. He had a son in 1900 who died several weeks after birth
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German Expressionism
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German Expressionism refers to a number of related creative movements beginning in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments in Germany were part of a larger Expressionist movement in north and central European culture in such as architecture, dance, painting, sculpture. This article deals primarily with developments in German Expressionist cinema before, the German Expressionist movement was initially confined to Germany due to the isolation the country experienced during World War I. In 1916, the government had banned foreign films, the demand from theaters to generate films led to an increase in domestic film production from 24 films in 1914 to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their moneys value was constantly diminishing, by the time the 1916 ban on imports was lifted, Germany had become a part of the international film industry. Various European cultures of the 1920s embraced an ethic of change, the plots and stories of the Expressionist films often dealt with madness, insanity, betrayal and other intellectual topics triggered by the experiences of World War I. Later films often categorized as part of the history of German Expressionism include Metropolis and M. This trend was a reaction against realism. Its practitioners used extreme distortions in expression to show an inner emotional reality rather than what is on the surface, the extreme anti-realism of Expressionism was short-lived, fading away after only a few years. However, the themes of Expressionism were integrated into films of the 1920s and 1930s, resulting in an artistic control over the placement of scenery, light. This dark, moody school of film making was brought to the United States when the Nazis gained power, Nazi film theorist Fritz Hippler though was a supporter of expressionism. Two further films produced in Nazi Germany using the expressionist style were “Das Stahltier” in 1935 by Willy Zielke, das Leben eines Titanen” in 1940 by Curt Oertel. Two genres that were influenced by Expressionism are horror film and film noir. Carl Laemmle and Universal Studios had made a name for themselves by producing such famous films of the silent era as Lon Chaneys The Phantom of the Opera. The German silent cinema was arguably far ahead of Hollywood during the same period, the cinema outside Germany benefited both from the emigration of German film makers and from German expressionist developments in style and technique that were apparent on the screen. The new look and techniques impressed other contemporary film makers, artists and cinematographers, in 1924, Alfred Hitchcock was sent by Gainsborough Pictures to work as an assistant director and art director at the UFA Babelsberg Studios in Berlin on the film The Blackguard. The immediate effect of the environment in Germany can be seen in his expressionistic set designs for that film. Hitchcock later said, I. acquired a strong German influence by working at the UFA studios Berlin, German expressionism would continue to influence Hitchcock throughout his career
28.
World War I
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World War I, also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918. More than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history and it was one of the deadliest conflicts in history, and paved the way for major political changes, including revolutions in many of the nations involved. The war drew in all the worlds great powers, assembled in two opposing alliances, the Allies versus the Central Powers of Germany and Austria-Hungary. These alliances were reorganised and expanded as more nations entered the war, Italy, Japan, the trigger for the war was the assassination of Archduke Franz Ferdinand of Austria, heir to the throne of Austria-Hungary, by Yugoslav nationalist Gavrilo Princip in Sarajevo on 28 June 1914. This set off a crisis when Austria-Hungary delivered an ultimatum to the Kingdom of Serbia. Within weeks, the powers were at war and the conflict soon spread around the world. On 25 July Russia began mobilisation and on 28 July, the Austro-Hungarians declared war on Serbia, Germany presented an ultimatum to Russia to demobilise, and when this was refused, declared war on Russia on 1 August. Germany then invaded neutral Belgium and Luxembourg before moving towards France, after the German march on Paris was halted, what became known as the Western Front settled into a battle of attrition, with a trench line that changed little until 1917. On the Eastern Front, the Russian army was successful against the Austro-Hungarians, in November 1914, the Ottoman Empire joined the Central Powers, opening fronts in the Caucasus, Mesopotamia and the Sinai. In 1915, Italy joined the Allies and Bulgaria joined the Central Powers, Romania joined the Allies in 1916, after a stunning German offensive along the Western Front in the spring of 1918, the Allies rallied and drove back the Germans in a series of successful offensives. By the end of the war or soon after, the German Empire, Russian Empire, Austro-Hungarian Empire, national borders were redrawn, with several independent nations restored or created, and Germanys colonies were parceled out among the victors. During the Paris Peace Conference of 1919, the Big Four imposed their terms in a series of treaties, the League of Nations was formed with the aim of preventing any repetition of such a conflict. This effort failed, and economic depression, renewed nationalism, weakened successor states, and feelings of humiliation eventually contributed to World War II. From the time of its start until the approach of World War II, at the time, it was also sometimes called the war to end war or the war to end all wars due to its then-unparalleled scale and devastation. In Canada, Macleans magazine in October 1914 wrote, Some wars name themselves, during the interwar period, the war was most often called the World War and the Great War in English-speaking countries. Will become the first world war in the sense of the word. These began in 1815, with the Holy Alliance between Prussia, Russia, and Austria, when Germany was united in 1871, Prussia became part of the new German nation. Soon after, in October 1873, German Chancellor Otto von Bismarck negotiated the League of the Three Emperors between the monarchs of Austria-Hungary, Russia and Germany
29.
Champagne (province)
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Champagne is a historical province in the northeast of France, now best known as the Champagne wine region for the sparkling white wine that bears its name. It was founded in 1065 near the city of Provins and was made up of different counties descended from the medieval kingdom of Austrasia. Formerly ruled by the counts of Champagne, its edge is about 100 miles east of Paris. The cities of Troyes, Reims, and Épernay are the centers of the area. Most of Champagne is now part of the French administrative region of Champagne-Ardenne, which comprises four departments, Ardennes, Aube, Haute-Marne, and Marne. The name Champagne comes from the Latin campania and referred to the similarities between the hills of the province and the Italian countryside of Campania located south of Rome. In the High Middle Ages, the province was famous for the Champagne Fairs which were important in the economy of the Western societies. The chivalric romance had its first beginnings in the county of Champagne with the famous writer Chrétien de Troyes who wrote stories of the Round Table from the Arthurian legends, a few counts of Champagne were French kings and some of them were even Kings of France and of Navarre. Counts of Champagne were highly considered by the French aristocracy
30.
Germanisches Nationalmuseum
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The Germanisches Nationalmuseum is a museum in Nuremberg, Germany. Founded in 1852, it houses a collection of items relating to German culture. The Germanisches Nationalmuseum is Germanys largest museum of cultural history, out of its total holding of some 1.3 million objects, approximately 25,000 are exhibited. The museum is situated in the south of the city center between Kornmarkt and Frauentormauer along the medieval city wall. Its entrance hall is situated on Kartäusergasse which was transformed by the Israeli sculptor Dani Karavan to the Way of Human Rights, the term Germanic should be understood in the historical context of the mid nineteenth century. The German revolutions of 1848–49 had failed to achieve a liberalised and unified Germany, thus the name of the museum maintained the idea of a close cultural relationship within a region defined by the common German language, and a shared German cultural tradition. In 1852, the intention to document the cultural unity of the German-speaking areas was a progressive concept. Only in 1871, when the German Empire was constituted, the museum paid tribute to it by adding national to its name, the museum understands itself as an important research and educational institution. The museum constitutes a monument in itself, as it consists of a variety of buildings erected in different periods. The charterhouse was rebuilt and modified to accommodate the collections until the nineteenth century when Neo-Gothic extensions were added on its south side. During and after the First World War, the „Alter Eingang“, the first major building was added 1955–1958, called „Heussbau“ after the first president of West Germany, Theodor Heuss. In 1983, and from 1988–1993, the museum was substantially enlarged, the „Kartäuserbau“ with the new entrance hall situated now on Kartäusergasse was designed by Jan Störmer of architects ME DI UM. In 1999, the 1910 building of the St Lorenzs parish childrens home was acquired and it was restored in 2002, and is now the home for the Collection of Childrens Toys. Pauls Church, Frankfurt am Main in 1848, the Germanisches Nationalmuseum is a public law foundation supported by the Federal Republic of Germany, the state of Bavaria and the city of Nuremberg. Its Administrative Board is chaired by Prof. Dr. h. c, klaus-Dieter Lehmann, the head of the General Directorate is Prof. Dr. G. Ulrich Großmann. Associated to the museum are Archives, like the German Archive of Art, libraries, a department for restoration and conservation. The museum is organized as a foundation since 1921. Since 2 July 1954, companies and individual persons are invited to support the museums activities, as a research institute, the GNM conducts scientific and historical research on the material provided in the collections and archives
31.
Kunstmuseum Bonn
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The Kunstmuseum Bonn or Bonn Museum of Modern Art is an art museum in Bonn, Germany, founded in 1947. The Kunstmuseum exhibits both temporary exhibitions and its collection and its collection is focused on Rhenish Expressionism and post-war German art. It is part of Bonns Museum Mile, the present building, which opened in 1992, was created by the BJSS firm and Jürgen Pleuser at a cost of around DM-100 million. It has three entrances, symbolising openness, the design of the staircase has been described as a precise geometry, cut like jewellery. The conception of light brings the collection to life, the total exhibition area is around 4,000 square metres. The collections of the Kunstmuseum focus on three strongpoints, Rhenish Expressionism, post-war German art, and a collection of post-war prints. German artists on display include Georg Baselitz, Joseph Beuys, Hanne Darboven, Anselm Kiefer, August Macke, Blinky Palermo, the Oppenheim Collection of video art includes works by Dennis Oppenheim, Joan Jonas, Klaus vom Bruch, Marcel Odenbach and Julian Rosefeldt. The Videonale festival of contemporary art, now based at the Kunstmuseum, has taken place biennially in Bonn since 1984. In 2005, the sold the former Grothe Collection to a married pair of collectors. This triggered a wide-ranging set of changes to the permanent exhibition, beginning in 2007, the works on the way out included Degenerate Art by Sigmar Polke and Assisi Cycle by Gotthard Graubner. Their place was taken by the work of younger artists, some of the sculptures in front of the building were also acquired by the Ströhers. List of art museums List of museums in Germany Kunstmuseum Bonn, Deutsche Dokumente – Arbeiten auf Papier im Kunstmuseum Bonn
32.
Museum Ludwig
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Museum Ludwig, located in Cologne, Germany, houses a collection of modern art. It includes works from Pop Art, Abstract and Surrealism, and has one of the largest Picasso collections in Europe and it also features many works by Andy Warhol and Roy Lichtenstein. Since November 2012 the museums director has been Philipp Kaiser, the museum emerged in 1976 as an independent institution from the Wallraf-Richartz Museum. The recent building, which was designed by architects Peter Busmann, the new building first became home to both the Wallraf Richartz Museum as well as Museum Ludwig. In 1994, it was decided to separate the two institutions and to place the building on Bischofsgartenstrasse at the disposal of Museum Ludwig. In 1999 Steve Keene painted in the museum, the building is also home to the Kölner Philharmonic. The Heinrich-Böll-Platz, a public square designed by Dani Karavan, is above the hall at the north-east of the building. Unfortunately, during concerts people cant walk upon the square as it creates acoustic disturbances for the concert goers below. The museum essentially incorporates the Sammlung Haubrich, a collection by lawyer Josef Haubrich of art from the years 1914 to 1939 donated to the city of Cologne on 2 May 1946. Directly after World War II, in May 1946, Haubrich presented the city with his Expressionism collection, the second integral part of the museum is the Sammlung Ludwig, a collection of art by Picasso, Russian avant-garde and American Pop-art artists. With around 900 works by Picasso, the museum today has the third largest collection of this artist worldwide, after Barcelona, today the museum houses the most comprehensive collection of early Russian avant-garde artworks outside Russia. Peter Blake, ABC Minors, Bo Diddley, salvador Dalí, La Gare de Perpignan. Otto Dix, Bildnis des Dr. Hans Koch, Vorstadtszene, Mädchen mit rosa Bluse, richard Estes, Food Shop / Snack-bar. Natalia Goncharova, Nature morte à la peau de tigre, Portrait de Larionov, duane Hanson, Woman with a Purse / Femme au sac en bandoulière. Allen Jones, Figure Falling / Chute, Perfect Match / Partenaire idéale, edward Kienholz, Night of Nights / Nuit des nuits, The Portable War Memorial / Monuments aux morts portable. Kenneth Noland, Provence, Shadow Line / Ligne dombre, robert Rauschenberg, Odalisque, Allegory / Allégorie, Wall Street, Black Market / Marché noir, Axle / Axe, Bible Bike. James Rosenquist, Rainbow / Arc-en-ciel, Untitled / Sans titre, Horse blinders / Œillères pour cheval, george Segal, Woman washing her Feet in a Sink / Femme se lavant les pieds dans un lavabo, The Restaurant Window I / La fenêtre du restaurant I. Frank Stella, Seven Steps, Ctesiphon III, Bonin Night Heron No.1, wolf Vostell, Coca-Cola, Dé-coll/age, Homage to Henry Ford and Jaqueline Kennedy, Miss America
33.
Cologne
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Cologne is the largest city in the German federal State of North Rhine-Westphalia and the fourth-largest city in Germany. It is located within the Rhine-Ruhr metropolitan region, one of the major European metropolitan areas, and with more than ten million inhabitants, Cologne is located on both sides of the Rhine River, less than eighty kilometres from Belgium. The citys famous Cologne Cathedral is the seat of the Catholic Archbishop of Cologne, the University of Cologne is one of Europes oldest and largest universities. Cologne was founded and established in Ubii territory in the first century AD as the Roman Colonia Claudia Ara Agrippinensium, Cologne, the French version of the citys name, has become standard in English as well. The city functioned as the capital of the Roman province of Germania Inferior, during the Middle Ages it flourished on one of the most important major trade routes between east and west in Europe. Cologne was one of the members of the Hanseatic League and one of the largest cities north of the Alps in medieval. Up until World War II the city had several occupations by the French. Cologne was one of the most heavily bombed cities in Germany during World War II, the bombing reduced the population by 95%, mainly due to evacuation, and destroyed almost the entire city. With the intention of restoring as many buildings as possible. Cologne is a cultural centre for the Rhineland, it hosts more than thirty museums. Exhibitions range from local ancient Roman archeological sites to contemporary graphics, the Cologne Trade Fair hosts a number of trade shows such as Art Cologne, imm Cologne, Gamescom, and the Photokina. The first urban settlement on the grounds of modern-day Cologne was Oppidum Ubiorum, founded in 38 BC by the Ubii, in 50 AD, the Romans founded Colonia on the Rhine and the city became the provincial capital of Germania Inferior in 85 AD. The city was named Colonia Claudia Ara Agrippinensium in 50 AD, considerable Roman remains can be found in present-day Cologne, especially near the wharf area, where a notable discovery of a 1900-year-old Roman boat was made in late 2007. From 260 to 271 Cologne was the capital of the Gallic Empire under Postumus, Marius, in 310 under Constantine a bridge was built over the Rhine at Cologne. Roman imperial governors resided in the city and it one of the most important trade. Cologne is shown on the 4th century Peutinger Map, maternus, who was elected as bishop in 313, was the first known bishop of Cologne. The city was the capital of a Roman province until occupied by the Ripuarian Franks in 462, parts of the original Roman sewers are preserved underneath the city, with the new sewerage system having opened in 1890. Early medieval Cologne was part of Austrasia within the Frankish Empire, Cologne had been the seat of a bishop since the Roman period, under Charlemagne, in 795, bishop Hildebold was promoted to archbishop
34.
Watercolor
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Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean and Japanese painting it has been the dominant medium, india, Ethiopia and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
35.
August-Macke-Haus
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The August-Macke-Haus or August Macke House is a museum in Bonn, Germany, opened in 1991, dedicated to the expressionist painter August Macke. It is located in Mackes former home, where he lived from 1911 to 1914, the museum displays reconstructed interiors and in addition houses temporary exhibitions, usually focusing on Expressionism. The house was built in 1877 and acquired by August Mackes father-in-law, Carl Heinrich Gerhardt, after Gerhardts death Macke urged his mother-in-law, who had inherited the house, to remodel the attic as a studio for him. In 1911, Macke, his wife, Elisabeth, and their son moved in, the artist completed more than 400 paintings while living in the house. After Mackes death in World War I in 1914, Elisabeth Macke, her second husband, the house was rented out, but remained the familys property. Elisabeth Macke returned to Bonn in 1948 and lived in the house until her death in 1975
36.
Christie's
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Christies is a historic British auction house. It was founded in 1766 by James Christie and its main premises are in King Street, St. Jamess, in London, and on Rockefeller Plaza in New York City in the United States. The company is owned by Groupe Artémis, the company of François-Henri Pinault. Sales in 2015 totalled £4.8 billion, however, other sources note that James Christie rented auction rooms from 1762, and newspaper advertisements of Christies sales dating from 1759 have also been traced. Christies soon established a reputation as an auction house. From 1859, the company was called Christie, Manson & Woods, in 1958, it established its first overseas office, by placing a representative in Rome. The first overseas salesroom opened in Geneva, where Christies holds jewellery auctions, Christies was a public company, listed on the London Stock Exchange from 1973 to 1999. In 1974, Jo Floyd was appointed chairman of Christies and he served as chairman of Christies International plc. from 1976 to 1988, until handing over to Lord Carrington, and later was a non-executive member of the board of directors until 1992. The auction houses subsidiary Christies International Inc. held its first sale in the United States in 1977,13 years later than Sothebys, Christies growth was slow but steady since 1989, when it had 42 percent of the auction market. In 1990, the company reversed a policy and guaranteed a minimum price for a collection of artworks in its May auctions. In 1996, the auction houses sales eclipsed Sothebys for the first time since 1954. In 1993, Christies paid $10.9 million for the London gallery Spink & Sons, which specialised in Oriental art and British paintings, the company bought Leger Gallery for $3.3 million in 1996, and merged it with Spink to become Spink-Leger. The company has not been reporting profits, though it gives sale totals twice a year. Its policy, in line with U. K. accounting standards, is to convert non-U. K, results using an average exchange rate weighted daily by sales throughout the year. In 2002, Christies France held its first auction in Paris, like Sothebys, Christies became increasingly involved in high-profile private transactions. Under the original deal, the gallery was meant to be the channel for all of Christies private-client business as well as the focus of its primary trade. Also, the house originally announced that Haunch employees could not bid at auction because of conflicts of interest or issues of market manipulation. Today, the continues to operate as an independent company in London and New York
37.
Ernst Beyeler
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In 1982, he and his wife founded the Beyeler Foundation to show his private collection, which on his death was valued at US$1.85 billion. Ernst Beyeler was born in Basel, Switzerland, on 16 July 1921 and he received his advanced education at the University of Basel where he studied art history and economics. When Schloss died in 1945, Beyeler took over the firm at the age of only 24 and he gradually moved into art dealing and had his first exhibition, of Japanese woodcuts, just two years later. A key development in his career was the purchase in the early 1960s of 340 art works from the American banker, industrialist, the collection included works by Braque, Cézanne, Paul Klee, Léger, Matisse, Monet, Picasso, and Mondrian. Beyeler bought 70 works by Alberto Giacometti from Thompson which were divided between the Kunsthaus Zürich, the Basel Kunstmuseum and the Kunstmuseum Winterthur, Beyeler developed close relationships with many of the twentieth centurys great artists. He became friends with Picasso in the 1950s and when he visited Mougins in 1966 and his art collection was eventually worth at least CHF2 billion. In 2010, The Washington Post reported that his collection was worth at least $1.85 billion, in 1982, together with his wife, fellow art dealer Hilda Hildy Kunz, he founded the Beyeler Foundation to showcase his private collection. In 1948, Beyeler married Hilda Hildy Kunz, incorrectly reported in The Daily Telegraph as Kunst, Beyeler died on 25 February 2010, at his home near Basel
38.
The New York Times International Edition
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From 1967 to 2013, the paper was known as the International Herald Tribune, and was renamed The International New York Times on October 15,2013. In October 2016, the newspaper was integrated with its parent. Autumn that year saw the closing of editing and preproduction operations in the Paris newsroom. The Paris Herald was founded on 4 October 1887, as the European edition of the New York Herald by the parent paper’s owner, James Gordon Bennett, the company was based in Neuilly-sur-Seine, a suburb of Paris, France. After the death of Bennett in 1918, Frank Andrew Munsey bought the New York Herald, Munsey sold the Herald newspapers in 1924 to the New York Tribune, and the Paris Herald became the Paris Herald Tribune, while the New York paper became New York Herald Tribune. The newspaper became a mainstay of American expatriate culture in Europe, in Jean-Luc Godard’s 1960 film Breathless, the female lead character Patricia is an American student journalist who sells the New York Herald Tribune on the streets of Paris. Pages from the paper can be seen tacked up through the office windows. In 1959 John Hay Whitney, a businessman and United States Ambassador to the United Kingdom, bought the New York Herald Tribune and its European edition. In 1966 the New York Herald Tribune was merged into the short-lived New York World Journal Tribune and ceased publication, in December 1966 The Washington Post became a joint owner. The New York Times became a joint owner of the Paris Herald Tribune in May 1967, in 1974, the IHT began transmitting facsimile pages of the paper between nations and opened a printing site near London. In 1977 the paper opened a site in Zürich. The IHT began transmitting electronic images of pages from Paris to Hong Kong via satellite in 1980. This was the first such intercontinental transmission of an English-language daily newspaper, in 1991, The Washington Post and The New York Times became sole and equal shareholders of the IHT. In February 2005 it opened its Asia newsroom in Hong Kong, in April 2001, the Japanese newspaper Asahi Shimbun tied up with the IHT and published an English-language newspaper, the International Herald Tribune/Asahi Shimbun. After The Washington Post sold their stake in the IHT, it continued being published under the name International Herald Tribune/Asahi Shimbun, on 30 December 2002 The New York Times Company took control of the paper by buying the 50% stake owned by The Washington Post Company. The takeover ended a 35-year partnership between the two US domestic competitors, the Post was forced to sell when the Times threatened to pull out and start a competing paper. As a result, the Post entered into an agreement to publish selected Post articles in The Wall Street Journal’s European edition, after the takeover the IHT was subtitled The Global Edition of the New York Times. In 2008, the NYT Company announced the merger of the New York Times, in March 2009 the IHT website became the global version of NYTimes. com
39.
Internet Archive
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The Internet Archive is a San Francisco–based nonprofit digital library with the stated mission of universal access to all knowledge. As of October 2016, its collection topped 15 petabytes, in addition to its archiving function, the Archive is an activist organization, advocating for a free and open Internet. Its web archive, the Wayback Machine, contains over 150 billion web captures, the Archive also oversees one of the worlds largest book digitization projects. Founded by Brewster Kahle in May 1996, the Archive is a 501 nonprofit operating in the United States. It has a budget of $10 million, derived from a variety of sources, revenue from its Web crawling services, various partnerships, grants, donations. Its headquarters are in San Francisco, California, where about 30 of its 200 employees work, Most of its staff work in its book-scanning centers. The Archive has data centers in three Californian cities, San Francisco, Redwood City, and Richmond, the Archive is a member of the International Internet Preservation Consortium and was officially designated as a library by the State of California in 2007. Brewster Kahle founded the Archive in 1996 at around the time that he began the for-profit web crawling company Alexa Internet. In October 1996, the Internet Archive had begun to archive and preserve the World Wide Web in large quantities, the archived content wasnt available to the general public until 2001, when it developed the Wayback Machine. In late 1999, the Archive expanded its collections beyond the Web archive, Now the Internet Archive includes texts, audio, moving images, and software. It hosts a number of projects, the NASA Images Archive, the contract crawling service Archive-It. According to its web site, Most societies place importance on preserving artifacts of their culture, without such artifacts, civilization has no memory and no mechanism to learn from its successes and failures. Our culture now produces more and more artifacts in digital form, the Archives mission is to help preserve those artifacts and create an Internet library for researchers, historians, and scholars. In August 2012, the Archive announced that it has added BitTorrent to its file download options for over 1.3 million existing files, on November 6,2013, the Internet Archives headquarters in San Franciscos Richmond District caught fire, destroying equipment and damaging some nearby apartments. The nonprofit Archive sought donations to cover the estimated $600,000 in damage, in November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the archive to be based somewhere in the country of Canada. The announcement received widespread coverage due to the implication that the decision to build an archive in a foreign country was because of the upcoming presidency of Donald Trump. Kahle was quoted as saying that on November 9th in America and it was a firm reminder that institutions like ours, built for the long-term, need to design for change. For us, it means keeping our cultural materials safe, private and it means preparing for a Web that may face greater restrictions
40.
LibriVox
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On 6 August 2016, the project completed project number 10,000. Most releases are in the English language, but many works are also available. There are multiple affiliated projects that are providing additional content, LibriVox is closely affiliated with Project Gutenberg from where the project gets some of its texts, and the Internet Archive that hosts their offerings. LibriVox was started in August 2005 by Montreal-based writer Hugh McGuire, who set up a blog, the first recorded book was The Secret Agent by Joseph Conrad. LibriVox is an invented word inspired by Latin words liber in its genitive form libri and vox, the word was also coined because of other connotations as liber also means child and free, independent, unrestricted. As the LibriVox forum says it, We like to think LibriVox might be interpreted as child of the voice, finally, the other link we like is library so you could imagine it to mean Library of Voice. There has been no decision or consensus by LibriVox founders or the community of volunteers for a single pronunciation of LibriVox and it is accepted that any audible pronunciation is accurate. LibriVox is a volunteer-run, free content, Public Domain project and it has no budget or legal personality. The development of projects is managed through an Internet forum, supported by an admin team, in early 2010, LibriVox ran a fundraising drive to raise $20,000 to cover hosting costs for the website of about $5, 000/year and improve front- and backend usability. Volunteers can choose new projects to start, either recording on their own or inviting others to join them, once a volunteer has recorded his or her contribution, it is uploaded to the site, and proof-listened by members of the LibriVox community. Finished audiobooks are available from the LibriVox website, and MP3, recordings are also available through other means, such as iTunes, and, being free of copyright, they are frequently distributed independently of LibriVox on the Internet and otherwise. LibriVox only records material that is in the domain in the United States. Because of copyright restrictions, LibriVox produces recordings of only a number of contemporary books. These have included, for example, the 9/11 Commission Report and it contains much popular classic fiction, but also includes less predictable texts, such as Immanuel Kants Critique of Pure Reason and a recording of the first 500 digits of pi. The collection also features poetry, plays, religious texts and non-fiction of various kinds, in January 2009, the catalogue contained approximately 55 percent fiction and drama,25 percent non-fiction and 20 percent poetry. By the end of 2016, the most viewed item was The Adventures of Tom Sawyer in a 2006 solo recording by John Greenman, around 90 percent of the catalogue is recorded in English, but recordings exist in 31 languages altogether. Chinese, French and German are the most popular languages other than English amongst volunteers, LibriVox has garnered significant interest, in particular from those interested in the promotion of volunteer-led content and alternative approaches to copyright ownership on the Internet. It has received support from the Internet Archive and Project Gutenberg, intellectual freedom and commons proponent Mike Linksvayer described it in 2008 as perhaps the most interesting collaborative culture project this side of Wikipedia
41.
Albert Bloch
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Albert Bloch was an American Modernist artist and the only American artist associated with Der Blaue Reiter, a group of early 20th-century European modernists. Bloch was born in St. Louis, Missouri and he first studied art at the St. Louis School of Fine Arts. In 1901–03 he produced comic strips and cartoons for the St. Louis Star newspaper, between 1905 and 1908 he worked as a caricaturist and illustrator for William Marion Reedys literary and political weekly The Mirror. From 1909 to 1921, Bloch lived and worked mainly in Germany, Albert Bloch died March 23,1961, in Lawrence, Kansas. Book explores work of Albert Bloch, KU is one of few sites selected for Albert Bloch exhibit. Newly acquired Bloch painting offers warmth with hint of mystery, biles, Jan. Albert Bloch painting donated to KU museum. Exhibition of Modern Paintings by Albert Bloch of Munich, duality Of Albert Bloch At Dela. Albert Bloch and the Blue Rider The Munich Years, jayhawk Ink at the University of Kansas. Albert Bloch, Artistic and Literary Perspectives, major American Artist Resurfaces in Kansas City. Albert Bloch in Kansas, An Introduction, Albert Bloch, His Early Career - Munich and Der Blaue Reiter. Max Kade Center for German-American Studies, the Blauer Reiter— Almanac and Exhibitions. The Renaissance Society at the University of Chicago records
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David Burliuk
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David Davidovich Burliuk was a Russian and Ukrainian Futurist, Neo-Primitivist, book illustrator, publicist, and author associated with Russian Futurism. Burliuk is often described as the father of Russian Futurism and his mother, Ludmila Mikhnevich, was of ethnic Belarusian descent. Because of his name of David, Burliuk was frequently mistaken for being Jewish. From 1898 to 1904 he studied at Kazan and Odessa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, in 1909 Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks on the Crimean coast. Many times thereafter he would set the image of his wife to canvas, without question two dreams possessed his heart all his life, the face of his wife and the portrait of his homeland - first Ukraine and then his adopted country, the United States. After 1911 David concentrated on poetry, in 1913 he was expelled from the Academy. In the same year D. Burliuk founded the venture of the futuristic writers group Hylaea. In 1915 David Burliuk published the book The Support of the Muses in Spring, with illustrations by Lentulov, from 1915 to 1917 he resided in the Urals with frequent trips to Moscow and Petrograd. In 1917 he participated in an exhibition with the group Jack of Diamonds in the salon in Moscow. In 1916 his brother Wladimir Burliuk was drafted into military service, the next year Burliuk began traveling to the United States, a process that took him through Siberia, Japan, and Canada and wasnt complete until 1922. In 1927 he participated in an exhibition of the Latest Artistic Trends in the Russian Museum in Leningrad, together with Kazimir Malevich, Aleksandr Shevchenko, David Burliuk was author of autobiographical sketches My Ancestors, Forty Years, 1890–1930. In 1940, Burliuk petitioned the Soviet government for a request to visit his homeland and he was allowed to visit the Soviet Union only in 1956 and 1965. In 1945 an exhibit was mounted at Irving Place Theater in New York City In 1962 he and his wife traveled to Australia where he held an exhibition at Moreton Galleries and it was his only Australian exhibition. During his stay there David Burliuk painted some sketches and works with Australian views, from 1937 to 1966 Burliuk and his wife, Marusia, published Color & Rhyme, a journal primarily concerned with charting Burliuks activities. David Burliuk lived in Hampton Bays on Long Island for approximately 20 years until he died on Long Island and his house and studio still remain. In Russian poetry, Burliuk is regarded as a trailblazer, in 1990, the Russian Academy of Futurist Poetry established the David Burliuk Prize for experimental poetry awarded annually. A painting by Burliuk appears in the novel Chapayev and Void by Viktor Pelevin, the painting is described as a black writing though a stencil of the word GOD
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