The Polish Baroque lasted from the early 17th to the mid-18th century. As with Baroque style elsewhere in Europe, Poland's Baroque emphasized the richness and triumphant power of contemporary art forms. In contrast to the previous, Renaissance style which sought to depict the beauty and harmony of nature, Baroque artists strove to create their own vision of the world. The result was manifold, regarded by some critics as grand and dramatic, but sometimes also chaotic and disharmonious and tinged with affectation and religious exaltation, thus reflecting the turbulent times of the 17th-century Europe.
Plafond Allegory of Spring by Jerzy Siemiginowski-Eleuter, 1680s
Saints Peter and Paul Church, Kraków, Poland
Church of St. Johns and Vilnius University
A coffin portrait was a realistic portrait of the deceased person put on coffins for the funeral and one of the elements of the castrum doloris, but removed before the burial. It became a tradition to decorate coffins of deceased nobles (szlachta) with such funerary art in the times of the Polish–Lithuanian Commonwealth, particularly in the 17th and 18th centuries, the time of the baroque in Poland and Sarmatism. The tradition was limited to Commonwealth countries, although the term may also describe the Ancient Egyptian mummy portraits.
Coffin portrait of Jan Gniewosz, c. 1700, oil on tin plate. Signature: I.[an] G.[niewosz] N.[a] O.[oleksowie] K.[asztelan] C.[zchowski] English: Jan Gniewosz [lord] of Oleksów, castellan of Czchów
Coffin portraits in the National Museum in Warsaw
Coffin portraits on display at Poznań Cathedral, painters unknown.
Coffin portrait of Barbara Lubomirska, 1676.