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The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome. The beam of light, which enters the picture
The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome. The beam of light, which enters the picture from the direction of a real window, expresses in the blink of an eye the conversion of St Matthew, the hinge on which his destiny will turn, with no flying angels, parting clouds or other artifacts.
Rembrandt van Rijn, The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642, oil on canvas, 363 cm × 437 cm (143 in × 172 in), Rijk
Rembrandt van Rijn, The Night Watch or The Militia Company of Captain Frans Banning Cocq, 1642, oil on canvas, 363 cm × 437 cm (143 in × 172 in), Rijksmuseum, Amsterdam. The painting is a classic example of Baroque art.
Orazio Gentileschi, David and Goliath (c. 1605–1607)
Orazio Gentileschi, David and Goliath (c. 1605–1607)
Nativity by Josefa de Óbidos, 1669, National Museum of Ancient Art, Lisbon
Nativity by Josefa de Óbidos, 1669, National Museum of Ancient Art, Lisbon
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Image: WLA metmuseum Venus and Adonis by Peter Paul Rubens
Image: WLA metmuseum Venus and Adonis by Peter Paul Rubens
Image: Ecstasy of Saint Teresa September 2015 2a
Image: Ecstasy of Saint Teresa September 2015 2a
Image: Cour de Marbre du Château de Versailles October 5, 2011
Image: Cour de Marbre du Château de Versailles October 5, 2011
Pendant in the form of a siren, made of a baroque pearl (the torso) with enameled gold mounts set with rubies, probably circa 1860, in the Metropolita
Pendant in the form of a siren, made of a baroque pearl (the torso) with enameled gold mounts set with rubies, probably circa 1860, in the Metropolitan Museum of Art (New York City, New York).