Blue-eyed soul is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul".
The Righteous Brothers, one of the early artists most closely associated with blue-eyed soul
Steve Winwood performing with Traffic, 1969
Duffy, Welsh soul artist
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based musicĀ ... [with a] heavy, insistent beat" was becoming more popular.
In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
Big Joe Turner in 1955
Louis Jordan in New York City, c. July 1946
Bo Diddley's "Bo Diddley beat" is a clave-based motif.
Ruth Brown was known as the "Queen of R&B".