1.
Contemporary R&B
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Contemporary R&B, also known as simply R&B, is a music genre that combines elements of rhythm and blues, soul, funk, pop, hip hop and dance. The genre features a record production style, drum machine-backed rhythms, an occasional saxophone-laced beat to give a jazz feel. Electronic influences are becoming a trend and the use of hip hop or dance-inspired beats are typical, although the roughness. Contemporary R&B vocalists are often known for their use of melisma, popularized by such as Michael Jackson, R. Kelly, Craig David, Stevie Wonder, Whitney Houston. That same year, Teddy Riley began producing R&B recordings that included hip hop influences and this combination of R&B style and hip hop rhythms was termed new jack swing and was applied to artists such as Bobby Brown, Keith Sweat, Al B. Guy, Jodeci and Bell Biv DeVoe, the style became less popular by the end of the 1990s, but later experienced a resurgence. In 1990 Mariah Carey released Vision of Love as her debut single and it was immensely popular peaking at number 1 in many worldwide charts including the Billboard Hot 100, and it propelled Mariahs carrier. The song is said to have popularized the use of melisma. During the mid-1990s, Whitney Houstons The Bodyguard, Original Soundtrack Album sold over 40 million copies becoming the best-selling soundtrack of all time. Janet Jacksons self-titled fifth studio album janet. which came after her historic multimillion-dollar contract with Virgin Records, sold over twenty million copies worldwide. Boyz II Men and Mariah Carey recorded several Billboard Hot 100 No.1 hits, including One Sweet Day, Carey also released a remix of her 1995 single Fantasy, with Ol Dirty Bastard as a feature, a collaboration format that was unheard of at this point. Carey, Boyz II Men and TLC released albums in 1994 and 1995—Daydream, II and CrazySexyCool. In the late 1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by such as DAngelo, Erykah Badu. Hill and Missy Elliott further blurred the line between R&B and hip hop by recording both styles, beginning in 1995, the Grammy Awards enacted the Grammy Award for Best R&B Album, with II by Boyz II Men becoming the first recipient. The award was received by TLC for CrazySexyCool in 1996, Tony Rich for Words in 1997, Erykah Badu for Baduizm in 1998. At the end of 1999, Billboard magazine ranked Mariah Carey and Janet Jackson as the first, simultaneously, in the second half of the 1990s, The Neptunes and Timbaland set influential precedence on contemporary R&B and hip hop music. R&B acts such as Michael Jackson, Whitney Houston, Janet Jackson, Mariah Carey, Usher, in 2001, Alicia Keys released Fallin as her debut single. It peaking at one on the Billboard Hot 100, Mainstream Top 40
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Nankai Broadcasting
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Ltd, also known as RNB, is a Japanese broadcast network affiliated with Nippon News Network. Their headquarters are located in Matsuyama, Ehime Prefecture, TV, Nippon News Network RADIO, Japan Radio Network, National Radio Network August 1,1953, Nankai Broadcastings radio license is applied. September 28,1953, Nankai Broadcasting is established, october 1,1953, Nankai Broadcasting commences broadcasting. December 1,1958, Television broadcasts commence, october 1,1964, Color broadcasts commence. December 10,1969, All Fuji TV shows move to the newly launched FNN station EBC, may 13,1970, Nankai Broadcasting exchanges footage of the Setouchi Sea Jack incident with Hiroshima Telecasting. March 15,1980, AM stereo broadcasts are conducted, february 21,1988, RNB transmits the Ehime Marathon for the first time. July 19,1990, RNB starts dual audio broadcasting for certain shows, march 2000, Club N, a mobile site, opens. June 21,2006, Digital terrestrial broadcasts commence, july 24,2011, Analog terrestrial broadcasts conclude. April 2012, RNB opens their official Facebook page, december 1,2014, A new FM station, Fnam, launches
3.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
4.
Blues
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Blues is a genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century. The genre developed from roots in African musical traditions, African-American work songs, spirituals, Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. Blue notes, usually thirds or fifths flattened in pitch, are also a part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove, Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times, Early blues frequently took the form of a loose narrative, often relating the troubles experienced in African-American society. Many elements, such as the format and the use of blue notes. The origins of the blues are closely related to the religious music of the Afro-American community. The first appearance of the blues is often dated to after the ending of slavery and, later and it is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century, the first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a variety of styles and subgenres. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues, World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a form called blues rock evolved. The term blues may have come from blue devils, meaning melancholy and sadness, the phrase blue devils may also have been derived from Britain in the 1600s, when the term referred to the intense visual hallucinations that can accompany severe alcohol withdrawal. As time went on, the phrase lost the reference to devils, by the 1800s in the United States, the term blues was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, in lyrics the phrase is often used to describe a depressed mood. The lyrics of traditional blues verses probably often consisted of a single line repeated four times. Two of the first published songs, Dallas Blues and Saint Louis Blues, were 12-bar blues with the AAB lyric structure. Handy wrote that he adopted this convention to avoid the monotony of lines repeated three times, the lines are often sung following a pattern closer to rhythmic talk than to a melody
5.
Spiritual (music)
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Spirituals are generally Christian songs that were created by African slaves in the United States. Spirituals were originally a tradition that imparted Christian values while also describing the hardships of slavery. Although spirituals were originally unaccompanied monophonic songs, they are best known today in harmonized choral arrangements and this historic group of uniquely American songs is now recognized as a distinct genre of music. Slave Songs of the United States, the first major collection of Negro spirituals, was published in 1867 and they are a result of the interaction of music and religion from Africa with music and religion of European origin. Further, this occurred only in the United States. Africans who converted to Christianity in other parts of the world, even in the Caribbean and Latin America, Negro spirituals were primarily expressions of religious faith. Some may also have served as socio-political protests veiled as assimilation to white American culture and they originated among enslaved Africans in the United States. Slavery was introduced to the British colonies in the early 17th century, in the United States, these people would remain in bondage for the entire 18th century and much of the 19th century. Most were not fully emancipated until the ratification of the Thirteenth Amendment to the Constitution in 1865, Slaves were forbidden from speaking their native languages, and were generally converted to Christianity. With narrow vocabularies, slaves would use the words they did know to translate biblical information, while some slave owners believed that Christian slaves would be more docile, others came to feel that stories of Moses leading the Israelites out of bondage were counterproductive. Forced conversion only worked to a point since church attendance might be required, some slaves became Christians voluntarily, either because it helped them endure hardships or because membership may have offered other benefits. Many of the Slaves turned towards the Baptist or Methodist churches, in some places enslaved Africans were permitted, or even encouraged, to hold their own prayer meetings. During these meetings, worshipers would sing, chant, dance, along with spirituals, shouts also emerged in the Praise Houses. Shouts begin slowly with the shuffling of feet and clapping of hands, drums were used as they had been in Africa, for communication. When the connection between drumming, communication, and resistance was eventually made drums were forbidden. Slaves introduced a number of new instruments to America, the bones, body percussion, and an instrument variously called the bania, banju, or banjar and they drew on native rhythms and their African heritage. They brought with them from Africa long-standing religious traditions that highlighted the importance of storytelling, Music was an essential element in communicating identity, shared social mores, traditional customs, and ethnic history. The primary function of the spirituals was as communal songs sung in a religious gathering, Negro spirituals may also have served as socio-political protests veiled as assimilation to the white American culture
6.
Gospel music
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Gospel music is a music genre in Christian music. The creation, performance, significance, and even the definition of music varies according to culture. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, Gospel music usually has dominant vocals with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the oral tradition. Hymns and sacred songs were repeated in a call and response fashion, most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella, the first published use of the term Gospel Song probably appeared in 1874. The original gospel songs were written and composed by such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane. The advent of radio in the 1920s greatly increased the audience for gospel music, following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate. Gospel blues is a form of gospel music. Southern gospel used all male, tenor-lead-baritone-bass quartet make-up, progressive Southern gospel is an American music genre that has grown out of Southern gospel over the past couple of decades. Christian country music, sometimes referred to as gospel music, is a subgenre of gospel music with a country flair. It peaked in popularity in the mid-1990s, bluegrass gospel music is rooted in American mountain music. Celtic gospel music infuses gospel music with a Celtic flair, and is popular in countries such as Ireland. British black gospel refers to Gospel music of the African diaspora, some proponents of standard hymns generally dislike gospel music of the late 19th and early 20th centuries. Today, with distance, there is a greater acceptance of such gospel songs into official denominational hymnals. Gospel music in general is characterized by dominant vocals referencing lyrics of a Christian nature, subgenres include contemporary gospel, urban contemporary gospel, Southern gospel, and modern gospel music. Several forms of gospel music utilize choirs, use piano or Hammond organ, tambourines, drums, bass guitar and, increasingly, electric guitar. In comparison with hymns, which are generally of a statelier measure, several attempts have been made to describe the style of late 19th and early 20th century gospel songs in general
7.
Boogie-woogie
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Boogie-woogie is a musical genre that became popular during the late 1920s, but developed in African American communities in the 1870s. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, while the blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing. The lyrics of one of the earliest hits, Pinetops Boogie Woogie, consist entirely of instructions to dancers, Now, and when I tell you to get it, I want you to Boogie Woogie. It is characterized by a regular bass figure, which is transposed following the chord changes. Boogie-woogie is not strictly a solo style, it can accompany singers and be featured in orchestras. It is sometimes called eight to the bar, as much of it is written in common time time using eighth notes, the chord progressions are typically based on I - IV - V - I. For the most part, boogie-woogie tunes are blues, although the style has been applied to popular songs such as Swanee River. Jeremy Denk, for example, describes the movement using terms like proto-jazz. The origin of the term boogie-woogie is unknown, according to Websters Third New International Dictionary, the Oxford English Dictionary states that the word is a reduplication of boogie, which was used for rent parties as early as 1913. John Tennison, a San Antonio psychiatrist, pianist, and musicologist, among them are four African terms, including the Hausa word Boog and the Mandingo word Booga, both of which mean to beat, as in beating a drum. There is also the West African word Bogi, which means to dance, the meanings of these terms are consistent with the percussiveness, dancing, and uninhibited behaviors historically associated with boogie-woogie music. The African origin of these terms is also consistent with evidence that the music originated among newly emancipated African-Americans, in sheet music literature prior to 1900, there are at least three examples of the word boogie in music titles in the archives of the Library of Congress. In 1901, Hoogie Boogie appeared in the title of published sheet music, the first use of Boogie in a recording title appears to be a blue cylinder recording made by Edison of the American Quartet performing That Syncopated Boogie Boo in 1913. Boogie next occurs in the title of Wilbur Sweatmans April 1917 recording of Boogie Rag, however none of these sheet music or audio recording examples contain the musical elements that would identify them as boogie-woogie. The 1919 recordings of Weary Blues by the Louisiana Five contained the same boogie-woogie bass figure as appears in the 1915 Weary Blues sheet music by Artie Matthews, Tennison has recognized these 1919 recordings as the earliest sound recordings which contain a boogie-woogie bass figure. Blind Lemon Jefferson used the term Booga Rooga to refer to a bass figure that he used in Match Box Blues. Jefferson may have heard the term from Huddie Lead Belly Ledbetter and he said it influenced his guitar-playing. Lead Belly also said he heard boogie-woogie piano in the Fannin Street district of Shreveport, additional citations place the origins of boogie-woogie in the Piney Woods of northeast Texas
8.
Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
9.
Bass guitar
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The bass guitar is a stringed instrument played primarily with the fingers or thumb, by plucking, slapping, popping, strumming, tapping, thumping, or picking with a plectrum, often known as a pick. The bass guitar is similar in appearance and construction to a guitar, but with a longer neck and scale length. The four-string bass, by far the most common, is tuned the same as the double bass. The bass guitar is an instrument, as it is notated in bass clef an octave higher than it sounds to avoid excessive ledger lines. Like the electric guitar, the guitar has pickups and it is plugged into an amplifier and speaker on stage, or into a larger PA system using a DI unit. Since the 1960s, the guitar has largely replaced the double bass in popular music as the bass instrument in the rhythm section. While types of basslines vary widely from one style of music to another, many styles of music utilise the bass guitar, including rock, heavy metal, pop, punk rock, country, reggae, gospel, blues, symphonic rock, and jazz. It is often a solo instrument in jazz, jazz fusion, Latin, funk, progressive rock and other rock, the adoption of a guitar form made the instrument easier to hold and transport than any of the existing stringed bass instruments. The addition of frets enabled bassists to play in more easily than on acoustic or electric upright basses. Around 100 of these instruments were made during this period, around 1947, Tutmarcs son, Bud, began marketing a similar bass under the Serenader brand name, prominently advertised in the nationally distributed L. D. Heater Music Company wholesale jobber catalogue of 1948, however, the Tutmarc family inventions did not achieve market success. In the 1950s, Leo Fender, with the help of his employee George Fullerton and his Fender Precision Bass, which began production in October 1951, became a widely copied industry standard. This split pickup, introduced in 1957, appears to have been two mandolin pickups, the pole pieces and leads of the coils were reversed with respect to each other, producing a humbucking effect. Humbucking is a design that electrically cancels the effect of any AC hum, the Fender Bass was a revolutionary new instrument, which could be easily transported, and which was less prone to feedback when amplified than acoustic bass instruments. Monk Montgomery was the first bass player to tour with the Fender bass guitar, roy Johnson, and Shifty Henry with Louis Jordan & His Tympany Five, were other early Fender bass pioneers. Bill Black, playing with Elvis Presley, switched from bass to the Fender Precision Bass around 1957. The bass guitar was intended to appeal to guitarists as well as upright bass players, following Fenders lead, in 1953, Gibson released the first short scale violin-shaped electric bass with extendable end pin, allowing it to be played upright or horizontally. In 1959 these were followed by the more conventional-looking EB-0 Bass, the EB-0 was very similar to a Gibson SG in appearance
10.
Horn (instrument)
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In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. Variations include, As the name indicates, people used to blow on the actual horns of animals before starting to emulate them in metal or other materials. This original usage survives in the shofar, a rams horn, the genus of animal-horn instruments to which the shofar belongs is called קרן in Hebrew, qarnu in Akkadian, and κέρας in Greek. The olifant or oliphant was the name applied in the Middle Ages to ivory hunting or signalling horns made from elephants tusks. Apparently of Asian origin, they reached Europe from Byzantium in the tenth or eleventh century, in Europe they came to be symbols of royalty. From late antiquity there are mentions of alpine horns, but the earliest secure description of the instrument now called an alphorn dates from the sixteenth century. Nevertheless, one authority says that at the time it was a straight instrument eleven feet long. The more familiar form, with a bell, was developed in Switzerland in the eighteenth century. The practice of making these instruments in different sizes, to be played together in part music, similar wooden instruments, used by shepherds for signalling, are known in Romania by the name bucium. They are made in straight, hooked, and S-shaped forms, a variant of the straight version is called tulnic. Metal instruments modelled on animal horns survive from as early as the 10th century BC, nearly fifty of these curved bronze horns have been excavated from burial sites, mostly in Scandinavia, since the first was discovered in 1797. Many are in pairs, curved in opposite directions. Because their makers left no written histories, their use and manner of playing is unknown, depictions of these instruments are found from the 5th century BC onward on Etruscan funerary monuments. The Etruscan name for them is unknown, but the Romans called them buccina, the latter name is the Latin word for horn, and the source of the name of the musical instrument in many Romance languages, French cor, Italian corno, Provençal corn. Early metal horns were less complex than modern horns, marin Mersenne calls these trompe, made in a crescent shape, and the cor à plusieurs tours, a tightly coiled instrument in spiral form. The tightly coiled form of horn was never popular in France. The earliest surviving horn of the tightly spiralled type, dating from about 1570, is by Valentin Springer, around the middle of the seventeenth century instruments began to appear in the form of brass tubes wound into a single open hoop, with a flared exit opening. Although these came to be associated especially with France, the first known example was made in 1667 by the German maker Starck, in French, they were most often called trompe de chasse, though cor de chasse is also frequently found
11.
Keyboard instrument
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A keyboard instrument is a musical instrument played using a keyboard. The most common of these are the piano, organ, and various keyboards, including synthesizers. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, today, the term keyboard often refers to keyboard-style synthesizers. Another important use of the keyboard is in historical musicology. Particularly in the 18th century, the harpsichord, the clavichord, and the piano were in competition. Hence in a phrase like Mozart excelled as a player the word keyboard is usefully noncommittal. The earliest known keyboard instrument was the Ancient Greek hydraulis, a type of pipe organ, the keys were likely balanced and could be played with a light touch, as is clear from the reference in a Latin poem by Claudian, who says magna levi detrudens murmura tactu. Intent, that is “let him thunder forth as he presses out mighty roarings with a light touch”, from its invention until the fourteenth century, the organ remained the only keyboard instrument. Often, the organ did not feature a keyboard at all, almost every keyboard until the fifteenth century had seven naturals to each octave. The clavichord and the harpsichord appeared during the 14th century—the clavichord probably being earlier, the harpsichord and clavichord were both common until widespread adoption of the piano in the 18th century, after which their popularity decreased. The piano was revolutionary, because a pianist could vary the volume of the sound by varying the vigor with which each key was struck. The pianos full name is gravicèmbalo con piano e forte meaning harpsichord with soft and loud but can be shortened to piano-forte, which means soft-loud in Italian. In its current form, the piano is a product of the late 19th century, in fact, the modern piano is significantly different from even the 19th-century pianos used by Liszt, Chopin, and Brahms. See Piano history and musical performance, keyboard instruments were further developed in the early twentieth century. Early electromechanical instruments, such as the Ondes Martenot, appeared early in the century and this was a very important contribution to the keyboards history. Much effort has gone into creating an instrument that sounds like the piano but lacks its size, the electric piano and electronic piano were early efforts that, while useful instruments in their own right, did not convincingly reproduce the timbre of the piano. Electric and electronic organs were developed during the same period, more recent electronic keyboard designs strive to emulate the sound of specific make and model pianos using digital samples and computer models. Concerns celebrated keyboard players and the various instruments used over the centuries
12.
Electric guitar
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The vibrations of the strings are sensed by a pickup, of which the most common type is the magnetic pickup, which uses the principle of direct electromagnetic induction. The signal generated by a guitar is too weak to drive a loudspeaker, so it is plugged into a guitar amplifier before being sent to a loudspeaker. The output of a guitar is an electric signal. Invented in 1931, the electric guitar was adopted by jazz guitarists. Early proponents of the guitar on record included Les Paul, Lonnie Johnson, Sister Rosetta Tharpe, T-Bone Walker. During the 1950s and 1960s, the guitar became the most important instrument in pop music. It has evolved into an instrument that is capable of a multitude of sounds and styles in genres ranging from pop and rock to country music, blues and jazz. It served as a component in the development of electric blues, rock and roll, rock music, heavy metal music. Electric guitar design and construction vary greatly in the shape of the body and the configuration of the neck, bridge, Guitars may have a fixed bridge or a spring-loaded hinged bridge that lets players bend the pitch of notes or chords up or down or perform vibrato effects. The sound of a guitar can be modified by new playing techniques such as string bending, tapping, hammering on, using audio feedback, in a small group, such as a power trio, one guitarist switches between both roles. In larger rock and metal bands, there is often a rhythm guitarist, many experiments at electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century. Patents from the 1910s show telephone transmitters were adapted and placed inside violins, hobbyists in the 1920s used carbon button microphones attached to the bridge, however, these detected vibration from the bridge on top of the instrument, resulting in a weak signal. With numerous people experimenting with electrical instruments in the 1920s and early 1930s, Electric guitars were originally designed by acoustic guitar makers and instrument manufacturers. Some of the earliest electric guitars adapted hollow-bodied acoustic instruments and used tungsten pickups, the first electrically amplified guitar was designed in 1931 by George Beauchamp, the general manager of the National Guitar Corporation, with Paul Barth, who was vice president. The maple body prototype for the one-piece cast aluminum frying pan was built by Harry Watson, commercial production began in late summer of 1932 by the Ro-Pat-In Corporation, in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker, and Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company, in that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was issued in 1937. The Electro-Spanish Ken Roberts provided players a full 25 scale, with 17 frets free of the fretboard and it is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937, fewer than 10 are known to survive today. The need for the guitar became apparent during the big band era as orchestras increased in size, particularly when acoustic guitars had to compete with large
13.
Singing
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Singing is the act of producing musical sounds with the voice, and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist, Singers perform music that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists, Singers may perform as soloists, or accompanied by anything from a single instrument up to a symphony orchestra or big band. Singing can be formal or informal, arranged or improvised and it may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual, as part of music education, or as a profession. Excellence in singing requires time, dedication, instruction, and regular practice, if practice is done on a regular basis then the sounds can become more clear and strong. Professional singers usually build their careers around one specific genre, such as classical or rock. They typically take voice training provided by teachers or vocal coaches throughout their careers. Though these four mechanisms function independently, they are coordinated in the establishment of a vocal technique and are made to interact upon one another. During passive breathing, air is inhaled with the diaphragm while exhalation occurs without any effort, exhalation may be aided by the abdominal, internal intercostal and lower pelvis/pelvic muscles. Inhalation is aided by use of external intercostals, scalenes and sternocleidomastoid muscles, the pitch is altered with the vocal cords. With the lips closed, this is called humming, humans have vocal folds which can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of the chest and neck, the position of the tongue, any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body and an individuals size, Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation, another major influence on vocal sound and production is the function of the larynx which people can manipulate in different ways to produce different sounds. These different kinds of function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singers Formant and it has also been shown that a more powerful voice may be achieved with a fatter and fluid-like vocal fold mucosa. The more pliable the mucosa, the more efficient the transfer of energy from the airflow to the vocal folds, Vocal registration refers to the system of vocal registers within the voice. A register in the voice is a series of tones, produced in the same vibratory pattern of the vocal folds
14.
Vocal harmony
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Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies have been an important part of Western art music since the Renaissance-era introduction of Mass melodies harmonized in sweet thirds, with the rise of the Lutheran churchs chorale hymn singing style, congregations sang hymns arranged with four or five-part vocal harmony. In the Romantic era of music during the 1800s, vocal harmonization became more complex, operas and choral music from the Romantic era used tense-sounding vocal harmonies with augmented and diminished intervals as an important tool for underscoring the drama of the music. As well, the rhythm of the harmony parts has to be in time with the lead singer. In more vocally oriented bands, backup singers may have to sing complex parts which demand a vocal agility and sensitivity equal to that of the vocal line. Usually, pop and rock bands use harmony vocals while the rest of the band is playing, however, as an effect, some rock and pop harmony vocals are done a cappella, without instrumental accompaniment. In many rock and metal bands, the musicians doing backup vocals also play instruments, such as keyboards, in Latin or Afro-Cuban groups, backup singers may play percussion instruments or shakers while singing. In some pop and hip-hop groups and in theater, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones. One of the more complex styles of vocal harmony is the barbershop quartet style, the melody is not usually sung by the tenor or bass. Barbershop quartets are more likely to use dissonant and tense-sounding dominant seventh chords than pop or rock bands and it used smooth, consonant vocal harmonies, with a number of singers imitating instruments while singing nonsense syllables. For example, in The Ravens song Count Every Star, the singers imitate the doomph, doomph plucking-sound of a double bass, well-known hits include In the Still of the Night by The Five Satins and Get a Job by The Silhouettes, a hit in 1958. Doo-wop remained popular until just before the British Invasion of 1964, a cappella Backup singer Barbershop arranging Doo-wop
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Funk
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Funk is a music genre that originated in the mid- 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues. Like much of African-inspired music, funk typically consists of a groove with rhythm instruments playing interlocking grooves. Funk uses the same richly-colored extended chords found in jazz, such as minor chords with added sevenths and elevenths. Other musical groups, including Sly and the Family Stone and Parliament-Funkadelic, soon began to adopt, Funk samples have been used extensively in genres including hip hop, house music, and drum and bass. It is also the influence of go-go, a subgenre associated with funk. The word funk initially referred to a strong odor and it is originally derived from Latin fumigare via Old French fungiere and, in this sense, it was first documented in English in 1620. In 1784 funky meaning musty was first documented, which, in turn, in early jam sessions, musicians would encourage one another to get down by telling one another, Now, put some stank on it. At least as early as 1907, jazz songs carried titles such as Funky, as late as the 1950s and early 1960s, when funk and funky were used increasingly in the context of jazz music, the terms still were considered indelicate and inappropriate for use in polite company. According to one source, New Orleans-born drummer Earl Palmer was the first to use the word funky to explain to other musicians that their music should be made more syncopated, the style later evolved into a rather hard-driving, insistent rhythm, implying a more carnal quality. This early form of the set the pattern for later musicians. The music was identified as slow, sexy, loose, riff-oriented, a great deal of funk is rhythmically based on a two-celled onbeat/offbeat structure, which originated in sub-Saharan African music traditions. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, New Orleans funk, as it was called, gained international acclaim largely because James Browns rhythm section used it to great effect. Funk creates an intense groove by using strong guitar riffs and bass lines, like Motown recordings, funk songs used bass lines as the centerpiece of songs. Slap basss mixture of thumb-slapped low notes and finger popped high notes allowed the bass to have a rhythmic role. In funk bands, guitarists typically play in a style, often using the wah-wah sound effect. Guitarist Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic were notably influenced by Jimi Hendrixs improvised solos, Eddie Hazel, who worked with George Clinton, is one of the most notable guitar soloists in funk. Ernie Isley was tutored at an age by Jimi Hendrix himself. Jimmy Nolen and Phelps Collins are famous funk rhythm guitarists who both worked with James Brown, on Browns Give It Up or Turnit a Loose, Jimmy Nolens guitar part has a bare bones tonal structure
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Ska
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Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and it is characterized by a walking bass line accented with rhythms on the off-beat. Ska developed in Jamaica in the 1960s when Prince Buster, Clement Coxsone Dodd, some suggest ska dates to earlier times, however. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods, later it became popular with many skinheads. There are multiple theories about the origins of the word ska, ernest Ranglin claimed that the term was coined by musicians to refer to the skat. skat. skat. Ranglin asserted that the difference between R&B and ska beats is that the former goes chink-ka and the latter goes ka-chink, a further theory is that it derives from Johnsons word skavoovie, with which he was known to greet his friends. Jackie Mittoo insisted that the called the rhythm Staya Staya. Dominos rhythm, accentuating the offbeat as in the song Be My Guest, was a particular influence, to meet the demand for that music, entrepreneurs such as Prince Buster, Coxsone Dodd, and Duke Reid formed sound systems. Drums kept 4/4 time and the drum was accented on the third beat of each 4-triplet phrase. The snare would play side stick and accent the third beat of each 4-triplet phrase, the upstroke sound can also be found in other Caribbean forms of music, such as mento and calypso. One theory about the origin of ska is that Prince Buster created it during the recording session for his new record label Wild Bells. The session was financed by Duke Reid, who was supposed to get half of the songs to release, the guitar began emphasizing the second and fourth beats in the bar, giving rise to the new sound. The drums were taken from traditional Jamaican drumming and marching styles, to create the ska beat, Prince Buster essentially flipped the R&B shuffle beat, stressing the offbeats with the help of the guitar. The first ska recordings were created at facilities such as Studio One and WIRL Records in Kingston, Jamaica with producers such as Dodd, Reid, Prince Buster, and Edward Seaga. Until Jamaica ratified the Berne Convention for the Protection of Literary and Artistic Works and this created a large number of cover songs and reinterpretations. One such cover was Millie Smalls version of the R&B/shuffle tune, Smalls rhythmically similar version, released in 1964, was Jamaicas first commercially successful international hit. With over seven million copies sold, it one of the best selling reggae/ska songs of all time. The Wailers covered The Beatles And I Love Her, and radically reinterpreted Bob Dylans Like a Rolling Stone and they also created their own versions of Latin-influenced music from artists such as Mongo Santamaria
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Doo-wop
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Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time. Doo-wop features vocal harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation. The first record to use the syllables doo-wop was the 1955 hit When You Dance by The Turbans, the term doo-wop first appeared in print in 1961. During the late 1950s many Italian-American groups contributed a significant part in the doo-wop scene, the peak of doo-wop was in 1961. Doo-wops influence continued in soul, pop, and rock groups of the 1960s, at various times in the 1970s, 1980s, and 1990s, the genre has seen revivals. Doo-wop was a precursor to many of the African-American musical styles seen today, an evolution of jazz and blues, doo-wop also influenced many of the major rock and roll groups that defined the later decades of the 20th century. Doo-wop is iconic for its beats and using the off-beat to keep time. Doo-wop laid the foundation for musical innovations, for example. These were generally slow songs in swing time with simple instrumentation, the subject of the lyrics was generally love and relationships. This characteristic harmonic layout was combined with the AABA chorus form typical for Tin Pan Alley pop, a second stream of doo-wop oriented itself to the harmonic, formal and melodic means of jump blues. From the outset, singers gathered on street corners, and in subways, for instance, Count Every Star by The Ravens, includes vocalizations imitating the doomph, doomph plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music, radio, gramophone, and cinema inspired imitation in many U. S. cities. The late 1940s and early 1950s brought the bird groups, The Swallows. A number of names are also drawn from cars. The Orioles helped develop the sound with their hits Its Too Soon to Know. The term doo-wop first appeared in print in 1961 in the Chicago Defender, the phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested doo-wop was already in use to categorize the music in California. The first record to use the syllables doo-wop in the refrain was the 1955 hit When You Dance by The Turbans, previously, the scat backing vocal doo-wop is heard in The Clovers 1953 release Good Lovin and in the chorus of Carlyle Dundee & The Dundees 1954 song Never. After some time, the term doo-wop finally caught on as both a description and category for R&B vocal group harmony, the definition expanded backward to include rhythm and blues groups from the mid-1950s, then cascaded even further back to include groups from the 1940s
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Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
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Rock and roll
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While elements of rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until the 1950s. For the purpose of differentiation, this deals with the first definition. The beat is essentially a blues rhythm with an accentuated backbeat, classic rock and roll is usually played with one or two electric guitars, a double bass or string bass or an electric bass guitar, and a drum kit. Beyond simply a style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes. In addition, rock and roll may have contributed to the civil rights movement because both African-American and white American teens enjoyed the music and it went on to spawn various genres, often without the initially characteristic backbeat, that are now more commonly called simply rock music or rock. The term rock and roll now has at least two different meanings, both in common usage, the American Heritage Dictionary and the Merriam-Webster Dictionary both define rock and roll as synonymous with rock music. Encyclopædia Britannica, on the hand, regards it as the music that originated in the mid-1950s. In 1934, the song Rock and Roll by the Boswell Sisters appeared in the film Transatlantic Merry-Go-Round, in 1942, Billboard magazine columnist Maurie Orodenker started to use the term rock-and-roll to describe upbeat recordings such as Rock Me by Sister Rosetta Tharpe. By 1943, the Rock and Roll Inn in South Merchantville, in 1951, Cleveland, Ohio disc jockey Alan Freed began playing this music style while popularizing the phrase to describe it. The origins of rock and roll have been debated by commentators. The migration of former slaves and their descendants to major urban centers such as St. The immediate roots of rock and roll lay in the rhythm and blues, then called race music, particularly significant influences were jazz, blues, gospel, country, and folk. The 1940s saw the use of blaring horns, shouted lyrics. In the same period, particularly on the West Coast and in the Midwest, similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Rock and roll arrived at a time of technological change, soon after the development of the electric guitar, amplifier and microphone. It was the realization that relatively affluent white teenagers were listening to music that led to the development of what was to be defined as rock. Because the development of rock and roll was a process, no single record can be identified as unambiguously the first rock. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Little Richard, Jerry Lee Lewis
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Reggae
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Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern music of Jamaica and its diaspora. A1968 single by Toots and the Maytals Do the Reggay was the first popular song to use the word reggae, effectively naming the genre, Reggae usually relates news, social gossip, and political comment. Reggae spread into a commercialized jazz field, being known first as ‘Rudie Blues’, then ‘Ska’, later ‘Blue Beat’ and it is instantly recognizable from the counterpoint between the bass and drum downbeat, and the offbeat rhythm section. The immediate origins of reggae were in ska and rock steady, from the latter, stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento, calypso, African music, as well as other genres. One of the most easily recognizable elements is offbeat rhythms, staccato chords played by a guitar or piano on the offbeats of the measure, the tempo of reggae is usually slower than ska but faster than rocksteady. The concept of call and response can be found throughout reggae music, the genre of reggae music is led by the drum and bass. The bass guitar often plays the dominant role in reggae, the bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasized. The guitar in reggae usually plays on the off beat of the rhythm and it is common for reggae to be sung in Jamaican Patois, Jamaican English, and Iyaric dialects. Reggae is noted for its tradition of criticism and religion in its lyrics, although many reggae songs discuss lighter, more personal subjects, such as love. Reggae has spread to countries across the world, often incorporating local instruments. Reggae en Español spread from the mainland South America countries of Venezuela, Caribbean music in the United Kingdom, including reggae, has been popular since the late 1960s, and has evolved into several subgenres and fusions. Many reggae artists began their careers in the UK, and there have been a number of European artists and bands drawing their inspiration directly from Jamaica, Reggae in Africa was boosted by the visit of Bob Marley to Zimbabwe in 1980. In Jamaica, authentic reggae is one of the biggest sources of income, the 1967 edition of the Dictionary of Jamaican English lists reggae as a recently estab. Sp. for rege, as in rege-rege, a word that can mean either rags, ragged clothing or a quarrel, a row. Reggae as a term first appeared in print with the 1968 rocksteady hit Do the Reggay by The Maytals which named the genre of Reggae for the world. Reggae historian Steve Barrow credits Clancy Eccles with altering the Jamaican patois word streggae into reggae, however, Toots Hibbert said, Theres a word we used to use in Jamaica called streggae. If a girl is walking and the look at her and say Man, shes streggae it means she dont dress well
21.
Disco
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Disco is a genre of dance music containing elements of funk, soul, pop, and salsa. It achieved popularity during the mid-1970s to the early 1980s, Disco can be seen as a reaction against both the domination of rock music and the stigmatization of dance music by the counterculture during this period. It was popular with men and women, from many different backgrounds. The disco sound often has several components, a beat, an eighth note or 16th note hi-hat pattern with an open hi-hat on the off-beat. In most disco tracks, string sections, horns, electric piano, Orchestral instruments such as the flute are often used for solo melodies, and lead guitar is less frequently used in disco than in rock. Many disco songs use electronic synthesizers, particularly in the late 1970s, well-known 1970s disco performers included Donna Summer, the Bee Gees, Boney M. KC and the Sunshine Band, The Trammps, Sylvester, Village People, Gloria Gaynor and Chic. While performers and singers garnered much attention, record producers working behind the scenes played an important role in developing the disco sound. Many non-disco artists recorded songs at the height of discos popularity. Disco was the last mass popular movement that was driven by the baby boom generation. Disco was a phenomenon, but its popularity drastically declined in the United States in 1980. Disco Demolition Night, an anti-disco protest held in Chicago on 12 July 1979, is thought of as a factor in discos fast. By the late 1970s most major U. S. cities had thriving disco club scenes, Studio 54, a venue popular amongst celebrities, is a well-known example of a disco club. Popular dances included the Hustle, a suggestive dance. Discotheque-goers often wore expensive, extravagant and sexy fashions, Disco clubs were also associated with promiscuity. Disco was a key influence on the 1980s electronic dance style called house. The term is derived from discothèque, by the early 1940s, the terms disc jockey and DJ were in use to describe radio presenters. During WWII, because of restrictions set in place by the Nazi occupiers, eventually more than one of these jazz venues had the proper name discothèque. By 1959, the term was used in Paris to describe any of these type of nightclubs and that year a young reporter named Klaus Quirini started to select and introduce records at the Scotch-Club in Aachen, West Germany
22.
Beat music
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Beat music, British beat, or Merseybeat is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll, doo-wop, skiffle, the exact origins of the terms beat music and Merseybeat are uncertain. The name Mersey Beat was used for a Liverpool music magazine founded in 1961 by Bill Harry, Harry claims to have coined the term based on a policemans beat and not that of the music. The band the Pacifics were renamed the Mersey Beats in February 1962 by Bob Wooler, MC at the Cavern Club, the equivalent scenes in Birmingham and London were described as Brum beat and the Tottenham Sound respectively. The most distinctive characteristic of the music was the beat, using the backbeat common to rock and roll and rhythm and blues. The 8/8 rhythm was flexible enough to be adopted for songs from a range of genres and this flexibility also meant that beat music could cope with a greater range of time-signatures and song shapes than rock & roll had been able to. Beat groups usually had simple guitar-dominated line-ups, with vocal harmonies, the most common instrumentation of beat groups featured lead, rhythm and bass guitars plus drums, as popularized by the Beatles, the Searchers, and others. Beat groups—even those with a separate lead singer—often sang both verses and choruses in harmony, resembling doo wop, with nonsense syllables in the backing vocals. In the late 1950s, a culture of groups began to emerge, often out of the declining skiffle scene, in major urban centres in the UK like Liverpool, Manchester, Birmingham. This was particularly true in Liverpool, where it has estimated that there were around 350 different bands active, often playing ballrooms, concert halls. Liverpool was perhaps uniquely placed within Britain to be the point of origin of a new form of music. It was also a port with links to America, which made for much greater access to American records and instruments like guitars. As a result, Beat bands were influenced by American groups of the era, such as Buddy Holly and the Crickets. Outside of Liverpool many local scenes were influenced by rock and roll and more by the rhythm and blues. These included bands from Birmingham who were grouped with the beat movement, the most successful being the Spencer Davis Group. Similar blues influenced bands who broke out from local scenes to national prominence were the Animals from Newcastle, the term British Invasion was coined by T. V. reporter Walter Cronkite to describe the Beatles arrival in the United States and the outbreak of Beatlemania in 1964. Their appearance on The Ed Sullivan Show soon after led to chart success, by 1967 beat music was beginning to sound out of date, particularly compared with the harder edged blues rock that was beginning to emerge. Most of the groups that had not already disbanded, like the Beatles, moved into different forms of music and pop music, including psychedelic rock
23.
Dancehall
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Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially dancehall was a more sparse version of reggae than the roots style, in the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Dancehall music saw mainstream success in Jamaica throughout the 1980s, 1990s and 2000s, by the 2010s, dancehall began to heavily influence the work of established Western artists producers which has helped to further bring the genre into the Western music mainstream. Dancehall is named after Jamaican dance halls in which popular Jamaican recordings were played by local sound systems and they began in the late 1940s among people from the inner city of Kingston, who were not able to participate in dances uptown. Themes of social injustice, repatriation and the Rastafari movement were overtaken by lyrics about dancing, violence, around the same time, producer Don Mais was reworking old rhythms at Channel One Studios, using the Roots Radics band. Sound systems such as Killimanjaro, Black Scorpio, Gemini Disco, Virgo Hi-Fi, Volcano Hi-Power and Aces International soon capitalized on the new sound, deejay records became, for the first time, more important than records featuring singers. The early 1980s also saw the emergence of female deejays in dancehall music, such as Lady G, Lady Saw, other female dancehall stars include artistes like Diana King and in the late 1990s to the 2000s Ce Cile, Spice, Macka Diamond and more. In the mid-1980s, French Caribbean group Kassav, the first in the Caribbean to use MIDI technology, King Jammys 1985 hit, Sleng Teng by Wayne Smith, with an entirely-digital rhythm hook took the dancehall reggae world by storm. Many credit this song as being the first digital rhythm in reggae, however, this is not entirely correct since there are earlier examples of digital productions, such as Horace Fergusons single Sensi Addict produced by Prince Jazzbo in 1984. The Sleng Teng rhythm was used in over 200 subsequent recordings and this deejay-led, largely synthesized chanting with musical accompaniment departed from traditional conceptions of Jamaican popular musical entertainment. Dub poet Mutabaruka said, if 1970s reggae was red, green and gold and it was far removed from reggaes gentle roots and culture, and there was much debate among purists as to whether it should be considered an extension of reggae. This shift in style again saw the emergence of a new generation of artists, such as Buccaneer, Capleton and Shabba Ranks, the deejays became more focused on violence, with Bounty Killer, Mad Cobra, Ninjaman and Buju Banton becoming major figures in the genre. By the early 2000s, dancehall inspired pop music saw increased popularity in Jamaica, as well as in the United States and international markets. This was first seen with artists, such as Sean Paul whos single Get Busy became the first dancehall single to number one on the US Billboard Hot 100. The late 2000s saw domestic success for artists, such as Popcaan, Vybz Kartel, Konshens, Mr. Vegas. Donna P. Kingsley Stewart outlines ten of the major cultural imperatives or principles that constitute the dancehall worldview, such a drastic change in the popular music of the region generated an equally radical transformation in fashion trends, specifically those of its female faction. In lieu of traditional, modest rootsy styles, as dictated by Rastafari-inspired gender roles, women began donning flashy and this transformation is said to coincide with the influx of slack lyrics within dancehall, which objectified women as apparatuses of pleasure. These women would team up others to form modeling posses, or dancehall model groups
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Psychedelic rock
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Many psychedelic groups differ in style, and the label is often used indiscriminately. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called raga rock. In the 1960s, there existed two main variants of the genre, the whimsical British pop-psychedelia, and the harder American West Coast acid rock. While acid rock is often deployed interchangeably with the psychedelic rock, it can also refer more specifically to the heavier. The genre bridged the transition from early blues- and folk-based rock to rock and hard rock. Since the late 1970s it has revived in various forms of neo-psychedelia. The term psychedelic was first coined in 1956 by psychiatrist Humphry Osmond as a descriptor for hallucinogenic drugs in the context of psychedelic psychotherapy. As the countercultural scene developed in San Francisco, the acid rock. In the popular music of the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with form, arrangements, unnatural reverb. Some of the best known examples are Phil Spectors Wall of Sound production formula, there was no transition to be made. You go from things like Flying Purple People Eater to I Am the Walrus, music critic Richie Unterberger says that attempts to pin down the first psychedelic record are therefore nearly as elusive as trying to name the first rock & roll record. Some of the far-fetched claims include the instrumental Telstar and the Dave Clark Fives massively reverb-laden Any Way You Want It, the first mention of LSD on a rock record was the Gamblers 1960 surf instrumental LSD25. American folk singer Bob Dylan was an influence on mid 1960s rock music. He led directly to the creation of rock and the psychedelic rock musicians that followed. Molly Longman of mic. com writes that, in terms of bridging the relationship between music and hallucinogens, the Beatles and the Beach Boys were the eras most pivotal acts. The considerable success enjoyed by these two bands allowed them the freedom to experiment with new technology over entire albums. In Unterbergers opinion, the Byrds, emerging from the Californian folk scene, with their ominous minor key melodies, hyperactive instrumental breaks, and use of Gregorian chants. In the songs lyric, the requests, Take me on a trip upon your magic swirling ship
25.
Garage rock
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Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada. The term derives from the perception that groups were made up of young amateurs who rehearsed in the family garage. The style, a precursor to rock, is characterized by aggressive and unsophisticated lyrics and delivery. In the US and Canada, surf rock—and later the Beatles, hundreds of acts produced regional hits, and some had national hits. Though largely associated with North America, counterparts were present elsewhere as part of the beat boom of the era. As critics of the period began to prescribe a scope for genre, they used the term punk rock. Garage rock has experienced various revivals in the years and continues to influence acts who prefer a back to basics. In the early- to mid-1980s, several garage revival scenes sprung up featuring acts that consciously attempted to replicate the look, in the 2000s, a wave of garage rock revival acts associated with the post-punk revival emerged, and a handful achieved airplay and commercial success. The term garage rock comes from the perception that its performers were young and amateurish, while numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed of professional musicians in their twenties. The term garage band often refers to acts in this genre. Garage bands performed in a variety of venues, less-established groups typically played at parties, school dances, and teen clubs. For acts of legal age, bars, nightclubs, and college fraternity socials also provided regular engagements, occasionally, local groups had the opportunity to open at shows for famous touring acts. Some garage rock bands went on tour, particularly better-known acts, groups often competed in battles of the bands, which gave musicians an opportunity to gain exposure and a chance to win a prize, such as free recording time in a local studio. Battles of the bands were held, locally, regionally and nationally, and two of the most prestigious contests were held annually by the Tea Council of the U. S. A. and the Music Circus. Performances often sounded amateurish, naïve or intentionally raw, with typical themes revolving around the traumas of high school life, instrumentation was characterized by electric guitars often distorted through a fuzzbox, teamed with bass and drums. Guitarists sometimes played using aggressive-sounding bar chord riffs, sometimes referred to as power chords, organs such as the Farfisa were commonly used as well as mouth harmonicas or hand-held percussion such as tambourines. Occasionally, the tempo sped up in certain passages, sometimes referred to as raveups, Garage rock acts were diverse in both musical ability and in style, ranging from crude two- and three-chord music to near-studio musician quality. There were also variations in flourishing scenes, such as in California
26.
Pub rock (United Kingdom)
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Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement, pub rock was a reaction against progressive, although short-lived, pub rock was notable for rejecting stadium venues and for returning live rock to the small pubs and clubs of its early years. It was the catalyst for the British punk rock scene, Pub rock was deliberately nasty, dirty and post-glam. Dress style was based around denim and plaid shirts, tatty jeans, the figureheads of the movement, Dr. Feelgood, were noted for their frontman’s filthy white suit. Bands looked menacing and threatening, like villains on The Sweeney, according to David Hepworth, Dr Feelgood looked as if they had come together in some unsavoury section of the army. Pub rock groups disdained any form of flash, scene leaders like Dr. Lesser acts played funky soul or country rock. The scene was primarily a live phenomenon, during the peak years of 1972 to 1975, there was just one solitary Top 20 single, and all the bands combined sold less than an estimated 150,000 albums. Many acts suffered in the transition from pub to studio and were unable to recapture their sound, the genre’s primary characteristic is, as the name suggests, the pub. By championing smaller venues, the bands reinvigorated a local scene that had dwindled since the 1960s as bands priced themselves into big theatres. New aspiring bands could now find venues to play without needing to have a company behind them. Pub Rock was primarily restricted to Greater London with some overspill into Essex, although the belt in Scotland also produced local bands such as The Cheetahs. American country-rock band Eggs over Easy were the precursors of the movement when they broke the jazz-only policy of the Tally Ho pub in Kentish Town and they were impressive enough to inspire local musicians such as Nick Lowe. Most of the venues were in large Victorian pubs north of Regents Park where there were plenty of suitable pubs, one of the most notable venues was the Hope and Anchor pub on Islingtons Upper Street, still a venue. Out of London, venues included the Dagenham Roundhouse, the Grand in Leigh on Sea and this network of venues later formed a ready-made launch pad for the punk scene. In 1974, pub rock was the hottest scene in London, at that point it seemed that nearly every large pub in London was supplying live music, along with hot snacks and the occasional stripper. The figureheads were Essex-based R&B outfit Dr. Feelgood, by Autumn 1975, they were joined by acts such as The Stranglers, Roogalator, Eddie and the Hot Rods, Kilburn and the High Roads, and Joe Strummers 101ers. Pub rock was rapidly overtaken by the UK punk explosion after spawning what are now seen as several proto-punk bands, some artists were able to make the transition by jumping ship to new outfits, notably Joe Strummer, Ian Dury and Elvis Costello. A few stalwarts were later able to realise Top 40 chart success, many of the actual pubs themselves survived as punk venues, but a range of notable pubs such as the George Robey and the Pied Bull have since been closed or demolished
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Mod revival
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The mod revival was a music genre and subculture that started in England in 1978 and later spread to other countries. The mod revivals mainstream popularity was short, although its influence has lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members. The late 1970s mod revival was led by the band The Jam, the mod revival was a conscious effort to harken back to an earlier generation in terms of style. In the early 1980s in the UK, a mod revival scene influenced by the original 1960s mod subculture developed. The revival was spurred on by the band The Jam. Their debut album In the City, mixed R&B standards with originals modelled on The Whos early singles and they confirmed their status as the leading mod revival band with their third album All Mod Cons, on which Paul Wellers song-writing drew heavily on the British-focused narratives of the Kinks. In 1979, the film Quadrophenia, which romanticised the original 1960s mod subculture, widened the impact, the original mod revival fanzine, Maximum Speed started in 1979 and spawned other home-produced fanzines from then until the mid-to-late 1980s. These acts managed to develop cult followings and some had pop hits, more RnB based bands such as The Little Roosters, The Inmates, Nine Below Zero also became key acts in the growing mod revival scene in London. Other Another British tradition that returned at the time was the penchant for members of youth subcultures to go to seaside resorts on bank holidays. This originated in the early 1960s with the mods and rockers fighting each other at such as Brighton. The phenomenon returned in 1969 through to 1970 with skinheads fighting Teddy boys, in 1977 it returned yet again, with punks fighting Teddy Boys at Margate, and revival skinheads fighting Teddy boys, bikers and rockers at Southend and Margate. In 1979 and 1980, the resorts became major battlegrounds on bank holidays for young skinheads and mods together against Teddy boys, some of the main resorts involved were Margate, Brighton, Southend, Clacton, Hastings and Scarborough. Paul Weller broke up The Jam in 1982 and formed The Style Council, in the mid-1980s, there was a brief mod revival centered on bands such as The Prisoners, Makin Time and the Gents. Another main player in the 1980s UK mod revival was Eddie Piller, the UK mod revival was followed by a mod revival in North America in the early 1980s, particularly in Southern California, led by bands such as The Untouchables. Led the mod revival releasing their first album Mudança de comportamento in 1985 on the WEA label and their 1986 followup Vivendo e não aprendendo further established them as leaders of the mod revival in Brazil. They quickly achieved Gold Album status in sales of Vivendo e não aprendendo, bands associated with Britpop in the mid-1990s often championed aspects of Mod culture. A number of 1970s mod revival bands have reunited in recent years to play concerts, including Secret Affair, the Chords and the Purple Hearts
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Hip hop music
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It developed as part of hip hop culture, a subculture defined by four key stylistic elements, MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, while often used to refer solely to rapping, hip hop more properly denotes the practice of the entire subculture. Hip hops early evolution occurred as sampling technology and drum machines became available and affordable. Turntablist techniques such as scratching and beatmatching developed along with the breaks and Jamaican toasting, rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. The Sugarhill Gangs 1979 song Rappers Delight is widely regarded to be the first hip hop record to gain popularity in the mainstream. The 1980s marked the diversification of hip hop as the genre developed more complex styles, prior to the 1980s, hip hop music was largely confined within the United States. However, during the 1980s, it began to spread to scenes in dozens of countries. New school hip hop was the wave of hip hop music, originating in 1983–84 with the early records of Run-D. M. C. The Golden age hip hop period was a period between the mid-1980s and the early 1990s. Notable artists from this era include the Juice Crew, Public Enemy, & Rakim, Boogie Down Productions and KRS-One, EPMD, Slick Rick, Beastie Boys, Kool G Rap, Big Daddy Kane, Ultramagnetic MCs, De La Soul, and A Tribe Called Quest. Gangsta rap is a subgenre of hip hop that often focuses on the violent lifestyles, in the West Coast hip hop style, G-funk dominated mainstream hip hop for several years during the 1990s. I. G. In the 1990s, hip hop began to diversify with other regional styles emerging, such as Southern rap, at the same time, hip hop continued to be assimilated into other genres of popular music, examples being Neo soul and nu metal. Hip hop became a pop music genre in the mid-1990s. The popularity of hip hop music continued through the 2000s, with hip hop influences also increasingly finding their way into mainstream pop, the United States also saw the success of regional styles such as crunk, a Southern genre that emphasized the beats and music more than the lyrics. Starting in 2005, sales of hip hop music in the United States began to severely wane, during the mid-2000s, alternative hip hop secured a place in the mainstream, due in part to the crossover success of artists such as OutKast and Kanye West. Creation of the hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was known as disco rap. Cowboy later worked the hip hop cadence into a part of his stage performance, the first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop
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Neo soul
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Neo soul is a genre of popular music. The term was coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music emerged from soul. It has been noted by writers for its traditional R&B influences, conscious-driven lyrics. Neo soul developed during the 1980s and early 1990s, in the United States and United Kingdom and it earned mainstream success during the 1990s, with the commercial and critical breakthroughs of several artists, including DAngelo, Erykah Badu, Lauryn Hill, and Maxwell. Their music was marketed as an alternative to the producer-driven, digitally approached R&B of the time and its mainstream presence declined during the 2000s, although newer artists emerged through more independent means of marketing their music. According to music journalist Mark Anthony Neal, neo-soul and its various incarnations has helped to redefine the boundaries, the success of DAngelos 1995 debut album Brown Sugar has been regarded by several writers and music critics as inspiration behind the terms origin. In a 2002 interview for Billboard, Massenburg said that genre classifications are often unpopular because they may be suggestive of a short-lived trend. However, although he said neo soul is still essentially soul music, neo-soul artists tried to look both backward and forward, acting in the belief that a continuum might exist. Despite some ambivalence from artists, the term received widespread use by music critics and writers who wrote about artists, African American studies professor Mark Anthony Neal has described neo soul as everything from avant-garde R&B to organic soul. A product of trying to something outside of the norm in R&B. They also infuse jazz, funk, and African musical elements into R&B, noting that most of the genres artists are singer-songwriters, writers have viewed their lyrical content as more conscious-driven and having a broader range than most other R&B artists. AllMusic calls it roughly analogous to contemporary R&B, dimitri Ehrlich of Vibe said that they emphasize a mix of elegant, jazz-tinged R&B and subdued hip hop, with a highly idiosyncratic, deeply personal approach to love and politics. Music writers have noted that neo soul artists are predominantly female, jason Anderson of CBC News called neo soul a sinuous, sly yet unabashedly earnest alternative and kind of haven for listeners turned off by the hedonism of mainstream hip-hop and club jams. Neo soul artists are associated with alternative lifestyles and fashions, including organic food, incense. In a 1998 article on neo soul, Time journalist Christopher John Farley wrote that such as Hill, DAngelo. Neo soul artists during the 1990s were heavily inspired by the sound and mellow instrumentation of Gil Scott-Herons. All About Jazz cited Jackson as one of the architects of the sound. Neo soul originated in the 1980s and early 1990s, with the work of acts such as Prince
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Rock music
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It has its roots in 1940s and 1950s rock and roll, itself heavily influenced by blues, rhythm and blues and country music. Rock music also drew strongly on a number of genres such as electric blues and folk. Musically, rock has centered on the guitar, usually as part of a rock group with electric bass guitar. Typically, rock is song-based music usually with a 4/4 time signature using a verse-chorus form, like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political in emphasis. Punk was an influence into the 1980s on the subsequent development of subgenres, including new wave, post-punk. From the 1990s alternative rock began to rock music and break through into the mainstream in the form of grunge, Britpop. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures and this trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, Hammond organ and synthesizers. The basic rock instrumentation was adapted from the blues band instrumentation. A group of musicians performing rock music is termed a rock band or rock group, Rock music is traditionally built on a foundation of simple unsyncopated rhythms in a 4/4 meter, with a repetitive snare drum back beat on beats two and four. Melodies are often derived from older musical modes, including the Dorian and Mixolydian, harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions. Critics have stressed the eclecticism and stylistic diversity of rock, because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that it is impossible to bind rock music to a rigidly delineated musical definition. These themes were inherited from a variety of sources, including the Tin Pan Alley pop tradition, folk music and rhythm, as a result, it has been seen as articulating the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, rock and roll usually implies an identification of male sexuality, according to Simon Frith rock was something more than pop, something more than rock and roll. Rock musicians combined an emphasis on skill and technique with the concept of art as artistic expression, original. The foundations of music are in rock and roll, which originated in the United States during the late 1940s and early 1950s. Its immediate origins lay in a melding of various musical genres of the time, including rhythm and blues and gospel music, with country. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music for a multi-racial audience, debate surrounds which record should be considered the first rock and roll record. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis
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Rockabilly
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Rockabilly is one of the earliest styles of rock and roll music, dating back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered classic rock, some have also described it as a blend of bluegrass with rock and roll. The term rockabilly itself is a portmanteau of rock and hillbilly, other important influences on rockabilly include western swing, boogie woogie, jump blues, and electric blues. An interest in the genre endures even in the 21st century, Rockabilly has left a legacy, spawning a variety of sub-styles and influencing other genres such as punk rock. There was a relationship between blues and country music from the very earliest country recordings in the 1920s. The first nationwide country hit was Wreck of the Old 97, backed with Lonesome Road Blues, during the 1930s and 1940s, two new sounds emerged. Recordings of Willss from the mid 1940s to the early 1950s include two beat jazz rhythms, jazz choruses, and guitar work that preceded early rockabilly recordings, wills is quoted as saying Rock and Roll. Why, man, thats the kind of music weve been playin since 1928. But its just basic rhythm and has gone by a lot of different names in my time and its the same, whether you just follow a drum beat like in Africa or surround it with a lot of instruments. The Maddox Brothers and Rose were at the edge of rockabilly with the slapped bass that Fred Maddox had developed. Maddox said, Youve got to have somethin they can tap their foot, or dance to, after World War II the band shifted into higher gear leaning more toward a whimsical honky-tonk feel, with a heavy, manic bottom end - the slap bass of Fred Maddox. They played hillbilly music but it sounded real hot and they played real loud for that time, too. The Maddoxes were also known for their antics and stuff. I mean it just wasnt us up there pickin and singing, there was something going on all the time. The demonstrative Maddoxes, helped release white bodies from traditional motions of decorum, more and more younger white artists began to behave on stage like the lively Maddoxes. Others believe that they were not only at the leading edge, Bill Monroe is known as the Father of Bluegrass, a specific style of country music. Many of his songs were in form, while others took the form of folk ballads, parlor songs. Bluegrass was a staple of music in the early 1950s
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British rhythm and blues
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British rhythm and blues was a musical movement that developed in the United Kingdom between the late 1950s and the early 1960s, and reached a peak in the mid-1960s. It often placed greater emphasis on guitars and was played with greater energy. The origins of the movement were in the British jazz, skiffle, a flourishing scene of clubs and groups emerged in the later 1950s and 1960s and bands began to break through into mainstream success. British rhythm and blues differed in tone from that of African American artists, often with emphasis on guitars. British rhythm and blues singers were criticised for their emulation of rhythm and blues styles, with shouts, glottal stops, moans. In cover versions of R&B songs, riffs were often simplified or used less frequently, the object of the music was usually to whip up energy, rather than to produce musical finesse. Many groups were based around guitars and drums and as a result arrangements tended to be guitar-oriented, amplification of guitars to the highest levels of underpowered amplifiers created the over-driven guitar sound that would become characteristic of rock music. Nick Logan and Bob Woffinden noted that after the split of Blues Incorporated at the end of 1962, four main strands could be discerned in British Rhythm, Cyril Davies left to attempt to recreate the Chicago electric blues of Muddy Waters. The style would be the influence on the later emergence of the blues boom. Alexis Korner continued with Blues Incorporated, bringing in jazz saxophonist Graham Bond and this strand would be taken up by acts including the Graham Bond Organisation, Manfred Mann and Zoot Money. In the early 1950s blues music was known in Britain through blues-influenced boogie-woogie. From 1955 major British record labels HMV and EMI, began to distribute American jazz, outside of recordings, occasional radio broadcasts were one of the few ways that British people could become familiar with the blues. The next year the Jazz Club programme, hosted by Max Jones, included a recital of Town and Country Blues, the British rhythm and blues scene developed in London out of the related jazz, skiffle and folk club scenes of the 1950s. British trad jazz band-leader Chris Barber was one of the figures in the development and popularisation of rhythm. His interest in the blues would help both the skiffle craze and the development of electric rhythm and blues, as members of his dance band would be fundamental to both movements. Lonnie Johnson played at the Royal Festival Hall in 1952 on a bill opened by a led by the young Tony Donegan. They released their version of Leadbellys Rock Island Line in 1956 and it became a major hit, spending eight months in the Top 20. It was the first début record to go gold in Britain and this stimulated the explosion of the British skiffle craze and it has been estimated that in the late 1950s there were 30–50,000 skiffle groups in Britain
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Electric blues
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Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, by the early 1950s, Little Walter was a featured soloist on blues harmonica or blues harp using a small hand-held microphone fed into a guitar amplifier. Although it took a longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became used in electric blues. The blues, like jazz, probably began to be amplified in the late 1930s. After World War II, amplified blues music popular in American cities that had seen widespread African American migration, such as Chicago, Memphis, Detroit, St. Louis. The initial impulse was to be heard above the noise of lively rent parties, playing in small venues, electric blues bands tended to remain modest in size compared with larger jazz bands. In its early electric blues typically used amplified electric guitars, double bass, and harmonica played through a microphone. By the late 1940s several Chicago-based blues artists had begun to use amplification, including John Lee Williamson, early recordings in the new style were made in 1947 and 1948 by musicians such as Johnny Young, Floyd Jones, and Snooky Pryor. The format was perfected by Muddy Waters, who utilized various small groups that provided a strong rhythm section and his I Cant Be Satisfied was followed by a series of ground-breaking recordings. Chicago blues is influenced to an extent by the Mississippi blues style. Howlin Wolf, Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. In addition to guitar, harmonica, and a rhythm section of bass and drums. Lenoirs also used saxophones, largely as a supporting instrument, Muddy Waters and Elmore James were known for their innovative use of slide electric guitar. Howlin Wolf and Muddy Waters were for their deep, gravelly voices, bassist and composer Willie Dixon played a major role on the Chicago blues scene. He composed and wrote many standard blues songs of the period, such as Hoochie Coochie Man, I Just Want to Make Love to You and, Wang Dang Doodle, Spoonful and Back Door Man for Howlin Wolf. Most artists of the Chicago blues style recorded for the Chicago-based Chess Records and Checker Records labels, there were also smaller blues labels in this era including Vee-Jay Records and J. O. B
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British Invasion
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Pop and rock groups such as the Beatles, the Dave Clark Five, the Kinks, the Rolling Stones, Hermans Hermits, and the Animals were at the forefront of the invasion. The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s, some observers have noted that US teenagers were growing tired of singles-oriented pop acts like Fabian. The Mods and Rockers, two gangs in mid-1960s Britain, also had an impact in British Invasion music. Bands with a Mod aesthetic became the most popular, but bands able to both were also successful. In October 1963, the first newspaper articles about the frenzy in England surrounding the group the Beatles appeared nationally in the US. The Beatles November 4 Royal Variety Performance in front of the Queen Mother sparked music industry, during November a number of major American print outlets and two network television evening programs published and broadcast stories on the phenomenon that became known as Beatlemania. On December 17 James had Miss Albert introduce I Want to Hold Your Hand live on the air, wWDCs phones lit up, and Washington, D. C. area record stores were flooded with requests for a record they did not have in stock. James sent the record to disc jockeys around the country sparking similar reaction. On December 26 Capitol Records released the three weeks ahead of schedule. The release of the record during a time when teenagers were on vacation helped spread Beatlemania in the US, on December 29 The Baltimore Sun, reflecting the dismissive view of most adults, editorialized, America had better take thought as to how it will deal with the invasion. Indeed a restrained Beatles go home might be just the thing, in the next year alone, the Beatles would have 30 different listings on the Hot 100. On January 3,1964, The Jack Paar Program ran Beatles concert footage licensed from the BBC as a joke, while this piece was largely forgotten, Beatles producer George Martin has said it aroused the kids curiosity. I Want to Hold Your Hand ascended to one on the January 25,1964, edition of Cash Box magazine. Two days later appeared on The Ed Sullivan Show. Nielsen Ratings estimated that 45 percent of US television viewers that night saw their appearance, according to Michael Ross, It is somewhat ironic that the biggest moment in the history of popular music was first experienced in the US as a television event. The Ed Sullivan Show had for some time been a comfortable hearth-and-slippers experience, not many of the 73 million viewers watching in February 1964 would fully understand what impact the band they were watching would have. The Beatles soon incited contrasting reactions and, in the process, generated more novelty records than anyone - at least 200 during their 1964-1965 takeover and many more later. Among the many reactions, favoring the hysteria, British girl group The Carefrees We Love You Beatles and, on Tuff Records, disapproving the pandemonium, American group the Four Preps A Letter to the Beatles and American comedian Allan Shermans Pop Hates the Beatles
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Mod (subculture)
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Mod is a subculture that began in the United Kingdom in the 1960s and spread, in varying degrees, to other countries and continues today on a smaller scale. Significant elements of the mod subculture include fashion, music, the original mod scene was associated with amphetamine-fuelled all-night dancing at clubs. In England during the early to mid 1960s, mods often engaged in brawls with rockers, in the mid-to-late 1960s, the conflicts between mods and rockers subsided, as several rock bands, including The Who and the Small Faces adopted a mod style. London became synonymous with fashion, music, and pop culture in these years, a period often referred to as Swinging London. There was a mod revival in the United Kingdom in the late 1970s, which was followed by a mod revival in North America in the early 1980s, particularly in southern California, Vancouver, and Toronto. The term mod derives from modernist, a used in the 1950s to describe modern jazz musicians and fans. This usage contrasted with the term trad, which described traditional jazz players, the 1959 novel Absolute Beginners describes modernists as young modern jazz fans who dress in sharp modern Italian clothes. The novel may be one of the earliest examples of the term being written to describe young British style-conscious modern jazz fans and this usage of the word modernist should not be confused with modernism in the context of literature, art, design and architecture. From the mid-to-late 1960s onwards, the media often used the term mod in a wider sense to describe anything that was believed to be popular. Paul Jobling and David Crowley argue that the definition of mod can be difficult to pin down, because throughout the original era. They claim that since the mod scene was so pluralist, the mod was an umbrella term that covered several distinct sub-scenes. Early mods watched French and Italian art films and read Italian magazines to look for style ideas, while clothes were still important at that time, they could be ready-made. Mary Anne Long argues that first hand accounts and contemporary theorists point to the Jewish upper-working or middle-class of London’s East End and suburbs. Simon Frith asserts that the mod subculture had its roots in the 1950s beatnik coffee bar culture, sparks argues that Mod has been much misunderstood. As this working-class, scooter-riding precursor of skinheads, coffee bars were attractive to British youths because, in contrast to typical pubs, which closed at about 11pm, they were open until the early hours of the morning. Coffee bars had jukeboxes, which in some cases reserved space in the machines for the customers own records, in the late 1950s, coffee bars were associated with jazz and blues, but in the early 1960s, they began playing more R&B music. Frith notes that although coffee bars were originally aimed at art school students, they began to facilitate an intermixing of youths from different backgrounds. Violent clashes would often ensue between the two groups and this period was later immortalized by songwriter Pete Townshend, in the Whos 1973 concept album, Quadrophenia
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Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
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African Americans
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African Americans are an ethnic group of Americans with total or partial ancestry from any of the Black racial groups of Africa. The term may also be used to only those individuals who are descended from enslaved Africans. As a compound adjective the term is usually hyphenated as African-American, Black and African Americans constitute the third largest racial and ethnic group in the United States. Most African Americans are of West and Central African descent and are descendants of enslaved peoples within the boundaries of the present United States. On average, African Americans are of 73. 2–80. 9% West African, 18–24% European, according to US Census Bureau data, African immigrants generally do not self-identify as African American. The overwhelming majority of African immigrants identify instead with their own respective ethnicities, immigrants from some Caribbean, Central American and South American nations and their descendants may or may not also self-identify with the term. After the founding of the United States, black people continued to be enslaved, believed to be inferior to white people, they were treated as second-class citizens. The Naturalization Act of 1790 limited U. S. citizenship to whites only, in 2008, Barack Obama became the first African American to be elected President of the United States. The first African slaves arrived via Santo Domingo to the San Miguel de Gualdape colony, the ill-fated colony was almost immediately disrupted by a fight over leadership, during which the slaves revolted and fled the colony to seek refuge among local Native Americans. De Ayllón and many of the colonists died shortly afterwards of an epidemic, the settlers and the slaves who had not escaped returned to Haiti, whence they had come. The first recorded Africans in British North America were 20 and odd negroes who came to Jamestown, as English settlers died from harsh conditions, more and more Africans were brought to work as laborers. Typically, young men or women would sign a contract of indenture in exchange for transportation to the New World, the landowner received 50 acres of land from the state for each servant purchased from a ships captain. An indentured servant would work for years without wages. The status of indentured servants in early Virginia and Maryland was similar to slavery, servants could be bought, sold, or leased and they could be physically beaten for disobedience or running away. Africans could legally raise crops and cattle to purchase their freedom and they raised families, married other Africans and sometimes intermarried with Native Americans or English settlers. By the 1640s and 1650s, several African families owned farms around Jamestown and some became wealthy by colonial standards and purchased indentured servants of their own. In 1640, the Virginia General Court recorded the earliest documentation of slavery when they sentenced John Punch. One of Dutch African arrivals, Anthony Johnson, would own one of the first black slaves, John Casor
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The Rolling Stones
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The Rolling Stones are an English rock band formed in London in 1962. The original line-up consisted of Brian Jones, Mick Jagger, Keith Richards, Bill Wyman, Charlie Watts, Stewart was removed from the official line-up in 1963 but continued as a touring member until his death in 1985. Jones left the less than a month prior to his death in 1969, having already been replaced by Mick Taylor. After Taylor left the band, Ronnie Wood took his place in 1975 and has been on guitar in tandem with Richards ever since, following Wymans departure in 1993, Darryl Jones joined as their touring bassist. Other touring keyboardists for the band have been Nicky Hopkins, Billy Preston, the band was first led by Jones, but after teaming as the bands songwriters, Jagger and Richards assumed leadership while Jones dealt with legal and personal troubles. The Rolling Stones were at the forefront of the British Invasion of bands that became popular in the US in 1964, and identified with the youthful and rebellious counterculture of the 1960s. Rooted in blues and early rock and roll, the group began a period of musical experimentation in the mid-1960s that peaked with the psychedelic album Their Satanic Majesties Request. During this period, they were first introduced on stage as The Worlds Greatest Rock, the band continued to release commercially successful records in the 1970s and sold many albums, including Some Girls and Tattoo You, which were their most popular albums worldwide. From 1983 to 1987, tensions between Jagger and Richards almost caused the band to split, however, they managed to patch up their friendship in 1987. They separated temporarily to work on projects and experienced a comeback with Steel Wheels. Since the 1990s, new recorded material from the group has been increasingly less well-received, despite this, the Rolling Stones have continued to be a huge attraction on the live circuit, with stadium tours in the 1990s and 2000s. By 2007, the band had four of the top five highest-grossing concert tours of all time, Voodoo Lounge Tour, Bridges to Babylon Tour, Licks Tour and A Bigger Bang Tour. The Rolling Stones were inducted into the Rock and Roll Hall of Fame in 1989, Rolling Stone magazine ranked them fourth on the 100 Greatest Artists of All Time list and their estimated album sales are above 250 million. They have released 30 studio albums,18 live albums and numerous compilations, Let It Bleed was their first of five consecutive number one studio and live albums in the UK. Sticky Fingers was the first of eight number one studio albums in the US. In 2008, the band ranked 10th on the Billboard Hot 100 All-Time Top Artists chart, in 2012, the band celebrated its 50th anniversary. Keith Richards and Mick Jagger were childhood friends and classmates in Dartford, Kent, Jagger had formed a garage band with Dick Taylor, mainly playing Muddy Waters, Chuck Berry, Little Richard, Howlin Wolf and Bo Diddley material. Jagger met Richards again in 1960 on platform two of Dartford railway station, the Chuck Berry and Muddy Waters records that Jagger carried revealed a common interest that prompted their musical partnership
39.
The Who
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The Who are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows. The Who developed from a group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars. Their first single as the Who, I Cant Explain, reached the UK top ten, followed by a string of singles including My Generation, Substitute and Happy Jack. In 1967, they performed at the Monterey Pop Festival and released the US top ten single I Can See for Miles, the groups fourth album, 1969s rock opera Tommy, included the single Pinball Wizard and was a critical and commercial success. Live appearances at Woodstock and the Isle of Wight Festival, along with the live album Live at Leeds, with their success came increased pressure on lead songwriter and visionary Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up 1971s Whos Next, which included the hit Wont Get Fooled Again, the group released the album Quadrophenia in 1973 as a celebration of their mod roots, and oversaw the film adaptation of Tommy in 1975. They continued to tour to large audiences before semi-retiring from live performances at the end of 1976, the release of Who Are You in 1978 was overshadowed by the death of Moon shortly after. Kenney Jones replaced Moon and the group resumed activity, releasing a film adaptation of Quadrophenia, after Townshend became weary of touring, the group split in 1982. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th anniversary tour in 1989 and they resumed regular touring in 1999, with drummer Zak Starkey. After Entwistles death in 2002, plans for a new album were delayed, Townshend and Daltrey continued as the Who, releasing Endless Wire in 2006, and continued to play live regularly. They are cited as an influence by rock, punk rock and mod bands. The founding members of the Who, Roger Daltrey, Pete Townshend and John Entwistle, grew up in Acton, London and went to Acton County Grammar School. Townshend and Entwistle became friends in their year of Acton County. Both were interested in rock, and Townshend particularly admired Cliff Richards début single, Entwistle moved to guitar, but struggled with it due to his large fingers, and moved to bass on hearing the guitar work of Duane Eddy. He was unable to afford a bass and built one at home, after Acton County, Townshend attended Ealing Art College, a move he later described as profoundly influential on the course of the Who. Daltrey, who was in the year above, had moved to Acton from Shepherds Bush and he had trouble fitting in at the school, and discovered gangs and rock and roll
40.
The Animals
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The Animals are an English rhythm and blues and rock band of the 1960s, formed in Newcastle upon Tyne, during the early part of the decade. The band moved to London upon finding fame in 1964, the band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material. They were known in the US as part of the British Invasion, the Animals underwent numerous personnel changes in the mid-1960s and suffered from poor business management. Altogether, the group had ten Top Twenty hits in both the UK Singles Chart and the US Billboard Hot 100. The original lineup of Burdon, Alan Price, Chas Chandler, Hilton Valentine and they later had brief comebacks in 1975 and 1983. There have been several partial regroupings of the original era members since then under various names, the Animals were inducted into the Rock and Roll Hall of Fame in 1994. It has often said they were dubbed animals because of their wild stage act. In a 2013 interview, Eric Burdon denied this, stating it came from a gang of friends used to hang out with, one of whom was Animal Hogg. The Animals performed fiery versions of the rhythm and blues repertoire, covering songs by Jimmy Reed, John Lee Hooker, Nina Simone. Signed to EMIs Columbia label, a version of the standard Baby Let Me Follow You Down was their first single. It was followed in June 1964 by the number one hit House of the Rising Sun. Burdons howling vocals and the arrangement, featuring Alan Prices haunting organ riffs. In contrast, their album tracks stayed with rhythm and blues, with John Lee Hookers Boom Boom, in November 1964, the group was poised to make their American debut on The Ed Sullivan Show and begin a short residency performing regularly in theatres across New York City. The group drove to their hotel accompanied by the occasional shrieks of girls who had chased them down once they discovered who they were, the Animals sang Im Crying and The House of the Rising Sun to a packed audience of hysterical girls screaming throughout both performances on Sullivans show. In December, the MGM movie Get Yourself a College Girl was released with the Animals headlining with the Dave Clark Five, the Animals sang a Chuck Berry song, Around and Around, in the movie. By May 1965, the group was starting to feel internal pressures, Price left due to personal and musical differences as well as fear of flying on tour. He went on to a career as a solo artist. Mick Gallagher filled in for him on keyboards for a time until Dave Rowberry replaced him and was on hand for the hit songs We Gotta Get out of This Place
41.
Marquee Club
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The Marquee Club was a music venue first located at 165 Oxford Street, London, England when it opened in 1958 with a range of jazz and skiffle acts. It was always a small and relatively cheap club, located in the heart of the industry in Londons West End. It was a key venue for performances by bands who were to achieve worldwide fame in the 1960s. It was the location of the live performance by The Rolling Stones on 12 July 1962. The club was established by Harold Pendleton, an accountant whose love of jazz had led him to become secretary of the National Jazz Federation. Originally it was located in the Marquee Ballroom in the basement of the Academy Cinema in Oxford Street and its decor was designed by Angus McBean with a striped canopy to imitate a marquee. Pendleton took over management of the ballroom, and the first Jazz at the Marquee night was held on 19 April 1958, johnny Dankworth, Chris Barber, Alexis Korner and Cyril Davies were early resident performers, and Tubby Hayes and Joe Harriott were also regular performers. In 1962 the club began a regular R&B night that occasionally featured visiting American musicians such as Muddy Waters, Pendleton also launched the National Jazz Festival in 1961 in Richmond, this was the precursor to the Reading and Leeds Festivals. In March 1964 the club moved a distance to what became its most famous venue at 90 Wardour Street. Here, almost every major rock band of note played over the next 25 years on the tiny stage, to find out who was playing on any given night, you could just call in at the Ship pub a few doors away. The development of Marquee Studios was largely financed by profits from this record, the studio was later used by Elton John, The Groundhogs, The Clash and others. The Rolling Stones, who first appeared at the club in January 1963, another TV special also filmed at the club, two years later in September 1973, was David Bowies The 1980 Floor Show, screened as part of NBCs The Midnight Special. The Faces performed there on 7 December 1970, although never a seminal punk venue, the club nevertheless embraced the burgeoning punk rock movement of the late 1970s and regularly promoted punk and new wave nights into the 1980s. Mainstream rock acts like Dire Straits, Alexis Korner, Steve Hillage, Rory Gallagher, Racing Cars, The Enid, Hanoi Rocks, The Tyla Gang, during the early to mid-1980s the Marquee became an important venue to the new wave of British heavy metal. Def Leppard played their first show on the Pyromania World Tour here, there was a glam revival spearheaded by Hanoi Rocks, The Babysitters, The Quireboys and others. NWOBHM bands such as Angel Witch, Diamond Head, Witchfynde and Praying Mantis were regulars, metallica performed their first UK show at the venue on March 27th 1984. In April 1985 Robin Trower recorded the majority of his live album Beyond the Mist at the Marquee Club and this album also includes two new studio tracks and an extended 10-minute version of Bridge of Sighs. The Marquee was the venue of the progressive rock revival of the early 1980s
42.
Pop music
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Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid 1950s. The terms popular music and pop music are used interchangeably, although the former describes all music that is popular. Pop and rock were synonymous terms until the late 1960s, when they were used in opposition from each other. Although pop music is seen as just the singles charts, it is not the sum of all chart music. Pop music is eclectic, and often borrows elements from other such as urban, dance, rock, Latin. Identifying factors include generally short to medium-length songs written in a format, as well as the common use of repeated choruses, melodic tunes. David Hatch and Stephen Millward define pop music as a body of music which is distinguishable from popular, jazz, according to Pete Seeger, pop music is professional music which draws upon both folk music and fine arts music. Although pop music is seen as just the singles charts, it is not the sum of all chart music, the music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. Pop music, as a genre, is seen as existing and developing separately, pop music continuously evolves along with the terms definition. The term pop song was first recorded as being used in 1926, Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues and hillbilly music. The Oxford Dictionary of Music states that while pops earlier meaning meant concerts appealing to a wide audience. Since the late 1950s, however, pop has had the meaning of non-classical mus, usually in the form of songs, performed by such artists as the Beatles. Grove Music Online also states that, in the early 1960s pop music competed terminologically with beat music, while in the USA its coverage overlapped with that of rock and roll. From about 1967, the term was used in opposition to the term rock music. Whereas rock aspired to authenticity and an expansion of the possibilities of music, pop was more commercial, ephemeral. It is not driven by any significant ambition except profit and commercial reward, and, in musical terms, it is essentially conservative. It is, provided from on high rather than being made from below, pop is not a do-it-yourself music but is professionally produced and packaged. The beat and the melodies tend to be simple, with limited harmonic accompaniment, the lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions
43.
Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
44.
Michael Jackson
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Michael Joseph Jackson was an American singer, songwriter, record producer, dancer, actor, and philanthropist. Called the King of Pop, his contributions to music, dance, the eighth child of the Jackson family, Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. He began his career in 1971. In the early 1980s, Jackson became a dominant figure in popular music, the popularity of these videos helped bring the television channel MTV to fame. Jacksons 1987 album Bad spawned the U. S and he continued to innovate with videos such as Black or White and Scream throughout the 1990s, and forged a reputation as a touring solo artist. Through stage and video performances, Jackson popularized a number of complicated dance techniques, such as the robot and his distinctive sound and style has influenced numerous artists of various music genres. Thriller is the album of all time, with estimated sales of 65 million copies worldwide. Jacksons other albums, including Off the Wall, Bad, Dangerous and he is recognized as the Most Successful Entertainer of All Time by Guinness World Records. Jackson won hundreds of awards, making him the most awarded recording artist in the history of popular music. He became the first artist in history to have a top ten single in the Billboard Hot 100 in five different decades when Love Never Felt So Good reached number nine on May 21,2014. Jackson traveled the world attending events honoring his humanitarianism, and, in 2000, aspects of Jacksons personal life, including his changing appearance, personal relationships, and behavior, generated controversy. In 1993, he was accused of sexual abuse, but the civil case was settled out of court for an undisclosed amount. In 2005, he was tried and acquitted of child sexual abuse allegations. While preparing for his concert series, This Is It, Jackson died of acute propofol and benzodiazepine intoxication on June 25,2009. The Los Angeles County Coroner ruled his death a homicide, and his personal physician, Jacksons death triggered a global outpouring of grief, and a live broadcast of his public memorial service was viewed around the world. Forbes ranks Jackson as the dead celebrity with earnings of $825 million in 2016. Michael Joseph Jackson was born on August 29,1958 and his mother, Katherine Esther Scruse, was a devout Jehovahs Witness. She played clarinet and piano and once aspired to be a country-and-western performer, michaels father, Joseph Walter Joe Jackson, a former boxer, was a steelworker at U. S. Steel
45.
Prince (musician)
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Prince Rogers Nelson was an American singer-songwriter, actor, multi-instrumentalist, philanthropist, dancer and record producer. He was an innovator who was known for his eclectic work, flamboyant stage presence, extravagant dress and makeup. His music integrates a variety of styles, including funk, rock, R&B, new wave, soul, psychedelia. He has sold over 100 million records worldwide, making him one of the artists of all time. He won seven Grammy Awards, an American Music Award, a Golden Globe Award, and he was inducted into the Rock and Roll Hall of Fame in 2004, his first year of eligibility. Rolling Stone ranked Prince at number 27 on its list of 100 Greatest Artists, Prince was born in Minneapolis, Minnesota, and developed an interest in music as a young child. He signed a contract with Warner Bros. at the age of 18. In 1984, he began referring to his band as the Revolution and released Purple Rain. It quickly became his most critically and commercially successful release, spending 24 consecutive weeks atop the Billboard 200, after releasing the albums Around the World in a Day and Parade, The Revolution disbanded, and Prince released the double album Sign o the Times as a solo artist. He released three solo albums before debuting the New Power Generation band in 1991. He released five records between 1994 and 1996 before signing with Arista Records in 1998, in 2000, he began referring to himself as Prince again. He released 16 albums after that, including the platinum-selling Musicology and his final album, Hit n Run Phase Two, was first released on the Tidal streaming service on December 12,2015. Prince died from an overdose at his Paisley Park recording studio and home in Chanhassen, Minnesota, on April 21,2016. Prince Rogers Nelson was born in Minneapolis, to Mattie Della and his parents were both African-American and his family ancestry is centered in Louisiana, all four of his grandparents came from that state. Princes father was a pianist and songwriter, and his mother was a jazz singer, Prince was given his fathers stage name, Prince Rogers, which his father used while performing with a jazz group called the Prince Rogers Trio. In 1991, Princes father told A Current Affair that I named my son Prince because I wanted him to do everything I wanted to do, Prince has said he was born epileptic and used to have seizures when he was young. He also said, My mother told me one day I walked in to her and said, Mom, Im not going to be sick anymore, Princes sister Tika Evene was born in 1960. Both siblings developed a keen interest in music, and this was encouraged by their father, Prince wrote his first tune, Funk Machine, on his fathers piano when he was seven
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