Book of Job

The Book of Job is a book in the Ketuvim section of the Hebrew Bible, the first poetic book in the Old Testament of the Christian Bible. Addressing the problem of theodicy – the vindication of the justice of God in the light of humanity's suffering – it is a rich theological work setting out a variety of perspectives, it has been praised for its literary qualities, with Alfred Lord Tennyson calling it "the greatest poem of ancient and modern times". The Book of Job consists of a prose prologue and epilogue narrative framing poetic dialogues and monologues, it is common to view the narrative frame as the original core of the book, enlarged by the poetic dialogues and discourses, sections of the book such as the Elihu speeches and the wisdom poem of chapter 28 as late insertions, but recent trends have tended to concentrate on the book's underlying editorial unity.1. Prologue in two scenes, the first on Earth, the second in Heaven 2. Job's opening monologue, three cycles of dialogues between Job and his three friends First cycleEliphaz and Job's response Bildad and Job Zophar and Job Second cycleEliphaz and Job Bildad and Job Zophar and Job Third cycleEliphaz and Job Bildad and Job 3.

Three monologues: A Poem to Wisdom Job's closing monologue and Elihu's speeches 4. Two speeches by God, with Job's responses 5. Epilogue – Job's restoration; the prologue on Earth introduces Job as a righteous man, blessed with wealth and daughters, who lives in the land of Uz. The scene shifts to Heaven. Satan answers. God gives Satan permission to take Job's wealth and kill his children and servants, but Job nonetheless praises God: "Naked I came out of my mother's womb, naked shall I return: the Lord has given, the Lord has taken away. God allows Satan to afflict his body with boils. Job sits in ashes, his wife prompts him to "curse God, die," but Job answers: "Shall we receive good from God and shall we not receive evil?" Job laments the day of his birth. His three friends, Eliphaz the Temanite, Bildad console him; the friends do not waver in their belief that Job's suffering is a punishment for sin, for God causes no one to suffer innocently, they advise him to repent and seek God's mercy. Job responds with scorn: his interlocutors are "miserable comforters", since a just God would not treat him so harshly, patience in suffering is impossible, the Creator should not take his creatures so to come against them with such force.

Job's responses represent one of the most radical restatements of Israelite theology in the Hebrew Bible. He moves away from the pious attitude as shown in the prologue and began to berate God for the disproportionate wrath against him, he sees God as, among others and suffocating. He shifts his focus from the injustice that he himself suffers to God's governance of the world, he suggests that the wicked have taken advantage of the needy and the helpless, who remain in significant hardship, but God does nothing to punish them. The dialogues of Job and his friends are followed by a poem on the inaccessibility of wisdom: "Where is wisdom to be found?" it asks, concludes that it has been hidden from man. Job contrasts his previous fortune with an outcast, mocked and in pain, he protests his innocence, lists the principles he has lived by, demands that God answer him. Elihu intervenes to state that wisdom comes from God, who reveals it through dreams and visions to those who will declare their knowledge.

God speaks from a whirlwind. His speeches neither explain Job's suffering, nor defend divine justice, nor enter into the courtroom confrontation that Job has demanded, nor respond to his oath of innocence. Instead they contrast Job's weakness with divine wisdom and omnipotence: "Where were you when I laid the foundations of the earth?" Job makes a brief response. In 42:1–6 Job makes his final response, confessing God's power and his own lack of knowledge "of things beyond me which I did not know", he has only heard, but now his eyes have seen God, "therefore I retract/ And repent in dust and ashes." God tells Eliphaz that he and the two other friends "have not spoken of me what is right as my servant Job has done". The three are told to make a burnt offering with Job as their intercessor, "for only to him will I show favour". Job is restored to health and family, lives to see his childr

KariZma (pop band)

КаriZма was a Bulgarian pop duo, whose members were Galina Kurdova and Miroslav Kostadinov. Galya and Miro started singing together in a piano bar named Opera. In the documentary КаriZma Retrospective Movie they said that they had decided to work together, because their voices matched each other. One of the first proposals for a name was 2Good4U; the beginning of the duet КариZма was in 1999. They worked for non-Bulgarian music companies, such as EMA, TOCO int. and others. Two years the famous Bulgarian music composer Mitko Shterev helped them with their first single, Riskuvam da te imam. Before the release of the single Kolko mi lipsvash in 2002, KariZma worked with other performers, like Toni, Maria Ilieva, Spens, Irra, etc; this delayed the work on their debut album. Moreover, on March 13, 2006, Galya entered the VIP Brother 1 House, their next hits were Shte izbiagam li ot teb?, Mr. Killer, Minavash prez men. In 2006 they released Eklisiast. Рискувам да те имам - I am risking to have you Колко ми липсваш - How much I miss you Ще избягам ли от теб?

- Will I run away from you Mr. Killer Минаваш през мен - You walk through me All In Love Някога преди - Sometime before Еклисиаст - Eklisiast КариZма in

More Than Movies

More Than Movies was a satellite television channel in the United Kingdom and Ireland, available on Sky and as a free-to-air service on Freesat. It launched on 4 October 2010 as Men&Movies, was the first Freesat exclusive TV channel until it joined the Sky EPG on 4 April 2011. Between November 2011 and January 2012, Men&Movies was available on Freeview in Manchester; the channel was aimed at the middle to old aged male viewer, with its programming orientated around war documentaries, classic TV series and the war film genre. More Than Movies joined Movies4Men which transmits other cinematic genres. On 2 April 2012, Men&Movies +1 was launched. On 10 January 2013, Men&Movies was rebranded as More Than Movies, with a shift towards airing films and programmes from Sony's back catalogue. On 17 January 2013, Movie Mix began to simulcast the full More Than Movies schedule on Freeview but retained its own Movie Mix branding. After the channel closed, Movie Mix began to broadcast its own programming again.

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