The Braque Triptych is a c. 1452 oil-on-oak altarpiece by the Early Netherlandish painter Rogier van der Weyden. When open, its three half-length panels reveal, from left to right, John the Baptist, T
Interior panels of the Braque Triptych. c. 1452. Oil on oak panels with frame, 41cm × 34.5cm; 41cm× 68cm; 41cm × 34.5cm. Musée du Louvre, Paris.
The outer panels shown folded. The skull is likely intended as both a memento mori and a memorial for the patron.
Detail of the landscape behind John the Baptist. As with the disembodied text, the landscape segues across the panel to form a continuous whole.
Detail, Mary, center panel
Madonna in the Church is a small panel painting by the early Netherlandish painter Jan van Eyck. Probably executed between c. 1438–1440, it depicts the Virgin Mary holding the Child Jesus in a Gothic
Jan van Eyck, Madonna in the Church (c. 1438–1440). Oil on oak panel, 31 cm × 14 cm (12 in × 5.5 in). Gemäldegalerie, Berlin
Mass of the Dead. From the Turin-Milan Hours, attributed to the anonymous Hand G, thought to be van Eyck. This work shows a very similar gothic interior to the Berlin panel.
The Madonna and infant Christ (detail). A statue of the Madonna and Child can be seen just behind; to the right two angels sing psalms.
The furthermost stained-glass window at the top left of the panel