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Rogier van der Weyden
Rogier van der Weyden
Imaginative portrait by Cornelis Cort, 1572
Imaginative portrait by Cornelis Cort, 1572
The Descent from the Cross (c. 1435), oil on oak panel, 220 × 262 cm. Museo del Prado, Madrid
The Descent from the Cross (c. 1435), oil on oak panel, 220 × 262 cm. Museo del Prado, Madrid
Portrait of a Woman with a Winged Bonnet, c. 1440. Gemäldegalerie, Berlin.
Portrait of a Woman with a Winged Bonnet, c. 1440. Gemäldegalerie, Berlin.
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Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid
Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London
The Ghent Altarpiece, completed in 1432 by Hubert and Jan van Eyck. This polyptych and the Turin-Milan Hours are generally seen as the first major wor
The Ghent Altarpiece, completed in 1432 by Hubert and Jan van Eyck. This polyptych and the Turin-Milan Hours are generally seen as the first major works of the Early Netherlandish period.
Hieronymus Bosch, The Garden of Earthly Delights, c. 1490–1510. Museo del Prado, Madrid. Art historians are divided as to whether the central panel wa
Hieronymus Bosch, The Garden of Earthly Delights, c. 1490–1510. Museo del Prado, Madrid. Art historians are divided as to whether the central panel was intended as a moral warning or as a panorama of paradise lost.