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Buonamico Buffalmacco
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Buonamico di Martino, otherwise known as Buonamico Buffalmacco, was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is widely
17th-century engraving of Buffalmacco by Wenceslaus Hollar
17th-century engraving of Buffalmacco by Wenceslaus Hollar
From left to right: L'incontro dei tre vivi e dei tre morti ("The Three Dead and the Three Living") and Trionfo della Morte ("Triumph of Death"). The
From left to right: L'incontro dei tre vivi e dei tre morti ("The Three Dead and the Three Living") and Trionfo della Morte ("Triumph of Death"). The latter fresco was painted between c. 1330s–1350 (disputed); both are currently preserved in the Campo Santo of Pisa.
Detail of Trionfo della Morte ("Triumph of Death"): three stylish young aristocrats mounted on fine horses encounter three coffin-encased corpses in d
Detail of Trionfo della Morte ("Triumph of Death"): three stylish young aristocrats mounted on fine horses encounter three coffin-encased corpses in differing stages of decomposition.
Italian Renaissance painting
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Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was
Buonamico Buffalmacco
…Buonamico di Martino, otherwise known as Buonamico Buffalmacco (active c. 1315–1336), was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential…
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject