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History
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17th-century engraving of Buffalmacco by Wenceslaus Hollar
17th-century engraving of Buffalmacco by Wenceslaus Hollar
From left to right: L'incontro dei tre vivi e dei tre morti ("The Three Dead and the Three Living") and Trionfo della Morte ("Triumph of Death"). The
From left to right: L'incontro dei tre vivi e dei tre morti ("The Three Dead and the Three Living") and Trionfo della Morte ("Triumph of Death"). The latter fresco was painted between c. 1330s–1350 (disputed); both are currently preserved in the Campo Santo of Pisa.
Detail of Trionfo della Morte ("Triumph of Death"): three stylish young aristocrats mounted on fine horses encounter three coffin-encased corpses in d
Detail of Trionfo della Morte ("Triumph of Death"): three stylish young aristocrats mounted on fine horses encounter three coffin-encased corpses in differing stages of decomposition.
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Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brea, Milan.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brea, Milan.
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Sandro Botticelli: The Birth of Venus for the Medici (1484–1485), Uffizi, Florence
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Domenico Ghirlandaio, The Birth of the Virgin Mary, shows the introduction of patron's families into religious cycles.
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject
Paolo Uccello, The Battle of San Romano, demonstrates the preoccupation with the development of linear perspective, in a secular subject