Cándido Camero Guerra, known simply as Cándido, was a Cuban conga and bongo player. He is considered a pioneer of Afro-Cuban jazz and an innovator in conga drumming. He was responsible for the embracing of the tuneable conga drum, the first to play multiple congas developing the techniques that all players use today, as well as the combination of congas, bongos, and other instruments such as the foot-operated cowbell, an attached guiro, all played by just one person. Thus he is the creator of the multiple percussion set-up.
Camero in 2008
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
Latin Percussion conga drum exhibited at the National Museum of World Cultures in Amsterdam
A pair of congas (front) with a pair of bongos (back) mounted on top. The combination of congas and bongos was pioneered by Cándido Camero in New York City.
Playing three congas; one microphone is for the vocals and the other for the congas.
All modes of quinto in context. Quinto excerpt from “La polémica” by Los Muñequitos de Matanzas (1988).