The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
Latin Percussion conga drum exhibited at the National Museum of World Cultures in Amsterdam
A pair of congas (front) with a pair of bongos (back) mounted on top. The combination of congas and bongos was pioneered by Cándido Camero in New York City.
Playing three congas; one microphone is for the vocals and the other for the congas.
All modes of quinto in context. Quinto excerpt from “La polémica” by Los Muñequitos de Matanzas (1988).
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.
Drum of Company B, 40th New York Infantry Regiment, at the Battle of Gettysburg, 1863
Talking drum
A drum kit
A Đông Sơn drum from 3rd to 2nd century BC