1.
Great Cameo of France
–
The Great Cameo of France is a five-layered sardonyx cameo of c.23 AD. It appears to have come to France from the treasury of the Byzantine Empire and it was then known as the Triumph of Joseph at the Court of the Pharaoh. It entered the Cabinet des Médailles on the order of Louis XVI on 1 May 1791, stolen during the French Revolution, it was recovered in Amsterdam but without its original gold frame, which was replaced by a bronze one that in turn was lost until 1912. It now resides in Paris at the Bibliothèque Nationale and it is the largest Roman imperial cameo to have survived. It is engraved with figures, divided into three levels. The general meaning and iconographic intent of the work are debated but generally clear, in the upper level are its deceased or deified members including Divus Augustus, surrounded by Drusus the Younger and Drusus the Elder flying on Pegasus. Agrippina the Youngers hairstyle confirms a date for the cameo between her marriage to Claudius in 49 and the accession of her son Nero as the emperor of Rome in 54. In the lowest level are captive barbarians, catalogue des Camées antiques et modernes de la Bibliothèque Nationale. Paris, E. Leroux,1897, n°264, trésors de la Bibliothèque nationale de France, I, Mémoires et merveilles. Le grand camée de France, Paris,1998 Giuliani, Luca and Gerhard Schmidt, das Geheimnis des großen Kameo, Verlag C. H. Beck, Munich 2010. Jucker, HNA Der Grosse Pariser Kameo, Jahrbuch des Deutschen Archaologischen Instituts 91 211-50,1789, Le Patrimoine libéré,200 trésors entrés à la Bibliothèque nationale de 1789 à1799. Paris, Bibliothèque nationale,1989, n°83
2.
Sardonyx
–
Onyx is a banded variety of the oxide mineral chalcedony. Agate and onyx are both varieties of layered chalcedony that differ only in the form of the bands, agate has curved bands, the colors of its bands range from white to almost every color. Commonly, specimens of onyx contain bands of black and/or white, onyx comes through Latin, from the Greek ὄνυξ, meaning claw or fingernail. With its fleshtone color, onyx can be said to resemble a fingernail, the English word nail is cognate with the Greek word. Onyx is formed of bands of chalcedony in alternating colors and it is cryptocrystalline, consisting of fine intergrowths of the silica minerals quartz and moganite. Its bands are parallel to one another, as opposed to the more chaotic banding that often occurs in agates, sardonyx is a variant in which the colored bands are sard rather than black. Black onyx is perhaps the most famous variety, but is not as common as onyx with colored bands, artificial treatments have been used since ancient times to produce both the black color in black onyx and the reds and yellows in sardonyx. Most black onyx on the market is artificially colored, the name has sometimes been used, incorrectly, to label other banded lapidary materials, such as banded calcite found in Mexico, Pakistan, and other places, and often carved, polished and sold. This material is softer than true onyx, and much more readily available. The majority of carved items sold as onyx today are this carbonate material, artificial onyx types have also been produced from common chalcedony and plain agates. The first-century naturalist Pliny the Elder described these techniques being used in Roman times and these techniques are still used, as well as other dyeing treatments, and most so-called black onyx sold is artificially treated. In addition to dye treatments, heating and treatment with nitric acid have been used to lighten or eliminate undesirable colors and it has a long history of use for hardstone carving and jewelry, where it is usually cut as a cabochon or into beads. It has also used for intaglio and hardstone cameo engraved gems. Some onyx is natural but much of the material in commerce is produced by the staining of agate, onyx was used in Egypt as early as the Second Dynasty to make bowls and other pottery items. Use of sardonyx appears in the art of Minoan Crete, notably from the archaeological recoveries at Knossos, Brazilian green onyx was often used as plinths for art deco sculptures created in the 1920s and 1930s. The German sculptor Ferdinand Preiss used Brazilian green onyx for the base on the majority of his chryselephantine sculptures, green onyx was also used for trays and pin dishes – produced mainly in Austria – often with small bronze animals or figures attached. Onyx is mentioned in the Bible many times, sardonyx is mentioned in the Bible as well. Onyx was known to the Ancient Greeks and Romans, the first-century naturalist Pliny the Elder described both type of onyx and various artificial treatment techniques in his Naturalis Historia
3.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
4.
Renaissance
–
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
5.
Stone carving
–
Stone carving is an activity where pieces of rough natural stone are shaped by the controlled removal of stone. Owing to the permanence of the material, stone work has survived which was created during our prehistory, work carried out by paleolithic societies to create flint tools is more often referred to as knapping. Stone carving that is done to produce lettering is often referred to as lettering. The process of removing stone from the earth is called mining or quarrying, stone carving is one of the processes which may be used by an artist when creating a sculpture. The term also refers to the activity of masons in dressing stone blocks for use in architecture and it is also a phrase used by archaeologists, historians, and anthropologists to describe the activity involved in making some types of petroglyphs. The earliest known works of art are stone carvings. Often marks carved into rock or petroglyphs will survive where painted work will not, prehistoric Venus figurines such as the Venus of Berekhat Ram may be as old as 800,000 years, and are carved in stones such as tuff and limestone. Another early technique was to use an abrasive that was rubbed on the stone to remove the unwanted area, prior to the discovery of steel by any culture, all stone carving was carried out by using an abrasion technique, following rough hewing of the stone block using hammers. The reason for this is that bronze, the hardest available metal until steel, is not hard enough to work any but the softest stone. The Ancient Greeks used the ductility of bronze to trap small granules of carborundum, carving tools have changed little since then. One modern stone carving technique uses a new process, The technique of applying sudden high temperature to the surface, the expansion of the top surface due to the sudden increase in temperature causes it to break away. On a small scale, Oxy-acetylene torches are used, on an industrial scale, lasers are used. Carving stone into sculpture is an activity older than civilization itself, prehistoric sculptures were usually human forms, such as the Venus of Willendorf and the faceless statues of the Cycladic cultures of ancient Greece. Later cultures devised animal, human-animal and abstract forms in stone, the earliest cultures used abrasive techniques, and modern technology employs pneumatic hammers and other devices. But for most of history, sculptors used hammer and chisel as the basic tools for carving stone. The process begins with the selection of a stone for carving, some artists use the stone itself as inspiration, the Renaissance artist Michelangelo claimed that his job was to free the human form trapped inside the block. Other artists begin with an already in mind and find a stone to complement their vision. The sculptor may begin by forming a model in clay or wax, when ready to carve, the artist usually begins by knocking off large portions of unwanted stone
6.
Engraved gem
–
An engraved gem is a small gemstone, usually semi-precious, that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a luxury art form in the ancient world. Strictly speaking, engraving means carving in intaglio, but relief carvings are covered by the term. This article uses cameo in its sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called gem carving, and the artists gem-cutters, vessels like the Cup of the Ptolemies and heads or figures carved in the round are also known as hardstone carvings and similar terms. Glyptics, or glyptic art, covers the field of small carved stones, including seals and inscriptions. A finely carved seal was practical, as it made more difficult – the distinctive personal signature did not really exist in antiquity. Gems were mostly cut by using abrasive powder from harder stones in conjunction with a hand-drill, emery has been mined for abrasive powder on Naxos since antiquity. Some early types of seal were cut by hand, rather than a drill, there is no evidence that magnifying lenses were used by gem cutters in antiquity. A medieval guide to gem-carving techniques survives from Theophilus Presbyter, byzantine cutters used a flat-edged wheel on a drill for intaglio work, while Carolingian ones used round-tipped drills, it is unclear where they learnt this technique from. In intaglio gems at least, the cut surface is usually very well preserved. The colour of several gemstones can be enhanced by a number of methods, using heat, sugar. Many of these can be shown to have used since antiquity – since the 7th millennium BC in the case of heating. The technique has an ancient tradition in the Near East, and is represented in all or most early cultures from the area, and these were made in various types of stone, not all hardstone. The Greek tradition emerged in Ancient Greek art under Minoan influence on mainland Helladic culture, pre-Hellenic Ancient Egyptian seals tend to have inscriptions in hieroglyphs rather than images. The Biblical Book of Exodus describes the form of the hoshen, round or oval Greek gems are found from the 8th and 7th centuries BC, usually with animals in energetic geometric poses, often with a border marked by dots or a rim. Early examples are mostly in softer stones, Gems of the 6th century are more often oval, with a scarab back, and human or divine figures as well as animals, the scarab form was apparently adopted from Phoenicia. The forms are sophisticated for the period, despite the small size of the gems
7.
Jewellery
–
Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
8.
Relief
–
Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise, to create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a surface of stone or wood is a lowering of the field. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting. There are different degrees of relief depending on the degree of projection of the form from the field. There is also sunk relief, which was restricted to Ancient Egypt. However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only used to discuss most work. Hyphens may or may not be used in all these terms, works in the technique are described as in relief, and, especially in monumental sculpture, the work itself is a relief. Reliefs are common throughout the world on the walls of buildings and a variety of settings. Relief is more suitable for depicting complicated subjects with figures and very active poses, such as battles. Most ancient architectural reliefs were painted, which helped to define forms in low relief. Rock reliefs are carved into solid rock in the open air. This type is found in cultures, in particular those of the Ancient Near East and Buddhist countries. A stele is a standing stone, many of these carry reliefs. The distinction between high and low relief is somewhat subjective, and the two are often combined in a single work. In particular, most later high reliefs contain sections in low relief, a low relief or bas-relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. Other versions distort depth much less and it is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required
9.
Intaglio (jewellery)
–
An engraved gem is a small gemstone, usually semi-precious, that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a luxury art form in the ancient world. Strictly speaking, engraving means carving in intaglio, but relief carvings are covered by the term. This article uses cameo in its sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called gem carving, and the artists gem-cutters, vessels like the Cup of the Ptolemies and heads or figures carved in the round are also known as hardstone carvings and similar terms. Glyptics, or glyptic art, covers the field of small carved stones, including seals and inscriptions. A finely carved seal was practical, as it made more difficult – the distinctive personal signature did not really exist in antiquity. Gems were mostly cut by using abrasive powder from harder stones in conjunction with a hand-drill, emery has been mined for abrasive powder on Naxos since antiquity. Some early types of seal were cut by hand, rather than a drill, there is no evidence that magnifying lenses were used by gem cutters in antiquity. A medieval guide to gem-carving techniques survives from Theophilus Presbyter, byzantine cutters used a flat-edged wheel on a drill for intaglio work, while Carolingian ones used round-tipped drills, it is unclear where they learnt this technique from. In intaglio gems at least, the cut surface is usually very well preserved. The colour of several gemstones can be enhanced by a number of methods, using heat, sugar. Many of these can be shown to have used since antiquity – since the 7th millennium BC in the case of heating. The technique has an ancient tradition in the Near East, and is represented in all or most early cultures from the area, and these were made in various types of stone, not all hardstone. The Greek tradition emerged in Ancient Greek art under Minoan influence on mainland Helladic culture, pre-Hellenic Ancient Egyptian seals tend to have inscriptions in hieroglyphs rather than images. The Biblical Book of Exodus describes the form of the hoshen, round or oval Greek gems are found from the 8th and 7th centuries BC, usually with animals in energetic geometric poses, often with a border marked by dots or a rim. Early examples are mostly in softer stones, Gems of the 6th century are more often oval, with a scarab back, and human or divine figures as well as animals, the scarab form was apparently adopted from Phoenicia. The forms are sophisticated for the period, despite the small size of the gems
10.
Cameo appearance
–
A cameo role or cameo appearance is a brief appearance or voice part of a known person in a work of the performing arts, typically unnamed or appearing as themselves. Short appearances by celebrities, film directors, politicians, athletes or musicians are common, a crew member of the show or movie playing a minor role can be referred to as a cameo as well, such as Alfred Hitchcocks frequently performed cameos. Originally cameo role meant a character part that stands out from the other minor parts. The Oxford English Dictionary connects this with the meaning a short literary sketch or portrait, which is based on the meaning of cameo. More recently, cameo has come to refer to any short appearances, whether as a character or as oneself, such as the examples below. Cameos are generally not credited because of their brevity, or a mismatch between the celebritys stature and the film or TV show in which he or she is appearing. Others are acknowledgments of a contribution to an earlier work, as in the case of many film adaptations of TV series. Others honour artists or celebrities known for work in a particular field, possibly the best-known series of cameos was by the director Alfred Hitchcock, who made very brief appearances in most of his films. Cameos also occur in novels and other literary works, “Literary cameos” usually involve an established character from another work who makes a brief appearance to establish a shared universe setting, to make a point, or to offer homage. Balzac often employed this practice, as in his Comédie humaine, a cameo appearance can be made by the author of a work to put a sort of personal signature on a story. Vladimir Nabokov often put himself in his novels, for instance, quentin Tarantino provides cameos or small roles in at least 10 of his movies. Likewise, Peter Jackson has made cameos in all of his movies, except for his first feature-length movie Bad Taste in which he plays a main character. For example, he plays a peasant eating a carrot in The Fellowship of the Ring and The Desolation of Smaug, a Rohan warrior in The Two Towers, director Martin Scorsese appears in the background of his films as a bystander or an unseen character. In Whos That Knocking at My Door, he appears as one of the gangsters, he is a crew man in After Hours. He opens up his 1986 film The Color of Money with a monologue on the art of playing pool. In addition, he appears with his wife and daughter as wealthy New Yorkers in Gangs of New York, in a same way, Roman Polanski appears as a hired hoodlum in his film Chinatown, slitting Jack Nicholsons nose with the blade of his clasp knife. Directors sometimes cast well-known lead actors with whom they have worked in the past in other films, mike Todds film Around the World in 80 Days was filled with cameo roles, and others. The stars in cameo roles were pictured in oval insets in posters for the film, among the many cameos featured in the film Maverick, actor Danny Glover appears as the lead bank robber
11.
Oval
–
An oval is a closed curve in a plane which loosely resembles the outline of an egg. The term is not very specific, but in areas it is given a more precise definition. In common English, the term is used in a broader sense, the three-dimensional version of an oval is called an ovoid. The term oval when used to describe curves in geometry is not well-defined, many distinct curves are commonly called ovals or are said to have an oval shape. Generally, to be called an oval, a plane curve should resemble the outline of an egg or an ellipse, the adjectives ovoidal and ovate mean having the characteristic of being an ovoid, and are often used as synonyms for egg-shaped. In the theory of planes, an oval is a set of n +1 points in a projective plane of order n. An ovoid in the projective geometry PG is a set of q2 +1 points such that no three points are collinear. At each point of an all the tangent lines to the ovoid lie in a single plane. The shape of an egg is approximated by long half of a spheroid, joined to a short half of a roughly spherical ellipsoid. These are joined at the equator and sharing a principal axis of rotational symmetry, although the term egg-shaped usually implies a lack of reflection symmetry across the equatorial plane, it may also refer to true prolate ellipsoids. It can also be used to describe the 2-dimensional figure that, if revolved around its major axis, in technical drawing, an oval is a figure constructed from two pairs of arcs, with two different radii. The arcs are joined at a point in which lines tangential to both joining arcs lie on the line, thus making the joint smooth. Any point of an oval belongs to an arc with a constant radius, but in an ellipse, in common speech, oval means a shape rather like an egg or an ellipse, which may be two-dimensional or three-dimensional. It also often refers to a figure that resembles two semicircles joined by a rectangle, like a cricket infield, speed skating rink or an athletics track, however, this is more correctly called a stadium or archaically, an oblong. Sometimes, it can refer to any rectangle with rounded corners. The shape lends its name to many well-known places, ellipse Stadium Vesica piscis – a pointed oval
12.
Gemstone
–
A gemstone is a piece of mineral crystal which, in cut and polished form, is used to make jewelry or other adornments. However, certain rocks or organic materials that are not minerals are used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone, apart from jewelry, from earliest antiquity engraved gems and hardstone carvings, such as cups, were major luxury art forms. A gem maker is called a lapidary or gemcutter, a worker is a diamantaire. The carvings of Carl Fabergé are significant works in this tradition, the traditional classification in the West, which goes back to the ancient Greeks, begins with a distinction between precious and semi-precious, similar distinctions are made in other cultures. In modern usage the precious stones are diamond, ruby, sapphire, other stones are classified by their color, translucency and hardness. Another unscientific term for semi-precious gemstones used in art history and archaeology is hardstone, in modern times gemstones are identified by gemologists, who describe gems and their characteristics using technical terminology specific to the field of gemology. The first characteristic a gemologist uses to identify a gemstone is its chemical composition, for example, diamonds are made of carbon and rubies of aluminium oxide. Next, many gems are crystals which are classified by their crystal system such as cubic or trigonal or monoclinic, another term used is habit, the form the gem is usually found in. For example, diamonds, which have a crystal system, are often found as octahedrons. Gemstones are classified into different groups, species, and varieties, for example, ruby is the red variety of the species corundum, while any other color of corundum is considered sapphire. Other examples are the Emerald, aquamarine, red beryl, goshenite, heliodor, and morganite, gems are characterized in terms of refractive index, dispersion, specific gravity, hardness, cleavage, fracture, and luster. They may exhibit pleochroism or double refraction and they may have luminescence and a distinctive absorption spectrum. Material or flaws within a stone may be present as inclusions, gemstones may also be classified in terms of their water. This is a grading of the gems luster, transparency. Very transparent gems are considered first water, while second or third water gems are those of a lesser transparency, there is no universally accepted grading system for gemstones. Diamonds are graded using a system developed by the Gemological Institute of America in the early 1950s, historically, all gemstones were graded using the naked eye
13.
Onyx
–
Onyx is a banded variety of the oxide mineral chalcedony. Agate and onyx are both varieties of layered chalcedony that differ only in the form of the bands, agate has curved bands, the colors of its bands range from white to almost every color. Commonly, specimens of onyx contain bands of black and/or white, onyx comes through Latin, from the Greek ὄνυξ, meaning claw or fingernail. With its fleshtone color, onyx can be said to resemble a fingernail, the English word nail is cognate with the Greek word. Onyx is formed of bands of chalcedony in alternating colors and it is cryptocrystalline, consisting of fine intergrowths of the silica minerals quartz and moganite. Its bands are parallel to one another, as opposed to the more chaotic banding that often occurs in agates, sardonyx is a variant in which the colored bands are sard rather than black. Black onyx is perhaps the most famous variety, but is not as common as onyx with colored bands, artificial treatments have been used since ancient times to produce both the black color in black onyx and the reds and yellows in sardonyx. Most black onyx on the market is artificially colored, the name has sometimes been used, incorrectly, to label other banded lapidary materials, such as banded calcite found in Mexico, Pakistan, and other places, and often carved, polished and sold. This material is softer than true onyx, and much more readily available. The majority of carved items sold as onyx today are this carbonate material, artificial onyx types have also been produced from common chalcedony and plain agates. The first-century naturalist Pliny the Elder described these techniques being used in Roman times and these techniques are still used, as well as other dyeing treatments, and most so-called black onyx sold is artificially treated. In addition to dye treatments, heating and treatment with nitric acid have been used to lighten or eliminate undesirable colors and it has a long history of use for hardstone carving and jewelry, where it is usually cut as a cabochon or into beads. It has also used for intaglio and hardstone cameo engraved gems. Some onyx is natural but much of the material in commerce is produced by the staining of agate, onyx was used in Egypt as early as the Second Dynasty to make bowls and other pottery items. Use of sardonyx appears in the art of Minoan Crete, notably from the archaeological recoveries at Knossos, Brazilian green onyx was often used as plinths for art deco sculptures created in the 1920s and 1930s. The German sculptor Ferdinand Preiss used Brazilian green onyx for the base on the majority of his chryselephantine sculptures, green onyx was also used for trays and pin dishes – produced mainly in Austria – often with small bronze animals or figures attached. Onyx is mentioned in the Bible many times, sardonyx is mentioned in the Bible as well. Onyx was known to the Ancient Greeks and Romans, the first-century naturalist Pliny the Elder described both type of onyx and various artificial treatment techniques in his Naturalis Historia
14.
Agate
–
Agate /ˈæɡət/ is a cryptocrystalline variety of silica, chiefly chalcedony, characterised by its fineness of grain and brightness of color. Although agates may be found in various kinds of rock, they are associated with volcanic rocks. Colorful agates and other chalcedonies were obtained over 3,000 years ago from the Achates River, Agate has also been known to fill veins or cracks in volcanic or altered rock underlain by granitic intrusive masses. Such agates, when cut transversely, exhibit a succession of lines, often of extreme tenuity. Such stones are known as banded agate, riband agate and striped agate, perhaps the most comprehensive review of agate chemistry is a recent text by Moxon cited below. This green silicate may give rise by alteration to a iron oxide. The outer surface of an agate, freed from its matrix, is pitted and rough. The first layer spread over the wall of the cavity has been called the priming, when the matrix in which the agates are embedded disintegrates, they are set free. The agates are extremely resistant to weathering and remain as nodules in the soil, or are deposited as gravel in streams, a Mexican agate, showing only a single eye, has received the name of cyclops agate. Dendritic agates have fern like patterns in them formed due to the presence of manganese, other types of included matter deposited during agate-building include sagenitic growths and chunks of entrapped detritus. Occasionally agate fills a void left by decomposed vegetative material such as a limb or root and is called limb cast agate due to its appearance. Enhydro agate contains tiny inclusions of water, sometimes with air bubbles, turritella agate is formed from silicified fossil Elimia tenera shells. E. tenera are spiral freshwater gastropods having elongated, spiral shells composed of many whorls, similarly, coral, petrified wood and other organic remains or porous rocks can also become agatized. Agatized coral is often referred to as Petoskey stone or agate, greek agate is a name given to pale white to tan colored agate found in Sicily back to 400 BC. The Greeks used it for making jewelry and beads, brazilian agate is found as sizable geodes of layered nodules. These occur in brownish tones interlayered with white and gray, quartz forms within these nodules, creating a striking specimen when cut opposite the layered growth axis. It is often dyed in various colors for ornamental purposes, certain stones, when examined in thin sections by transmitted light, show a diffraction spectrum due to the extreme delicacy of the successive bands, whence they are termed rainbow agates. Often agate coexists with layers or masses of opal, jasper or crystalline quartz due to ambient variations during the formation process, lace agate is a variety that exhibits a lace-like pattern with forms such as eyes, swirls, bands or zigzags
15.
Mollusc shell
–
Not all shelled molluscs live in the sea, many live on the land and in freshwater. Within some species of molluscs, there is often a degree of variation in the exact shape, pattern, ornamentation. A mollusc shell is formed, repaired and maintained by a part of the called the mantle. Any injuries to or abnormal conditions of the mantle are reflected in the shape and form. When the animal encounters harsh conditions that limit its food supply, or otherwise cause it to become dormant for a while, when conditions improve again and the mantle resumes its task, a growth line is produced. The mantle edge secretes a shell which has two components, the shell formation requires certain biological machinery. This caps off the space, which is bounded on its other surfaces by the existing shell. The accumulation of ions is driven by ion pumps packed within the calcifying epithelium, the organic matrix forms the scaffold that directs crystallization, and the deposition and rate of crystals is also controlled by hormones produced by the mollusc. Nucleation is endoepithelial in Neopilina and Nautilus, but exoepithelial in the bivalves, the formation of the shell involves a number of genes and transcription factors. On the whole, the factors and signalling genes are deeply conserved. Engrailed serves to demark the edge of the field, dpp controls the shape of the shell. In gastropod embryos, Hox1 is expressed where the shell is being accreted, perlucin operates in association with Perlustrin, a smaller relative of lustrin A, a protein responsible for the elasticity of organic layers that makes nacre so resistant to cracking. Lustrin A bears remarkable structural similarity to the involved in mineralization in diatoms – even though diatoms use silica, not calcite. The shell at another first giant clam, the characterizations of the second elasticity sheels. The second responsibles id makes by commons however no association has been observed between Hox genes and cephalopod shell formation, a wide range of enzymes are expressed during the formation of the shell, including carbonic anhydrase, alkaline phosphatase, and DOPA-oxidase /peroxidase. The shell-secreting area is differentiated very early in embryonic development, an area of the ectoderm thickens, then invaginates to become a shell gland. The gland subsequently evaginates in molluscs that produce an external shell, a wide range of enzymes are expressed during the formation of the shell, including carbonic anhydrase, alkaline phosphatase, and DOPA-oxidase /peroxidase. The form of the shell is constrained by the organisms ecology
16.
Glass
–
Glass is a non-crystalline amorphous solid that is often transparent and has widespread practical, technological, and decorative usage in, for example, window panes, tableware, and optoelectronics. The most familiar, and historically the oldest, types of glass are silicate glasses based on the chemical compound silica, the primary constituent of sand. The term glass, in usage, is often used to refer only to this type of material. Many applications of silicate glasses derive from their optical transparency, giving rise to their use as window panes. Glass can be coloured by adding metallic salts, and can also be painted and printed with vitreous enamels and these qualities have led to the extensive use of glass in the manufacture of art objects and in particular, stained glass windows. Although brittle, silicate glass is extremely durable, and many examples of glass fragments exist from early glass-making cultures, because glass can be formed or moulded into any shape, it has been traditionally used for vessels, bowls, vases, bottles, jars and drinking glasses. In its most solid forms it has also used for paperweights, marbles. Some objects historically were so commonly made of glass that they are simply called by the name of the material, such as drinking glasses. Porcelains and many polymer thermoplastics familiar from everyday use are glasses and these sorts of glasses can be made of quite different kinds of materials than silica, metallic alloys, ionic melts, aqueous solutions, molecular liquids, and polymers. For many applications, like glass bottles or eyewear, polymer glasses are a lighter alternative than traditional glass, silica is a common fundamental constituent of glass. In nature, vitrification of quartz occurs when lightning strikes sand, forming hollow, fused quartz is a glass made from chemically-pure SiO2. It has excellent resistance to shock, being able to survive immersion in water while red hot. However, its high melting-temperature and viscosity make it difficult to work with, normally, other substances are added to simplify processing. One is sodium carbonate, which lowers the transition temperature. The soda makes the glass water-soluble, which is undesirable, so lime, some magnesium oxide. The resulting glass contains about 70 to 74% silica by weight and is called a soda-lime glass, soda-lime glasses account for about 90% of manufactured glass. Most common glass contains other ingredients to change its properties, lead glass or flint glass is more brilliant because the increased refractive index causes noticeably more specular reflection and increased optical dispersion. Adding barium also increases the refractive index, iron can be incorporated into glass to absorb infrared energy, for example in heat absorbing filters for movie projectors, while cerium oxide can be used for glass that absorbs UV wavelengths
17.
Cameo glass
–
Glass allowed consistent and predictable colored layers, even for round objects. From the mid-19th century there was a revival of cameo glass, suited equally to Neo-Grec taste and the French Art Nouveau practiced by Émile Gallé, only about 200 fragments and 15 complete objects of early Roman cameo glass survive. The best and most famous example of these, and also among the best preserved, is the Portland Vase in the British Museum, other fine examples, such as the Morgan Cup, are drinking cups. Both of these named pieces show complex multi-figured mythological scenes, whose iconography has been much debated, the Getty Villa has another cup, and a perfume bottle with scenes of Egyptian deities, apparently an early instance of Orientalism. The latter period also saw a brief revival of the art of gem-carving. All these dates are tentative, and it is possible that smaller gem-like pieces of cameo glass continued to be produced between these periods. Glass from the period is even rarer than from the earlier, with only a handful of complete pieces known. Its use was restricted to the elite, the Portland Vase is said to have been excavated from the tomb of the Emperor Septimius Severus. In the early period usually all layers are opaque, by contrast, in the later period, there is a translucent colored overlay over a virtually colorless background, perhaps imitating rock crystal. The surface of the top layer elements is flat rather than carved as in the group of pieces. The technique was used in Islamic art in the 9th and 10th centuries, but then lost until the 18th century in Europe, like Wedgwoods designers, they usually worked in a more or less neoclassical style. The French medalist Alphonse Eugène Lecheverel, whose work for Richardsons was exhibited in Paris in 1878, outstanding English cameo glass artisans were Philip Pargeter and John Northwood, who first successfully reproduced the Portland Vase in cameo glass. Cameo glass, roughed out by the process provided a popular substitute for genuine cameos in brooches and plaques and similar uses. Cameo glass Louis Comfort Tiffany made only a number of cameo pieces. The detailed work is then done with wheels and drills, before finishing, in the case of three-layer cameo, there is another layer of glass on top of the white opaque one, and further layers are possible. One Roman piece uses a record six layers and it is not known where the Roman pieces were produced, but for want of any better suggestion most scholars think in the capital itself. It appears likely that at least the making of the blanks was initially in the hands of imported Syrian glass-workers, hugh Honour and John Fleming, A World History of Art,1982 & revised eds, Macmillan, London Lightfoot, Christopher. In Heilbrunn Timeline of Art History, new York, The Metropolitan Museum of Art, 2000–
18.
Portland Vase
–
The Portland Vase is a Roman cameo glass vase, which is dated to between AD1 and AD25, though low BC dates have some scholarly support. It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and it is first recorded in Rome in 1600-1601, and since 1810 has been in the British Museum in London. It was bought by the museum in 1945 and is normally on display in Room 70, the vase is about 25 centimetres high and 56 in circumference. The bottom of the vase was a glass disc, also in blue and white, showing a head. This roundel clearly does not belong to the vase, and has been displayed separately since 1845. It may have added to mend a break in antiquity or after. The meaning of the images on the vase is unclear and none of the theories put forward have been found generally satisfactory. They fall into two groups, mythological and historical, though a historical interpretation of a myth is also a possibility. Interpretations of the portrayals have included that of a marine setting, many scholars have concluded that the figures do not fit into a single iconographic set. Interpretations include, The marriage of the sea-gods Peleus and Thetis, the dream of Olympias, mother of Alexander the Great, who is emerging from the building to greet her, with his father Apollo as the serpent. This was the first theory, dating to 1633, and connected to Severus Alexander and his mother, on the reverse is Octavian, Octavia his sister, widow of Mark Anthony and Livia, Octavians third wife who outlived him. These two are looking directly at each other, Octavian commanded she divorce her then husband and marry him with a few weeks of meeting, she was mother to the future Emperor Tiberius. All the pieces and people fit in this theory and it explains most mysteries and it would have been a fabulously expensive piece to commission, so that few men of the period could have afforded it. Several attempts at creating the vase must have made, as modern reproduction trials show today. Cameo-glass vessels were all made within about two generations, as experiments when the blowing technique was still in its infancy. After cooling the white layer was cut away to form the design, the cutting was probably performed by a skilled gem-cutter. It is believed that the cutter may have been Dioskourides, as engraved gems thought to be cut by him of a similar period and this is confirmed by the Corning Museum in their 190-page study of the vase—see above. According to a theory by Rosemarie Lierke, the vase, along with the rest of Roman cameo glass, was moulded rather than cold-cut
19.
Jewelry
–
Jewellery or jewelry consists of small decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, and bracelets. Jewellery may be attached to the body or the clothes, for many centuries metal, often combined with gemstones, has been the normal material for jewellery, but other materials such as shells and other plant materials may be used. It is one of the oldest type of archaeological artefact – with 100, historically, the most widespread influence on jewellery in terms of design and style have come from Asia. Jewellery may be made from a range of materials. Gemstones and similar such as amber and coral, precious metals, beads, and shells have been widely used. In most cultures jewellery can be understood as a symbol, for its material properties, its patterns. Jewellery has been made to nearly every body part, from hairpins to toe rings. The word jewellery itself is derived from the jewel, which was anglicised from the Old French jouel. In British English, Indian English, New Zealand English, Hiberno-English, Australian English, both are used in Canadian English, though jewelry prevails by a two to one margin. Numerous cultures store wedding dowries in the form of jewellery or make jewellery as a means to store or display coins, alternatively, jewellery has been used as a currency or trade good, an example being the use of slave beads. Many items of jewellery, such as brooches and buckles, originated as functional items. Jewellery can also symbolise group membership or status, wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures. These may take the form of symbols, stones, plants, animals, body parts, in creating jewellery, gemstones, coins, or other precious items are often used, and they are typically set into precious metals. Alloys of nearly every metal known have been encountered in jewellery, bronze, for example, was common in Roman times. Modern fine jewellery usually includes gold, white gold, platinum, palladium, titanium, most contemporary gold jewellery is made of an alloy of gold, the purity of which is stated in karats, indicated by a number followed by the letter K. American gold jewellery must be of at least 10K purity, many whimsical fashions were introduced in the extravagant eighteenth century. Cameos that were used in connection with jewellery were the attractive trinkets along with many of the objects such as brooches, ear-rings. Some of the necklets were made of pieces joined with the gold chains were in and bracelets were also made sometimes to match the necklet
20.
Seal (emblem)
–
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, a wrapper for one such as a modern envelope, the seal-making device is also referred to as the seal matrix or die, the imprint it creates as the seal impression. In most traditional forms of dry seal the design on the matrix is in intaglio. The design on the impression will reverse that of the matrix and this will not be the case if paper is embossed from behind, where the matrix and impression read the same way, and both matrix and impression are in relief. However engraved gems were carved in relief, called cameo in this context. The process is essentially that of a mould and these pendent seal impressions dangled below the documents they authenticated, to which the attachment tag was sewn or otherwise attached. Some jurisdictions consider rubber stamps or specified signature-accompanying words such as seal or L. S. to be the equivalent of, i. e. an equally effective substitute for. In Europe, although coats of arms and heraldic badges may well feature in such contexts as well as on seals, the study of seals is known as sigillography or sphragistics. Seals were used in the earliest civilizations and are of importance in archaeology. In ancient Mesopotamia carved or engraved cylinder seals in stone or other materials were used and these could be rolled along to create an impression on clay, and used as labels on consignments of trade goods, or for other purposes. They are normally hollow and it is presumed that they were worn on a string or chain round the neck, many have only images, often very finely carved, with no writing, while others have both. From Ancient Egypt seals in the form of signet-rings, including some with the names of kings, have been found, recently, seals have come to light in South Arabia datable to the Himyarite age. One example shows a name written in Aramaic engraved in reverse so as to read correctly in the impression, from the beginning of the 3rd millennium BC until the Middle Ages, seals of various kinds were in production in the Aegean islands and mainland Greece. In the Early Minoan age these were formed of stone and ivory. By the Middle Minoan age a new set for seal forms, motifs, hard stone requires new rotary carving techniques. The Late Bronze Age is the par excellence of the lens-shaped seal and the seal ring. These were a luxury art form and became keenly collected. His collection fell as booty to Pompey the Great, who deposited it in a temple in Rome, engraved gems continued to be produced and collected until the 19th century
21.
Objet d'art
–
Books with fine bookbindings might be included. The term is flexible, and is often used as a broad term for everything else after major categories have been dealt with. Thus the National Maritime Museum in Greenwich, London describes its collection as follows and these are mostly small decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections. In English it may be italicised as a word, or not. Incorrect forms such as objet-dart, object dart are sometimes seen, a comparable term that appears in 18th- and 19th-century French sale catalogs, though now less used, is objets de curiosité, objects of curiosity, now devolved into the less-valued curio
22.
Greece
–
Greece, officially the Hellenic Republic, historically also known as Hellas, is a country in southeastern Europe, with a population of approximately 11 million as of 2015. Athens is the capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine regions, Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring a vast number of islands, eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. From the eighth century BC, the Greeks were organised into various independent city-states, known as polis, which spanned the entire Mediterranean region and the Black Sea. Greece was annexed by Rome in the second century BC, becoming a part of the Roman Empire and its successor. The Greek Orthodox Church also shaped modern Greek identity and transmitted Greek traditions to the wider Orthodox World, falling under Ottoman dominion in the mid-15th century, the modern nation state of Greece emerged in 1830 following a war of independence. Greeces rich historical legacy is reflected by its 18 UNESCO World Heritage Sites, among the most in Europe, Greece is a democratic and developed country with an advanced high-income economy, a high quality of life, and a very high standard of living. A founding member of the United Nations, Greece was the member to join the European Communities and has been part of the Eurozone since 2001. Greeces unique cultural heritage, large industry, prominent shipping sector. It is the largest economy in the Balkans, where it is an important regional investor, the names for the nation of Greece and the Greek people differ from the names used in other languages, locations and cultures. The earliest evidence of the presence of human ancestors in the southern Balkans, dated to 270,000 BC, is to be found in the Petralona cave, all three stages of the stone age are represented in Greece, for example in the Franchthi Cave. Neolithic settlements in Greece, dating from the 7th millennium BC, are the oldest in Europe by several centuries and these civilizations possessed writing, the Minoans writing in an undeciphered script known as Linear A, and the Mycenaeans in Linear B, an early form of Greek. The Mycenaeans gradually absorbed the Minoans, but collapsed violently around 1200 BC and this ushered in a period known as the Greek Dark Ages, from which written records are absent. The end of the Dark Ages is traditionally dated to 776 BC, the Iliad and the Odyssey, the foundational texts of Western literature, are believed to have been composed by Homer in the 7th or 8th centuries BC. With the end of the Dark Ages, there emerged various kingdoms and city-states across the Greek peninsula, in 508 BC, Cleisthenes instituted the worlds first democratic system of government in Athens
23.
Farnese Tazza
–
The Farnese Cup is a 2nd-century BC cameo cup of Hellenistic Egypt in four-layered sardonyx agate. After Octavians conquest of Egypt in 31 BC, the Farnese Cup was acquired by the Treasury of Rome and it was later brought to Byzantium, then back west after this city was sacked in 1204 during the Fourth Crusade. Lorenzo the Magnificent finally purchased the famous scutella di calcedonio in Rome, the internal decoration is an elaborate allegory of Ptolemaic Egypts prosperity. It operates on two levels, one Egyptian, the other Greek and it presumably represents the Egyptian divine triad, Serapis-Isis-Harpocrates or, alternatively, the Eleusinian triad, Hades/Pluto-Demeter-Triptolemos. On the bottom are female figures possibly personifying the seasons, two male figures soaring in flight above the divine triad represent the propitious Etesian winds that blow during the summer. On the exterior, a large apotropaic Gorgonian mask glares threateningly at the enemies of the state, produced at the court of the Ptolemies, other interpretations of the figures have them being Cleopatra III, her husband Ptolemy VIII and their son Ptolemy X Aléxandros
24.
Hellenistic period
–
It is often considered a period of transition, sometimes even of decadence or degeneration, compared to the enlightenment of the Greek Classical era. The Hellenistic period saw the rise of New Comedy, Alexandrian poetry, the Septuagint, Greek science was advanced by the works of the mathematician Euclid and the polymath Archimedes. The religious sphere expanded to include new gods such as the Greco-Egyptian Serapis, eastern deities such as Attis and Cybele, the Hellenistic period was characterized by a new wave of Greek colonization which established Greek cities and kingdoms in Asia and Africa. This resulted in the export of Greek culture and language to new realms. Equally, however, these new kingdoms were influenced by the cultures, adopting local practices where beneficial, necessary. Hellenistic culture thus represents a fusion of the Ancient Greek world with that of the Near East, Middle East and this mixture gave rise to a common Attic-based Greek dialect, known as Koine Greek, which became the lingua franca through the Hellenistic world. Scholars and historians are divided as to what event signals the end of the Hellenistic era, Hellenistic is distinguished from Hellenic in that the first encompasses the entire sphere of direct ancient Greek influence, while the latter refers to Greece itself. The word originated from the German term hellenistisch, from Ancient Greek Ἑλληνιστής, from Ἑλλάς, Hellenistic is a modern word and a 19th-century concept, the idea of a Hellenistic period did not exist in Ancient Greece. Although words related in form or meaning, e. g, the major issue with the term Hellenistic lies in its convenience, as the spread of Greek culture was not the generalized phenomenon that the term implies. Some areas of the world were more affected by Greek influences than others. The Greek population and the population did not always mix, the Greeks moved and brought their own culture. While a few fragments exist, there is no surviving historical work which dates to the hundred years following Alexanders death. The works of the major Hellenistic historians Hieronymus of Cardia, Duris of Samos, the earliest and most credible surviving source for the Hellenistic period is Polybius of Megalopolis, a statesman of the Achaean League until 168 BC when he was forced to go to Rome as a hostage. His Histories eventually grew to a length of forty books, covering the years 220 to 167 BC, another important source, Plutarchs Parallel Lives though more preoccupied with issues of personal character and morality, outlines the history of important Hellenistic figures. Appian of Alexandria wrote a history of the Roman empire that includes information of some Hellenistic kingdoms, other sources include Justins epitome of Pompeius Trogus Historiae Philipicae and a summary of Arrians Events after Alexander, by Photios I of Constantinople. Lesser supplementary sources include Curtius Rufus, Pausanias, Pliny, in the field of philosophy, Diogenes Laertius Lives and Opinions of Eminent Philosophers is the main source. Ancient Greece had traditionally been a collection of fiercely independent city-states. After the Peloponnesian War, Greece had fallen under a Spartan hegemony, in which Sparta was pre-eminent but not all-powerful
25.
Ancient Rome
–
In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and then to an increasingly autocratic empire. Through conquest and assimilation, it came to dominate the Mediterranean region and then Western Europe, Asia Minor, North Africa and it is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern government, law, politics, engineering, art, literature, architecture, technology, warfare, religion, language and society. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond, its domain extended from the Atlantic to Arabia, the Roman Empire emerged with the end of the Republic and the dictatorship of Augustus Caesar. 721 years of Roman-Persian Wars started in 92 BC with their first war against Parthia and it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the part of the empire broke up into independent kingdoms in the 5th century. This splintering is a landmark historians use to divide the ancient period of history from the pre-medieval Dark Ages of Europe. King Numitor was deposed from his throne by his brother, Amulius, while Numitors daughter, Rhea Silvia, because Rhea Silvia was raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine. The new king, Amulius, feared Romulus and Remus would take back the throne, a she-wolf saved and raised them, and when they were old enough, they returned the throne of Alba Longa to Numitor. Romulus became the source of the citys name, in order to attract people to the city, Rome became a sanctuary for the indigent, exiled, and unwanted. This caused a problem for Rome, which had a large workforce but was bereft of women, Romulus traveled to the neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables they all refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins, after a long time in rough seas, they landed at the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, one woman, named Roma, suggested that the women burn the ships out at sea to prevent them from leaving. At first, the men were angry with Roma, but they realized that they were in the ideal place to settle. They named the settlement after the woman who torched their ships, the Roman poet Virgil recounted this legend in his classical epic poem the Aeneid
26.
Augustus
–
Augustus was the founder of the Roman Principate and considered the first Roman emperor, controlling the Roman Empire from 27 BC until his death in AD14. He was born Gaius Octavius into an old and wealthy equestrian branch of the plebeian gens Octavia and his maternal great-uncle Julius Caesar was assassinated in 44 BC, and Octavius was named in Caesars will as his adopted son and heir, then known as Octavianus. He, Mark Antony, and Marcus Lepidus formed the Second Triumvirate to defeat the assassins of Caesar, following their victory at the Battle of Philippi, the Triumvirate divided the Roman Republic among themselves and ruled as military dictators. The Triumvate was eventually torn apart by the ambitions of its members. Lepidus was driven into exile and stripped of his position, in reality, however, he retained his autocratic power over the Republic as a military dictator. By law, Augustus held a collection of powers granted to him for life by the Senate, including supreme military command, and it took several years for Augustus to develop the framework within which a formally republican state could be led under his sole rule. He rejected monarchical titles, and instead called himself Princeps Civitatis, the resulting constitutional framework became known as the Principate, the first phase of the Roman Empire. The reign of Augustus initiated an era of peace known as the Pax Romana. Augustus dramatically enlarged the Empire, annexing Egypt, Dalmatia, Pannonia, Noricum, and Raetia, expanding possessions in Africa, expanding into Germania, beyond the frontiers, he secured the Empire with a buffer region of client states and made peace with the Parthian Empire through diplomacy. Augustus died in AD14 at the age of 75 and he probably died from natural causes, although there were unconfirmed rumors that his wife Livia poisoned him. He was succeeded as Emperor by his adopted son Tiberius, Augustus was known by many names throughout his life, At birth, he was named Gaius Octavius after his biological father. Historians typically refer to him simply as Octavius between his birth in 63 until his adoption by Julius Caesar in 44 BC, upon his adoption, he took Caesars name and became Gaius Julius Caesar Octavianus in accordance with Roman adoption naming standards. He quickly dropped Octavianus from his name, and his contemporaries referred to him as Caesar during this period, historians. In 27 BC, following his defeat of Mark Antony and Cleopatra and it is the events of 27 BC from which he obtained his traditional name of Augustus, which historians use in reference to him from 27 BC until his death in AD14. While his paternal family was from the town of Velletri, approximately 40 kilometres from Rome and he was born at Ox Head, a small property on the Palatine Hill, very close to the Roman Forum. He was given the name Gaius Octavius Thurinus, his cognomen possibly commemorating his fathers victory at Thurii over a band of slaves. Due to the nature of Rome at the time, Octavius was taken to his fathers home village at Velletri to be raised. Octavius only mentions his fathers equestrian family briefly in his memoirs and his paternal great-grandfather Gaius Octavius was a military tribune in Sicily during the Second Punic War
27.
Gemma Augustea
–
The Gemma Augustea is a low-relief cameo engraved gem cut from a double-layered Arabian onyx stone. It is commonly agreed that the gem cutter who created the Gemma Augustea was either Dioscurides or one of his disciples, the Gemma Augustea is a low-relief cameo engraved gem cut from a double-layered Arabian onyx stone. One layer is white, while the other is bluish-brown, the painstaking method by which the stone was cut allowed minute detail with sharp contrast between the images and background, also allowing for a great deal of shadow play. The size of the gem also made for easier manipulation and a grander scene and it stands 7.5 inches tall with a width of 9 inches and an average thickness of 0.5 inches. It is commonly agreed that the gem cutter who created Gemma Augustea was either Dioscurides or one of his disciples, Dioscurides was Caesar Augustus’ favorite gem cutter, and his work and copies of it are seen from all over the ancient Roman world. The gem is set as though in the period c, AD 10–20, although some scholars believe it to have been created decades later because of their interpretation of the scene. If Dioscurides, or cutters following his example, made it, at some time in antiquity it moved to Byzantium, perhaps after Constantine I had officially moved the capital of the empire there. If this gem was made during his lifetime, it would perhaps have been made as a gift to a family in a Roman province or client kingdom. Alternatively, if the gem was made after Augustus’ death, the identity of one or more of the portraits may be different from the usual identification. Another viewpoint is that the gem does portray Augustus as a god in his lifetime, similar issues arise with other Imperial cameos such as the Blacas Cameo in the British Museum. In 1533, Francis I of France appropriated it and moved it to Paris, not long thereafter it was sold for 12,000 ducats to Rudolph II, Holy Roman Emperor. During the 17th century, it was set in German gold and this setting shows that the gem must have been damaged, the upper left side being broken with at least one other figure missing, probably before Rudolph II bought it, but definitely before 1700. The gem is now in the Kunsthistorisches Museum in Vienna, the throned figure, #1 in the numbered illustration, is usually taken to be Augustus, although in some interpretations, it could represent a later Roman ruler. Figure #3 is the most readily identifiable, having characteristics held by no other, the woman is Oikoumene - the personification of the inhabited world. This inhabited or civilized world is either that of the early Roman Empire and she wears upon her head a mural crown and veil. She is crowning figure #1 with the corona civica of oak leaves - used to someone for saving the life of a Roman citizen. In this grand scale depiction, however, it is given to figure #1 because he saved a multitude of Roman citizens, Figure #5 and #6 seem to be closely related. Figure #5 is Oceanus or Neptune whose significance is often seen as one balancing the scene across from #4 and #7, below him is a reclined personification of either Gaia or Italia Turrita
28.
Gemma Claudia
–
The Gemma Claudia is a Roman five-layered onyx cameo of c.49. It later found its way into the Habsburg collections now in the Kunsthistoriches Museum and it is 12 cm high and set in a gold rim. It depicts two cornucopia, out of which sprout four portraits, two on either side, on the left is the Emperor Claudius and his new wife Agrippina opposite them, Agrippinas parents Germanicus and Agrippina. Its 49 AD date places it soon after Claudius marrying Agrippina in January 49, the unknown artist carved the work from the five alternately dark and light layers of the stone with great virtuosity. He achieves an increased transparency of the material by cutting layers that in places are of unparalleled thinness, media related to Gemma Claudia at Wikimedia Commons Kunsthistorisches Museum | Gemma Claudia Gemma Claudia on the homepage of gemmarius-sculptor
29.
Claudius
–
Claudius was Roman emperor from 41 to 54. A member of the Julio-Claudian dynasty, he was the son of Drusus and he was born at Lugdunum in Gaul, the first Roman Emperor to be born outside Italy. Claudius infirmity probably saved him from the fate of other nobles during the purges of Tiberius and Caligulas reigns. His survival led to his being declared Emperor by the Praetorian Guard after Caligulas assassination, despite his lack of experience, Claudius proved to be an able and efficient administrator. He was also a builder, constructing many new roads, aqueducts. During his reign the Empire began the conquest of Britain, having a personal interest in law, he presided at public trials, and issued up to twenty edicts a day. He was seen as vulnerable throughout his reign, particularly by elements of the nobility, Claudius was constantly forced to shore up his position, this resulted in the deaths of many senators. These events damaged his reputation among the ancient writers, though more recent historians have revised this opinion, many authors contend that he was murdered by his own wife. After his death in 54 AD, his grand-nephew and adopted son Nero succeeded him as Emperor, Claudius was born on 1 August 10 BC at Lugdunum. He had two siblings, Germanicus and Livilla. His mother, Antonia, may have had two children who died young. His maternal grandparents were Mark Antony and Octavia Minor, Augustus sister and his paternal grandparents were Livia, Augustus third wife, and Tiberius Claudius Nero. During his reign, Claudius revived the rumor that his father Drusus was actually the son of Augustus. In 9 BC, his father Drusus unexpectedly died on campaign in Germania, Claudius was then left to be raised by his mother, who never remarried. When Claudius disability became evident, the relationship with his family turned sour, Antonia referred to him as a monster, and used him as a standard for stupidity. She seems to have passed her son off on his grandmother Livia for a number of years, Livia was a little kinder, but nevertheless often sent him short, angry letters of reproof. He was put under the care of a former mule-driver to keep him disciplined, under the logic that his condition was due to laziness, however, by the time he reached his teenage years his symptoms apparently waned and his family took some notice of his scholarly interests. In 7 AD, Livy was hired to tutor him in history and he spent a lot of his time with the latter and the philosopher Athenodorus
30.
Neoclassicism
–
The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
31.
Napoleon
–
Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
32.
George III of the United Kingdom
–
He was concurrently Duke and prince-elector of Brunswick-Lüneburg in the Holy Roman Empire until his promotion to King of Hanover on 12 October 1814. He was the third British monarch of the House of Hanover, early in his reign, Great Britain defeated France in the Seven Years War, becoming the dominant European power in North America and India. However, many of Britains American colonies were soon lost in the American War of Independence, further wars against revolutionary and Napoleonic France from 1793 concluded in the defeat of Napoleon at the Battle of Waterloo in 1815. In the later part of his life, George III had recurrent, although it has since been suggested that he had the blood disease porphyria, the cause of his illness remains unknown. After a final relapse in 1810, a regency was established, on George IIIs death, the Prince Regent succeeded his father as George IV. Historical analysis of George IIIs life has gone through a kaleidoscope of changing views that have depended heavily on the prejudices of his biographers and the sources available to them. Until it was reassessed in the half of the 20th century, his reputation in the United States was one of a tyrant. George was born in London at Norfolk House and he was the grandson of King George II, and the eldest son of Frederick, Prince of Wales, and Augusta of Saxe-Gotha. As Prince George was born two months prematurely and he was unlikely to survive, he was baptised the same day by Thomas Secker. One month later, he was baptised at Norfolk House. His godparents were the King of Sweden, his uncle the Duke of Saxe-Gotha, George grew into a healthy but reserved and shy child. The family moved to Leicester Square, where George and his younger brother Prince Edward, Duke of York, Family letters show that he could read and write in both English and German, as well as comment on political events of the time, by the age of eight. He was the first British monarch to study science systematically and his religious education was wholly Anglican. At age 10 George took part in a production of Joseph Addisons play Cato and said in the new prologue, What. It may with truth be said, A boy in England born, historian Romney Sedgwick argued that these lines appear to be the source of the only historical phrase with which he is associated. Georges grandfather, King George II, disliked the Prince of Wales, however, in 1751 the Prince of Wales died unexpectedly from a lung injury, and George became heir apparent to the throne. He inherited one of his fathers titles and became the Duke of Edinburgh, now more interested in his grandson, three weeks later the King created George Prince of Wales. Georges mother, now the Dowager Princess of Wales, preferred to keep George at home where she could imbue him with her moral values
33.
Queen Victoria
–
Victoria was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death. From 1 May 1876, she adopted the title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn, both the Duke of Kent and King George III died in 1820, and Victoria was raised under close supervision by her German-born mother Princess Victoria of Saxe-Coburg-Saalfeld. She inherited the throne aged 18, after her fathers three brothers had all died, leaving no surviving legitimate children. The United Kingdom was already a constitutional monarchy, in which the sovereign held relatively little direct political power. Privately, Victoria attempted to influence government policy and ministerial appointments, publicly, Victoria married her first cousin, Prince Albert of Saxe-Coburg and Gotha, in 1840. Their nine children married into royal and noble families across the continent, tying them together, after Alberts death in 1861, Victoria plunged into deep mourning and avoided public appearances. As a result of her seclusion, republicanism temporarily gained strength and her Golden and Diamond Jubilees were times of public celebration. Her reign of 63 years and seven months is known as the Victorian era and it was a period of industrial, cultural, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. She was the last British monarch of the House of Hanover and her son and successor, Edward VII, belonged to the House of Saxe-Coburg and Gotha, the line of his father. Victorias father was Prince Edward, Duke of Kent and Strathearn, until 1817, Edwards niece, Princess Charlotte of Wales, was the only legitimate grandchild of George III. Her death in 1817 precipitated a crisis that brought pressure on the Duke of Kent. In 1818 he married Princess Victoria of Saxe-Coburg-Saalfeld, a widowed German princess with two children—Carl and Feodora —by her first marriage to the Prince of Leiningen and her brother Leopold was Princess Charlottes widower. The Duke and Duchess of Kents only child, Victoria, was born at 4.15 a. m. on 24 May 1819 at Kensington Palace in London. Victoria was christened privately by the Archbishop of Canterbury, Charles Manners-Sutton, on 24 June 1819 in the Cupola Room at Kensington Palace and she was baptised Alexandrina, after one of her godparents, Emperor Alexander I of Russia, and Victoria, after her mother. Additional names proposed by her parents—Georgina, Charlotte, and Augusta—were dropped on the instructions of the Dukes eldest brother, George, the Duke of Clarence and the Duke of Kent married on the same day in 1818, but both of Clarences daughters died as infants. Victorias father died in January 1820, when Victoria was less than a year old, a week later her grandfather died and was succeeded by his eldest son, George IV. The Duke of York died in 1827, when George IV died in 1830, he was succeeded by his next surviving brother, William IV, and Victoria became heir presumptive
34.
Lev Mei
–
Lev Aleksandrovich Mei was a Russian dramatist and poet. Mei was born on 13/25 February 1822, in Moscow and his father was a German officer who was wounded in the Battle of Borodino and died young. Mei completed his studies in Moscow in 1841 and served in the office of the Governor for 10 years and he became part of the young editorial staff of Mikhail Pogodins Moskovityanin. For a time, he taught school, but was forced to retire because of conflicts with his colleagues. He moved to Saint Petersburg, where he was active in literary endeavors and it was during this period that he wrote Reading Library, Domestic Notes, Son of the Fatherland, Russian Word, Russian Peace, and Svetoch. He wrote two historical dramas, The Tsars Bride and The Maid of Pskov, both of which the composer Rimsky-Korsakov later used as the basis for operas. Mei lived a dissipated and bohemian life, with a fondness for drink. Russia and the Republics of the Former Soviet Union, in The Cambridge Guide to Theatre
35.
Julius Caesar
–
Gaius Julius Caesar, known as Julius Caesar, was a Roman politician, general, and notable author of Latin prose. He played a role in the events that led to the demise of the Roman Republic. In 60 BC, Caesar, Crassus, and Pompey formed an alliance that dominated Roman politics for several years. Their attempts to power as Populares were opposed by the Optimates within the Roman Senate. Caesars victories in the Gallic Wars, completed by 51 BC, extended Romes territory to the English Channel, Caesar became the first Roman general to cross both the Channel and the Rhine, when he built a bridge across the Rhine and crossed the Channel to invade Britain. These achievements granted him unmatched military power and threatened to eclipse the standing of Pompey, with the Gallic Wars concluded, the Senate ordered Caesar to step down from his military command and return to Rome. Caesar refused the order, and instead marked his defiance in 49 BC by crossing the Rubicon with the 13th Legion, leaving his province, Civil war resulted, and Caesars victory in the war put him in an unrivalled position of power and influence. After assuming control of government, Caesar began a programme of social and governmental reforms and he centralised the bureaucracy of the Republic and was eventually proclaimed dictator in perpetuity, giving him additional authority. But the underlying political conflicts had not been resolved, and on the Ides of March 44 BC, a new series of civil wars broke out, and the constitutional government of the Republic was never fully restored. Caesars adopted heir Octavian, later known as Augustus, rose to power after defeating his opponents in the civil war. Octavian set about solidifying his power, and the era of the Roman Empire began, much of Caesars life is known from his own accounts of his military campaigns, and from other contemporary sources, mainly the letters and speeches of Cicero and the historical writings of Sallust. The later biographies of Caesar by Suetonius and Plutarch are also major sources, Caesar is considered by many historians to be one of the greatest military commanders in history. Caesar was born into a family, the gens Julia. The cognomen Caesar originated, according to Pliny the Elder, with an ancestor who was born by Caesarean section. The Historia Augusta suggests three alternative explanations, that the first Caesar had a head of hair, that he had bright grey eyes. Caesar issued coins featuring images of elephants, suggesting that he favored this interpretation of his name, despite their ancient pedigree, the Julii Caesares were not especially politically influential, although they had enjoyed some revival of their political fortunes in the early 1st century BC. Caesars father, also called Gaius Julius Caesar, governed the province of Asia and his mother, Aurelia Cotta, came from an influential family. Little is recorded of Caesars childhood, in 85 BC, Caesars father died suddenly, so Caesar was the head of the family at 16
36.
Nero
–
Nero was Roman Emperor from 54 to 68, and the last in the Julio-Claudian dynasty. Nero was adopted by his great-uncle Claudius to become his heir and successor, during his reign, the redoubtable general Corbulo conducted a successful war and negotiated peace with the Parthian Empire. His general Suetonius Paulinus crushed a revolt in Britain, Nero annexed the Bosporan Kingdom to the empire and may have begun the First Jewish–Roman War. In 64 AD, most of Rome was destroyed in the Great Fire of Rome, Suetonius, writing a generation later, claims that many Romans believed Nero himself had started the fire, in order to clear land for his planned palatial complex, the Domus Aurea. In 68, the rebellion of Vindex in Gaul and later the acclamation of Galba in Hispania drove Nero from the throne, facing a false report of being denounced as a public enemy who was to be executed, he committed suicide on 9 June 68. His death ended the Julio-Claudian dynasty, sparking a period of civil wars known as the Year of the Four Emperors. Neros rule is often associated with tyranny and extravagance and he is known for many executions, including that of his mother, and the probable murder by poison of his stepbrother Britannicus. Nero was rumored to have had captured Christians dipped in oil and this view is based on the writings of Tacitus, Suetonius and Cassius Dio, the main surviving sources for Neros reign, but a few sources paint Nero in a more favourable light. Some sources, including some mentioned above, portray him as an emperor who was popular with the common Roman people, some modern historians question the reliability of ancient sources when reporting on Neros tyrannical acts. Lucius Domitius Ahenobarbus, Nero, was born on 15 December 37 in Antium and he was the only son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger, sister of Emperor Caligula. Neros father, Gnaeus, was the son of Lucius Domitius Ahenobarbus, Gnaeus was thus the grandson of Gnaeus Domitius Ahenobarbus and probably Aemilia Lepida on his fathers side, and the grandson of Mark Antony and Octavia Minor on his mothers side. Thus, Nero had as his paternal grandmother Antonia Major, through Octavia, Nero was the great-nephew of Caesar Augustus. Neros father had employed as a praetor and was a member of Caligulas staff when the latter travelled to the East. Neros father was described by Suetonius as a murderer and a cheat who was charged by Emperor Tiberius with treason, adultery, Tiberius died, allowing him to escape these charges. Neros father died of edema in 39 when Nero was two, Neros mother was Agrippina the Younger, a great-granddaughter of Caesar Augustus and his wife Scribonia through their daughter Julia the Elder and her husband Marcus Vipsanius Agrippa. Agrippinas father, Germanicus, was a grandson of Augustuss wife, Livia, on one side and Mark Antony, Germanicus mother Antonia Minor was a daughter of Octavia Minor and Mark Antony. Germanicus was also the son of Tiberius. Agrippina poisoned her second husband Passienus Crispus, so many ancient historians also accuse her of murdering her third husband, the emperor Claudius
37.
Roman glass
–
Roman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles, Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid growth that saw the introduction of glass blowing. However, glass was being produced in Roman contexts using primarily Hellenistic techniques and styles by the late Republican period, the majority of manufacturing techniques were time-consuming, and the initial product was a thick-walled vessel which required considerable finishing. This, combined with the cost of importing natron for the production of raw glass, contributed to the use of glass and its position as an expensive. Still, Roman glasswares were already making their way from Western Asia to the Kushan Empire in Afghanistan and India, the first Roman glass found in China came from an early 1st-century BC tomb at Guangzhou, ostensibly via the South China Sea. In addition to this a new technique in glass production had been introduced during the 1st century AD. Glassblowing allowed glass workers to produce vessels with considerably thinner walls, Glass blowing was also considerably quicker than other techniques, and vessels required considerably less finishing, representing a further saving in time, raw material and equipment. Although earlier techniques dominated during the early Augustan and Julio-Claudian periods, as a result of these factors, the cost of production was reduced and glass became available for a wider section of society in a growing variety of forms. By the mid-1st century AD this meant that glass vessels had moved from a valuable, high-status commodity, to a commonly available. This growth also saw the production of the first glass tesserae for mosaics, at the same time, the expansion of the empire also brought an influx of people and an expansion of cultural influences that resulted in the adoption of eastern decorative styles. They are also linked to the fashions and technologies developed in the trade, from which a number of forms. Glass making reached its peak at the beginning of the 2nd century AD, the primary production techniques of blowing, and to a lesser extent casting, remained in use for the rest of the Roman period, with changes in vessel types but little change in technology. The use of coloured glass as an addition to pale and colourless glasses also increased. After the conversion of Constantine, glass works began to more quickly from depicting Pagan religious imagery towards Christian religious imagery. The movement of the capital to Constantinople rejuvenated the Eastern glass industry, by the mid-4th century mould-blowing was in use only sporadically. Roman glass production relied on the application of heat to two primary ingredients, silica and soda. Technical studies of archaeological glasses divide the ingredients of glass as formers, fluxes, stabilisers, former, The major component of the glass is silica, which during the Roman period was sand, which contains some alumina and nearly 8% lime
38.
Glassblowing
–
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble, with the aid of a blowpipe. A person who blows glass is called a glassblower, glassmith, a lampworker manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass. To increase the stiffness of the glass, which in turn facilitates the process of blowing. Lower concentration of natron would have allowed the glass to be stiffer for blowing, during blowing, thinner layers of glass cool faster than thicker ones and become more viscous than the thicker layers. That allows production of glass with uniform thickness instead of causing blow-through of the thinned layers. A full range of glassblowing techniques was developed within decades of its invention, the two major methods of glassblowing are free-blowing and mold-blowing. The process of free-blowing involves the blowing of short puffs of air into a portion of glass called a gather which has been spooled at one end of the blowpipe. This has the effect of forming an elastic skin on the interior of the glass blob that matches the skin caused by the removal of heat from the furnace. The glassworker can then quickly inflate the molten glass to a coherent blob, researchers at the Toledo Museum of Art attempted to reconstruct the ancient free-blowing technique by using clay blowpipes. The result proved that short clay blowpipes of about 30–60 cm facilitate free-blowing because they are simple to handle and to manipulate, skilled workers are capable of shaping almost any vessel forms by rotating the pipe, swinging it and controlling the temperature of the piece while they blow. They can produce a variety of glass objects, ranging from drinking cups to window glass. An outstanding example of the technique is the Portland Vase. An experiment was carried out by Gudenrath and Whitehouse with the aim of re-creating the Portland Vase, a full amount of blue glass required for the body of the vase was gathered on the end of the blowpipe and was subsequently dipped into a pot of hot white glass. Inflation occurred when the glassworker blew the molten glass into a sphere which was then stretched or elongated into a vase with a layer of white glass overlying the blue body. Mold-blowing was an alternative glassblowing method that came after the invention of free-blowing, during the first part of the quarter of the 1st century AD. A glob of molten glass is placed on the end of the blowpipe, in that way, the shape and the texture of the bubble of glass is determined by the design on the interior of the mold rather than the skill of the glassworker. Two types of molds, namely single-piece mold and multi-piece mold, are used to produce mold-blown vessels. Whereas the latter is made in multi-paneled mold segments that together, thus permitting the development of more sophisticated surface modeling, texture
39.
Mussel
–
Mussel is the common name used for members of several families of bivalve molluscs, from saltwater and freshwater habitats. These groups have in common a shell whose outline is elongated and asymmetrical compared with other edible clams, a few species have colonised hydrothermal vents associated with deep ocean ridges. In most marine mussels the shell is longer than it is wide, the external colour of the shell is often dark blue, blackish, or brown, while the interior is silvery and somewhat nacreous. The common name mussel is also used for many freshwater bivalves, freshwater mussel species inhabit lakes, ponds, rivers, creeks, canals, and they are classified in a different subclass of bivalves, despite some very superficial similarities in appearance. They are classified with the Heterodonta, the group which includes most of the bivalves commonly referred to as clams. The mussels external shell is composed of two hinged halves or valves, the valves are joined together on the outside by a ligament, and are closed when necessary by strong internal muscles. Mussel shells carry out a variety of functions, including support for soft tissues, protection from predators, the periostracum is composed of a protein called conchin, and its function is to protect the prismatic layer from abrasion and dissolution by acids. Like most bivalves, mussels have an organ called a foot. In freshwater mussels, the foot is large, muscular, and it is used to pull the animal through the substrate in which it lies partially buried. It does this by repeatedly advancing the foot through the substrate, expanding the end so it serves as an anchor and it also serves as a fleshy anchor when the animal is stationary. In marine mussels, the foot is smaller, tongue-like in shape, in this pit, a viscous secretion is exuded, entering the groove and hardening gradually upon contact with sea water. This forms extremely tough, strong, elastic, byssal threads that secure the mussel to its substrate allowing it to remain sessile in areas of high flow, in cooking, the byssus of the mussel is known as the beard and is removed before the mussels are prepared. Both marine and freshwater mussels are filter feeders, they feed on plankton, a mussel draws water in through its incurrent siphon. The water is brought into the branchial chamber by the actions of the cilia located on the gills for ciliary-mucus feeding. The wastewater exits through the excurrent siphon, the labial palps finally funnel the food into the mouth, where digestion begins. Marine mussels are usually found clumping together on wave-washed rocks, each attached to the rock by its byssus, the clumping habit helps hold the mussels firm against the force of the waves. At low tide mussels in the middle of a clump will undergo less water loss because of capture by the other mussels. Both marine and freshwater mussels are gonochoristic, with male and female individuals
40.
Cowry
–
Cowry or cowrie, plural cowries, is the common name for a group of small to large sea snails, marine gastropod molluscs in the family Cypraeidae, the cowries. The word cowry is also used to refer only to the shells of these snails. Many people throughout history have found the very rounded, shiny, porcelain-like shells of cowries pleasing to look at, indeed, the term porcelain derives from the old Italian term for the cowrie shell due to their similar translucent appearance. The cowry was the shell most widely used worldwide as shell money, cowry shell money was important at one time or another in the trade networks of Africa, South Asia, and East Asia. Some species in the family Ovulidae are also referred to as cowries. In the British Isles the local Trivia species are sometimes called cowries, the Ovulidae and the Triviidae are somewhat closely related to Cypraeidae. The shells of cowries are usually smooth and shiny and more or less egg-shaped, with a flat surface which shows a long, narrow, slit-like opening. The narrower end of the cowry shell is the anterior end. The spire of the shell is not visible in the shell of most species, but is visible in juveniles. Nearly all cowries have a porcelain-like shine, with exceptions such as Hawaiis granulated cowry. Lengths range from 5 mm for some species up to 19 cm for the Atlantic deer cowry, the word cowrie comes from Hindi कौड़ी and ultimately from Sanskrit कपर्द. Cowry shells, especially Monetaria moneta, were used for centuries as currency in Africa, after the 1500s, however, it became even more common. Western nations, chiefly through the trade, introduced huge amounts of Maldivian cowries in Africa. The Ghanaian unit of currency known as the Ghanaian cedi was named after cowry shells, starting over three thousand years ago, cowry shells, or copies of the shells, were used as Chinese currency. They were also used as means of exchange in India, the Classical Chinese character for money originated as a stylized drawing of a Maldivian cowrie shell. Words and characters concerning money, property or wealth usually have this as a radical, before the Spring and Autumn period the cowrie was used as a type of trade token awarding access to a feudal lords resources to a worthy vassal. There is some debate about how the Ojibway traded for or found these shells, so far inland and so far north, oral stories and birch bark scrolls seem to indicate that the shells were found in the ground, or washed up on the shores of lakes or rivers. Petroforms in the Whiteshell Provincial Park may be as old as 8,000 years, cowry shells are also worn as jewelry or otherwise used as ornaments or charms
41.
Lobatus gigas
–
Lobatus gigas, originally known as Strombus gigas, commonly known as the queen conch, is a species of large edible sea snail, a marine gastropod mollusc in the family of true conches, the Strombidae. This species is one of the largest molluscs native to the tropical northwestern Atlantic, from Bermuda to Brazil, L. gigas is closely related to the goliath conch, Lobatus goliath, a species endemic to Brazil, as well as the rooster conch, Lobatus gallus. The queen conch is herbivorous and lives in seagrass beds, although its exact habitat varies by development stage, the adult animal has a very large, solid and heavy shell, with knob-like spines on the shoulder, a flared thick, outer lip and a characteristic pink-coloured aperture. The flared lip is absent in younger specimens, the external anatomy of the soft parts of L. The shell and soft parts of living L. gigas serve as a home to different kinds of commensal animals, including slipper snails, porcelain crabs. The queen conch is hunted and eaten by species of large predatory sea snails. Its shell is sold as a souvenir and used as a decorative object, historically, Native Americans and indigenous Caribbean peoples used parts of the shell to create various tools. International trade in queen conch is regulated under the Convention on International Trade in Endangered Species of Wild Fauna and Flora agreement and this species is not endangered in the Caribbean as a whole, but is commercially threatened in numerous areas, largely due to extreme overfishing. The queen conch was originally described from a shell in 1758 by Swedish naturalist and taxonomist Carl Linnaeus, Linnaeus named the species Strombus gigas, which remained the accepted name for over 200 years. Linnaeus did not mention a specific locality for this species, giving only America as the type locality, the specific name is the ancient Greek word gigas, which means giant, referring to the large size of this snail compared with almost all other gastropod molluscs. Strombus lucifer, which was considered to be a much later, was also described by Linnaeus in Systema Naturae. To remedy this, in 1941 a neotype of this species was designated by the American malacologists William J. Clench and this was the first book that was solely about seashells. Strombidaes taxonomy was revised in the 2000s and a few subgenera. Petuch and Petuch and Roberts recombined this species as Eustrombus gigas, the phylogenetic relationships among the Strombidae were mainly studied by Simone and Latiolais, using two distinct methods. Simone proposed a cladogram based on an extensive analysis of representatives of Aporrhaidae, Strombidae, Xenophoridae and Struthiolariidae. With the exception of Lambis and Terebellum, the taxa were previously allocated in the genus Strombus. The remaining taxa were previously considered subgenera and were elevated to genus level by Simone, genus Eustrombus, in this case, included Eustrombus gigas and Eustrombus goliath, which were thus considered closely related. In a different approach, Latiolais and colleagues proposed another cladogram that attempts to show the relationships of 34 species within the family Strombidae
42.
The Bahamas
–
The Bahamas, known officially as the Commonwealth of the Bahamas, is an archipelagic state within the Lucayan Archipelago. The capital is Nassau on the island of New Providence, the designation of the Bahamas can refer either to the country or to the larger island chain that it shares with the Turks and Caicos Islands. As stated in the mandate/manifesto of the Royal Bahamas Defence Force, the Bahamas is the site of Columbus first landfall in the New World in 1492. At that time, the islands were inhabited by the Lucayan, although the Spanish never colonised the Bahamas, they shipped the native Lucayans to slavery in Hispaniola. The islands were mostly deserted from 1513 until 1648, when English colonists from Bermuda settled on the island of Eleuthera, the Bahamas became a British Crown colony in 1718, when the British clamped down on piracy. After the American War of Independence, the Crown resettled thousands of American Loyalists in the Bahamas, they brought their slaves with them, Africans constituted the majority of the population from this period. Slavery in the Bahamas was abolished in 1834, Today the descendants of slaves and free Africans make up nearly 90% of the population, issues related to the slavery years are part of society. The Bahamas became an independent Commonwealth realm in 1973, retaining Queen Elizabeth II as its monarch, in terms of gross domestic product per capita, the Bahamas is one of the richest countries in the Americas, with an economy based on tourism and finance. The name Bahamas is derived from either the Taino ba ha ma, alternatively, it may originate from Guanahani, a local name of unclear meaning. In English, the Bahamas is one of two countries whose self-standing short name begins with the word the, along with The Gambia. Taino people moved into the uninhabited southern Bahamas from Hispaniola and Cuba around the 11th century and they came to be known as the Lucayan people. An estimated 30,000 Lucayan inhabited the Bahamas at the time of Christopher Columbus arrival in 1492, Columbuss first landfall in the New World was on an island he named San Salvador. Some researchers believe this site to be present-day San Salvador Island, an alternative theory holds that Columbus landed to the southeast on Samana Cay, according to calculations made in 1986 by National Geographic writer and editor Joseph Judge, based on Columbuss log. Evidence in support of this remains inconclusive, on the landfall island, Columbus made first contact with the Lucayan and exchanged goods with them. The Spanish forced much of the Lucayan population to Hispaniola for use as forced labour, the slaves suffered from harsh conditions and most died from contracting diseases to which they had no immunity, half of the Taino died from smallpox alone. The population of the Bahamas was severely diminished, in 1648, the Eleutherian Adventurers, led by William Sayle, migrated from Bermuda. These English Puritans established the first permanent European settlement on an island which they named Eleuthera—the name derives from the Greek word for freedom and they later settled New Providence, naming it Sayles Island after one of their leaders. To survive, the settlers salvaged goods from wrecks, in 1670 King Charles II granted the islands to the Lords Proprietors of the Carolinas in North America
43.
Grand Tour
–
The custom flourished from about 1660, until the advent of large-scale rail transport in the 1840s, and was associated with a standard itinerary. It served as a rite of passage. With nearly unlimited funds, aristocratic connections and months to roam, they commissioned paintings, perfected their language skills, in addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from months to several years. It was commonly undertaken in the company of a Cicerone, a guide or tutor. The legacy of the Grand Tour lives on to the day and is still evident in works of travel. In essence, the Grand Tour was neither a scholars pilgrimage nor a one, though a pleasurable stay in Venice. Catholic Grand Tourists followed the routes as Protestant Whigs. Pompeo Batoni made a career of painting English milordi posed with graceful ease among Roman antiquities, many continued on to Naples, where they viewed Herculaneum and Pompeii, but few ventured far into southern Italy or Malta, and fewer still to Greece, still under Turkish rule. Rome for many centuries had been the goal of pilgrims, especially during Jubilee when they visited the Seven Pilgrim Churches of Rome. This is partly because he asked Inigo Jones, not yet established as an architect but already known as a traveller and masque designer. Larger numbers of tourists began their tours after the Peace of Münster in 1648, lasselss introduction listed four areas in which travel furnished an accomplished, consummate Traveller, the intellectual, the social, the ethical, and the political. The idea of travelling for the sake of curiosity and learning was an idea in the 17th century. Thus, one could use up the environment, taking from it all it offers, travel, therefore, was necessary for one to develop the mind and expand knowledge of the world. Consciously adapted for intellectual self-improvement, Gibbon was revisiting the Continent on a larger and more liberal plan, the typical 18th-century sentiment was that of the studious observer travelling through foreign lands reporting his findings on human nature for those unfortunate enough to have stayed home. Recounting ones observations to society at large to increase its welfare was considered an obligation, the Grand Tour offered a liberal education, and the opportunity to acquire things otherwise unavailable at home, lending an air of accomplishment and prestige to the traveller. The trappings of the Grand Tour, especially portraits of the traveller painted in iconic continental settings, became the obligatory emblems of worldliness, gravitas, the less well-off could return with an album of Piranesi etchings. The perhaps in Gibbons opening remark cast a shadow over his resounding statement
44.
Farnese Cup
–
The Farnese Cup is a 2nd-century BC cameo cup of Hellenistic Egypt in four-layered sardonyx agate. After Octavians conquest of Egypt in 31 BC, the Farnese Cup was acquired by the Treasury of Rome and it was later brought to Byzantium, then back west after this city was sacked in 1204 during the Fourth Crusade. Lorenzo the Magnificent finally purchased the famous scutella di calcedonio in Rome, the internal decoration is an elaborate allegory of Ptolemaic Egypts prosperity. It operates on two levels, one Egyptian, the other Greek and it presumably represents the Egyptian divine triad, Serapis-Isis-Harpocrates or, alternatively, the Eleusinian triad, Hades/Pluto-Demeter-Triptolemos. On the bottom are female figures possibly personifying the seasons, two male figures soaring in flight above the divine triad represent the propitious Etesian winds that blow during the summer. On the exterior, a large apotropaic Gorgonian mask glares threateningly at the enemies of the state, produced at the court of the Ptolemies, other interpretations of the figures have them being Cleopatra III, her husband Ptolemy VIII and their son Ptolemy X Aléxandros
45.
Lorenzo de' Medici
–
Lorenzo de Medici was an Italian statesman and de facto ruler of the Florentine Republic, who was one of the most powerful and enthusiastic patrons of the Renaissance. Also known as Lorenzo the Magnificent by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars and he is well known for his contribution to the art world by sponsoring artists such as Botticelli and Michelangelo. His life coincided with the phase of Italian Renaissance and his death coincided with the end of the Golden Age of Florence. The fragile peace that he helped maintain among the various Italian states collapsed with his death and he is buried in the Medici Chapel in Florence. Lorenzos grandfather, Cosimo de Medici, was the first member of the Medici family to combine running the Medici Bank with leading the Republic of Florence, Cosimo was one of the wealthiest men in Europe and spent a very large portion of his fortune in government and philanthropy. He was a patron of the arts and funded public works, Lorenzos mother, Lucrezia Tornabuoni, was a writer of sonnets and a friend to poets and philosophers of the Medici Academy. She became her sons advisor after the deaths of his father, with his brother Giuliano, he participated in jousting, hawking, hunting, and horse breeding for the Palio, a horse race in Siena. His own horse was named Morello di Vento, Piero sent Lorenzo on many important diplomatic missions when he was still a youth, which included trips to Rome to meet the pope and other important religious and political figures. Lorenzo was described as plain of appearance and was of average height, having a broad frame and short legs, a swarthy skin, squashed nose, short-sighted eyes. Giuliano, on the hand, was regarded as handsome, he was used as a model by Botticelli in his painting of Mars. Lorenzo, groomed for power, assumed a role in the state upon the death of his father in 1469. Lorenzo, like his grandfather, father, and son, ruled Florence indirectly through surrogates in the city councils, threats, payoffs, although Florence flourished under Lorenzos rule, he effectively reigned as a despot, and people had little political freedom. Rival Florentine families inevitably harboured resentments over the Medicis dominance, the most notable of the rival families was the Pazzi, who nearly brought Lorenzos reign to an end right after it began. Alum had been discovered by local citizens of Volterra, who turned to Florence to get backing to exploit this important natural resource. When they realized the value of the mine, the people of Volterra wanted its revenues for their municipal funds rather than having it enter the pockets of their Florentine backers. Thus began an insurrection and secession from Florence, which involved putting to death several opposing citizens, Lorenzo sent mercenaries to suppress the revolt by force, and the mercenaries ultimately sacked the city. Lorenzo hurried to Volterra to make amends, but the incident would remain a dark stain on his record, Giuliano was killed, brutally stabbed to death, but Lorenzo escaped with only a minor wound to the shoulder, having been defended by the poet Politian. That success enabled Lorenzo to secure constitutional changes within the Florentine Republics government, Lorenzo maintained good relations with Sultan Mehmed II of the Ottoman Empire, as the Florentine maritime trade with the Ottomans was a major source of wealth for the Medici
46.
Italian Renaissance
–
The term Renaissance is in essence a modern one that came into currency in the 19th century, in the work of historians such as Jules Michelet and Jacob Burckhardt. The French word renaissance means Rebirth, and the era is best known for the renewed interest in the culture of classical antiquity after the period that Renaissance humanists labeled the Dark Ages. Though today perhaps best known for Italian Renaissance art and architecture, the period saw major achievements in literature, music, philosophy, Italy became the recognized European leader in all these areas by the late 15th century, and to varying degrees retained this lead until about 1600. This was despite a turbulent and generally disastrous period in Italian politics, the European Renaissance began in Tuscany, and centred in the city of Florence. It later spread to Venice, where the remains of ancient Greek culture were brought together, the Renaissance later had a significant effect on Rome, which was ornamented with some structures in the new allantico mode, then was largely rebuilt by humanist sixteenth-century popes. The Italian Renaissance peaked in the century as foreign invasions plunged the region into the turmoil of the Italian Wars. However, the ideas and ideals of the Renaissance endured and spread into the rest of Europe, setting off the Northern Renaissance, the Italian Renaissance is best known for its cultural achievements. Accounts of Renaissance literature usually begin with Petrarch and his friend, famous vernacular poets of the 15th century include the renaissance epic authors Luigi Pulci, Matteo Maria Boiardo, and Ludovico Ariosto. 15th century writers such as the poet Poliziano and the Platonist philosopher Marsilio Ficino made extensive translations from both Latin and Greek, the same is true for architecture, as practiced by Brunelleschi, Leon Battista Alberti, Andrea Palladio, and Bramante. Their works include Florence Cathedral, St. Peters Basilica in Rome, yet cultural contributions notwithstanding, some present-day historians also see the era as one of the beginning of economic regression for Italy. By the Late Middle Ages, Latium, the heartland of the Roman Empire. Rome was a city of ancient ruins, and the Papal States were loosely administered, and vulnerable to external interference such as that of France, and later Spain. The Papacy was affronted when the Avignon Papacy was created in southern France as a consequence of pressure from King Philip the Fair of France, in the south, Sicily had for some time been under foreign domination, by the Arabs and then the Normans. Sicily had prospered for 150 years during the Emirate of Sicily, in contrast Northern and Central Italy had become far more prosperous, and it has been calculated that the region was among the richest of Europe. The Crusades had built lasting trade links to the Levant, the main trade routes from the east passed through the Byzantine Empire or the Arab lands and onwards to the ports of Genoa, Pisa, and Venice. Luxury goods bought in the Levant, such as spices, dyes, moreover, the inland city-states profited from the rich agricultural land of the Po valley. From France, Germany, and the Low Countries, through the medium of the Champagne fairs, land and river trade routes brought goods such as wool, wheat, and precious metals into the region. The extensive trade that stretched from Egypt to the Baltic generated substantial surpluses that allowed significant investment in mining, thus, while northern Italy was not richer in resources than many other parts of Europe, the level of development, stimulated by trade, allowed it to prosper
