1.
Thutmose III
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Thutmose III was the sixth Pharaoh of the Eighteenth Dynasty. During the first 22 years of Thutmoses reign he was co-regent with his stepmother and aunt, Hatshepsut, while he was shown first on surviving monuments, both were assigned the usual royal names and insignia and neither is given any obvious seniority over the other. He served as the head of her armies, during the final 2 years of his reign, he appointed his son and successor, Amenhotep II, as his junior co-regent. His firstborn son and heir to the throne, Amenemhat, predeceased Thutmose III, when Thutmose III died, he was buried in the Valley of the Kings as were the rest of the kings from this period in Egypt. Thutmose III was the son of Thutmose II by a secondary wife and his fathers great royal wife was Queen Hatshepsut. Her daughter Neferure was Thutmoses half-sister, Thutmosis III had little power over the empire while Hatshepsut exercised the formal titulary of kingship. Her rule was quite prosperous and marked by great advancements, when he reached a suitable age and demonstrated the capability, she appointed him to head her armies. Thutmosis III had several wives, Satiah, She may have been the mother of his firstborn son, an alternative theory is that the boy was the son of Neferure. Thutmoses successor, the prince and future king Amenhotep II, was the son of Merytre-Hatshepsut. Additional children include Menkheperre and daughters named Nebetiunet, Meryetamun, Meryetamun, Merytre-Hatshepsut was the daughter of the divine adoratrice Huy. Nebtu, she is depicted on a pillar in Thutmose IIIs tomb, menwi, Merti, Menhet three foreign wives. Neferure, Thutmose III may have married his half-sister, but there is no evidence for this marriage. It has been suggested that Neferure, instead of Satiah, may have been the mother of Amenemhat, Thutmose III reigned from 1479 BC to 1425 BC according to the Low Chronology of Ancient Egypt. This has been the conventional Egyptian chronology in academic circles since the 1960s and this document has no note of the place of observation, but it can safely be assumed that it was taken in either a Delta city such as Memphis or Heliopolis, or in Thebes. These two latitudes give dates 20 years apart, the High and Low chronologies, respectively, the length of Thutmose IIIs reign is known to the day thanks to information found in the tomb of the military commander Amenemheb-Mahu. Amenemheb-Mahu records Thutmose IIIs death to his masters 54th regnal year, widely considered a military genius by historians, Thutmose III made 16 raids in 20 years. He was an active expansionist ruler, sometimes called Egypts greatest conqueror or the Napoleon of Egypt and he is recorded to have captured 350 cities during his rule and conquered much of the Near East from the Euphrates to Nubia during seventeen known military campaigns. He was the first Pharaoh after Thutmose I to cross the Euphrates and his campaign records were transcribed onto the walls of the temple of Amun at Karnak, and are now transcribed into Urkunden IV
2.
Karnak
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The Karnak Temple Complex, commonly known as Karnak, comprises a vast mix of decayed temples, chapels, pylons, and other buildings. Building at the complex began during the reign of Senusret I in the Middle Kingdom and continued into the Ptolemaic period, the area around Karnak was the ancient Egyptian Ipet-isut and the main place of worship of the eighteenth dynasty Theban Triad with the god Amun as its head. It is part of the city of Thebes. The Karnak complex gives its name to the nearby, and partly surrounded, the complex is a vast open-air museum, and the second largest ancient religious site in the world, after the Angkor Wat Temple of Cambodia. It is believed to be the second most visited site in Egypt. It consists of four parts, of which only the largest is currently open to the general public. The term Karnak often is understood as being the Precinct of Amun-Ra only, the three other parts, the Precinct of Mut, the Precinct of Montu, and the dismantled Temple of Amenhotep IV, are closed to the public. There also are a few temples and sanctuaries connecting the Precinct of Mut, the Precinct of Amun-Re. The Precinct of Mut is very ancient, being dedicated to an Earth and creation deity, the original temple was destroyed and partially restored by Hatshepsut, although another pharaoh built around it in order to change the focus or orientation of the sacred area. Many portions of it may have carried away for use in other buildings. The key difference between Karnak and most of the temples and sites in Egypt is the length of time over which it was developed and used. Construction of temples started in the Middle Kingdom and continued through to Ptolemaic times, approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the features of Karnak are unique, but the size. The deities represented range from some of the earliest worshiped to those worshiped much later in the history of the Ancient Egyptian culture and it also contains evidence of adaptations, using buildings of the Ancient Egyptians by later cultures for their own religious purposes. One famous aspect of Karnak is the Hypostyle Hall in the Precinct of Amun-Re,122 of these columns are 10 meters tall, and the other 12 are 21 meters tall with a diameter of over three meters. The architraves on top of columns are estimated to weigh 70 tons. These architraves may have been lifted to these heights using levers and this would be an extremely time-consuming process and also would require great balance to get to such great heights. A common alternative theory regarding how they were moved is that large ramps were constructed of sand, mud, brick or stone, if stone had been used for the ramps, they would have been able to use much less material
3.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
4.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
5.
Fourth Dynasty of Egypt
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The Fourth Dynasty of ancient Egypt is characterized as a golden age of the Old Kingdom. Dynasty IV lasted from c. 2613 to 2494 BC and it was a time of peace and prosperity as well as one during which trade with other countries is documented. Dynasties III, IV, V and VI are often combined under the title the Old Kingdom. The capital at time was Memphis. The Fourth Dynasty heralded the height of the pyramid-building age, the relative peace of the Third Dynasty allowed the Dynasty IV rulers the leisure to explore more artistic and cultural pursuits. Sneferu’s building experiments led to the evolution from the mastaba styled step pyramids to the smooth sided “true” pyramids, no other period in Egypt’s history equaled Dynasty IV’s architectural accomplishments. Each of the rulers of this dynasty commissioned at least one pyramid to serve as a tomb or cenotaph, the pharaohs of the Fourth Dynasty ruled for approximately 120 years, from c. 2613 to 2494 BC. The names in the table are taken from Dodson and Hilton and he also constructed a number of smaller step pyramids, making him the most prolific pyramid builder of the era. It is said that Sneferu had more stone and brick moved than any other pharaoh, sneferus chief wife was Hetepheres I, his half-sister and the mother of his son Khufu. His other two wives bore him more children, a well-liked ruler, Sneferu bolstered the power of the ruling family line by giving official titles and positions to relatives. He maintained control over the nobility by keeping a tight rein on lands and he conducted military excursions into Sinai, Nubia, Libya, and began trade arrangements with Lebanon for the acquisition of cedar. Surviving from this era are the records of Egyptian contact with her neighbors. They are recorded on the Palermo stone, information carved on the stone pre-dates and antedates this dynasty. Objects dating to the reign of Khafre have been found farther away, at Ebla. Khufu is the ruler who is known in Greek as Χέοψ = Cheops and his son is Khafre and his grandson is Menkaure. All of these rulers achieved lasting fame in the construction of their pyramids at Giza. In fact, recent excavations outside the Wall of the Crow by Dr. Mark Lehner have uncovered a city which seems to have housed, fed. Some records indicate that each household was responsible for providing a worker for civic projects, civic duties were not necessarily building projects, there were duties for the temples, libraries, and festivals as well, and both men and women filled some of the positions
6.
Sneferu
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Sneferu, well known under his Hellenized name Soris, was the founder of the 4th dynasty during the Old Kingdom. He built at least three pyramids that survive to this day and introduced innovations in the design and construction of pyramids in Ancient Egypt. Snefru, however, was known to have a minimum of at least three years after the cattle count dates, his years after the 10th, the 13th and this would mean that Sneferu ruled Egypt a minimum of 27 full years. However, in the Palermo Stone, recto 6 at the bottom of the fragment shows the year of the 7th count of Sneferu while recto 7 on the following row shows the year of the 8th count of Sneferu. Significantly, there is a mostly intact column for Sneferu in recto 5 which also mentions events in this kings reign in a specific year. This column must, therefore, be dated to the year after the 6th count of Sneferu, hence, Sneferus reign would be a minimum of 28 years. Sneferu was the first king of the dynasty of Ancient Egypt. Manetho was an Egyptian priest, living in the third century BC, manetho’s schematic has its flaws, nevertheless, modern scholars conventionally follow his method of grouping. The Papyrus Prisse, a Middle Kingdom source, supports the fact that King Huni was indeed Sneferu’s predecessor, aside from Sneferu’s succession, we learn from this text that later generations considered him to be a beneficent ruler. This idea may stem from the etymology of the king’s name and it is uncertain whether Huni was Sneferu’s father, however, the Cairo Annals Stone denotes that his mother may have been a woman named Meresankh. Hetepheres I was Sneferu’s main wife and the mother of Khufu, sons of Sneferu, Khufu - son of Sneferu and Hetepheres I, successor to Sneferu. Ankhhaf - King’s Son of his Body, King’s vizier, a famous bust of Ankhhaf is now in the Boston Museum of Fine Arts. Ankhhaf was married to the King’s Daughter Hetepheres, kanefer - King’s eldest son and Son of his Body. Buried in tomb 28 in Dashur, second Vizier of Sneferu, who continued to serve under Khufu. Nefermaat I - eldest son of Sneferu and husband of Itet, titles included, Priest of Bastet, Hereditary Prince, Guardian of Nekhen, great one of the five at the house of Thoth. Rahotep - King’s Son of his Body, High Priest of Re in Heliopolis, buried in Meidum with his wife Nofret. Owner of the statues now in the Cairo Museum. Daughters of Sneferu, Hetepheres A, married Ankhhaf and she was named after her mother, Queen Hetepheres
7.
Second Dynasty of Egypt
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The Second Dynasty of ancient Egypt is the latter of the two dynasties of the Egyptian Archaic Period, when the seat of government was centred at Thinis. Save for the time of its last ruler Khasekhemwy, it one of the most obscure periods in ancient Egyptian history. Though archaeological evidence of the time is very scant, contrasting data from the First and Third Dynasties indicates important institutional, the names of the actual rulers of the Second Dynasty are in dispute. For the first five pharaohs, the sources are fairly close in agreement, known rulers, in the History of Egypt, for this dynasty are as follows, However, the identity of the next two or three rulers is unclear. We may have the Horus name or Nebty name and their names for these rulers, yet they may be entirely different individuals or they may be legendary names. Beyond this, little can be said about the events during this period as the records on the Palermo stone only survive to the end of the reign of Nebra. One important event possibly happened during the reign of Khasekhemwy, many Egyptologists read his name, Khasekhemwy, as the Two Powers arise, possibly commemorating the union of the Upper and Lower Egypts
8.
Cylinder seal
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Cylinder seals were invented around 3500 BC in the Near East, at the contemporary sites of Susa in south-western Iran and Uruk in southern Mesopotamia. They are linked to the invention of the cuneiform writing on clay tablets. They were used as a tool, a form of signature, as well as jewelry and as magical amulets. In later periods, they were used to notarize or attest to multiple impressions of clay documents, graves and other sites housing precious items such as gold, silver, beads, and gemstones often included one or two cylinder seals, as honorific grave goods. The cylinder seals themselves are made from hardstones, and some are a form of engraved gem. They may instead use glass or ceramics, like Egyptian faience, many varieties of material such as hematite, obsidian, steatite, amethyst, lapis lazuli and carnelian were used to make cylinder seals. As the alluvial country of Mesopotamia lacks good stone for carving, most seals have a hole running through the centre of the body, and they are thought to have typically been worn on a necklace so that they were always available when needed. While most Mesopotamian cylinder seals form an image through the use of depressions in the cylinder surface, the former are used primarily on wet clays, the latter, sometimes referred to as roller stamps, are used to print images on cloth and other similar two dimensional surfaces. Cylinder seals are a form of seal, a category which includes the stamp seal. They survive in large numbers and are often important as art, especially in the Babylonian. Impressions into a material can be taken without risk of damage to the seal. Instead of addressing the authority of the seal, a study may be of the thematic nature of the seals, since they presented the ideas of the society in pictographic. In a famous cylinder depicting Darius I of Persia, he is aiming his drawn bow at an upright enraged lion impaled by two arrows, while his horse is trampling a deceased lion. The scene is framed between two palm trees, a block of cuneiform text, and above the scene, the Faravahar symbol of Ahura Mazda. The reference below, Garbini, covers many of the categories of cylinder seal. Dominique Collons book First Impressions, which is dedicated to the topic, has over 1000 illustrations, a categorization of cylinder seals, Akkadian cylinder seals. Akkadian seal, ca.2300 BC, stone seal w/ modern impression, the glyptic shows God in barge, people, and offerings. Predynastic Egyptian Naqada era tombs and graves, Egyptian Faience, see Pepi I ext link
9.
Seth-Peribsen
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Seth-Peribsen is the serekh name of an early Egyptian monarch, who ruled during the Second Dynasty of Egypt. His chronological position within this dynasty is unknown and it is disputed who ruled both before and after him, the duration of his reign is also unknown. Peribsens royal name is a subject of curiosity for Egyptologists because it is connected to the deity Seth rather than Horus, the debate continues over why Peribsen chose this name. However, newer evidence and evaluations tend to show that the Egyptian kingdom was unified, seal impressions from tombs of this era reveal great changes in the titles held by high officials, pointing to a reduction of their power. Thus, Peribsens reign was in fact a time of cultural, existing negative views about Peribsens existence are based on Ramesside king lists, such as the Abydos King List, the Saqqara King List and the Royal Canon of Turin, which all omit Peribsens name. These, however, are known to have been redacted nearly 1500 years after his death and these tombs report Peribsens name correctly and their existence demonstrate that Peribsen was seen as a legitimate pharaoh, not subject to damnatio memoriae as Akhenaten later would be. Historians and Egyptologists therefore consider the possibility that Peribsens name was forgotten in time or that his name was preserved in a distorted, misspelled form. Peribsens Tomb was discovered in 1898 at Abydos and it was well preserved and showed traces of restoration undertaken during later dynastic periods. The serekh for Peribsen was found pressed in earthen jar seals made of clay and mud and in inscriptions on alabaster, sandstone, porphyry and these seals and vessels were excavated from Peribsens tomb and at an excavation site in Elephantine. One clay seal with Peribsens name was found inside the mastaba tomb K1 at Beit Khallaf, two large tomb stelae made of granite were found at his burial site. Their shape is unusual and they appear unfinished and rough, Egyptologists suspect that this was done deliberately, but the reasons are unknown. A cylinder seal of unknown provenance shows Peribsens name inside a cartouche, another seal of the same material shows Peribsens name without a cartouche, but with the royal title Nisut-Bity instead. Peribsens name is unusual, in that Seth, not Horus, was his patron deity and this goes against the Egyptian tradition of a king choosing the falcon-shaped deity Horus as his royal patron. Traditionally, the Horus name of the king was written within a serekh, instead, Peribsen chose to have the Set animal, representing Seth, on his serekh. Like Horus, Seth was a popular deity during the dynastic period. He became the god of darkness and chaos afterward, during the much later Late Period of Ancient Egypt, although Peribsen is the only known pharaoh to have the Set animal preside alone over his serekh, he is not the only king to associate himself with Seth. Examples include the 13th dynasty pharaoh Seth Meribre, the 19th dynasty rulers Seti I and Seti II, the following sections discuss some of the theories that they put forth. Peribsens actions were thought to be similar to those of the much later 18th dynasty pharaoh Akhenaten, Newberry proposed that the priests of Horus and Seth fought each other in the Manner of a war of the roses during the second half of the Second dynasty
10.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
11.
Shen ring
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A shen ring is a circle with a line at a tangent to it, which was represented in hieroglyphs as a stylised loop of a rope. The word shen itself means, in ancient Egyptian, encircle, while the shen ring represented eternal protection, in its elongated form the shen ring became the cartouche which enclosed and protected a royal name. The Shen ring is most often carried by the falcon god Horus. It was used as early as the dynasty where it can be seen in the reliefs from Djosers Step Pyramid complex. The symbol could be stretched to contain other objects, which were understood as being eternally protected by the shen ring. When it contained the name of the pharaoh the symbol became the cartouche, the word shen itself means, in Egyptian, encircle. The Shen ring is the shenu, the Goddess Heqet, is often seated on a shenu. For Eternity, the renpit, papyrus stalk is usually based on top of a Shen ring, the Shen ring is often attached to various types of staffs, the staff of authority, or power, symbolizing the Eternal authority of that power. The Goddess Isis, and the Goddess Nekhbet are often shown kneeling, the Hawk, and the Vulture have the shenu in their talons, wings outstretched, over the scene portrayed. The Horus with Outstretched Wings, shenus in its talons, is an example from the Louvre of a Pectoral Brooch, possibly for royalty
12.
Demotic (Egyptian)
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The term was first used by the Greek historian Herodotus to distinguish it from hieratic and hieroglyphic scripts. By convention, the word Demotic is capitalized in order to distinguish it from demotic Greek, the Demotic script was referred to by the Egyptians as sš n šˤ. The script was used for more than a thousand years, and it is written and read from right to left, while earlier hieroglyphics could be written from top to bottom, left to right, or right to left. Early Demotic developed in Lower Egypt during the part of the 25th dynasty. It is generally dated between 650 and 400 BCE, as most texts written in Early Demotic are dated to the 26th dynasty, during this period, Demotic was used only for administrative, legal, and commercial texts, while hieroglyphs and hieratic were reserved for other texts. Middle Demotic is the stage of writing used during the Ptolemaic Period, from the 4th century BCE onward, Demotic held a higher status, as may be seen from its increasing use for literary and religious texts. From the beginning of Roman rule of Egypt, Demotic was progressively less used in public life. In contrast to the way Latin eliminated minority languages in the part of the Empire. After that, Demotic was only used for a few ostraca, subscriptions to Greek texts, mummy labels, and graffiti. The last dated example of the Demotic script is dated to December 11,452 CE, Demotic is a development of Late Egyptian and shares much with the later Coptic phase of the Egyptian language. In the earlier stages of Demotic, such as those written in the Early Demotic script. The Rosetta Stone was discovered in 1799 and it is inscribed with three scripts, classical Greek and both Demotic and hieroglyphic Egyptian. There are 32 lines of Demotic, which is the middle of the three scripts on the stone, the Demotic was deciphered before the hieroglyphs, starting with the efforts of Silvestre de Sacy. Egyptologists, linguists and papyrologists who specialize in the study of the Demotic stage of Egyptian script are known as Demotists, the table below shows some derivative similarities from Hieroglyphic to Demotic to the currently surviving Coptic Egyptian script. Transliteration of Ancient Egyptian Betrò, Maria Carmela, hieroglyphics, The Writings of Ancient Egypt. New York, Milan, Abbeville Press, Arnoldo Mondadori, thus Wrote Onchsheshonqy, An Introductory Grammar of Demotic. Studies in Ancient Oriental Civilization, No.45
13.
Ancient Egyptian royal titulary
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The royal titulary or royal protocol of an Egyptian pharaoh is the standard naming convention taken by the kings of Ancient Egypt. It symbolises worldly power and holy might and also acts as a sort of mission statement for the reign of a monarch. The full titulary, consisting of five names, did not come into standard usage until the Middle Kingdom, the Horus name is the oldest form of the pharaohs name, originating in the Predynastic Period. Many of the oldest-known Egyptian pharaohs were known only by this title, the Horus name was usually written in a serekh, a representation of a palace façade. The name of the pharaoh was written in hieroglyphs inside this representation of a palace, typically an image of the falcon God Horus was perched on top of or beside it. At least one Egyptian ruler, the 2nd dynasty Seth-Peribsen, used an image of the god Seth instead of Horus and he was succeeded by Khasekhemwy, who placed the symbols of both Seth and Horus above his name. Thereafter, the image of Horus always appeared alongside the name of the pharaoh, by the time of the New Kingdom the Horus name was often written without the enclosing serekh. The name is first definitively used by the First Dynasty pharaoh Semerkhet and this particular name was not typically framed by a cartouche or serekh, but always begins with the hieroglyphs of a vulture and cobra resting upon two baskets, the dual noun nebty. Also known as the Golden Horus Name, this form of the name typically featured the image of a Horus falcon perched above or beside the hieroglyph for gold. The meaning of this title has been disputed. One belief is that it represents the triumph of Horus over his uncle Seth, Gold also was strongly associated in the ancient Egyptian mind with eternity, so this may have been intended to convey the pharaohs eternal Horus name. Similar to the Nebty name, this particular name typically was not framed by a cartouche or serekh, the pharaohs throne name, the first of the two names written inside a cartouche, and usually accompanied the title nsw-bity. The term nsw-bity It has been suggested that the Berber term for strong man, the epithet neb tawy, Lord of the Two Lands, referring to valley and delta regions of Egypt, often occurs as well. This was the name given at birth and it was first introduced to the set of royal titles in the Fourth Dynasty and emphasizes the kings role as a representative of the solar god Ra. For women who became pharaoh, the title was interpreted as daughter also. Modern historians typically refer to the ancient kings of Egypt by this name, Middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs. The Complete Royal Families of Ancient Egypt, Cairo, London, and New York, The American University in Cairo Press and Thames and Hudson. The Great Name, Ancient Egyptian Royal Titulary, Egyptian Grammar, Being an Introduction to the Study of Hieroglyphs
14.
Prenomen (Ancient Egypt)
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The prenomen of Ancient Egyptian pharaohs was one of the great five names of Egyptian rulers. Other terms for this name are Nswt-bity name and throne name. It is thought by some Egyptologists and historians to be the name of the rulers. Other Egyptologists believe that the prenomen was an independent name exclusively invented for the nswt-bity crest, the prenomen is composed of four hieroglyphic signs arranged into two fixed groups, the first sign group comprises the picture of a four-leafed sedge over a bread loaf. It was read in Egyptian as Niswt and symbolised Upper Egypt, the second group is written with the sign for a honey bee over a bread loaf. It was read as Bity and symbolised Lower Egypt, the etymology and origin of each crest reading is still unknown. During the first three dynasties, the prenomen was depicted either alone or in pair with the Nebty name and he was the first king who devoted his prenomen to the Two Ladies that clearly, although not every king after him followed that custom. From king Huni, the probably last king of third dynasty, onward, the prenomen was encircled by the so-called cartouche, the Niswt-Bity name is considered to be the least understood and most complex title of all five names that Egyptian pharaohs could adopt. Today it is translated by King of Upper and Lower Egypt but in Ancient Egyptian times it was surely read as he of the sedge. This is based on the traditional and religious beliefs of the Ancient Egyptians, in particular that a king, the king was therefore the ruler over things with contradicting yet complementary meanings, such as good - evil, light - darkness and harmony - chaos. Niswt, the seal of the reed, reveals a rather maternal and protecting function as shown by early titles such as Mery-nesw. The Bity crest was in ways the complementing contrast to the Niswt crest. While Niswt expresses an executive symbology and function, the Bity crest expresses a legislative symbology, Bity, the seal of the defensive bee reveals instead a rather power and strength seeking character, which is thought to be some kind of pun to the real honey bee. The earliest instances of the use of Bity date back to the period corresponding to queen Merneiths possible rule. This might have inspired the Ancient Egyptian to compare beehives with their own structures, hierarchies. The pharaoh was simply the head and leader of the states hierarchy, additional, the bee sign might have had the meaning of wealth/affluence, since bees are known for their collecting behaviour. This might explain as to why the Bity crest is used when describing offices that were responsible for duties such as the Khetemty-bity for seal bearer of the Bity king. Another meaning for the bee can be found in its sting, the bee sign may carry a military message, the strongest evidence supporting this conclusion comes from the pyramid texts of king Unas and Teti of the late Fifth and early Sixth Dynasty
15.
Nomen (Ancient Egypt)
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The Nomen of Ancient Egyptian pharaohs was one of the Great five names. It was introduced by king Radjedef, third pharaoh of the 4th Dynasty, the nomen was later separated from the prenomen to become an independent royal name. The title Sa-Rê, literally meaning Son of Ra, was written with the sign of a sun-disc, at the beginning, the sun and goose signs were placed at the end of the cartouche containing the name of the king. This was read as, King of Lower- and Upper Egypt, king XXX, later it was placed before the cartouche, introducing the nomen of the king and now read as, Son of Râ, king XXX. The hieroglyphs forming the nomen itself were placed inside the cartouche, under the reign of the Fourth Dynasty king Radjedef, the cult of the sun-god Ra reached a new peak. Egyptian pharaohs now believed that they were the sons of Ra. This would later change and Ra merged symbolically with the god Amun, the earliest known use of the Sa-Rê title occurs during the reign of king Radjedef, third ruler of 4th Dynasty and successor of Khufu. The earliest traces of a sun-cult in Ancient Egypt, then concentrating on the sun as an object, appear during the 2nd Dynasty, possibly under its second ruler. In particular Raned was the first pharaoh to use the symbol of the sun as a part of his Horus name. The rise in importance of the cult of the sun god is first manifested during the reign of Peribsen in the mid 2nd Dynasty, who placed the sun-disc above the figure of the god Seth. Later, under king Djoser, the founder of the 3rd Dynasty, we find the first personal names of princes and this evolution reached a new high when King Radjedef placed the god Ra above all other gods, viewing himself as the son of Râ in persona. At this time however, the title of Son of Ra, Sa-Rê, was only a mere emendation of the nswt-bity crest, thus, at these early times in Egyptian history, nomen and prenomen were most likely one and the same name. It is only from the later Middle Kingdom period onwards that the mention Sa-Rê was placed, together with the niswt-bity title, the title Sa-Rê was used to introduce this new name of the king and thus became a new Great name. After the Middle Kingdom pharaohs often used both their prenomen and nomen in separate cartouches, which led to confusion amongst Egyptologists. Whilst Manetho gives Hellenized versions of the nomen of the kings and it is therefore difficult to discern which nomen belongs with which prenomen. In addition, many ruler of later periods used the cartouche-versions of their nomen and prenomen separately in inscriptions, thus, it is only in inscriptions that give both names side by side that these can be securely associated with any given king
16.
Coffin
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A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation. The word took two different paths, cofin in Old French originally meaning basket, became coffin in English, a distinction is often made between coffin and casket, the latter is generally understood to denote a four-sided funerary box, while a coffin is usually six-sided. However, coffins having a side with a curve at the shoulder instead of a join are more commonly used in the United Kingdom. First attested in English in 1380, the word derives from the Old French cofin, from Latin cophinus, which means a basket. The earliest attested form of the word is the Mycenaean Greek ko-pi-na, receptacles for cremated and cremulated human ashes are called urns. A coffin may be buried in the ground directly, placed in a vault or cremated. Alternatively it may be entombed above ground in a mausoleum, a chapel, some countries practice one form almost exclusively, whereas in others it may depend on the individual cemetery. In part of Sumatra, Indonesia, ancestors are revered and bodies were kept in coffins kept alongside the longhouses until a ritual burial could be performed. The dead are also disinterred for rituals, in northern Sulawesi, some dead were kept in above ground sarcophagi called waruga until the practice was banned by the Dutch in the 19th century. The handles and other ornaments that go on the outside of a coffin are called fittings while organising the inside of the coffin with fabric of some kind is known as trimming the coffin, cultures that practice burial have widely different styles of coffin. In Judaism, the coffin must be plain, made of wood and these coffins use wooden pegs instead of nails. All Jews are buried in the same plain cloth shroud from shoulder to knees, regardless of status in life, in China and Japan, coffins made from the scented, decay-resistant wood of cypress, sugi, thuja and incense-cedar are in high demand. Certain Aboriginal Australian groups use intricately decorated tree-bark cylinders sewn with fibre, the cylinder is packed with dried grasses. When a coffin is used to transport a person, it can also be called a pall. Coffins are traditionally made with six sides plus the top and bottom, tapered around the shoulders, another form of four-sided coffin is trapezoidal and is considered a variant of the six-sided hexagonal kind of coffin. Continental Europe at one time favoured the rectangular coffin or casket, although variations exist in size, coffins in the UK are mainly similar to the hexagonal design, but with one-piece sides, curved at the shoulder instead of having a join. In Medieval Japan, round coffins were used, which resembled barrels in shape and were made by coopers. In the case of a death at sea, there have been instances where trunks have been pressed into use as a coffin, coffins usually have handles on the side so they will be easier to carry
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Paper cartridge
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This article addresses older paper small-arms cartridges, for modern metallic small arms cartridges see Cartridge. A paper cartridge is one of various types of small arms used before the advent of the metallic cartridge. These cartridges consisted of a cylinder or cone containing the bullet, gunpowder, and, in some cases. Combustible cartridges are paper cartridges that use paper treated with oxidizers to allow them to burn completely upon ignition, paper cartridges have been in use for nearly as long as hand-held firearms, with a number of sources dating their use back to the late 14th century. Their use became widespread by the 17th century, the first army to officially use paper cartridges is presumed to be piechota wybraniecka of Poland under the rule of Stephen Batory. Paper cartridges were often coated in beeswax, lard, or tallow, since the standard procedure for loading a musket or rifled musket involved biting open the cartridge, this caused problems for those with strict dietary restrictions. The grease used on these cartridges was rumoured to include tallow derived from beef, which would be offensive to Hindus, and pork, which would be offensive to Muslims. The Sepoy soldiers in the employ of the British in India, for example, were largely Hindu, who were forbidden to eat beef, or Muslim, who were forbidden to eat pork. Rumors of the use of lard and tallow in the lubrication of the cartridges they were using were part of the cause of the Indian Rebellion of 1857, the most common applications of paper cartridges were in muzzleloading firearms. While these may be loaded with powder and balls or bullets. This eliminated the operation of measuring the powder during loading, in the case where multiple projectiles were used, such as buck and ball loads, the cartridge also served to package up the projectiles, so they did not have to be measured or counted out. The paper also served as a patch in smoothbore firearms, which fired balls that were smaller than the diameter of the bore, the paper used in cartridges varied considerably. The instructions for making Enfield paper cartridges, published in 1859, some cartridges, such as those for percussion revolvers, used nitrated paper. Treated by soaking in a potassium nitrate solution and then drying, the two guns were similar enough, that both sides could make use of ammunition captured from the enemy without any problems. Indeed, the nature of musket balls in smoothbore weapons meant that undersized ammunition could be used in a pinch. There are a number of features which are not specific to the firearm, for example, the cartridge must be sturdy enough to withstand the handling it can be expected to receive. This means either a sturdy paper must be used, or the cartridge must be reinforced for strength, the importance of paper cartridges can be seen by the existence of cartridge paper, a paper specially produced for the production of paper cartridges. In some cases the cartridges were produced directly from paper pulp and it also helped the ball to not bounce around inside of the barrel as it was fired
18.
French language
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French is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages, French has evolved from Gallo-Romance, the spoken Latin in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues doïl—languages historically spoken in northern France and in southern Belgium, French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the Frankish language of the post-Roman Frankish invaders. Today, owing to Frances past overseas expansion, there are numerous French-based creole languages, a French-speaking person or nation may be referred to as Francophone in both English and French. French is a language in 29 countries, most of which are members of la francophonie. As of 2015, 40% of the population is in Europe, 35% in sub-Saharan Africa, 15% in North Africa and the Middle East, 8% in the Americas. French is the fourth-most widely spoken mother tongue in the European Union, 1/5 of Europeans who do not have French as a mother tongue speak French as a second language. As a result of French and Belgian colonialism from the 17th and 18th century onward, French was introduced to new territories in the Americas, Africa, most second-language speakers reside in Francophone Africa, in particular Gabon, Algeria, Mauritius, Senegal and Ivory Coast. In 2015, French was estimated to have 77 to 110 million native speakers, approximately 274 million people are able to speak the language. The Organisation internationale de la Francophonie estimates 700 million by 2050, in 2011, Bloomberg Businessweek ranked French the third most useful language for business, after English and Standard Mandarin Chinese. Under the Constitution of France, French has been the language of the Republic since 1992. France mandates the use of French in official government publications, public education except in specific cases, French is one of the four official languages of Switzerland and is spoken in the western part of Switzerland called Romandie, of which Geneva is the largest city. French is the language of about 23% of the Swiss population. French is also a language of Luxembourg, Monaco, and Aosta Valley, while French dialects remain spoken by minorities on the Channel Islands. A plurality of the worlds French-speaking population lives in Africa and this number does not include the people living in non-Francophone African countries who have learned French as a foreign language. Due to the rise of French in Africa, the total French-speaking population worldwide is expected to reach 700 million people in 2050, French is the fastest growing language on the continent. French is mostly a language in Africa, but it has become a first language in some urban areas, such as the region of Abidjan, Ivory Coast and in Libreville. There is not a single African French, but multiple forms that diverged through contact with various indigenous African languages, sub-Saharan Africa is the region where the French language is most likely to expand, because of the expansion of education and rapid population growth
19.
Determinative
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A determinative, also known as a taxogram or semagram, is an ideogram used to mark semantic categories of words in logographic scripts which helps to disambiguate interpretation. They have no counterpart in spoken language, though they may derive historically from glyphs for real words. In transliterations of Sumerian, the determinatives are written in superscript in lower case, whether a given sign is a mere determinative or a Sumerogram can not always be determined unambiguously since their use is not always consistent. Nearly every word — nouns, verbs, and adjectives — features a determinative, some of which become rather specific and it is believed that they were used as much as word dividers as for semantic disambiguation. Determinatives are generally not transcribed, but when they are, they are transcribed by their number in Gardiners Sign List, determinative Signs In Egyptian Some 90% of Chinese characters are determinative-phonetic compounds, the phonetic element and the determinative are combined to form a single glyph
20.
Mouth (hieroglyph)
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The Ancient Egyptian Mouth hieroglyph is Gardiner sign listed no. D21 for the shape of the mouth, being open, the word mouth was pronounced *rāˀ. The mouth hieroglyph is used in the Ancient Egyptian language hieroglyphs for the consonant letter r. The following two tables show the Egyptian uniliteral signs, parts of the Human Body Schumann-Antelme, and Rossini,1998. Illustrated Hieroglyphics Handbook, Ruth Schumann-Antelme, and Stéphane Rossini
21.
Water ripple (hieroglyph)
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The Egyptian hieroglyph representing water is attested from the earliest phase of Egyptian writing. It is notably used in the name of First Dynasty pharaoh Den. The hieroglyph is a line representing a ripple of water. Based on the principle, based on the Egyptian wordnt water. One abbreviated later form was a line with angles on each end. The water hieroglyph is the origin of the letter M. The n-hieroglyph when used as a phonogram represented a preposition translationg to in, to, or by, due to its use as a simple phonogram, the hieroglyph is used very frequently. For example, in the Rosetta Stone it occurs 203 times, averaging 6 times per line, in the stone as the water ripple, besides the preposition, it is used in names of Arsinoe, and one cartouche form of Ptolemy V Epiphanes. The vertical N of the Red Crown is used 35 times in the Nubayrah-Rosetta Stone, deshret, the vertical form of N, is required as hieroglyphic blocks sometimes end in places not always conducive to ending a block. Two half blocks can be separated, above and below by the water ripple, or start a block. If room is not sufficient on the bottom, then a form can follow to introduce the next block, thus the use of the vertical N, the red crown of the Pharaoh of the North. Gardiners Sign List#N. Sky, Earth, Water Gardiners Sign List N-red crown Budge, an Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978. The Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
22.
Serekh
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A serekh was a specific important type of heraldic crest used in ancient Egypt. Like the later cartouche, it contained a royal name, a serekh was an ornamental vignette combining a view of a palace facade and a plan of the royal courtyard. The word serekh derives from the Egyptian word for facade, different serekhs on different types of object display countless variations of the facade decor in its complexity and detail. It seems that no strict rules for the design of the serekh itself existed. A serekh was normally used as a royal crest, accentuating and honouring the name of the pharaoh and its use can be dated back as early as the Gerzeh culture. The hieroglyphs forming the name were placed inside a rectangular extension atop the serekh. Additionally, the falcon of the god Horus, or in a few cases the Set animal, topped the serekh, if the word serekh was written in full letters, sometimes accompanied by a miniature of the serekh, it could also be used in text. As already mentioned, the serekh first appears as an ornamental miniature during the late Gerzeh culture, from the Old Kingdom period onward, the first uses of the full written word appear in old papyri
23.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
24.
Hieroglyphics: The Writings of Ancient Egypt
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Hieroglyphics, The Writings of Ancient Egypt is a primer on Egyptian hieroglyphics by Maria Carmela Betrò, later professor for Egyptology at Pisa University. The standard version of analytic Egyptian hieroglyphs is based upon the 26 categories of the Gardiners Sign List and that categorization is still the basic standard. The approach in Hieroglyphics, The Writings of Ancient Egypt is to use some of the Gardiner sign categories, the end of a thematic chapter then has synoptic write-ups for additional lesser used signs, or a sign from another category that is related. The 26 categories of Gardiners Sign List has been reduced to seven, there is no specific category for the Unclassified signs, Signs from Demotic, or the problematic signs. The text starts with a history, and The Origins, also The Gardiner List, Chronological Table, and the The Principles of Hieroglyphic Writing. The Origins section contains photos of the Libyan Palette, sides A, B, also the Narmer Palette, sides A, B, the Min Palette is also referenced in the text pages, as well as items specific to the cosmetic palettes of Ancient Egypt. It also explains the Old Kingdom label, with some of the oldest used hieroglyph sign examples, the English text is 251 pages, and contains a short word glossary for 29 entries, a one-page bibliography, and a five-page index. The Gardiner sign list covers five pages, with the 650+ signs, with hieroglyph topic pages in the red color for the glyph, Hieroglyphics, the Writings of Ancient Egypt. New York, London, Paris, Abbeville Press Publishers
25.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
26.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
27.
Egyptian mythology
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Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
28.
Paganism
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Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
29.
Pantheism
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Pantheism is the belief that all reality is identical with divinity, or that everything composes an all-encompassing, immanent god. Pantheists thus do not believe in a personal or anthropomorphic god. The term pantheism was not coined until after Spinozas death, and his work, Ethics, was the major source from which Western pantheism spread. Pantheistic concepts may date back thousands of years, and some religions in the East continue to contain pantheistic elements, Pantheism derives from the Greek πᾶν pan and θεός theos. There are a variety of definitions of pantheism, some consider it a theological and philosophical position concerning God. As a religious position, some describe pantheism as the polar opposite of atheism, from this standpoint, pantheism is the view that everything is part of an all-encompassing, immanent God. All forms of reality may then be considered either modes of that Being, some hold that pantheism is a non-religious philosophical position. To them, pantheism is the view that the Universe and God are identical, pantheistic tendencies existed in a number of early Gnostic groups, with pantheistic thought appearing throughout the Middle Ages. These included a section of Johannes Scotus Eriugenas 9th-century work De divisione naturae, the Roman Catholic Church has long regarded pantheistic ideas as heresy. Giordano Bruno, an Italian monk who evangelized about an immanent and he has since become known as a celebrated pantheist and martyr of science. Bruno influenced many later thinkers including Baruch Spinoza, in the West, pantheism was formalized as a separate theology and philosophy based on the work of the 17th-century philosopher Baruch Spinoza. Spinoza was a Dutch philosopher of Sephardi Portuguese origin, whose book Ethics was an answer to Descartes famous dualist theory that the body, Spinoza held the monist view that the two are the same, and monism is a fundamental part of his philosophy. He was described as a God-intoxicated man, and used the word God to describe the unity of all substance, although the term pantheism was not coined until after his death, Spinoza is regarded as its most celebrated advocate. His work, Ethics, was the source from which Western pantheism spread. The breadth and importance of Spinozas work was not fully realized until years after his death. Spinozas magnum opus, the posthumous Ethics, in which he opposed Descartes mind–body dualism, has earned him recognition as one of Western philosophys most important thinkers, Hegel said, You are either a Spinozist or not a philosopher at all. His philosophical accomplishments and moral character prompted 20th-century philosopher Gilles Deleuze to name him the prince of philosophers, Spinoza was raised in the Portuguese Jewish community in Amsterdam. He developed highly controversial ideas regarding the authenticity of the Hebrew Bible, the Jewish religious authorities issued a cherem against him, effectively excluding him from Jewish society at age 23
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Polytheism
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Polytheism is the worship of or belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religions and rituals. Polytheism is a type of theism, within theism, it contrasts with monotheism, the belief in a singular God, in most cases transcendent. Polytheists do not always worship all the gods equally, but they can be henotheists, other polytheists can be kathenotheists, worshiping different deities at different times. Polytheism was the form of religion during the Bronze Age and Iron Age up to the Axial Age and the development of Abrahamic religions. Important polytheistic religions practiced today include Chinese traditional religion, Hinduism, Japanese Shinto, the term comes from the Greek πολύ poly and θεός theos and was first invented by the Jewish writer Philo of Alexandria to argue with the Greeks. When Christianity spread throughout Europe and the Mediterranean, non-Christians were just called Gentiles or pagans or by the pejorative term idolaters. The modern usage of the term is first revived in French through Jean Bodin in 1580, a central, main division in polytheism is between soft polytheism and hard polytheism. Hard polytheism is the belief that gods are distinct, separate, real divine beings, hard polytheists reject the idea that all gods are one god. Hard polytheists do not necessarily consider the gods of all cultures as being equally real, Polytheism cannot be cleanly separated from the animist beliefs prevalent in most folk religions. The gods of polytheism are in cases the highest order of a continuum of supernatural beings or spirits. In some cases these spirits are divided into celestial or chthonic classes, since divinity is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of divinity. Myths may be regarded physically when they express the activities of gods in the world, the psychological way is to regard the activities of the soul itself and or the souls acts of thought. The material is to regard material objects to actually be gods, for example, to call the earth Gaia, ocean Okeanos, Some well-known historical polytheistic pantheons include the Sumerian gods and the Egyptian gods, and the classical-attested pantheon which includes the ancient Greek religion and Roman religion. Post-classical polytheistic religions include Norse Æsir and Vanir, the Yoruba Orisha, the Aztec gods, an example of a religious notion from this shared past is the concept of *dyēus, which is attested in several distinct religious systems. In many civilizations, pantheons tended to grow over time, deities first worshipped as the patrons of cities or places came to be collected together as empires extended over larger territories. Conquests could lead to the subordination of the elder cultures pantheon to a one, as in the Greek Titanomachia. Most ancient belief systems held that gods influenced human lives, epicurus believed that these gods were material, human-like, and that they inhabited the empty spaces between worlds. Though it is suggested that Hestia stepped down when Dionysus was invited to Mount Olympus, robert Graves The Greek Myths cites two sources that obviously do not suggest Hestia surrendered her seat, though he suggests she did
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Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
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Ancient Egyptian funerary practices
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The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
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Mortuary temple
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Mortuary temples were temples that were erected adjacent to, or in the vicinity of, royal tombs in Ancient Egypt. The temples were designed to commemorate the reign of the Pharaoh by whom they were constructed, mortuary temples were built around pyramids in the Old Kingdom and Middle Kingdom. However, once the New Kingdom pharaohs began constructing tombs in the Valley of the Kings and these New Kingdom temples were called mansions of millions of years by the Egyptians. These temples were used as a resting place for the boat of Amun at the time of the Beautiful Festival of the Valley. The first mortuary temple was built for Amenhotep I of the 18th dynasty during the New Kingdom, later rulers of the 18th Dynasty either failed to build here at all or, in the case of Tutankhamun, Ay and Horemheb, their construction was not completed. The 19th Dynasty ruler Seti I constructed his temple at what is now known as Gurna. Ramesses II constructed his own temple, referred to as the Ramesseum, Temple of a years of Usermaatre Setepenre which is linked with Thebes-the-Quoted in the Field of Amun. Much later, during the 20th Dynasty, Ramesses III constructed his own temple at Medinet Habu
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Ancient Egyptian offering formula
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The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
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Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
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Veneration of the dead
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The veneration of the dead, including ones ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, the social or non-religious function of ancestor veneration is to cultivate kinship values, such as filial piety, family loyalty, and continuity of the family lineage. Ancestor veneration occurs in societies with every degree of social, political, and technological complexity, ancestor reverence is not the same as the worship of a deity or deities. In some Afro-diasporic cultures, ancestors are seen as being able to intercede on behalf of the living, as spirits who were once human themselves, they are seen as being better able to understand human needs than would a divine being. In other cultures, the purpose of ancestor veneration is not to ask for favors, some cultures believe that their ancestors actually need to be provided for by their descendants, and their practices include offerings of food and other provisions. Others do not believe that the ancestors are even aware of what their descendants do for them, most cultures who practice ancestor veneration do not call it ancestor worship. In English, the word usually refers to the reverent love. However, in cultures, this act of worship does not confer any belief that the departed ancestors have become some kind of deity. Rather, the act is a way to respect, honor, in this regard, many cultures and religions have similar practices. Some may visit the graves of their parents or other ancestors, leave flowers and pray to them in order to honor and remember them, however, this would not be considered as worshipping them since the term worship shows no such meaning. This is consistent with the meaning of the veneration in English. Although there is no accepted theory concerning the origins of ancestor veneration. Although some historians claim that ancient Egyptian society was a “death cult” because of its tombs and mummification rituals. The philosophy that “this world is but a vale of tears” and this was not to say that they were unacquainted with the harshness of life, rather, their ethos included a sense of continuity between this life and the next. Tombs were housing in the Hereafter and so they were constructed and decorated. Mummification was a way to preserve the corpse so the ka of the deceased could return to receive offerings of the things s/he enjoyed while alive, if mummification was not affordable, a “ka-statue” in the likeness of the deceased was carved for this purpose. The Blessed Dead were collectively called the akhu, or “shining ones” and they were described as “shining as gold in the belly of Nut and were indeed depicted as golden stars on the roofs of many tombs and temples. If the heart was in balance with the Feather of Maat, at this point only was the ka deemed worthy to be venerated by the living through rites and offerings
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Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
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Ogdoad (Egyptian)
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In Egyptian mythology, the Ogdoad were eight primordial deities worshipped in Hermopolis during the Old Kingdom period. Budge compares the concept to a group of four pairs of primeval gods mentioned in the Babylonian Enûma Eliš, texts of the Late Period describe them as having the heads of frogs and serpents, and they are often depicted in this way in reliefs of the Greco-Roman period. The eight deities were arranged in four pairs, as follows. The names of Nu and Nut are written with the determiners for sky and water, but from the context of a number of passages in which Ḥeḥu is mentioned, Brugsch also suggested that he may be a personification of the atmosphere between heaven and earth. The fourth pair appears with varying names, sometimes the name Qerḥ is replaced by Ni, Nenu, Nut, or Amun, the common meaning of qerḥ is night, but the determinative also suggests the principle of inactivity or repose. There is no way to attribute four functions to the four pairs of gods. Ennead Butler, Edward P. Hermopolitan Ogdoad
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