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Beaux Arts cartouche of Strada Doctor Dimitrie D. Gerota no. 9, Bucharest, Romania, c. 1900, unknown architect
Beaux Arts cartouche of Strada Doctor Dimitrie D. Gerota no. 9, Bucharest, Romania, c. 1900, unknown architect
Roman round cartouche, at the base of Commodus as Hercules, early 192 AD, marble, Capitoline Museums, Rome
Roman round cartouche, at the base of Commodus as Hercules, early 192 AD, marble, Capitoline Museums, Rome
Roman rectangular cartouche on a sarcophagus, 3rd century, marble, Adana Archaeology Museum, Adana, Turkey
Roman rectangular cartouche on a sarcophagus, 3rd century, marble, Adana Archaeology Museum, Adana, Turkey
Roman cartouche on the right leaf of the Symmachi–Nicomachi diptych, c.400, ivory, Victoria and Albert Museum, London
Roman cartouche on the right leaf of the Symmachi–Nicomachi diptych, c.400, ivory, Victoria and Albert Museum, London
Putto
Renaissance putti, detail from the Camera degli Sposi, by Andrea Mantegna, 1465–1474, fresco, Ducal Palace, Mantua, Italy
Renaissance putti, detail from the Camera degli Sposi, by Andrea Mantegna, 1465–1474, fresco, Ducal Palace, Mantua, Italy
Three Putti Next to a Cartouche, after François Boucher, 1727–1760, etching and engraving, 26.5 × 21.5 cm, Metropolitan Museum of Art, New York City
Three Putti Next to a Cartouche, after François Boucher, 1727–1760, etching and engraving, 26.5 × 21.5 cm, Metropolitan Museum of Art, New York City
Roman putti in The Cupid Seller, National Archaeological Museum.
Roman putti in The Cupid Seller, National Archaeological Museum.
Six Byzantine putti attending to the goddess Hestia, on the Hestia Tapestry, 6th century, tapestry, Dumbarton Oaks, Washington, D.C.
Six Byzantine putti attending to the goddess Hestia, on the Hestia Tapestry, 6th century, tapestry, Dumbarton Oaks, Washington, D.C.