1.
Wanderer above the Sea of Fog
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Wanderer above the Sea of Fog, also known as Wanderer Above the Mist or Mountaineer in a misty Landscape is an oil painting c.1818 by the German Romantic artist Caspar David Friedrich. It currently resides in the Kunsthalle Hamburg in Hamburg, Germany, in the foreground, a young man stands upon a rocky precipice with his back to the viewer. He is wrapped in a green overcoat, and grips a walking stick in his right hand. His hair caught in a wind, the wanderer gazes out on a landscape covered in a sea of fog. In the middle ground, several ridges, perhaps not unlike the ones the wanderer himself stands upon. Through the wreaths of fog, forests of trees can be perceived atop these escarpments, in the far distance, faded mountains rise in the left, gently levelling off into lowland plains in the east. Beyond here, the pervading fog stretches out indefinitely, eventually commingling with the horizon, in the background to the right is the Zirkelstein. The mountain in the background to the left could be either the Rosenberg or the Kaltenberg, the group of rocks in front of it represent the Gamrig near Rathen. The rocks on which the stands are a group on the Kaiserkrone. Wanderer above the Sea of Fog is true to the Romantic style and Friedrichs style in particular, being similar to works such as Chalk Cliffs on Rügen. Gorras analysis was that the message conveyed by the painting is one of Kantian self-reflection, dembo sympathised, asserting that Wanderer presents a metaphor for the unknown future. Some meaning of work is lost in the translation of its title. In German, the title is Wanderer über dem Nebelmeer, Wanderer in German can mean either wanderer or hiker. The painting has been reused repeatedly, for instance to promote a Canadian musical and it was used as the cover of the board game Fantastiqa. A painting using the same man with his back turned, titled Wanderer appears within the computer game Minecraft, the title of the painting is the name of a song in Wolves in the Throne Rooms 2009 album Black Cascade. From the 1960s on, Gotthard Graubners fog spaces, one of them entitled Erster Nebelraum - Hommage à Caspar David Friedrich were clearly inspired by Friedrichs Wanderer above the Sea of Fog. In 2008, the painting was used as inspiration for the image of David Tennant as Hamlet at the RSC. The German tenor, Jonas Kaufmann, uses this painting on his Decca CD of Mozart, Schubert, Beethoven and he is pictured face forward replacing the back view of the Wanderer
2.
Kunsthalle Hamburg
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The Hamburg Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest museums in the country, the name Kunsthalle indicates the museums history as an art hall when founded in 1850. Today, the Kunsthalle houses one of the few art collections in Germany that covers seven centuries of European art, the Kunsthalle consists of three connected buildings, dating from 1869,1921 and 1997, located in the Altstadt district, between the Hauptbahnhof and the two Alster lakes. The Kunsthalle has its origins in 1849, when established and opened a year later as Städtische Gallerie by the Hamburg Kunstverein, the collection grew quickly, and it soon became necessary to provide a building. The original red brick Kunsthalle was built from 1863 to 1869, designed by architects Georg Theodor Schirrmacher and Hermann von der Hude, the first director became the art historian and educator Alfred Lichtwark. In 1994, one painting of the Kunsthalle was involved in the so-called Frankfurt art theft, while on loan to the Kunsthalle Schirn in Frankfurt, the painting Nebelschwaden by Caspar David Friedrich was stolen. After negotiations with the thieves, a lawyer bought back the painting, the cubic building sits on a monolithic base at a prominent location in close proximity to the Binnenalster. Since 2014, the Kunsthalle is under a euro 22 million renovation, in which the old entrance is being re-activated as sole entrance for the entire complex. The Kunsthalle is divided into four different sections, the Gallery of Old Masters, the Gallery of 19th-century Art, the Gallery of Classical Modernism and the Gallery of Contemporary Art. The Kunsthalle Museum is also known for its contemporary art collections and exhibitions. The Hamburg Kunsthalle continuisly carries out temporary exhibitions on contemporary and historic art, yearly there are on average 20 special exhibitions. The Dawn of Romanticism 2011–2012, Max Liebermann, pioneer of Modern Art 2012–2013, Giacometti
3.
John Lewis Gaddis
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John Lewis Gaddis is the Robert A. Lovett Professor of Military and Naval History at Yale University. He is best known for his work on the Cold War and grand strategy, Gaddis is also the official biographer of the seminal 20th-century American statesman George F. Kennan. George F. Kennan, An American Life, his biography of Kennan, Gaddis was born in Cotulla, Texas, in 1941. He attended the University of Texas at Austin, receiving his BA in 1963, MA in 1965, and PhD in 1968, Gaddis then taught briefly at Indiana University Southeast, before joining Ohio University in 1969. At Ohio, he founded and directed the Contemporary History Institute, in the 1975–77 academic years, Gaddis was a Visiting Professor of Strategy at the Naval War College. In the 1992–93 academic year, he was the Harmsworth Visiting Professor of American History at Oxford and he has also held visiting positions at Princeton University and the University of Helsinki. He served as president of the Society for Historians of American Foreign Relations in 1992, in 1997, he moved to Yale University to become the Lovett Professor of Military and Naval History. In the 2000–01 academic year, Gaddis was the George Eastman Professor at Oxford, in 2005, he received the National Humanities Medal. He sits on the committee of the Wilson Centers Cold War International History Project. Gaddis is also known for his relationship with the late George Kennan and his wife. He was also close to President George W. Bush, making suggestions to his speech writers. After leaving office, Bush took up painting as a hobby at Gaddiss recommendation, Gaddis is probably the best known historian writing in English about the Cold War. His 2011 biography of George Kennan garnered multiple prizes, including a Pulitzer, Gaddis is known for arguing that Soviet leader Joseph Stalins personality and role in history constituted one of the most important causes of the Cold War
4.
German Romanticism
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German Romanticism was the dominant intellectual movement in the philosophy, the arts, and the culture of German-speaking countries in the late-18th and early 19th centuries. Late-stage German Romanticism emphasized the tension between the world and the irrational and supernatural projections of creative genius. In particular, the critic Heinrich Heine criticized the tendency of the early German romantics for looking to the medieval past for a model of unity in art, key figures of German romanticism include, Ludwig van Beethoven. In his earlier works, Beethoven was a Classicist in the traditions of Mozart and Haydn, because Beethoven wrote some of his greatest music after he became totally deaf, he embodies the Romantic ideal of the tragic artist who defies all odds to conquer his own fate. His later works portray the triumph of the spirit, most notably his Choral Symphony No. 9, the stirring Ode to Joy from this symphony has been adopted as the anthem of the European Union and his works are cast in the formal moulds of Classicism, he had a profound reverence for Beethoven. Liszt was by nationality a Hungarian, but nevertheless he spent many years in Germany, credited as the inventor of the tone poem. In his old age, Liszt adopted a more dissonant, ominous flavour, characteristic works being la Lugubre Gondola and Die Zelle in Nonnenwerth—predating Impressionism, a composer of the Early Romantic period, together with such figures as Schumann, Chopin and Liszt. One of the responsible for reviving interest in the almost-forgotten music of Johann Sebastian Bach. His body of work consists mainly of song cycles and German Lieder set to poems by his contemporaries and his works recall the nostalgia of lost childhood innocence, first love, and the magnificence of the German countryside. As an influential critic, he played a role in discovering new talents, among them Chopin. The greatest composer of German opera, was an exponent of Leitmotif, one of the main figures in the so-called War of the Romantics. The emotional intensity and supernatural, folklore-based themes in his operas presented a break from the Neoclassical traditions of that time. The Mystical Sources of German Romantic Philosophy, translated by Blair R. Reynolds, caspar David Friedrich, translated by Sarah Twohig. Introduction, A Revolution in Culture, in European Romanticism, A Brief History with Documents, “Making of a Romantic Icon, The Religious Context of Friedrich Overbeck’s ‘Italia und Germania. ’” American Philosophical Society,2007. “Orpheus Philologus, Bachofen versus Mommsen on the Study of Antiquity. ”Painting the Sacred in the Age of German Romanticism, baltic Light, Early Open-Air Painting in Denmark and North Germany. New Haven and London, Yale University Press,1999, caspar David Friedrich and the Age of German Romanticism. New Haven and London, Yale University Press,1980, ISBN 3-8228-2293-0 ONeill, J, ed. German masters of the nineteenth century, paintings and drawings from the Federal Republic of Germany
5.
Landscape painting
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In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition, detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going well over a thousand years in both cases. Landscape views in art may be imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term landscaef or landskipe for a patch of land had existed in Old English. The earliest pure landscapes with no figures are frescos from Minoan Greece of around 1500 BCE. The frescos from the Tomb of Nebamun, now in the British Museum, are a famous example. These were frequently used, as in the illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty, aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. They were often also poets whose lines and images illustrated each other, a revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of a background of trees in the Palace of the Popes. Several frescos of gardens have survived from Roman houses like the Villa of Livia, a particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. Landscape backgrounds for various types of painting became prominent and skilful during the 15th century. The Italian development of a system of graphical perspective was now known all over Europe. Indeed, certain styles were so popular that they became formulas that could be copied again and again, after the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of landscape scenes can be seen in the success of the painter Frans Post. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, there are different styles and periods, and subgenres of marine and animal painting, as well as a distinct style of Italianate landscape
6.
Allegorical
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As a literary device, an allegory is a metaphor whose vehicle may be a character, place or event, representing real-world issues and occurrences. Many ancient religions are based on astrological allegories, that is, allegories of the movement of the sun, in classical literature two of the best-known allegories are the Cave in Platos Republic and the story of the stomach and its members in the speech of Menenius Agrippa. One of the examples of allegory, Platos Allegory of the Cave. In this allegory, Plato describes a group of people who have lived chained in an all of their lives. The people watch shadows projected on the wall by things passing in front of a fire behind them and begin to ascribe forms to these shadows, using language to identify their world. He tries to tell the people in the cave of his discovery, also allegorical is Ezekiel 16 and 17, wherein the capture of that same vine by the mighty Eagle represents Israels exile to Rome. Allegory has an ability to freeze the temporality of a story, Mediaeval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The allegory was as true as the facts of surface appearances, if, then, the Greeks or others say that they were not committed to the care of Peter and his successors, they necessarily confess that they are not of the sheep of Christ. This text also demonstrates the frequent use of allegory in religious texts during the Mediaeval Period, following the tradition, since meaningful stories are nearly always applicable to larger issues, allegories may be read into many stories which the author may not have recognised. This is allegoresis, or the act of reading a story as an allegory. S, lewis and A Kingdom Far and Clear, The Complete Swan Lake Trilogy by Mark Helprin. The story of the apple falling onto Isaac Newtons head is another famous allegory and it simplified the idea of gravity by depicting a simple way it was supposedly discovered. It also made the scientific revelation well known by condensing the theory into a short tale. According to Henry Littlefields 1964 article, L. Yet, George MacDonald emphasised in 1893 that, A fairy tale is not an allegory, I much prefer history – true or feigned– with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and this further reinforces the idea of forced allegoresis, as allegory is often a matter of interpretation and only sometimes of original artistic intention. Like allegorical stories, allegorical poetry has two meanings – a literal meaning and a symbolic meaning, some unique specimens of allegory can be found in the following works, Edmund Spenser – The Faerie Queene, The several knights in the poem actually stand for several virtues. Nathaniel Hawthorne – Young Goodman Brown, The Devils Staff symbolises defiance of God, the characters names, such as Goodman and Faith, ironically serve as paradox in the conclusion of the story. Nathaniel Hawthorne – The Scarlet Letter, The scarlet letter symbolises many things, the characters, while developed with interiority, are allegorical in that they represent ways of seeing the world. George Orwell – Animal Farm, The pigs stand for political figures of the Russian Revolution, lászló Krasznahorkai - The Melancholy of Resistance and the film Werckmeister Harmonies, It uses a circus to describe an occupying dysfunctional government
7.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
8.
Classicism
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Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. Classicism is a genre of philosophy, expressing itself in literature, architecture, art, and music, which has Ancient Greek and Roman sources. It was particularly expressed in the Neoclassicism of the Age of Enlightenment, Classicism is a recurrent tendency in the Late Antique period, and had a major revival in Carolingian and Ottonian art. Until that time the identification with antiquity had been seen as a history of Christendom from the conversion of Roman Emperor Constantine I. Renaissance classicism introduced a host of elements into European culture, including the application of mathematics and empiricism into art, humanism, literary and depictive realism, importantly it also introduced Polytheism, or paganism, and the juxtaposition of ancient and modern. The classicism of the Renaissance led to, and gave way to and this period sought the revival of classical art forms, including Greek drama and music. Opera, in its modern European form, had its roots in attempts to recreate the combination of singing and dancing with theatre thought to be the Greek norm, examples of this appeal to classicism included Dante, Petrarch, and Shakespeare in poetry and theatre. Tudor drama, in particular, modeled itself after classical ideals, studying Ancient Greek became regarded as essential for a well-rounded education in the liberal arts. They also began reviving plastic arts such as bronze casting for sculpture, for example, the painting of Jacques-Louis David which was seen as an attempt to return to formal balance, clarity, manliness, and vigor in art. Various movements of the period saw themselves as classical revolts against a prevailing trend of emotionalism and irregularity. The 20th century saw a number of changes in the arts, thus, both pre-20th century disciplines were labelled classical and modern movements in art which saw themselves as aligned with light, space, sparseness of texture, and formal coherence. Examples of classicist playwrights are Pierre Corneille, Jean Racine and Moliere, the influence of these French rules on playwrights in other nations is debatable. In the English theatre, Restoration playwrights such as William Wycherly and those of Shakespeares plays that seem to display the unities, such as The Tempest, probably indicate a familiarity with actual models from classical antiquity. Classicism in architecture developed during the Italian Renaissance, notably in the writings and designs of Leon Battista Alberti and this style quickly spread to other Italian cities and then to France, Germany, England, Russia and elsewhere. In the 16th century, Sebastiano Serlio helped codify the classical orders, building off of these influences, the 17th-century architects Inigo Jones and Christopher Wren firmly established classicism in England. For the development of classicism from the mid-18th-century onwards, see Neoclassical architecture, for Greek art of the 5th century B. C. E. See Classical art in ancient Greece and the Severe style Italian Renaissance painting and sculpture are marked by their renewal of classical forms, motifs and subjects. In the 15th century Leon Battista Alberti was important in theorizing many of the ideas for painting that came to a fully realised product with Raphaels School of Athens during the High Renaissance
9.
Greifswald
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Greifswald, officially the University and Hanseatic City of Greifswald, is a city in northeastern Germany. It is situated in the state of Mecklenburg-Vorpommern, at a distance of about 250 kilometres from Germanys two largest cities, Berlin and Hamburg, and 80 km from the Polish border. The town flanks the Baltic Sea, and is crossed by a small river and it is also located near Germanys two largest islands, Rügen and Usedom, and it is close to three of Germanys 14 national parks. It has been the capital of the newly established district of Vorpommern-Greifswald since the September 2011 district reforms, together with Stralsund, Greifswald forms one of four high-level urban centers of Mecklenburg-Vorpommern. The citys population was listed at 55,659 in 2013, Greifswald draws international attention due to the university, its surrounding BioCon Valley, the Nord Stream gas pipeline and the Wendelstein 7-X nuclear fusion projects. Greifswald is located in the northeast of Germany, approximately equidistant from Germanys two largest islands, Rügen and Usedom, the town is situated at the south end of the Bay of Greifswald, the historic centre being about 5 kilometres up the river Ryck that crosses the town. The area around Greifswald is mainly flat, and hardly more than 20 metres above sea level. Two islands, Koos and Riems, are part of Greifswald. Three of Germanys fourteen national parks can be reached by car in one hour or less from Greifswald, Greifswald is also roughly equidistant from Germanys two largest cities, Berlin and Hamburg. The nearest larger towns are Stralsund and Rostock, the coastal part of Greifswald at the mouth of the Ryck, named Greifswald-Wieck, evolved from a fishing village. Today it provides a beach, a marina and the main port for Greifswald. Greifswald was founded in 1199 when Cistercian monks founded the Eldena Abbey, in 1250, Wartislaw III, Duke of Pomerania, granted town privileges to Greifswald according to the Lübeck law. In 1199, the Rugian Prince Jaromar I allowed Danish Cistercian monks to build Hilda Abbey, now Eldena Abbey, at the mouth of the River Ryck. Among the lands granted the monks was a salt evaporation pond a short way up the river. This site was named Grypswold, which is the Low German precursor of the modern name – which means Griffins Forest. Legend says the monks were shown the best site for settlement by a mighty griffin living in a tree that grew on what became Greifswalds oldest street. The towns construction followed a scheme of streets, with church. It was settled primarily by Germans in the course of the Ostsiedlung, the salt trade helped Eldena Abbey to become an influential religious center, and Greifswald became a widely known market
10.
Swedish Pomerania
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Swedish Pomerania was a Dominion under the Swedish Crown from 1630 to 1815, situated on what is now the Baltic coast of Germany and Poland. Following the Polish War and the Thirty Years War, Sweden held extensive control over the lands on the southern Baltic coast, including Pomerania and parts of Livonia and Prussia. Sweden, present in Pomerania with a garrison at Stralsund since 1628, had gained control of the Duchy of Pomerania with the Treaty of Stettin in 1630. At the Peace of Westphalia in 1648 and the Treaty of Stettin in 1653, Sweden received Western Pomerania, with the islands of Rügen, Usedom, and Wolin, and a strip of Farther Pomerania. The peace treaties were negotiated while the Swedish queen Christina was a minor, instead, it remained part of the Holy Roman Empire, making the Swedish rulers Reichsfürsten and leaving the nobility in full charge of the rural areas and its inhabitants. These areas were ceded to Brandenburg-Prussia and were integrated into Brandenburgian Pomerania, also in 1720, Sweden regained the remainder of her dominion in the Treaty of Frederiksborg, which had been lost to Denmark in 1715. The largest cities in Swedish Pomerania were Stralsund, Greifswald and, until 1720, Rügen is today Germanys largest island. On 10 July 1630, the treaty was extended into a pact in the Treaty of Stettin. By the end of year the Swedes had completed the military occupation of Pomerania. As a consequence Pomerania lapsed into a state of anarchy, thereby forcing the Swedes to act, from 1641 the administration was led by a council from Stettin, until the peace treaty in 1648 settled rights to the province in Swedish favour. At the peace negotiations in Osnabrück, Brandenburg-Prussia received Farther Pomerania, the recess of Stettin in 1653 settled the border with Brandenburg in a manner favourable to Sweden. The border against Mecklenburg, along the Trebel and the Recknitz, the nobility of Pomerania was firmly established and held extensive privileges, as opposed to the other end of the spectrum which was populated by a class of numerous serfs. Even by the end of the 18th century, the made up two-thirds of the population of the countryside. The estates owned by the nobility were divided into districts and the royal domains, one fourth of the knightly estates in Swedish Pomerania were held by Swedish nobles. The ducal estates, initially distributed among Swedish nobles and officials, Swedish and Pomeranian nobility intermarried and became ethnically indistinguishable in the course of the 18th century. The position of Pomerania in the Swedish Realm came to depend on the talks that were opened between the Estates of Pomerania and the Government of Sweden. The talks showed few results until the Instrument of Government of 17 July 1663 could be presented, when circumstances demanded, the estates, nobility, burgesses, and — until the 1690s — the clergy could be summoned for meetings of a local parliament called the Landtag. The nobility was represented by one deputy per district, and these deputies were in turn mandated by their respective district convents of nobles, the estate of the burgesses consisted of one deputy per politically franchised city, particularly Stralsund
11.
Copenhagen
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Copenhagen, Danish, København, Latin, Hafnia) is the capital and most populous city of Denmark. Copenhagen has an population of 1,280,371. The Copenhagen metropolitan area has just over 2 million inhabitants, the city is situated on the eastern coast of the island of Zealand, another small portion of the city is located on Amager, and is separated from Malmö, Sweden, by the strait of Øresund. The Øresund Bridge connects the two cities by rail and road, originally a Viking fishing village founded in the 10th century, Copenhagen became the capital of Denmark in the early 15th century. Beginning in the 17th century it consolidated its position as a centre of power with its institutions, defences. After suffering from the effects of plague and fire in the 18th century and this included construction of the prestigious district of Frederiksstaden and founding of such cultural institutions as the Royal Theatre and the Royal Academy of Fine Arts. Later, following the Second World War, the Finger Plan fostered the development of housing, since the turn of the 21st century, Copenhagen has seen strong urban and cultural development, facilitated by investment in its institutions and infrastructure. The city is the cultural, economic and governmental centre of Denmark, Copenhagens economy has seen rapid developments in the service sector, especially through initiatives in information technology, pharmaceuticals and clean technology. Since the completion of the Øresund Bridge, Copenhagen has become integrated with the Swedish province of Scania and its largest city, Malmö. With a number of connecting the various districts, the cityscape is characterized by parks, promenades. Copenhagen is home to the University of Copenhagen, the Technical University of Denmark, the University of Copenhagen, founded in 1479, is the oldest university in Denmark. Copenhagen is home to the FC København and Brøndby football clubs, the annual Copenhagen Marathon was established in 1980. Copenhagen is one of the most bicycle-friendly cities in the world, the Copenhagen Metro serves central Copenhagen while the Copenhagen S-train network connects central Copenhagen to its outlying boroughs. Serving roughly 2 million passengers a month, Copenhagen Airport, Kastrup, is the largest airport in the Nordic countries, the name of the city reflects its origin as a harbour and a place of commerce. The original designation, from which the contemporary Danish name derives, was Køpmannæhafn, meaning merchants harbour, the literal English translation would be Chapmans haven. The English name for the city was adapted from its Low German name, the abbreviations Kbh. or Kbhvn are often used in Danish for København, and kbh. for københavnsk. The chemical element hafnium is named for Copenhagen, where it was discovered, the bacterium Hafnia is also named after Copenhagen, Vagn Møller of the State Serum Institute in Copenhagen named it in 1954. Excavations in Pilestræde have also led to the discovery of a well from the late 12th century, the remains of an ancient church, with graves dating to the 11th century, have been unearthed near where Strøget meets Rådhuspladsen
12.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
13.
Spirituality
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Modern spirituality typically includes a belief in a supernatural realm, personal growth, a quest for an ultimate/sacred meaning, religious experience, or an encounter with ones own inner dimension. The meaning of spirituality has developed and expanded over time, the term spirituality originally developed within early Christianity, referring to a life oriented toward the Holy Spirit. The term spirit means animating or vital principle in man and animals and it is derived from the Old French espirit which comes from the Latin word spiritus and is related to spirare. In the Vulgate the Latin word spiritus is used to translate the Greek pneuma, the term spiritual, matters concerning the spirit, is derived from Old French spirituel, which is derived from Latin spiritualis, which comes from spiritus or spirit. The term spirituality is derived from Middle French spiritualité, from Late Latin spiritualitatem, there is no single, widely agreed definition of spirituality. A survey of reviews by McCarroll e. a. dealing with the topic of spirituality gave twenty-seven explicit definitions and this causes some difficulty in trying to study spirituality systematically, i. e. it impedes both understanding and the capacity to communicate findings in a meaningful fashion. To accomplish this, the re-formation is oriented at a mold, which represents the shape, in Judaism the Torah, in Christianity there is Christ, for Buddhism, Buddha. Houtman and Aupers suggest that modern spirituality is a blend of humanistic psychology, mystical and esoteric traditions, Spirituality is sometimes associated with philosophical, social, or political movements such as liberalism, feminist theology, and green politics. Some argue spirituality is intimately linked to resolving mental health issues, managing substance abuse, marital functioning, parenting, words translatable as spirituality first began to arise in the 5th century and only entered common use toward the end of the Middle Ages. In a Biblical context the term means being animated by God, to be driven by the Holy Spirit, in the 11th century this meaning changed. Spirituality began to denote the mental aspect of life, as opposed to the material and sensual aspects of life, in the 13th century spirituality acquired a social and psychological meaning. In the 17th and 18th century a distinction was made higher and lower forms of spirituality, A spiritual man is one who is Christian more abundantly. The word was associated with mysticism and quietism, and acquired a negative meaning. Modern notions of spirituality developed throughout the 19th and 20th century, mixing Christian ideas with westen esoteric traditions and elements of Asian, especially Indian, Spirituality became increasingly disconnected from traditional religious organisations and institutions. Ralph Waldo Emerson was a pioneer of the idea of spirituality as a distinct field, the Transcendentalists emphasised an intuitive, experiential approach of religion. Following Schleiermacher, an individuals intuition of truth was taken as the criterion for truth, in the late 18th and early 19th century, the first translations of Hindu texts appeared, which were also read by the Transcendentalists, and influenced their thinking. A major influence on modern spirituality was the Theosophical Society, which searched for secret teachings in Asian religions and it aims to present Hinduism as a homogenized ideal of Hinduism with Advaita Vedanta as its central doctrine. Due to the colonisation of Asia by the world, since the 19th century an exchange of ideas has been taking place between the western world and Asia, which also influenced western religiosity
14.
J. M. W. Turner
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Joseph Mallord William Turner, RA was an English Romanticist landscape painter. Turner was considered a figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting and he is commonly known as the painter of light. Joseph Mallord William Turner was baptised on 14 May 1775, and it is generally believed he was born between late April and early May. Turner himself claimed he was born on 23 April, but there is no proof and he was born in Maiden Lane, Covent Garden, in London, England. His father, William Turner, was a barber and wig maker and his mother, Mary Marshall, came from a family of butchers. A younger sister, Mary Ann, was born in September 1778, the earliest known artistic exercise by Turner is from this period—a series of simple colourings of engraved plates from Henry Boswells Picturesque View of the Antiquities of England and Wales. Around 1786, Turner was sent to Margate on the north-east Kent coast, here he produced a series of drawings of the town and surrounding area foreshadowing his later work. Turner returned to Margate many times in later life, by this time, Turners drawings were being exhibited in his fathers shop window and sold for a few shillings. His father boasted to the artist Thomas Stothard that, My son, in 1789, Turner again stayed with his uncle who had retired to Sunningwell in Berkshire. A whole sketchbook of work from time in Berkshire survives as well as a watercolour of Oxford. The use of sketches on location, as the foundation for later finished paintings. By the end of 1789, he had begun to study under the topographical draughtsman Thomas Malton. Turner learned from him the tricks of the trade, copying and colouring outline prints of British castles. He would later call Malton My real master, topography was a thriving industry by which a young artist could pay for his studies. In the same year of 1789 he entered the Royal Academy of Art schools, when he was 14 years old, Sir Joshua Reynolds, president of the Royal Academy, chaired the panel that admitted him. At first Turner showed a keen interest in architecture, but was advised by the architect Thomas Hardwick to continue painting and his first watercolour painting A View of the Archbishops Palace, Lambeth was accepted for the Royal Academy summer exhibition of 1790 when Turner was 15. As a probationer in the academy, he was drawing from plaster casts of antique sculptures
15.
John Constable
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John Constable, RA was an English Romantic painter. Born in Suffolk, he is principally for his landscape paintings of Dedham Vale. I should paint my own places best, he wrote to his friend John Fisher in 1821, painting is and his most famous paintings include Wivenhoe Park of 1816, Dedham Vale of 1802 and The Hay Wain of 1821. Although his paintings are now among the most popular and valuable in British art and he did not become a member of the establishment until he was elected to the Royal Academy at the age of 52. His work was embraced in France, where he sold more works than in his native England, John Constable was born in East Bergholt, a village on the River Stour in Suffolk, to Golding and Ann Constable. His father was a corn merchant, owner of Flatford Mill in East Bergholt and, later. Golding Constable owned a ship, The Telegraph, which he moored at Mistley on the Stour estuary. He was a cousin of the London tea merchant, Abram Newman, although Constable was his parents second son, his older brother was intellectually disabled and John was expected to succeed his father in the business. After a brief period at a school in Lavenham, he was enrolled in a day school in Dedham. Constable worked in the business after leaving school, but his younger brother Abram eventually took over the running of the mills. In his youth, Constable embarked on amateur sketching trips in the surrounding Suffolk and Essex countryside, which was to become the subject of a large proportion of his art. These scenes, in his own words, made me a painter, and I am grateful, the sound of water escaping from mill dams etc. willows, old planks, slimy posts. He was introduced to George Beaumont, a collector, who showed him his prized Hagar and the Angel by Claude Lorrain, in 1799, Constable persuaded his father to let him pursue a career in art, and Golding granted him a small allowance. Entering the Royal Academy Schools as a probationer, he attended classes and anatomical dissections. Among works that inspired him during this period were paintings by Thomas Gainsborough, Claude Lorrain, Peter Paul Rubens, Annibale Carracci. He also read widely among poetry and sermons, and later proved a notably articulate artist, by 1803, he was exhibiting paintings at the Royal Academy. In 1802 he refused the position of drawing master at Great Marlow Military College, Constables usual subjects, scenes of ordinary daily life, were unfashionable in an age that looked for more romantic visions of wild landscapes and ruins. He made occasional trips further afield, in 1803 he spent almost a month aboard the East Indiaman ship Coutts as it visited south-east ports, and in 1806 he undertook a two-month tour of the Lake District
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David d'Angers
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Pierre-Jean David was a French sculptor and medallist. He was born in Angers in 1788 and his father was a wood carver and ornamental sculptor, who had joined the volunteer Republican army as a musketeer, fighting against the Chouans of La Vendée. He studied in the studio of Jean-Jacques Delusse and in 1808 traveled to Paris to study in the studio of Philippe-Laurent Roland, while in Paris he did work both on the Arc de Triomphe and the exterior of the Louvre. In 1810 he succeeded in taking the second prize at the École des Beaux-Arts for his Othryades. In 1811 Davids La Douleur won the competition for tête dexpression followed by his taking of the Prix de Rome for his Epaminondas in the same year. He spent five years in Rome, during which time he frequented the studio of Antonio Canova and made trips around Italy to Venice, Naples. Here John Flaxman and others took him to task for the sins of David the painter. With great difficulty he made his way to Paris again, where a comparatively prosperous career opened before him and his medallions and busts were in much request, as well as orders for monumental works. Davids fame rests firmly on his pediment of the Pantheon, his marble Wounded Philopoemen in the Louvre and his equestrian monument to General Jacques-Nicolas Gobert in Père Lachaise Cemetery. In addition to that of Gobert, he did sculptures for seven other tombs at Père Lachaise, including the bronze busts of the writer, Honoré de Balzac and physician Samuel Hahnemann. In the Musée David in Angers is an almost complete collection of his works either in the form of copies or in the original moulds, David dAngers in American public collections, on the French Sculpture Census website
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Expressionism
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Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Expressionism was developed as an avant-garde style before the First World War and it remained popular during the Weimar Republic, particularly in Berlin. The style extended to a range of the arts, including expressionist architecture, painting, literature, theatre, dance, film. The term is sometimes suggestive of angst, in a general sense, painters such as Matthias Grünewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to positivism, though an alternate view is that the term was coined by the Czech art historian Antonin Matějček in 1910, as the opposite of impressionism, An Expressionist wishes, above all, to express himself. Immediate perception and builds on more complex psychic structures, in 1905, a group of four German artists, led by Ernst Ludwig Kirchner, formed Die Brücke in the city of Dresden. This was arguably the founding organization for the German Expressionist movement, a few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter in Munich. The name came from Wassily Kandinskys Der Blaue Reiter painting of 1903, among their members were Kandinsky, Franz Marc, Paul Klee, and Auguste Macke. However, the term Expressionism did not firmly establish itself until 1913, though mainly a German artistic movement initially and most predominant in painting, poetry and the theatre between 1910–30, most precursors of the movement were not German. Expressionism is notoriously difficult to define, in part because it overlapped with other major isms of the modernist period, with Futurism, Vorticism, Cubism, Surrealism, more explicitly, that the expressionists rejected the ideology of realism. The term refers to a style in which the artist seeks to depict not objective reality but rather the subjective emotions. It is arguable that all artists are expressive but there are examples of art production in Europe from the 15th century onward which emphasize extreme emotion. Expressionism has been likened to Baroque by critics such as art historian Michel Ragon, according to Alberto Arbasino, a difference between the two is that Expressionism doesnt shun the violently unpleasant effect, while Baroque does. Expressionism throws some terrific fuck yous, Baroque doesnt, brazil, Anita Malfatti, Cândido Portinari, Di Cavalcanti, Iberê Camargo and Lasar Segall. Estonia, Konrad Mägi, Eduard Wiiralt Finland, Tyko Sallinen, Alvar Cawén, Juho Mäkelä, there were a number of groups of expressionist painters, including Der Blaue Reiter and Die Brücke. Der Blaue Reiter was based in Munich and Die Brücke was based originally in Dresden, Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year. The Expressionists had many influences, among them Edvard Munch, Vincent van Gogh and they were also aware of the work being done by the Fauves in Paris, who influenced Expressionisms tendency toward arbitrary colours and jarring compositions
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Surrealism
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Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to resolve the previously contradictory conditions of dream, leader André Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. Surrealism developed out of the Dada activities during World War I, the word surrealist was coined by Guillaume Apollinaire and first appeared in the preface to his play Les Mamelles de Tirésias, which was written in 1903 and first performed in 1917. The Dadaists protested with anti-art gatherings, performances, writings and art works, after the war, when they returned to Paris, the Dada activities continued. Meeting the young writer Jacques Vaché, Breton felt that Vaché was the son of writer. He admired the young writers anti-social attitude and disdain for established artistic tradition, later Breton wrote, In literature, I was successively taken with Rimbaud, with Jarry, with Apollinaire, with Nouveau, with Lautréamont, but it is Jacques Vaché to whom I owe the most. Back in Paris, Breton joined in Dada activities and started the literary journal Littérature along with Louis Aragon and they began experimenting with automatic writing—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault delved deeper into automatism and wrote The Magnetic Fields, continuing to write, they came to believe that automatism was a better tactic for societal change than the Dada form of attack on prevailing values. They also looked to the Marxist dialectic and the work of such theorists as Walter Benjamin, freuds work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced idiosyncrasy, while rejecting the idea of an underlying madness, as Salvador Dalí later proclaimed, There is only one difference between a madman and me. Beside the use of analysis, they emphasized that one could combine inside the same frame, elements not normally found together to produce illogical. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power, the group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to people from false rationality, and restrictive customs. Breton proclaimed that the aim of Surrealism was long live the social revolution. To this goal, at various times Surrealists aligned with communism and anarchism, in 1924 two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the Bureau of Surrealist Research was established, leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire, the other group, led by Breton, included Louis Aragon, Robert Desnos, Paul Éluard, Jacques Baron, Jacques-André Boiffard, Jean Carrive, René Crevel and Georges Malkine, among others. Goll and Breton clashed openly, at one point literally fighting, at the Comédie des Champs-Élysées, in the end, Breton won the battle through tactical and numerical superiority
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Existentialism
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While the predominant value of existentialist thought is commonly acknowledged to be freedom, its primary virtue is authenticity. Many existentialists have also regarded traditional systematic or academic philosophies, in style and content, as too abstract and remote from concrete human experience. Søren Kierkegaard is generally considered to have been the first existentialist philosopher and he proposed that each individual—not society or religion—is solely responsible for giving meaning to life and living it passionately and sincerely, or authentically. Existentialism became popular in the years following World War II, and strongly influenced many disciplines besides philosophy, including theology, drama, art, literature, and psychology. The term is seen as a historical convenience as it was first applied to many philosophers in hindsight. In fact, while existentialism is generally considered to have originated with Kierkegaard, Sartre posits the idea that what all existentialists have in common is the fundamental doctrine that existence precedes essence, as scholar Frederick Copleston explains. Sartre himself, in a lecture delivered in 1945, described existentialism as the attempt to draw all the consequences from a position of consistent atheism and this assertion comes from two sources. The Norwegian philosopher Erik Lundestad refers to the Danish philosopher Fredrik Christian Sibbern, Sibbern is supposed to have had two conversations in 1841, the first with Welhaven and the second with Kierkegaard. This was then brought to Kierkegaard by Sibbern, the second claim comes from the Norwegian historian Rune Slagstad, who claims to prove that Kierkegaard himself said the term existential was borrowed from the poet. He strongly believes that it was Kierkegaard himself who said that Hegelians do not study philosophy existentially, on the other hand, the Norwegian historian Anne-Lise Seip is critical of Slagstad, and believes the statement in fact stems from the Norwegian literary historian Cathrinus Bang. The actual life of the individuals is what constitutes what could be called their true essence instead of there being an arbitrarily attributed essence others use to define them, thus, human beings, through their own consciousness, create their own values and determine a meaning to their life. However, an existentialist philosopher would say such a wish constitutes an inauthentic existence - what Sartre would call bad faith, instead, the phrase should be taken to say that people are defined only insofar as they act and that they are responsible for their actions. For example, someone who acts cruelly towards other people is, by that act, furthermore, by this action of cruelty, such persons are themselves responsible for their new identity. This is as opposed to their genes, or human nature, as Sartre writes in his work Existentialism is a Humanism. Man first of all exists, encounters himself, surges up in the world—and defines himself afterwards. Of course, the positive, therapeutic aspect of this is also implied, A person can choose to act in a different way. Here it is clear that since humans can choose to be either cruel or good, they are, in fact. Sartres definition of existentialism was based on Heideggers magnum opus Being and this way of living, Heidegger called average everydayness
20.
Nazism
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National Socialism, more commonly known as Nazism, is the ideology and practice associated with the 20th-century German Nazi Party and Nazi Germany, as well as other far-right groups. Nazism subscribed to theories of racial hierarchy and Social Darwinism, identifying Germans as part of what Nazis regarded as an Aryan or Nordic master race and it aimed to overcome social divisions and create a homogeneous society, unified on the basis of racial purity. The term National Socialism arose out of attempts to create a nationalist redefinition of socialism, the Nazi Partys precursor, the Pan-German nationalist and anti-Semitic German Workers Party, was founded on 5 January 1919. By the early 1920s, Adolf Hitler assumed control of the organisation, following the Holocaust and German defeat in World War II, only a few fringe racist groups, usually referred to as neo-Nazis, still describe themselves as following National Socialism. The full name of Adolf Hitlers party was Nationalsozialistische Deutsche Arbeiterpartei, the shorthand Nazi was formed from the first two syllables of the German pronunciation of the word national. The term was in use before the rise of the NSDAP as a colloquial and derogatory word for a peasant, characterizing an awkward. It derived from Ignaz, being a version of Ignatius, a common name in Bavaria. Opponents seized on this and shortened the first word of the name, Nationalsozialistische. The NSDAP briefly adopted the Nazi designation, attempting to reappropriate the term, the use of Nazi Germany, Nazi regime, and so on was popularised by German exiles abroad. From them, the spread into other languages and was eventually brought back to Germany after World War II. In English, Nazism is a name for the ideology the party advocated. The majority of scholars identify Nazism in practice as a form of far-right politics, far-right themes in Nazism include the argument that superior people have a right to dominate over other people and purge society of supposed inferior elements. Adolf Hitler and other proponents officially portrayed Nazism as being neither left- nor right-wing, but the politicians of the Right deserve exactly the same reproach. It was through their miserable cowardice that those ruffians of Jews who came into power in 1918 were able to rob the nation of its arms, a major inspiration for the Nazis were the far-right nationalist Freikorps, paramilitary organisations that engaged in political violence after World War I. The Nazis stated the alliance was purely tactical and there remained substantial differences with the DNVP, the Nazis described the DNVP as a bourgeois party and called themselves an anti-bourgeois party. After the elections in 1932, the alliance broke after the DNVP lost many of its seats in the Reichstag, the Nazis denounced them as an insignificant heap of reactionaries. The DNVP responded by denouncing the Nazis for their socialism, their violence. Kaiser Wilhelm II, who was pressured to abdicate the throne and flee into exile amidst an attempted communist revolution in Germany, there were factions in the Nazi Party, both conservative and radical
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Nationalism
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Nationalism is a complex, multidimensional concept involving a shared communal identification with ones nation. It is contrasted by Anti-nationalism as a political ideology oriented towards gaining and maintaining self-governance, or full sovereignty, Nationalism therefore holds that a nation should govern itself, free from unwanted outside interference, and is linked to the concept of self-determination. Nationalism therefore seeks to preserve the nations culture and it often also involves a sense of pride in the nations achievements, and is closely linked to the concept of patriotism. In these terms, nationalism can be considered positive or negative, from a political or sociological outlook, there are three main paradigms for understanding the origins and basis of nationalism. The first, known as Primordialism or Perennialism, sees nationalism as a natural phenomenon and it holds that although the concept nationhood may be recent, nations have always existed. The third, and most dominant paradigm is Modernism, which sees nationalism as a recent phenomenon that needs the structural conditions of society in order to exist. There are various definitions for what constitutes a nation, however and this anomie results in a society or societies reinterpreting identity, retaining elements that are deemed acceptable and removing elements deemed unacceptable, in order to create a unified community. Nationalism means devotion for the nation and it is a sentiment that binds the people together. National symbols and flags, national anthems, national languages, national myths, Nationalism is a newer word, in English the term dates from 1844, although the concept is older. It became important in the 19th century, the term increasingly became negative in its connotations after 1914. Glenda Sluga notes that The twentieth century, a time of disillusionment with nationalism, was also the great age of globalism. Nationalism is the term used to characterize the modern sense of national political autonomy. For example, German nationalism emerged as a reaction against Napoleonic control of Germany as the Confederation of the Rhine around 1805–14, linda Colley in Britons, Forging the Nation 1707–1837 explores how the role of nationalism emerged about 1700 and developed in Britain reaching full form in the 1830s. The early emergence of a popular patriotic nationalism took place in the mid-18th century, National symbols, anthems, myths, flags and narratives were assiduously constructed by nationalists and widely adopted. The Union Jack was adopted in 1801 as the national one, Thomas Arne composed the patriotic song Rule, Britannia. in 1740, and the cartoonist John Arbuthnot invented the character of John Bull as the personification of the English national spirit in 1712. The political convulsions of the late 18th century associated with the American, the Prussian scholar Johann Gottfried Herder originated the term in 1772 in his Essay on the Origins of Language. Stressing the role of a common language, the political development of nationalism and the push for popular sovereignty culminated with the ethnic/national revolutions of Europe. During the 19th century nationalism became one of the most significant political and social forces in history, napoleons conquests of the German and Italian states around 1800–06 played a major role in stimulating nationalism and the demands for national unity
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Baltic Sea
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The Baltic Sea is a sea of the Atlantic Ocean, enclosed by Scandinavia, Finland, the Baltic countries, and the North European Plain. It includes the Gulf of Bothnia, the Bay of Bothnia, the Gulf of Finland, the Gulf of Riga, the sea stretches from 53°N to 66°N latitude and from 10°E to 30°E longitude. The Baltic Sea is connected by waterways to the White Sea via the White Sea Canal. Traffic history Historically, the Kingdom of Denmark collected Sound Dues from ships at the border between the ocean and the land-locked Baltic Sea and they were collected in the Øresund at Kronborg castle near Helsingør, in the Great Belt at Nyborg. In the Little Belt, the site of intake was moved to Fredericia, the narrowest part of Little Belt is the Middelfart Sund near Middelfart. Oceanography Geographers widely agree that the physical border of the Baltic is a line drawn through the southern Danish islands, Drogden-Sill. The Drogden Sill is situated north of Køge Bugt and connects Dragør in the south of Copenhagen to Malmö, it is used by the Øresund Bridge, including the Drogden Tunnel. By this definition, the Danish Straits are part of the entrance, but the Bay of Mecklenburg, another usual border is the line between Falsterbo, Sweden and Stevns Klint, Denmark, as this is the southern border of Øresund. Its also the border between the shallow southern Øresund and notably deeper water, hydrography and biology Drogden Sill sets a limit to Øresund and Darss Sill, and a limit to the Belt Sea. The shallow sills are obstacles to the flow of salt water from the Kattegat into the basins around Bornholm. The Kattegat and the southwestern Baltic Sea are well oxygenated and have a rich biology, the remainder of the Sea is brackish, poor in oxygen and in species. While Tacitus called it Mare Suebicum after the Germanic people called the Suebi, the origin of the latter name is speculative. Adam of Bremen himself compared the sea with a belt, stating that it is so named because it stretches through the land as a belt and he might also have been influenced by the name of a legendary island mentioned in the Natural History of Pliny the Elder. Pliny mentions an island named Baltia with reference to accounts of Pytheas and it is possible that Pliny refers to an island named Basilia in On the Ocean by Pytheas. Baltia also might be derived from belt and mean near belt of sea, meanwhile, others have suggested that the name of the island originates from the Proto-Indo-European root *bhel meaning white, fair. This root and its meaning were retained in both Lithuanian and Latvian. On this basis, a related hypothesis holds that the name originated from this Indo-European root via a Baltic language such as Lithuanian, yet another explanation is that the name originally meant enclosed sea, bay as opposed to open sea. Some Swedish historians believe the name derives from the god Balder of Nordic mythology, in the Middle Ages the sea was known by variety of names
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Lutheranism
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Lutheranism is a major branch of Protestant Christianity which identifies with the theology of Martin Luther, a German friar, ecclesiastical reformer and theologian. Luthers efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation in the German-speaking territories of the Holy Roman Empire. Lutheranism advocates a doctrine of justification by grace alone through faith alone on the basis of Scripture alone and this is in contrast to the belief of the Catholic Church, defined at the Council of Trent, concerning authority coming from both the Scriptures and Tradition. In addition, Lutheranism accepts the teachings of the first seven ecumenical councils of the undivided Christian Church, unlike Calvinism, Lutherans retain many of the liturgical practices and sacramental teachings of the pre-Reformation Church, with a particular emphasis on the Eucharist, or Lords Supper. Lutheran theology differs from Reformed theology in Christology, the purpose of Gods Law, the grace, the concept of perseverance of the saints. Today, Lutheranism is one of the largest denominations of Protestantism, with approximately 80 million adherents, it constitutes the third most common Protestant denomination after historically Pentecostal denominations and Anglicanism. The Lutheran World Federation, the largest communion of Lutheran churches, Other Lutheran organizations include the International Lutheran Council and the Confessional Evangelical Lutheran Conference, as well as independent churches. The name Lutheran originated as a term used against Luther by German Scholastic theologian Dr. Johann Maier von Eck during the Leipzig Debate in July 1519. Eck and other Catholics followed the practice of naming a heresy after its leader. Martin Luther always disliked the term Lutheran, preferring the term Evangelical, which was derived from euangelion, the followers of John Calvin, Huldrych Zwingli, and other theologians linked to the Reformed tradition also began to use that term. To distinguish the two groups, others began to refer to the two groups as Evangelical Lutheran and Evangelical Reformed. As time passed by, the word Evangelical was dropped, Lutherans themselves began to use the term Lutheran in the middle of the 16th century, in order to distinguish themselves from other groups such as the Philippists and Calvinists. In 1597, theologians in Wittenberg defined the title Lutheran as referring to the true church, Lutheranism has its roots in the work of Martin Luther, who sought to reform the Western Church to what he considered a more biblical foundation. Lutheranism spread through all of Scandinavia during the 16th century, as the monarch of Denmark–Norway, through Baltic-German and Swedish rule, Lutheranism also spread into Estonia and Latvia. Since 1520, regular Lutheran services have been held in Copenhagen, under the reign of Frederick I, Denmark-Norway remained officially Catholic. Although Frederick initially pledged to persecute Lutherans, he adopted a policy of protecting Lutheran preachers and reformers. During Fredericks reign, Lutheranism made significant inroads in Denmark, at an open meeting in Copenhagen attended by the king in 1536, the people shouted, We will stand by the holy Gospel, and do not want such bishops anymore. Fredericks son Christian was openly Lutheran, which prevented his election to the throne upon his fathers death, however, following his victory in the civil war that followed, in 1537 he became Christian III and advanced the Reformation in Denmark-Norway
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History of candle making
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Candle making was developed independently in many places throughout history. Candles were made by the Romans beginning about 500 BC and these were true dipped candles and made from tallow. Evidence for candles made from fat in China dates back to the Qin Dynasty. In India, wax from boiling cinnamon was used for temple candles, in parts of Europe, the Middle-East and Africa, where lamp oil made from olives was readily available, candle making remained unknown until the early middle-ages. Candles were primarily made from tallow and beeswax in ancient times, Romans began making true dipped candles from tallow, beginning around 500 BC. While oil lamps were the most widely used source of illumination in Roman Italy, candles were common, Qin Shi Huang was the first emperor of the Chinese Qin Dynasty. His mausoleum, which was rediscovered in the 1990s, twenty-two miles east of Xian, an excavated earthenware bowl from the 4th century AD, located at the Luoyang Museum, has a hollowed socket where traces of wax were found. Generally these Chinese candles were molded in paper tubes, using rolled rice paper for the wick, and wax from an indigenous insect that was combined with seeds. By the 18th century, novelty Chinese candles had weights built into the sides of candles - as the candle melted, japanese candles were made from wax extracted from tree nuts. Wax from boiling cinnamon was used for candles in India. Yak butter was used for candles in Tibet There is a called the eulachon or candlefish. During the 1st century AD, indigenous people from this region used oil from this fish for illumination, a simple candle could be made by putting the dried fish on a forked stick and then lighting it. After the collapse of the Roman empire, trading disruptions made olive oil, as a consequence, candles became more widely used. By contrast, in North Africa and the Middle East, candle-making remained relatively unknown due to the availability of olive oil, Candles were commonplace throughout Europe in the Middle Ages. Candle makers made candles from fats saved from the kitchen or sold their own candles from within their shops, the trade of the chandler is also recorded by the more picturesque name of smeremongere, since they oversaw the manufacture of sauces, vinegar, soap and cheese. The popularity of candles is shown by their use in Candlemas, Tallow, fat from cows or sheep, became the standard material used in candles in Europe. The unpleasant smell of tallow candles is due to the glycerine they contain, the smell of the manufacturing process was so unpleasant that it was banned by ordinance in several European cities. In England and France, candle making had become a craft by the 13th century
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National Gallery of Denmark
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National Gallery of Denmark is the Danish national gallery located in the centre of Copenhagen. The museum collects, registers, maintains, researches and handles Danish, the major part of the museums older collections comes from the art chambers of Danish kings. The display of European Art 1300–1800 is a collection of art over the 500-year period, featuring works by Mantegna, Cranach, Titian, Rubens. The art is spread over thirteen rooms, and is the oldest art collection in Denmark, with a emphasis on Danish, Dutch, Flemish, Italian, French, Spanish. Danish and Nordic Art 1750-1900 charts Scandinavian art from the beginnings of Danish painting through the ‘Golden Age’ to the birth of Modernism and it displays over 400 works through 24 galleries. It features work by Abildgaard, Eckersberg, Købke, Ring, SMK gained its modern French art collection in 1928 when it was donated by the late collector Johannes Rump. This collection features some of the museum’s most famous pieces from artists such as Matisse, Picasso, Derain and Braque. The collection was first offered to the SMK by Rump in 1923, housed in the museum’s 1993 extension, this 20th and 21st century collection is predominantly focused on the most important examples of modern Danish art. A long corridor of paintings looking onto Østre Anlæg park works as an overview of the work from this period. The beginnings of this collection were made around the time of Christian II, in his diary from 1521 the German painter Albrecht Dürer says he has given the King the best pieces of all my prints. In 1843 the various works, which had so far been the private collection, were displayed to the public. It was then moved into the Statens Museum for Kunst when the first building was completed in 1896, along with The Royal Collection of Paintings, although the papers contain a great number of foreign works, Danish art constitutes the main part of the collection. This collection is open to the public through the Print Room, the Royal Cast Collection is held at the West India Warehouse, Toldbodgade 40, between The Little Mermaid and Nyhavn in Copenhagen. It consists of over 2,000 naked plaster casts of statues and reliefs from collections, museums, temples, churches, the Royal Cast Collection is only open for special events. At the start of the Second World War the art of antiquity became increasingly unfashionable, associated with an archaic artistic tradition. In 1966, as abstract art became popular, the Royal Cast Collection was removed to a barn outside Copenhagen for storage. The collections of the Danish National Gallery originate in the Art Chamber of the Danish monarchs, when the German Gerhard Morell became Keeper of Frederick Vs Art Chamber about 1750, he suggested that the king create a separate collection of paintings. To ensure that the collection was not inferior to those of other European royal houses and local counts, the collection became particularly well provided with Flemish and Dutch art
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University of Greifswald
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The University of Greifswald is a public research university located in Greifswald, Germany, in the state of Mecklenburg-Vorpommern. Founded in 1456, it is one of the oldest universities in Europe, with generations of notable alumni, as the fourth-oldest university in present Germany, it was temporarily also the oldest university of the Kingdoms of Sweden and Prussia, respectively. Approximately two thirds of the 12,000 students are from outside the state, the University of Greifswald was founded on 17 October 1456 with the approval of the Holy Roman Empire and the Pope. The founding took place in the cathedral, which was later remodeled by Caspar David Friedrich and his brother. The founding of the university was made possible by a decree that restricted teaching activity at the University of Rostock, several professors left Rostock for Greifswald to continue their work there, where Heinrich Rubenow took the chance of establishing his own university. Originally, the university consisted of the four divisions, Theology, Philosophy, Medicine. In Germany, there are three older universities by count of the years of existence, the University of Heidelberg, the University of Leipzig. International co-operation with other institutions of education in northern Europe existed already in the earliest years. From 1456 until 1526,476 Scandinavians were enrolled at Greifswald University and 22 faculty members as well as six rectors came from Scandinavia and this was a relatively high percentage compared to the total number of students at the time. Sources suggest a relatively segregated life of Swedish students in the primarily German university though, the early sixteenth century saw significant co-operation of the university, the Lutheran church, the city and the Duchy of Pomerania. Professors of theology simultaneously served as pastors in the three cathedrals, professors of medicine usually served as personal physicians of the duke. Professors of law where also working at the courts while professors of the faculty of philosophy usually taught the sons. The landed nobility also funded university-related purposes such as scholarships and student bursaries, the Reformation was introduced at the university in 1539. Johannes Bugenhagen, an alumnus of the university, was an important figure during the German and Scandinavian reformation as well as a friend of Martin Luther. After the secularisation of the monastery at Eldena near Greifswald, Duke Philipp I of Pomerania gave all revenue created by the now secularised Amt Eldena to the university. His successor, Duke Ernst Ludwig, began the construction of a college building, Duke Philipp Julius presented the university a gown that was used by the rector on ceremonial occasions up until very recently. In 1604, the Greifswald University Library became the first centralised university library in Germany, the university signed a contract with a book printer from Wittenberg, Germany, for the amount of 2,000 Gulden. This contract lasted nearly a due to the disruption caused by the Thirty Years War
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Ludwig Gotthard Kosegarten
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Ludwig Gotthard Kosegarten, also known as Ludwig Theobul or Ludwig Theoboul, was a German poet and Lutheran preacher. Kosegarten was born in Grevesmühlen, in the Duchy of Mecklenburg-Schwerin, after studying theology at the University of Greifswald, he served as the pastor of Altenkirchen on the island of Rügen, then part of Swedish Pomerania. After his ordination in 1792 he was given the rectorate in the church of Altenkirchen on Rügen. In this capacity he gave the famous shore sermons on the cliffs near Vitt and he went there to the herring fishermen, who during the time of herring fishing could not go to the church in Altenkirchen due to their work. These sermons were a success, which is why the Vitt Chapel was erected in 1806. During his stay on Rügen he wrote reports about the island. Kosegartens books were burned at the Wartburg festival on 18 October 1817 and he influenced the work of Philipp Otto Runge, Caspar David Friedrich, and the music of Franz Schubert. Kosegarten, The Turbulent Life & Times of a Northern German Poet
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Adam Elsheimer
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Adam Elsheimer was a German artist working in Rome who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintings were small scale, nearly all painted on copper plates and they include a variety of light effects, and an innovative treatment of landscape. He was an influence on other artists, including Rembrandt. Elsheimer was born in Frankfurt am Main, one of ten children and his fathers house was a few metres from the church where Albrecht Dürers Heller Altarpiece was then displayed. He was apprenticed to the artist Philipp Uffenbach and he probably visited Strasbourg in 1596. At the age of twenty, he travelled to Italy via Munich and his stay in Venice is undocumented, but the influence on his style is clear. He probably worked as an assistant to Johann Rottenhammer, some of whose drawings he owned, Rottenhammer was a German who had been living in Italy for some years, and was the first German painter to specialize in cabinet paintings. In early 1600, Elsheimer arrived in Rome and quickly made friends with contacts of Rottenhammer, notably Giovanni Faber, a Papal doctor, botanist and collector originally from Bamberg. He was Curator of the Vatican Botanical Garden, and a member of the Accademia dei Lincei, a small intellectual coterie founded in 1603, like Faber, Bril was a long-term resident in Rome who had converted from Lutheranism to Catholicism, as Elsheimer did later. Both Faber and Bril knew Rubens, who was in Rome in 1601, and he knew David Teniers the Elder, recently Rubens pupil, and there is evidence that they lodged together. In 1604 Karel van Mander, a Dutchman recently returned from Rome, published his Schilder-Boeck which praised Elsheimers work and he also spent much time in churches, studying the works of the masters. Other writers mention his exceptional memory, his melancholy and his kind-heartedness. In 1606, Elsheimer married Carola Antonia Stuarda da Francoforte, the son was not mentioned in a census a year later, possibly because he had been put out to a wet-nurse. She was the recent widow of the artist Nicolas de Breul and after Elsheimers death remarried an Italian artist, Ascanio Quercia, Elsheimer converted to Catholicism by 1608. He was admitted to the Accademia di San Luca, the Roman painters Guild, in 1606, in spite of his fame and talents, he appears to have both lived and died in difficult financial circumstances. Elsheimers painting of Tobias and the Angel was especially well received because of its new conception of landscape and this picture was engraved by Count Hendrick Goudt and as a result was published across Europe. However, his association with Goudt, who lodged and trained him for several years, was difficult. Elsheimer seems to have borrowed money from Goudt, which according to one account resulted in his incarceration in Debtors prison
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Aesthetics
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Aesthetics is a branch of philosophy that explores the nature of art, beauty, and taste, with the creation and appreciation of beauty. It is more defined as the study of sensory or sensori-emotional values, sometimes called judgements of sentiment. More broadly, scholars in the field define aesthetics as critical reflection on art, in modern English, the term aesthetic can also refer to a set of principles underlying the works of a particular art movement or theory, one speaks, for example, of the Cubist aesthetic. The word aesthetic is derived from the Greek αἰσθητικός, which in turn was derived from αἰσθάνομαι, for some, aesthetics is considered a synonym for the philosophy of art since Hegel, while others insist that there is a significant distinction between these closely related fields. In practice, aesthetic judgement refers to the sensory contemplation or appreciation of an object, philosophical aesthetics has not only to speak about art and to produce judgments about art works, but has also to give a definition of what art is. Art is an entity for philosophy, because art deals with the senses. Hence, there are two different conceptions of art in aesthetics, art as knowledge or art as action, any aesthetic doctrines that guided the production and interpretation of prehistoric art are mostly unknown. Western aesthetics usually refers to Greek philosophers as the earliest source of aesthetic considerations. Plato believed in beauty as a form in which beautiful objects partake and he felt that beautiful objects incorporated proportion, harmony, and unity among their parts. Similarly, in the Metaphysics, Aristotle found that the elements of beauty were order, symmetry. From the late 17th to the early 20th century Western aesthetics underwent a revolution into what is often called modernism. German and British thinkers emphasized beauty as the key component of art and of the aesthetic experience, and saw art as necessarily aiming at absolute beauty. For Alexander Gottlieb Baumgarten aesthetics is the science of the experiences, a younger sister of logic. For Immanuel Kant the aesthetic experience of beauty is a judgment of a subjective but similar human truth, however, beauty cannot be reduced to any more basic set of features. For Friedrich Schiller aesthetic appreciation of beauty is the most perfect reconciliation of the sensual and rational parts of human nature, for Friedrich Wilhelm Joseph Schelling, the philosophy of art is the organon of philosophy concerning the relation between man and nature. So aesthetics began now to be the name for the philosophy of art, Friedrich von Schlegel, August Wilhelm Schlegel, Friedrich Schleiermacher and Georg Wilhelm Friedrich Hegel also gave lectures on aesthetics as philosophy of art after 1800. For Hegel, all culture is a matter of absolute spirit coming to be manifest to itself, stage by stage, Art is the first stage in which the absolute spirit is manifest immediately to sense-perception, and is thus an objective rather than subjective revelation of beauty. It is thus for Schopenhauer one way to fight the suffering, the British were largely divided into intuitionist and analytic camps
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Royal Danish Academy of Fine Arts
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The Royal Danish Academy of Fine Arts has provided education in the arts for more than 250 years, playing its part in the development of the art of Denmark. The Royal Danish Academy of Portraiture, Sculpture, and Architecture in Copenhagen was inaugurated on 31 March 1754 and its name was changed to the Royal Danish Academy of Painting, Sculpture, and Architecture in 1771. The building boom resulting from the Great Fire of 1795 greatly profited from this initiative, in 1814 the name was changed again, this time to the Royal Danish Academy of Fine Arts. It is still situated in its building, the Charlottenborg Palace. The School of Architecture has been situated in former naval buildings on Holmen since 1996, the academy is larger and better funded than the Jutland Art Academy and Funen Art Academy, which offer similar programs. It teaches and conducts research on the subjects of painting, sculpting, architecture, graphics, photography, the academy is under the administration of the Danish Ministry of Culture. The academy’s School of Architecture offers education in the fields of design and restoration, urban and landscape planning and industrial, graphic. The school has nine departments, four research institutes and six affiliated research centres. The undergraduate course, leading to the Bachelor of Architecture diploma, in 2011, the Wall Street Journal named Ingels the Innovator of the Year for architecture. Hansen Medal Thorvaldsen Medal Eckersberg Medal Thorvald Bindesbøll Medal N. L. Høyen Medal The School of Visual Arts C. C
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Christian August Lorentzen
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Christian August Lorentzen was a Danish painter. He was the instructor of Martinus Rørbye, christian August Lorentzen was born on 10 August 1749 as the son of a watchmaker. He arrived in Copenhagen around 1771 where he frequented the Royal Academy of Fine Arts, from 1779 to 1782 he went abroad to develop his skills, visiting the Netherlands, Antwerp and Paris where he copied old masters. In 1792 he traveled to Norway to paint prospects, in a number of painting, such as Slaget på Reden and Den rædsomste nat, he documented key events from the English Wars between 1801 and 1814. Later in his career he painted portraits, landscapes and scenes from Ludvig Holbergs comedies. As a professor at the Royal Academy in Copenhagen from 1803 and until his death in 1828, he exercised great influence on the next generation of painters such as Martinus Rørbye among others
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Jens Juel (painter)
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Jens Juel was a Danish painter, primarily known for his many portraits, of which the largest collection is on display at Frederiksborg Castle. He is regarded as the leading Danish portrait painting of the 18th century and he was born in the house of his mothers brother Johan Jørgensen, who was a school teacher in Balslev on the island of Funen. Jens Juel was the son of Vilhelmine Elisabeth Juel, who served at Wedellsborg. When Juel was one old, his mother married Jørgen Jørgensen, who was a schoolmaster in Gamborg, not far from Balslev. During the time of his studies, he could live off painting landscapes, portraits, at just over twenty years old, he moved to Copenhagen to attend the Royal Danish Academy of Art. In 1767 he was awarded its gold medal and in 1771 the great gold medal. In 1772 Juel left Copenhagen, moving to Rome where he stayed for four years together with other Danish artists, from Rome, he moved to Paris, at the time a center of portrait painting. In 1777 he moved on to Geneva, where he stayed for two years at the home of his friend Charles Bonnet in the company of other Danish artists, in Geneva, Juel soon earned a reputation as an excellent artist, and he painted many portraits. Through Bonnet, who had become a member of the Danish Academy. After a brief stay in Hamburg, where he met and painted a portrait of the poet Friedrich Gottlieb Klopstock, author of The Messiah, he returned to Copenhagen in 1780. Here he painted portraits for the house, nobility. On 4 April 1782, he was elected to be a member of the Danish Academy by Mandelberg, Weidenhaupt. He became the director of the Academy in 1795 and continued in the position until his death, Juel is buried at Assistens Cemetery in Copenhagen. Art of Denmark KID Kunst Index Danmark Danish Biographical Encyclopedia
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Sturm und Drang
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The period is named for Friedrich Maximilian Klingers play Sturm und Drang, which was first performed by Abel Seylers famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of Sturm und Drang, with Jakob Michael Reinhold Lenz, H. L. Wagner and Friedrich Maximilian Klinger also significant figures. Johann Wolfgang von Goethe was also a proponent of the movement, though he. French neoclassicism, a movement beginning in the early Baroque, with its emphasis on the rational, was the target of rebellion for adherents of the Sturm und Drang movement. The term Sturm und Drang first appeared as the title of a play by Friedrich Maximilian Klinger, written for Abel Seylers Seylersche Schauspiel-Gesellschaft and this seemingly spontaneous movement became associated with a wide array of German authors and composers of the mid-to-late Classical period. Sturm und Drang came to be associated with literature or music aimed at shocking the audience or imbuing them with extremes of emotion, there is much debate regarding whose work should or should not be included in the canon of Sturm und Drang. Nevertheless, the originators of the movement came to view it as a time of premature exuberance that was abandoned in favor of often conflicting artistic pursuits. The literary topos of the Kraftmensch existed as a precursor to Sturm und Drang among dramatists beginning with F. M, Klinger, the expression of which is seen in the radical degree to which individuality need appeal to no outside authority save the self nor be tempered by rationalism. The most important contemporary document was the 1773 volume Von deutscher Art und Kunst, einige fliegende Blätter, a collection of essays that included commentaries by Herder on Ossian and Shakespeare, along with contributions by Goethe, Paolo Frisi, and Justus Möser. The protagonist in a typical Sturm und Drang stage work, poem, or novel is driven to action—often violent action—not by pursuit of noble means nor by true motives, goethes unfinished Prometheus exemplifies this along with the common ambiguity provided by juxtaposing humanistic platitudes with outbursts of irrationality. The literature of Sturm und Drang features an anti-aristocratic slant while seeking to elevate all things humble, natural, Friedrich Schillers drama, Die Räuber, provided the groundwork for melodrama to become a recognized dramatic form. The plot portrays a conflict between two brothers, Franz and Karl Moor. Franz is cast as a villain attempting to cheat Karl out of his inheritance, though the motives for his action are complex and initiate an investigation of good. Both of these works are examples of Sturm und Drang in German literature. The principal themes tend to be angular, with large leaps, tempos and dynamics change rapidly and unpredictably in order to reflect strong changes of emotion. Pulsing rhythms and syncopation are common, as are racing lines in the soprano or alto registers, writing for string instruments features tremolo and sudden, dramatic dynamic changes and accents. Musical theater became the place of the literary and musical strands of Sturm und Drang. The obligato recitative is a prime example, here, orchestral accompaniment provides an intense underlay of vivid tone-painting to the solo recitative
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Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
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Ossian
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Ossian is the narrator and purported author of a cycle of epic poems published by the Scottish poet James Macpherson from 1760. Macpherson claimed to have collected word-of-mouth material in Gaelic, said to be from ancient sources, Ossian is based on Oisín, son of Finn or Fionn mac Cumhaill, anglicised to Finn McCool, a legendary bard who is a character in Irish mythology. Contemporary critics were divided in their view of the works authenticity, the work was internationally popular, translated into all the literary languages of Europe and was highly influential both in the development of the Romantic movement and the Gaelic revival. Macphersons fame was crowned by his burial among the giants in Westminster Abbey. Ker, in the Cambridge History of English Literature, observes that all Macphersons craft as a philological impostor would have been nothing without his literary skill. In 1760 Macpherson published the English-language text Fragments of ancient poetry, collected in the Highlands of Scotland, later that year, he claimed to have obtained further manuscripts and in 1761 he claimed to have found an epic on the subject of the hero Fingal, written by Ossian. The name Fingal or Fionnghall means white stranger, according to Macphersons prefatory material, his publisher, claiming that there was no market for these works except in English, required that they be translated. Macpherson published these translations during the few years, culminating in a collected edition, The Works of Ossian. The most famous of these Ossianic poems was Fingal, written in 1762, the supposed original poems are translated into poetic prose, with short and simple sentences. The mood is epic, but there is no single narrative, the main characters are Ossian himself, relating the stories when old and blind, his father Fingal, his dead son Oscar, and Oscars lover Malvina, who looks after Ossian in his old age. Though the stories are of endless battles and unhappy loves, the enemies and causes of strife are given little explanation, characters are given to killing loved ones by mistake, and dying of grief, or of joy. There is very little information given on the religion, culture or society of the characters, the landscape is more real than the people who inhabit it. Drowned in eternal mist, illuminated by a sun or by emphemeral meteors. Napoleon and Diderot were great admirers, and Voltaire wrote parodies of them, thomas Jefferson thought Ossian the greatest Poet that has ever existed, and planned to learn Gaelic so as to read his poems in the original. They were proclaimed as a Celtic equivalent of the Classical writers such as Homer, many writers were influenced by the works, including Walter Scott, and painters and composers chose Ossianic subjects. One poem was translated into French in 1762, and by 1777 the whole corpus, goethes associate Johann Gottfried Herder wrote an essay titled Extract from a correspondence about Ossian and the Songs of Ancient Peoples in the early days of the Sturm und Drang movement. Complete Danish translations were made in 1790, and Swedish ones in 1794–1800, in Scandinavia and Germany the Celtic nature of the setting was ignored or not understood, and Ossian was regarded as a Nordic or Germanic figure who became a symbol for nationalist aspirations. It was his translation that Napoleon especially admired, and among others it influenced Ugo Foscolo who was Cesarottis pupil in the University of Padua, by 1800 Ossian was translated into Spanish and Russian, with Dutch following in 1805, and Polish, Czech and Hungarian in 1827–33
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Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
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Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
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Etching
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Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal. In modern manufacturing, other chemicals may be used on other types of material, as a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology. In traditional pure etching, a plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with an etching needle where he or she wants a line to appear in the finished piece. The échoppe, a tool with an oval section, is also used for swelling lines. The plate is dipped in a bath of acid, technically called the mordant or etchant. The acid bites into the metal where it is exposed, leaving behind lines sunk into the plate, the remaining ground is then cleaned off the plate. The plate is inked all over, and then the ink wiped off the surface, the plate is then put through a high-pressure printing press together with a sheet of paper. The paper picks up the ink from the lines, making a print. The process can be repeated many times, typically several hundred impressions could be printed before the shows much sign of wear. The work on the plate can also be added to by repeating the whole process, Etching has often been combined with other intaglio techniques such as engraving or aquatint. The process as applied to printmaking is believed to have been invented by Daniel Hopfer of Augsburg, Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron plates. Apart from his prints, there are two examples of his work on armour, a shield from 1536 now in the Real Armeria of Madrid. The switch to copper plates was made in Italy. On the other hand, the handling of the ground and acid need skill and experience, prior to 1100 AD, the New World Hohokam independently utilized the technique of acid etching in marine shell designs. Jacques Callot from Nancy in Lorraine made important technical advances in etching technique and he developed the échoppe, a type of etching-needle with a slanting oval section at the end, which enabled etchers to create a swelling line, as engravers were able to do. Callot also appears to have responsible for an improved, harder, recipe for the etching ground
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Woodcut
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Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print, the block is cut along the wood grain. The surface is covered with ink by rolling over the surface with a roller, leaving ink upon the flat surface. Multiple colors can be printed by keying the paper to a frame around the woodblocks, single-leaf woodcut is a term for a woodcut presented as a single image or print, as opposed to a book illustration. Among these the best known are the 16th century Hieronymus Andreae, Hans Lützelburger and Jost de Negker, all of whom ran workshops, the formschneider in turn handed the block on to specialist printers. There were further specialists who made the blank blocks and this is why woodcuts are sometimes described by museums or books as designed by rather than by an artist, but most authorities do not use this distinction. The division of labour had the advantage that a trained artist could adapt to the medium relatively easily, there were various methods of transferring the artists drawn design onto the block for the cutter to follow. Either the drawing would be made directly onto the block, or a drawing on paper was glued to the block, either way, the artists drawing was destroyed during the cutting process. Other methods were used, including tracing, in both Europe and the Far East in the early 20th century, some artists began to do the whole process themselves. In Japan, this movement was called sōsaku-hanga, as opposed to shin-hanga, in the West, many artists used the easier technique of linocut instead. Compared to intaglio techniques like etching and engraving, only low pressure is required to print, as a relief method, it is only necessary to ink the block and bring it into firm and even contact with the paper or cloth to achieve an acceptable print. In Europe a variety of woods including boxwood and several nut and fruit woods like pear or cherry were commonly used, in Japan, there are three methods of printing to consider, Stamping, Used for many fabrics and most early European woodcuts. Used for European woodcuts and block-books later in the fifteenth century, also used for many Western woodcuts from about 1910 to the present. The block goes face up on a table, with the paper or fabric on top, the back is rubbed with a hard pad, a flat piece of wood, a burnisher, or a leather frotton. A traditional Japanese tool used for this is called a baren, later in Japan, complex wooden mechanisms were used to help hold the woodblock perfectly still and to apply proper pressure in the printing process. This was especially helpful once multiple colors were introduced and had to be applied with precision atop previous ink layers, printing in a press, presses only seem to have been used in Asia in relatively recent times. Printing-presses were used from about 1480 for European prints and block-books, simple weighted presses may have been used in Europe before the print-press, but firm evidence is lacking
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India ink
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India ink is a simple black or colored ink once widely used for writing and printing and now more commonly used for drawing and outlining, specially when inking comic books and comic strips. India ink is used in medical applications. Basic India ink is composed of a variety of fine soot, known as lampblack, no binder material is necessary, the carbon molecules are in colloidal suspension and form a waterproof layer after drying. A binding agent such as gelatin or, more commonly, shellac may be added to make the ink more durable once dried. India ink is sold in bottled form, as well as a solid form as an inkstick. If a binder is used, India ink may be waterproof or non-waterproof, the process of making India ink was known in China as early as the middle of the 3rd millennium BC, during Neolithic China. India ink was first invented in China, but the English term India ink was coined due to the trade with India. India ink has been in use in India since at least the 4th century BC, where it was called masi, indian documents written in Kharosthi with this ink have been unearthed in as far as Xinjiang, China. In India, the black from which India ink is formulated was obtained indigenously by burning bones, tar, pitch. To use the dry mixture, a wet brush would be applied until it reliquified, or more commonly in East Asian calligraphy, the manufacture of India ink was well-established by the Cao Wei dynasty. Historically the ink used in China were in the form of ink made of lampblack. A common ingredient in India ink, called black, has been used by many ancient historical cultures. For example, the ancient Egyptians and Greeks both had their own recipes for carbon black, one Greek recipe, from 40-90 AD, was written, documented and still exists today. A few professional tattoo artists sometimes use India ink for tattooing, India ink is also used in commonly-used artist pens, such as Faber-Castells fiber tipped Pitt pens. Many artists who use watercolor paint or other liquid mediums use waterproof India ink for their outlining because the ink does not bleed once it is dry, some other artists use both black and colored India ink as their choice medium in place of watercolors. Hanetsuki is a Japanese traditional game, similar to badminton, played by girls at the New Year with a wooden paddle called a hagoita. The shuttlecock must be kept in the air as long as possible, girls who fail to hit the shuttlecock get marked on the face with India ink. Amateur tattoo artists sometimes use India ink for tattooing the skin
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Watercolor painting
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Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, or leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean, and Japanese painting it has been the dominant medium, india, Ethiopia, and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
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Sepia (color)
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Sepia is a reddish-brown color, named after the rich brown pigment derived from the ink sac of the common cuttlefish Sepia. The word sepia is the Latinized form of the Greek σηπία, sēpía, Sepia ink consists of melanin nanoparticles of size 100 to 200 nm. Ink Sepia ink was used as writing ink in Greco-Roman civilization. It remained in use as an artists drawing material until the 19th century. Magazines There was a magazine for African-Americans called Sepia, which existed from 1947 to 1983, music In the late 1940s and early 1950s, R & B music was called race music or sepia music. Painting Grisaille is a technique in which a painting is rendered solely in tones of gray, sepia. In the last quarter of the 18th century, Professor Jacob Seydelmann of Dresden developed a process to extract and produce a concentrated form of sepia for use in watercolors. Most photo graphics software programs and many cameras include a sepia tone option. Film Acclaimed Russian director Andrei Tarkovsky used a tone for many scenes in his 1979 film Stalker. The opening and closing segments of The Wizard of Oz, the Kansas parts, were filmed in sepia tones
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Oil painting
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Oil painting is the process of painting with pigments with a medium of drying oil as the binder. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, the choice of oil imparts a range of properties to the oil paint, such as the amount of yellowing or drying time. Certain differences, depending on the oil, are visible in the sheen of the paints. An artist might use different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium, the oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss. Its practice may have migrated westward during the Middle Ages, Oil paint eventually became the principal medium used for creating artworks as its advantages became widely known. In recent years, water miscible oil paint has come to prominence and, to some extent, water-soluble paints contain an emulsifier that allows them to be thinned with water rather than paint thinner, and allows very fast drying times when compared with traditional oils. Traditional oil painting techniques often begin with the artist sketching the subject onto the canvas with charcoal or thinned paint, Oil paint is usually mixed with linseed oil, artist grade mineral spirits, or other solvents to make the paint thinner, faster or slower-drying. A basic rule of oil paint application is fat over lean and this means that each additional layer of paint should contain more oil than the layer below to allow proper drying. If each additional layer contains less oil, the painting will crack. This rule does not ensure permanence, it is the quality and type of oil leads to a strong. There are many media that can be used with the oil, including cold wax, resins. These aspects of the paint are closely related to the capacity of oil paint. Traditionally, paint was transferred to the surface using paintbrushes. Oil paint remains wet longer than other types of artists materials, enabling the artist to change the color. At times, the painter might even remove a layer of paint. This can be done with a rag and some turpentine for a time while the paint is wet, Oil paint dries by oxidation, not evaporation, and is usually dry to the touch within a span of two weeks. It is generally dry enough to be varnished in six months to a year, art conservators do not consider an oil painting completely dry until it is 60 to 80 years old
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Bohemia
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Bohemia is the westernmost and largest historical region of the Czech lands in the present-day Czech Republic. Bohemia was a duchy of Great Moravia, later an independent principality, a kingdom in the Holy Roman Empire, and subsequently a part of the Habsburg Monarchy, after World War I and the establishment of an independent Czechoslovak state, Bohemia became a part of Czechoslovakia. Between 1938 and 1945, border regions with sizeable German-speaking minorities of all three Czech lands were joined to Nazi Germany as the Sudetenland, in 1990, the name was changed to the Czech Republic, which become a separate state in 1993 with the dissolution of Czechoslovakia. Until 1948, Bohemia was a unit of Czechoslovakia as one of its lands. Bohemia was bordered in the south by Upper and Lower Austria, in the west by Bavaria and in the north by Saxony and Lusatia, in the northeast by Silesia, and in the east by Moravia. In the 2nd century BC, the Romans were competing for dominance in northern Italy, the Romans defeated the Boii at the Battle of Placentia and the Battle of Mutina. After this, many of the Boii retreated north across the Alps, much later Roman authors refer to the area they had once occupied as Boiohaemum. The earliest mention was by Tacitus Germania 28, and later mentions of the name are in Strabo. The name appears to include the tribal name Boi- plus the Germanic element *haimaz home and this Boiohaemum was apparently isolated to the area where King Marobods kingdom was centred, within the Hercynian forest. The Czech name Čechy is derived from the name of the Slavic ethnic group, the Czechs, Bohemia, like neighbouring Bavaria, is named after the Boii, who were a large Celtic nation known to the Romans for their migrations and settlement in northern Italy and other places. Another part of the nation moved west with the Helvetii into southern France, to the south, over the Danube, the Romans extended their empire, and to the southeast in Hungaria, were Sarmatian peoples. In the area of modern Bohemia the Marcomanni and other Suebic groups were led by their king Marobodus and he took advantage of the natural defenses provided by its mountains and forests. In late classical times and the early Middle Ages, two new Suebic groupings appeared to the west of Bohemia in southern Germany, the Alemanni, many Suebic tribes from the Bohemian region took part in such movements westwards, even settling as far away as Spain and Portugal. With them were also tribes who had pushed from the east, such as the Vandals, other groups pushed southwards towards Pannonia. These are precursors of todays Czechs, though the amount of Slavic immigration is a subject of debate. The Slavic influx was divided into two or three waves, the first wave came from the southeast and east, when the Germanic Lombards left Bohemia. Soon after, from the 630s to 660s, the territory was taken by Samos tribal confederation and his death marked the end of the old Slavonic confederation, the second attempt to establish such a Slavonic union after Carantania in Carinthia. Other sources divide the population of Bohemia at this time into the Merehani, Marharaii, Beheimare, Christianity first appeared in the early 9th century, but only became dominant much later, in the 10th or 11th century
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Harz
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The Harz is a Mittelgebirge that has the highest elevations in Northern Germany and its rugged terrain extends across parts of Lower Saxony, Saxony-Anhalt, and Thuringia. The name Harz derives from the Middle High German word Hardt or Hart, the Brocken is the highest summit in the Harz with an elevation of 1,141.1 metres above sea level. The Wurmberg is the highest peak located entirely within the state of Lower Saxony, the Harz has a length of 110 kilometres, stretching from the town of Seesen in the northwest to Eisleben in the east, and a width of 35 kilometres. The following districts fall wholly or partly within the Harz, Goslar and Osterode am Harz in the west, Harz and Mansfeld-Südharz in the north and east, and Nordhausen in the south. The districts of the Upper Harz are Goslar and Osterode, whilst the Lower Harz is on the territory of Harz and Mansfeld-Südharz districts. The Upper Harz is generally higher and features fir forests, whilst the Lower Harz gradually descends into the area and has deciduous forests interspersed with meadows. The dividing line between Upper and Lower Harz follows approximately a line from Ilsenburg to Bad Lauterberg, which separates the catchment areas for the Weser. Only on the perimeter of the Upper Harz, which is also called the High Harz. Its highest peak is the Brocken, its peaks are the Heinrichshöhe to the southeast. Other prominent hills in the Harz are the Acker-Bruchberg ridge, the Achtermannshöhe, in the far east, the mountains merge into the East Harz foothills, which are dominated by the Selke Valley. Part of the south Harz lies in the Thuringian district of Nordhausen, the Harz National Park is located in the Harz, the protected area covers the Brocken and surrounding wilderness area. Approximately 600,000 people live in towns and villages of the Harz Mountains, because of the heavy rainfall in the region the rivers of the Harz Mountains were dammed from an early date. Examples of such dams are the two largest, the Oker Dam and the Rappbode Dam. The clear, cool water of the streams was also dammed by early mountain folk to form the various mountain ponds of the Upper Harz waterways. The 17 dams in the Harz block a total of twelve rivers, because the Harz is one of the regions of Germany that experiences the most rainfall, its water power was used from early times. Today the dams are used to generate electricity, to provide drinking water, to prevent flooding. Modern dam-building began in the Harz with the construction of the Söse Valley Dam, the dams of the Upper Harz lakes are some of the oldest dams in Germany that are still in operation. → See List of dams in the Harz The largest rivers in the Harz are the Innerste, the Oker and the Bode in the north, the Wipper in the east, the Innerste merges into the Leine and its tributaries are the Nette and the Grane
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Friedrich's The Lone Tree
Media related to Caspar David Friedrich at Wikimedia Commons
