1.
National Register of Historic Places
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The National Register of Historic Places is the United States federal governments official list of districts, sites, buildings, structures, and objects deemed worthy of preservation. The passage of the National Historic Preservation Act in 1966 established the National Register, of the more than one million properties on the National Register,80,000 are listed individually. The remainder are contributing resources within historic districts, each year approximately 30,000 properties are added to the National Register as part of districts or by individual listings. For most of its history the National Register has been administered by the National Park Service and its goals are to help property owners and interest groups, such as the National Trust for Historic Preservation, coordinate, identify, and protect historic sites in the United States. While National Register listings are mostly symbolic, their recognition of significance provides some financial incentive to owners of listed properties, protection of the property is not guaranteed. During the nomination process, the property is evaluated in terms of the four criteria for inclusion on the National Register of Historic Places, the application of those criteria has been the subject of criticism by academics of history and preservation, as well as the public and politicians. Occasionally, historic sites outside the proper, but associated with the United States are also listed. Properties can be nominated in a variety of forms, including individual properties, historic districts, the Register categorizes general listings into one of five types of properties, district, site, structure, building, or object. National Register Historic Districts are defined geographical areas consisting of contributing and non-contributing properties, some properties are added automatically to the National Register when they become administered by the National Park Service. These include National Historic Landmarks, National Historic Sites, National Historical Parks, National Military Parks/Battlefields, National Memorials, on October 15,1966, the Historic Preservation Act created the National Register of Historic Places and the corresponding State Historic Preservation Offices. Initially, the National Register consisted of the National Historic Landmarks designated before the Registers creation, approval of the act, which was amended in 1980 and 1992, represented the first time the United States had a broad-based historic preservation policy. To administer the newly created National Register of Historic Places, the National Park Service of the U. S. Department of the Interior, hartzog, Jr. established an administrative division named the Office of Archeology and Historic Preservation. Hartzog charged OAHP with creating the National Register program mandated by the 1966 law, ernest Connally was the Offices first director. Within OAHP new divisions were created to deal with the National Register, the first official Keeper of the Register was William J. Murtagh, an architectural historian. During the Registers earliest years in the late 1960s and early 1970s, organization was lax and SHPOs were small, understaffed, and underfunded. A few years later in 1979, the NPS history programs affiliated with both the U. S. National Parks system and the National Register were categorized formally into two Assistant Directorates. Established were the Assistant Directorate for Archeology and Historic Preservation and the Assistant Directorate for Park Historic Preservation, from 1978 until 1981, the main agency for the National Register was the Heritage Conservation and Recreation Service of the United States Department of the Interior. In February 1983, the two assistant directorates were merged to promote efficiency and recognize the interdependency of their programs, jerry L. Rogers was selected to direct this newly merged associate directorate
2.
Manhattan
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Manhattan is the most densely populated borough of New York City, its economic and administrative center, and the citys historical birthplace. The borough is coextensive with New York County, founded on November 1,1683, Manhattan is often described as the cultural and financial capital of the world and hosts the United Nations Headquarters. Many multinational media conglomerates are based in the borough and it is historically documented to have been purchased by Dutch colonists from Native Americans in 1626 for 60 guilders which equals US$1062 today. New York County is the United States second-smallest county by land area, on business days, the influx of commuters increases that number to over 3.9 million, or more than 170,000 people per square mile. Manhattan has the third-largest population of New York Citys five boroughs, after Brooklyn and Queens, the City of New York was founded at the southern tip of Manhattan, and the borough houses New York City Hall, the seat of the citys government. The name Manhattan derives from the word Manna-hata, as written in the 1609 logbook of Robert Juet, a 1610 map depicts the name as Manna-hata, twice, on both the west and east sides of the Mauritius River. The word Manhattan has been translated as island of hills from the Lenape language. The United States Postal Service prefers that mail addressed to Manhattan use New York, NY rather than Manhattan, the area that is now Manhattan was long inhabited by the Lenape Native Americans. In 1524, Florentine explorer Giovanni da Verrazzano – sailing in service of King Francis I of France – was the first European to visit the area that would become New York City. It was not until the voyage of Henry Hudson, an Englishman who worked for the Dutch East India Company, a permanent European presence in New Netherland began in 1624 with the founding of a Dutch fur trading settlement on Governors Island. In 1625, construction was started on the citadel of Fort Amsterdam on Manhattan Island, later called New Amsterdam, the 1625 establishment of Fort Amsterdam at the southern tip of Manhattan Island is recognized as the birth of New York City. In 1846, New York historian John Romeyn Brodhead converted the figure of Fl 60 to US$23, variable-rate myth being a contradiction in terms, the purchase price remains forever frozen at twenty-four dollars, as Edwin G. Burrows and Mike Wallace remarked in their history of New York. Sixty guilders in 1626 was valued at approximately $1,000 in 2006, based on the price of silver, Straight Dope author Cecil Adams calculated an equivalent of $72 in 1992. In 1647, Peter Stuyvesant was appointed as the last Dutch Director General of the colony, New Amsterdam was formally incorporated as a city on February 2,1653. In 1664, the English conquered New Netherland and renamed it New York after the English Duke of York and Albany, the Dutch Republic regained it in August 1673 with a fleet of 21 ships, renaming the city New Orange. Manhattan was at the heart of the New York Campaign, a series of battles in the early American Revolutionary War. The Continental Army was forced to abandon Manhattan after the Battle of Fort Washington on November 16,1776. The city, greatly damaged by the Great Fire of New York during the campaign, became the British political, British occupation lasted until November 25,1783, when George Washington returned to Manhattan, as the last British forces left the city
3.
McKim, Mead & White
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McKim, Mead & White was a prominent American architectural firm that thrived at the turn of the twentieth century. The firms founding partners were Charles Follen McKim, William Rutherford Mead and they hired many other architects, partners, associates, designers and draftsmen, who came to prominence during or after their time at the firm. The firms New York City buildings include Manhattans former Pennsylvania Station, the Brooklyn Museum, elsewhere in New York State and New England, the firm designed college, library, school and other buildings such as the Boston Public Library and Rhode Island State House. In Washington, D. C. the firm renovated the West and East Wings of the White House, and designed Roosevelt Hall on Fort Lesley J. McNair and the National Museum of American History. Across the United States, the firm designed buildings in Illinois, Michigan, Ohio, Pennsylvania, Tennessee, Washington, other examples are in Canada, Cuba and Italy. McKim and Mead joined forces in 1872 and they were joined in 1879 by White, who, like McKim, had worked for architect Henry Hobson Richardson. Its vision was to clean up the confusion of American cities and imbue them with a sense of order. The firm retained its name long after the deaths of founding partners White, McKim, among the firms final works under the name McKim, Mead & White was the National Museum of American History in Washington, D. C. Designed primarily by partner James Kellum Smith, it opened in 1964, Smith died in 1961, and the firm was soon renamed Steinmann, Cain and White. In 1971, it became Walker O. Cain and Associates, lewis Colt Albro – who formed a partnership with Harrie T. Lindeberg from 1906 to 1914. Henry Bacon – worked at the firm from about 1886 through 1897, boring – worked at the firm in 1890 before forming a separate partnership with Edward Lippincott Tilton. Page Brown - worked with the beginning in the 1880s, went to California. Walker O. Cain – worked at the firm, he took it over in 1961, john Merven Carrère – worked with McKim, Mead & White from 1883 through 1885, then joined Thomas Hastings to form the firm Carrère and Hastings. Arthur Loomis Harmon – later of Shreve, Lamb and Harmon, Thomas Hastings – of Carrère and Hastings, worked with McKim, Mead & White from 1883 through 1885. William Mitchell Kendall, worked with the firm from 1882 until his death, Harrie T. Lindeberg – started at the firm in 1895 as an assistant to Stanford White and remained with the firm until Whites death in 1906. Austin W. James Kellum Smith – a member of the firm from 1924 to 1961, full partner in 1929, and he primarily designed academic buildings, but his last major work was the National Museum of American History. Egerton Swartwout of Tracy and Swartwout – both Tracy and Swartwout worked together for the firm on multiple projects prior to starting their own practice, robert von Ezdorf – took over much of the firms business after Whites death. William M. Wells – worked as firms first Chief Draftsman from 1879–90, often considered to be the fourth partner
4.
Renaissance Revival architecture
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The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. The movement grew from scientific observations of nature, in human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture, in England the Renaissance tended to manifest itself in large square tall houses such as Longleat House. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture and this is particularly evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, mannerism and Baroque being two very opposing styles of architecture. Mannerism was exemplified by the Palazzo del Te and Baroque by the Wurzburg Residenz, as a consequence a self-consciously Neo-Renaissance manner first began to appear circa 1840. By 1890 this movement was already in decline, the Hagues Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, the style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments, if a building were of several floors the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly, one of the very first signs of its emergence was the Würzburg Womens Prison, which was erected in 1809 designed by Peter Speeth. This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the USA during the 1880s, richardsons style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his Marshall Field Warehouse in Chicago, however, while the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came between was far more ornate in its design. This period can be defined by some of the opera houses of the Europe, such as Gottfried Sempers Burgtheater in Vienna. This ornate form of the Neo-Renaissance, originating from France, is known as the Second Empire style. By 1875 it had become the style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed the London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. In Austria, it was pioneered by such names as Rudolf Eitelberger
5.
New York City Landmarks Preservation Commission
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The New York City Landmarks Preservation Commission is the New York City agency charged with administering the citys Landmarks Preservation Law. It is the largest municipal preservation agency in the nation, according to the Landmarks Preservation Law, a building must be at least thirty years old before the Commission can declare it a landmark. City law also allows for the Commissions decision to be overturned if an appeal is filed within 90 days, the goal of New York Citys landmarks law is to preserve the aesthetically and historically important buildings, structures, and other objects that make up the New York City vista. These regulations are designed to allow property owners to continue to use and maintain their properties. The commission preserves not only significant buildings, but the overall historical sense of place of neighborhoods that are designated as historic districts. The Commission helps preserve the Citys landmark properties by regulating changes to their significant features, the role of the Commission has evolved over time, especially with the changing real estate market in New York City. The Landmarks Preservation Commissions first public hearing occurred in September,1965 over the future of the Astor Library on Lafayette Street in Manhattan, the building was designated a New York City Landmark. Subsequently, the building was reused as The Public Theater. Twenty-five years later, the Commission was cited by David Dinkins as having preserved New York Citys municipal identity and this success is believed to be due, in part, to the general acceptance of the commission by the citys developers. The Commission was headquartered in the Mutual Reserve Building from 1967 to 1980, and later the Old New York Evening Post Building from 1980 to 1987. As of April 16,2014, there are more than 31,000 landmark properties in New York City, the total number of protected sites includes 1,332 individual landmarks,115 interior landmarks and 10 scenic landmarks. Some of these are also National Historic Landmarks sites, and many are National Registered Historic Places, one of the most prominent decisions in which the Commission was involved was the preservation of the Grand Central Terminal with the assistance of Jacqueline Kennedy Onassis. This success is cited as significant due to the Commissions origins following the destruction of Pennsylvania Station. In 1989, the Commission designated the Ladies Mile Historic District, the next year marked the first time in the Commissions history that a proposed landmark, the Guggenheim Museum, received a unanimous vote by the Commission members. One of the most controversial properties was 2 Columbus Circle, which remained at the center of a discussion over its future for a number of years. Cultural landmarks, such as Greenwich Villages Stonewall Inn, are recognized as not for their architecture. A commission-designated historic district for the South Street Seaport has been active since 1977 and was extended on July 11,1989 and this group included the Historic Districts Council, the Save Our Seaport community group, the New Amsterdam Market, and the Metropolitan Waterfront Alliance. They had encouraged others to write letters to the Landmarks Preservation Commission to support formal designation or district protection, however, in 2013, the Landmarks Preservation Commission declined to hold a hearing to consider this landmark designation or to expand the district
6.
H. H. Richardson
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Henry Hobson Richardson was a prominent American architect who designed buildings in Albany, Boston, Buffalo, Chicago, Pittsburgh, Cincinnati, and other cities. The style he popularized is named for him, Richardsonian Romanesque, along with Louis Sullivan and Frank Lloyd Wright, Richardson is one of the recognized trinity of American architecture. He was the great-grandson of inventor and philosopher Joseph Priestley, who is credited with the discovery of oxygen. Richardson went on to study at Harvard College and Tulane University, initially, he was interested in civil engineering, but shifted to architecture, which led him to go to Paris in 1860 to attend the famed École des Beaux Arts in the atelier of Louis-Jules André. He didnt finish his training there, as family backing failed due to the U. S. Civil War, Richardson returned to the U. S. in 1865. He settled in New York in October 1865 and he found work with a builder, Charles, whom he had met in Paris. The two worked together but Richardson was not being challenged. He had little to do and yearned for more, Richardson developed a unique and highly personal idiom, adapting in particular the Romanesque of southern France. His early works, however, were not very remarkable, there are few hints in the mediocre work of Richardsons early years of what was to come in his maturity, when, beginning with his competition-winning design. For the Brattle Square Church in Boston, he adopted the Romanesque, in 1869, he designed the Buffalo State Asylum for the Insane in Buffalo, the largest commission of his career and the first appearance of his eponymous Richardsonian Romanesque style. A massive Medina sandstone complex, it is a National Historic Landmark and, the 1872 Trinity Church in Boston solidified Richardsons national reputation and led to major commissions for the rest of his life. Although incorporating historical elements from a variety of sources, including early Syrian Christian, Byzantine, Trinity was also a collaboration with the construction and engineering firm of the Norcross Brothers, with whom the architect would work on some 30 projects. Of his buildings, the two he liked best, the Allegheny County Courthouse and the Marshall Field Wholesale Store, were completed posthumously by his assistants, Richardson died in 1886 at age 47 of Brights disease, a historical term for the kidney disorder chronic nephritis. On his last day, he signed an informal will directing the three still remaining to carry on the business, which was soon formalized as Shepley, Rutan. One example includes Richardsons design for the Greater Cincinnati Chamber of Commerce Building, Richardson had won the selection process in 1885 and nearly finalized the work, but after his death, his aforementioned successors completed the project. He was buried in Walnut Hills Cemetery, Brookline, Massachusetts, despite an enormous income for an architect of his day, his reckless disregard for financial order meant that he died deeply in debt, leaving little to his widow and six children. Richardsons great grand-daughter is Mill Valley architect Heidi Richardson, Richardson spent much of his later years in his house in Brookline, Massachusetts, which had a studio attached to ease the strain on his health. The house fell into disrepair and was listed in 2007 as an historic site
7.
Neo-Grec
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It was one of many Revival styles of the mid to late 19th century, and just one among several concurrent modes of Classicism. Neo-Grec was eclectic, abstracted, polychromatic, and sometimes bizarre and its treatment was intentionally dry and linear. Its vignettes and repeating patterns lent themselves to stencilling, typical Neo-Grec color harmonies were rich and harsh, black motifs and outlines against Pompeian red, powder blue and puce, bistre and olive drab might be combined in a single decor. Lions heads and feet and eagles talons, although an old ornament, were now everywhere to be found again, the British fancy was carried captive, journeys were taken, explorations were set on foot, measurements were made and at last the Elgin Marbles came to England. Mr. Flaxman, and representing Aurora visiting Cephalus on Mount Ida, round the bottom of the room still reign the emblems of night. In the rail of a marble table are introduced medallions of the god of sleep. The bird consecrated to the latter deity perches on the pillars of a marble mantelpiece. The broad band which girds the top of the room contains medallions of the goddess and of the Phrygian youth intermixed with the instruments. It maintained its supremacy briefly before other fashions came to the top in France, in architecture the Neo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in buildings such as the Church of the Madeleine, Paris. Not only was the Neo-Grec popular in France, but also in Victorian England and especially in the United States, the architectural historian Neil Levine has explained the style as a reaction against the rigidity of classicism. According to Levine, Neo-Grec was a looser style, which replaced the rhetorical form of classical architectural discourse by a more literal. It was meant to be a readable architecture, in painting, the Neoclassical style continued to be taught in the French Academy des Beaux-Arts, inculcating crisp outlines, pellucid atmosphere, and a clear, clean palette. However, a formal Neo-Grec group of artists was created in the mid 19th century after growing interest in Ancient Greece and Rome, and especially the later excavations at Pompeii. Gérôme gained fame from this exhibition, and in the year formed the Neo-Grec group with Jean-Louis Hamon. The Neo-Grec group took Gleyres style and interests, but adapted it from use in painting as in Gleyres work. Because they were inspired by discoveries at Pompeii, they were also called néo-pompéiens. The paintings of the Neo-Grecs sought to capture everyday, anecdotal trivialities of ancient Greek life, in a manner of whimsy, grace, and charm, and were realistic, sensual. For this reason they were also called anacreontic after the Greek poet Anacreon, alfred de Tanouarn describes one of Hamons paintings as clear, simple and natural, the idea, the attitudes and the aspects
8.
Gentlemen's club
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Today, some clubs are more accommodating about the gender and social status of their members. The original clubs were established in the West End of London, today, the area of St Jamess is still sometimes called clubland. Clubs took over parts of the role occupied by coffee houses in 18th century London. The first clubs, such as Whites, Brookss and Boodles, were aristocratic in flavour, and provided an environment for gambling, the 19th century brought an explosion in the popularity of clubs, particularly around the 1880s. At their height, London had over 400 such establishments and this expansion can be explained in part by the large extensions of the franchise in the Reform Acts of 1832,1867, and 1885. Each time, hundreds of more men were qualified to vote. Each of the three great Reform Acts corresponded with an expansion of clubs, as did a further extension of the franchise in 1918. Many of these new, more inclusive clubs proved just as reluctant as their forebears to admit new members when the franchise was further extended. Club Life in London, an 1866 book, begins, The Club in the general acceptation of the term, may be regarded as one of the earliest offshoots of mans habitual gregariousness and social inclination. An increasing number of clubs were characterised by their members interest in politics, literature, sport, art, automobiles, travel, particular countries, or some other pursuit. In other cases, the connection between the members was membership of the branch of the armed forces, or the same school or university. Thus the growth of clubs provides an indicator as to what was considered a part of the Establishment at the time. This came to include professionals who had to earn their income, most gentlemen had only one club, which closely corresponded with the trade or social / political identity he felt most defined him, but a few people belonged to several. Members of the aristocracy and politicians were likely to have several clubs, the record number of memberships is believed to have been with Earl Mountbatten, who had nineteen in the 1960s. Public entertainments, such as performances and the like, were not a feature of this sort of club. The clubs were, in effect, second homes in the centre of London where men could relax, mix with their friends, play games, get a meal. Expatriates, when staying in England, could use their clubs, as the East India Club or the Oriental Club and they allowed upper- and upper-middle-class men with modest incomes to spend their time in grand surroundings. The richer clubs were built by the architects as the finest country houses of the time
9.
William Cullen Bryant
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William Cullen Bryant was an American romantic poet, journalist, and long-time editor of the New York Evening Post. Bryant was born on November 3,1794, in a log cabin near Cummington, Massachusetts and he was the second son of Peter Bryant, a doctor and later a state legislator, and Sarah Snell. The genealogies of both of his parents back to passengers on the Mayflower, his mothers to John Alden. He was also a nephew of Charity Bryant, a Vermont seamstress who is the subject of Rachel Hope Clevess 2014 book Charity and Sylvia, Bryant and his family moved to a new home when he was two years old. The William Cullen Bryant Homestead, his home, is now a museum. After just one year at Williams College, he hoped to transfer to Yale and his father counseled a legal career as his best available choice, and the disappointed poet began to study law in Worthington and Bridgewater in Massachusetts. He was admitted to the bar in 1815 and began practicing law in nearby Plainfield, on one of these walks, in December 1815, he noticed a single bird flying on the horizon, the sight moved him enough to write To a Waterfowl. Bryant developed an interest in early in life. Under his fathers tutelage, he emulated Alexander Pope and other Neo-Classic British poets, the Embargo, a savage attack on President Thomas Jefferson published in 1808, reflected Dr. Bryants Federalist political views. The first edition sold out — partly because of publicity attached to the poets young age. A second, expanded edition included Bryants translation of classical verse, during his collegiate studies and his reading for the law, he wrote little poetry, but encounters with the Graveyard Poets and then Wordsworth regenerated his passion for the witchery of song. Thanatopsis is Bryants most famous poem, which Bryant may have been working on as early as 1811, Bryant, he submitted them along with his own work. The editor of the Review, Edward Tyrrel Channing, read the poem to his assistant, Richard Henry Dana, who immediately exclaimed, That was never written on this side of the water. Someone at the North American joined two of the sons discrete fragments, gave the result the Greek-derived title Thanatopsis, mistakenly attributed it to the father, after clarification of the authorship, the sons poems began appearing with some regularity in the. To a Waterfowl, published in 1821 was the most popular, on January 11,1821, Bryant, still striving to build a legal career, married Frances Fairchild. As it would in all collections he subsequently issued, The Ages led the volume, also entitled Poems, for that book, he added sets of lines at the beginning and end of Thanatopsis that changed the poem. His poetry has been described as being of a thoughtful, meditative character, with the encouragement of a distinguished and well-connected literary family, the Sedgwicks, he quickly gained a foothold in New York Citys vibrant cultural life. His first employment, in 1825, was as editor of the New-York Review, from Assistant Editor he rose to Editor-in-Chief and co-owner of the newspaper that had been founded by Alexander Hamilton
10.
Asher Brown Durand
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Asher Brown Durand was an American painter of the Hudson River School. Durand was born in and eventually died in Maplewood, New Jersey, the eighth of eleven children, his father was a watchmaker and a silversmith. Durand was apprenticed to an engraver from 1812 to 1817 and later entered into a partnership with the owner of the company and he engraved Declaration of Independence for John Trumbull during 1823, which established Durands reputation as one of the countrys finest engravers. Durand helped organize the New York Drawing Association during 1825, which would become the National Academy of Design, ashers engravings on bank notes were used as the portraits for Americas first postage stamps, the 1847 series. Along with his brother Cyrus he also engraved some of the succeeding 1851 issues and his main interest changed from engraving to oil painting about 1830 with the encouragement of his patron, Luman Reed. During 1837, he accompanied his friend Thomas Cole on an expedition to Schroon Lake in the Adirondacks Mountains. Durand is remembered particularly for his portrayals of trees, rocks. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, Let scrupulously accept whatever presents him until he shall, like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his opinions on art in his essay Letters on Landscape Painting in The Crayon. Wrote Durand, he true province of Landscape Art is the representation of the work of God in the visible creation, Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills Mountains landscape. This was painted as a tribute to Cole upon Coles death during 1848, at $35 million, however, it would be a record price paid for an American painting at the time. Another of Durands painting is his Progress, commissioned by a railroad executive, the landscape depicts Americas progress, from a state of nature, towards the right, where there are roads, telegraph wires, a canal, warehouses, railroads, and steamboats. During 2007, the Brooklyn Museum exhibited nearly sixty of Durands works in the first monographic exhibition devoted to the painter in more than thirty-five years, the show, entitled Kindred Spirits, Asher B. Durand and the American Landscape, was exhibited from March 30 to July 29,2007, Durand is interred in Brooklyn, New York, in Green-Wood Cemetery. List of Hudson River School artists Books Howat, John K, American Paradise, The World of the Hudson River School. New York, NY, Metropolitan Museum of Art, the Anatomy of Nature, Geology & American Landscape Painting, 1825-1875. The Life and Times of Asher B, hensonville, NY, Black Dome Press Corp
