A chacmool is a form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach. These figures possibly symbolised slain warriors carrying offerings to the gods; the bowl upon the chest was used to hold sacrificial offerings, including pulque, tamales, tortillas, tobacco, turkeys, feathers, and incense. In Aztec examples, the receptacle is a cuauhxicalli. Chacmools were often associated with sacrificial stones or thrones. The chacmool form of sculpture first appeared around the 9th century AD in the Valley of Mexico and the northern Yucatán Peninsula.
Maya chacmool from Chichen Itza, excavated by Le Plongeon in 1875, now displayed at the National Museum of Anthropology in Mexico City
Illustration including example of what would later be called a "Chac Mool" found in El Cerrito, Querétaro in 1777
A Chacmool in the Regional Museum of Tlaxcala
An Aztec chacmool from the Templo Mayor. This example includes the original polychrome pigment, which helped archaeologists identify its iconography ties to Tlaloc.
Human sacrifice in Aztec culture
Human sacrifice was common in many parts of Mesoamerica, so the rite was nothing new to the Aztecs when they arrived at the Valley of Mexico, nor was it something unique to pre-Columbian Mexico. Other Mesoamerican cultures, such as the Purépechas and Toltecs, and the Maya performed sacrifices as well and from archaeological evidence, it probably existed since the time of the Olmecs, and perhaps even throughout the early farming cultures of the region. However, the extent of human sacrifice is unknown among several Mesoamerican civilizations. What distinguished Aztec practice from Maya human sacrifice was the way in which it was embedded in everyday life. These cultures also notably sacrificed elements of their own population to the gods.
Human sacrifice as shown in the Codex Magliabechiano, Folio 70. Heart-extraction was viewed as a means of liberating the Istli and reuniting it with the Sun: the victim's transformed heart flies Sun-ward on a trail of blood.
A jaguar-shaped cuauhxicalli in the National Museum of Anthropology. This altar-like stone vessel was used to hold the hearts of sacrificial victims. See also chacmool.
A tzompantli, or skull rack, as shown in the post-Conquest Codex Tovar.
Decapitated ball player.