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Close in 2009
Close in 2009
Mark (1978–1979), acrylic on canvas. Metropolitan Museum of Art, New York, New York. Detail at right of eye. This is a photorealistic painting represe
Mark (1978–1979), acrylic on canvas. Metropolitan Museum of Art, New York, New York. Detail at right of eye. This is a photorealistic painting representative of Close's earlier style, in contrast to his later "pictorial syntax" using "many small marks of paint". Laboriously constructed from a series of cyan, magenta, and yellow airbrushed layers that imitated CMYK color printing, It took close to fourteen months to complete.
'Lucas (1986–1987), oil and graphite on canvas. Metropolitan Museum of Art, New York, New York. Detail at right of eye. Representative of his "later,
'Lucas (1986–1987), oil and graphite on canvas. Metropolitan Museum of Art, New York, New York. Detail at right of eye. Representative of his "later, more colorful and painterly style", "the elements of the picture are seen as separate abstract markings" when viewed close-up, while simultaneously maintaining the illusion of a realistic portrait at a distance. The pencil grid and thin undercoat of blue is visible beneath the splotchy "pixels." The painting's subject is fellow artist
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John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches
Dream of Love (2005), oil on canvas. Example of Photorealist Glennray Tutor's work
Dream of Love (2005), oil on canvas. Example of Photorealist Glennray Tutor's work