1.
Film studio
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The majority of firms in the entertainment industry have never owned their own studios, but have rented space from other companies. The largest film studio in the world is Hengdian World Studios, in Zhejiang and he distributed these movies at vaudeville theaters, penny arcades, wax museums, and fairgrounds. The pioneering Thanhouser film studio was founded in New Rochelle, New York in 1909 by American theatrical impresario Edwin Thanhouser, the company produced and released 1,086 films between 1910 and 1917, successfully distributing them around the world. The first film ever, Million Dollar Mystery, was released by the Thanhouser company in 1914. In the early 1900s, companies started moving to Los Angeles, although electric lights were by then widely available, none were yet powerful enough to adequately expose film, the best source of illumination for motion picture production was natural sunlight. Some movies were shot on the roofs of buildings in Downtown Los Angeles, early movie producers also relocated to Southern California to escape Edisons Motion Picture Patents Company, which controlled almost all the patents relevant to movie production at the time. The first movie studio in the Hollywood area was Nestor Studios, in the same year, another 15 independents settled in Hollywood. Other production companies eventually settled in the Los Angeles area in such as Culver City, Burbank. Five large companies, 20th Century Fox, RKO Pictures, Paramount Pictures, smaller studios operated simultaneously with the majors. Together with smaller outfits such as PRC TKO and Grand National, the Big Fives ownership of movie theaters was eventually opposed by eight independent producers, including Samuel Goldwyn, David O. Selznick, Walt Disney, Hal Roach, and Walter Wanger. In 1948, the government won a case against Paramount in the Supreme Court. This decision, reached after years of litigation, hastened the end of the studio system. By the 1950s, the components of a typical major film studio had become standardized. Movement in and out of the studio is normally limited to specific gates, Studio premises generally feature multiple sound stages along with an outside backlot, as well as offices for studio executives and production companies. There is normally a studio commissary, which is the term in the film industry for what other industries call a company cafeteria. With the growing diversification of studios into such fields as video games, television, theme parks, home video and publishing, instead the studios transformed into financing and distribution entities for the films made by their affiliated production companies. With the decreasing cost of CG and visual effects, many studios sold large chunks of their once massive studio spaces or backlots to private real-estate developers. Century City in Los Angeles was once part of the 20th Century Fox backlot, in most cases portions of the backlots were retained and are available for rental by various film and television productions
2.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Cinema of Italy
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The Cinema of Italy comprises the films made within Italy or by Italian directors. As of 2014, Italian films have won 14 Academy Awards for Best Foreign Language Film, the most of any country, as well as 12 Palmes dOr, early Italian films were typically adaptations of books or stage plays. One of the first cinematic avante-garde movements, Italian Futurism, took place in Italy in the late 1910s, after a period of decline in the 1920s, the Italian film industry was revitalized in the 1930s with the arrival of sound film. A popular Italian genre during this period, the Telefoni Bianchi, post-World War II Italy saw the rise of the influential Italian neorealist movement, which launched the directorial careers of Luchino Visconti, Roberto Rossellini, and Vittorio De Sica. Neorealism declined in the late 1950s in favor of lighter films, such as those of the Commedia allitaliana genre and important directors like Federico Fellini, actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. The Spaghetti Western achieved popularity in the mid-1960s, peaking with Sergio Leones Dollars Trilogy, erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, influenced the horror genre worldwide. During the 1980s and 1990s, directors such as Ermanno Olmi, Bernardo Bertolucci, Giuseppe Tornatore, Gabriele Salvatores, lumière trainees produced short films documenting everyday life and comic strips in the late 1890s and early 1900s. Pioneering Italian cinematographer Filoteo Alberini patented his Kinetograph during this period, the Italian film industry took shape between 1903 and 1908, led by three major organizations, Cines, based in Rome, and the Turin-based companies Ambrosio Film and Itala Film. Other companies soon followed in Milan and Naples, and these early companies quickly attained a respectable production quality and were able to market their products both within Italy and abroad. Early Italian films typically consisted of adaptations of books or stage plays, such as Mario Caserinis Otello and Arturo Ambrosios 1908 adaptation of the novel, also popular during this period were films about historical figures, such as Caserinis Beatrice Cenci and Ugo Falenas Lucrezia Borgia. LInferno, produced by Milano Films in 1911, was the first full-length Italian feature film ever made, popular early Italian actors included Emilio Ghione, Alberto Collo, Bartolomeo Pagano, Amleto Novelli, Lyda Borelli, Ida Carloni Talli, Lidia Quaranta and Maria Jacobini. Enrico Guazzones 1913 film Quo Vadis was one of the earliest blockbusters in history, utilizing thousands of extras. Giovanni Pastrones 1914 film Cabiria was a larger production, requiring two years and a record budget to produce. Nino Martoglios Lost in Darkness, also produced in 1914, documented life in the slums of Naples, between 1911 and 1919, Italy was home to the first avant-garde movement in cinema, inspired by the countrys Futurism movement. The 1916 Manifesto of Futuristic Cinematography was signed by Filippo Marinetti, Armando Ginna, Bruno Corra, Giacomo Balla, to the Futurists, cinema was an ideal art form, being a fresh medium, and able to be manipulated by speed, special effects and editing. The Italian film industry struggled against rising foreign competition in the years following World War I, several major studios, among them Cines and Ambrosio, formed the Unione Cinematografica Italiana to coordinate a national strategy for film production. This effort was unsuccessful, however, due to a wide disconnect between production and exhibition. Among the notable Italian films of the silent era were Mario Camerinis Rotaio
5.
Italian Fascism
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Italian Fascism, also known simply as Fascism, is the original fascist ideology, as developed in Italy. According to Sternhell “most syndicalist leaders were among the founders of the Fascist movement, ” who, in years, gained key posts in Mussolini’s regime. ”Other historians argued that Fascism billed itself “not only as an alternative. This economic system intended to resolve conflict through collaboration between the classes. It was opposed to Marxist socialism because of its opposition to nationalism. It believed the success of Italian nationalism required respect for tradition, the National Fascist Party founded in 1921, declared that the party was to serve as a revolutionary militia placed at the service of the nation. It follows a policy based on three principles, order, discipline, hierarchy, Mussolini often referred to Fascist Italy during World War II as the proletarian nations that rise up against the plutocrats. It identifies modern Italy as the heir to the Roman Empire and Italy during the Renaissance, Italian Fascism historically sought to forge a strong Italian Empire as a Third Rome, identifying ancient Rome as the First Rome, and Renaissance-era Italy as the Second Rome. Italian Fascism has directly promoted imperialism, such as within the Doctrine of Fascism, ghostwritten by Giovanni Gentile on behalf of Mussolini, The Fascist state is a will to power, the Roman tradition is here a powerful force. According to the Doctrine of Fascism, an empire is not only a territorial or military or mercantile concept, but a spiritual and moral one. One can think of an empire, that is, a nation, Fascism sought the incorporation of claimed unredeemed territories to Italy. Mussolini identified Dalmatia as having strong Italian cultural roots for centuries via the Roman Empire, the Fascist regime imposed mandatory Italianization upon the German and South Slav populations living within Italys borders. This resulted in significant violence against South Slavs deemed to be resisting Italianization, the Fascist regime endorsed Albanian irredentism, directed against the predominantly Albanian-populated Kosovo and Epirus - particularly in Chameria inhabited by a substantial number of Albanians. The Fascist regime claimed the Ionian Islands as Italian territory, on the basis that the islands had belonged to the Venetian Republic from the mid-14th until the 18th century. To the west of Italy, the Fascists claimed that the territories of Corsica, Nice, as a result, Piedmont-Sardinia was pressured to concede Nice and Savoy to France in exchange for France accepting the unification of Italy. The Fascist regime produced literature on Corsica that presented evidence of the Italianità of the island, the Fascist regime produced literature on Nice that justified that Nice was an Italian land based on historic, ethnic, and linguistic grounds. The Fascists quoted Medieval Italian scholar Petrarch who said The border of Italy is the Var, to the north of Italy, the Fascist regime in the 1930s had designs on the largely Italian-populated region of Ticino and the Romansch-populated region of Graubünden in Switzerland. In November 1938, Mussolini declared to the Grand Fascist Council, the Fascist regime accused the Swiss government of oppressing the Romansch people in Graubünden. Mussolini argued that Romansch was an Italian dialect and thus Graubünden should be incorporated into Italy, Ticino was also claimed because the region had belonged to the Duchy of Milan from the mid-fourteenth century until 1515
6.
Federico Fellini
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Federico Fellini was an Italian film director and screenwriter. Known for his style that blends fantasy and baroque images with earthiness. His films have ranked, in such as Cahiers du cinéma and Sight & Sound. Sight & Sound lists his 1963 film 8½ as the 10th greatest film of all time, in 1993, he was awarded an honorary Oscar for Lifetime Achievement at the 65th Annual Academy Awards in Los Angeles. Fellini was born on 20 January 1920, to parents in Rimini. His father, Urbano Fellini, born to a family of Romagnol peasants and small landholders from Gambettola and his mother, Ida Barbiani, came from a bourgeiois Catholic family of Roman merchants. Despite her familys vehement disapproval, she had eloped with Urbano in 1917 to live at his parents home in Gambettola, a civil marriage followed in 1918 with the religious ceremony held at Santa Maria Maggiore in Rome a year later. The couple settled in Rimini where Urbano became a traveling salesman, Fellini had two siblings, Riccardo, a documentary director for RAI Television, and Maria Maddalena. In 1924, Fellini started primary school in a run by the nuns of San Vincenzo in Rimini. In 1926, he discovered the world of Grand Guignol, the circus with Pierino the Clown, Guido Brignone’s Maciste all’Inferno, the first film he saw, would mark him in ways linked to Dante and the cinema throughout his entire career. Enrolled at the Ginnasio Giulio Cesare in 1929, he made friends with Luigi ‘Titta’ Benzi, in Mussolini’s Italy, Fellini and Riccardo became members of the Avanguardista, the compulsory Fascist youth group for males. He visited Rome with his parents for the first time in 1933, the sea creature found on the beach at the end of La Dolce Vita has its basis in a giant fish marooned on a Rimini beach during a storm in 1934. To say that my films are autobiographical is an overly facile liquidation and it seems to me that I have invented almost everything, childhood, character, nostalgias, dreams, memories, for the pleasure of being able to recount them. In 1937, Fellini opened Febo, a shop in Rimini. with the painter Demos Bonini. His first humorous article appeared in the Postcards to Our Readers section of Milan’s Domenica del Corriere, deciding on a career as a caricaturist and gag writer, Fellini travelled to Florence in 1938, where he published his first cartoon in the weekly 420. According to a biographer, Fellini found school exasperating and, in one year, had 67 absences, failing his military culture exam, he graduated from high school in July 1938 after doubling the exam. In September 1939, he enrolled in law school at the University of Rome to please his parents, biographer Hollis Alpert reports that there is no record of his ever having attended a class. Installed in a family pensione, he met lifelong friend
7.
Roberto Rossellini
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Roberto Gastone Zeffiro Rossellini was an Italian film director and screenwriter. Rossellini was one of the directors of the Italian neorealist cinema and his mother was of part French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. When his father died, he worked as a soundmaker for films and for a time he experienced all the accessory jobs related to the creation of a film. Rossellini had a brother, Renzo, who scored many of his films. On 26 September 1936, he married Marcella De Marchis, a designer with whom he collaborated even after their marriage was over. This was after a quick annulment from Assia Noris, a Russian actress who worked in Italian films, De Marchis and Rossellini had two sons, Marco Romano, and Renzo. Rossellini and De Marchis separated in 1950, in 1937, Rossellini made his first documentary, Prélude à laprès-midi dun faune. After this essay, he was called to assist Goffredo Alessandrini in making Luciano Serra pilota, in 1940 he was called to assist Francesco De Robertis on Uomini sul Fondo. His close friendship with Vittorio Mussolini, son of Il Duce, has interpreted as a possible reason for having been preferred to other apprentices. Some authors describe the first part of his career as a sequence of trilogies, to this period belongs his friendship and cooperation with Federico Fellini and Aldo Fabrizi. The Fascist regime collapsed in 1943 and just two months after the liberation of Rome, Rossellini was already preparing the anti-fascist Roma città aperta, Fellini assisted on the script and Fabrizi played the role of the priest, while Rossellini self-produced. Most of the came from credits and loans, and film had to be found on the black market. This dramatic film was an immediate success, since I do not have the desire to waste my energy in a battle like this, I only use professional actors occasionally. One of the reasons for success is supposed to be Rossellinis rewriting of the according to the non-professional actors feelings. Regional accent, dialect, and costumes were shown in the film as they were in real life, after his Neorealist Trilogy, Rossellini produced two films now classified as the Transitional films, LAmore and La macchina ammazzacattivi, on the capability of cinema to portray reality and truth. In 1948, Rossellini received a letter from a foreign actress proposing a collaboration, Dear Mr. Rossellini, I saw your films Open City and Paisan. Ingrid Bergman With this letter began one of the best known stories in film history, with Bergman
8.
Luchino Visconti
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Luchino Visconti di Modrone, Count of Lonate Pozzolo, was an Italian theatre, opera and cinema director, as well as a screenwriter. He is best known for his films The Leopard and Death in Venice, Luchino Visconti was born into a prominent noble family in Milan, one of seven children of Giuseppe Visconti di Modrone, Duke of Grazzano Visconti and Count of Lonate Pozzolo, and his wife Carla. He was formally known as Count don Luchino Visconti di Modrone, during World War II, Visconti joined the Italian Communist Party. Visconti made no secret of his homosexuality and his last partner was the Austrian actor Helmut Berger, who played Martin in Viscontis film The Damned. Berger also appeared in Viscontis Ludwig in 1972 and Conversation Piece in 1974, Visconti suffered a stroke in 1972, but continued to smoke heavily. He died in Rome of another stroke at the age of 69, there is a museum dedicated to the directors work in Ischia. He began his career as an assistant director on Jean Renoirs Toni and Partie de campagne, thanks to the intercession of their common friend. Together with Roberto Rossellini, Visconti joined the salotto of Vittorio Mussolini, here he presumably also met Federico Fellini. In 1948, he wrote and directed La terra trema, based on the novel I Malavoglia by Giovanni Verga, Visconti continued working throughout the 1950s, although he veered away from the neorealist path with his 1954 film, Senso, shot in colour. Based on the novella by Camillo Boito, it is set in Austrian-occupied Venice in 1866, in this film, Visconti combines realism and romanticism as a way to break away from neorealism. However, as one biographer notes, Visconti without neorealism is like Lang without expressionism and he describes the film as the most Viscontian of all Viscontis films. Visconti returned to once more with Rocco e i suoi fratelli. In 1961, he was a member of the jury at the 2nd Moscow International Film Festival, throughout the 1960s, Viscontis films became more personal. Il Gattopardo, is based on Lampedusas novel of the name about the decline of the Sicilian aristocracy at the time of the Risorgimento. It starred American actor Burt Lancaster in the role of Prince Don Fabrizio and this film was distributed in America and Britain by Twentieth-Century Fox, which deleted important scenes. Visconti repudiated the Twentieth-Century Fox version and it was not until The Damned that Visconti received a nomination for an Academy Award, for Best Screenplay. The film, one of Viscontis best-known works, concerns a German industrialists family which slowly begins to disintegrate during the Nazi consolidation of power in the 30s and its decadence and lavish beauty are characteristic of Viscontis aesthetic. Viscontis final film was The Innocent, in which he returns to his recurring interest in infidelity, Visconti was also a celebrated theatre and opera director
9.
Sergio Leone
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Sergio Leone was an Italian film director, producer and screenwriter, credited as the inventor of the Spaghetti Western genre. Leones film-making style includes juxtaposing extreme close-up shots with lengthy long shots. born in Rome, Leone was the son of the cinema pioneer Vincenzo Leone and the silent film actress Edvige Valcarenghi. During his schooldays, Leone was a classmate of his musical collaborator Ennio Morricone for a time. After watching his work on film sets, Leone began his own career in the film industry at the age of 18 after dropping out of law studies at the university. Working in Italian cinematography, he began as an assistant to Vittorio de Sica during the movie The Bicycle Thief in 1948, Leone began writing screenplays during the 1950s, primarily for the sword and sandal historical epics, popular at the time. When director Mario Bonnard fell ill during the production of the 1959 Italian epic The Last Days of Pompeii, starring Steve Reeves, Leone was asked to step in and complete the film. As a result, when the time came to make his directorial debut with The Colossus of Rhodes. His film A Fistful of Dollars was based upon Akira Kurosawas Edo-era samurai adventure Yojimbo, Leones film elicited a legal challenge from the Japanese director, though Kurosawas film was in turn probably based on the 1929 Dashiell Hammett novel, Red Harvest. A Fistful of Dollars is also notable for establishing Clint Eastwood as a star, until that time Eastwood had been an American television actor with few credited film roles. The look of A Fistful of Dollars was established by its Spanish locations, the film paid tribute to traditional American western films, but significantly departed from them in storyline, plot, characterization and mood. The characters were also morally ambiguous by appearing generously compassionate, or nakedly and brutally self-serving, relationships revolved around power and retributions were emotion-driven rather than conscience-driven. According to Christopher Fraylings book Something to do with Death, Leone knew a deal about the American Old West. It fascinated him as a child, which carried into his adulthood, the films featured innovative music scores by Ennio Morricone, who worked closely with Leone in devising the themes. Leone had a way of shooting scenes with Morricones music ongoing. In addition, Clint Eastwood stayed with the series, joined later by Eli Wallach, Lee van Cleef. Based on the success of The Man with No Name trilogy, the film was shot mostly in Almería, Spain and Cinecittà in Rome. It was also shot in Monument Valley, Utah. The film starred Charles Bronson, Henry Fonda, Jason Robards, Once Upon a Time in the West emerged as a long, violent, dreamlike meditation upon the mythology of the American Old West, with many stylistic references to iconic western films
10.
Bernardo Bertolucci
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Bernardo Bertolucci is an Italian director and screenwriter, whose films include The Conformist, Last Tango in Paris,1900, The Last Emperor, The Sheltering Sky, Stealing Beauty and The Dreamers. In recognition of his work, he was presented with the inaugural Honorary Palme dOr Award at the ceremony of the 2011 Cannes Film Festival. Since 1979, he has married to screenwriter Clare Peploe. Bertolucci was born in the Italian city of Parma, in the region of Emilia-Romagna and he is the elder son of Ninetta, a teacher, and Attilio Bertolucci, who was a poet, a reputed art historian, anthologist and film critic. His mother was born in Australia, to an Italian father, Bertolucci had one brother, the theatre director and playwright Giuseppe. His cousin was the film producer Giovanni Bertolucci, with whom he has worked on a number of films, Bertolucci initially wished to become a poet like his father. With this goal in mind, he attended the Faculty of Modern Literature of the University of Rome from 1958 to 1961, shortly after, Bertolucci left the University without graduating. In 1962, at the age of 22, he directed his first feature film, produced by Tonino Cervi with a screenplay by Pasolini, the film is a murder mystery, following a prostitutes homicide. Bertolucci uses flashbacks to piece together the crime and the person who committed it, the film which shortly followed was his acclaimed Before the Revolution. Bertolucci caused controversy in 1972 with the film Last Tango in Paris, starring Marlon Brando, Maria Schneider, Jean-Pierre Léaud and Massimo Girotti. The film presents Brandos character, Paul, as he uses an affair to cope with the violent death of his wife by emotionally and physically dominating a young woman. The depictions of Schneider, then 19 years old, were regarded as exploitative, in one scene, Paul anally rapes Jeane using butter as a lubricant. The use of butter was not in the script, Bertolucci and Brando had discussed it and she said in 2007 that she had cried real tears during the scene and had felt humiliated and a little raped. In 2013 Bertolucci said he had withheld the information from her to generate a reaction of frustration. Brando alleged that Bertolucci had wanted the characters to have real sex, because of the scandal surrounding the films release, Schneider became a drug addict and suicidal. She later became a rights advocate, in particular fighting for more female film directors, more respect for female actors. Criminal proceedings were brought against Bertolucci in Italy for the anal-sex scene, an Italian court revoked Bertoluccis civil rights for five years and gave him a four-month suspended prison sentence. Bertolucci appeared on the Radio Four programme Front Row on April 29,2013, during the making of Last Tango in Paris, Bertolucci toyed with the idea of adapting Dashiell Hammetts book Red Harvest into a feature film
11.
Francis Ford Coppola
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Francis Ford Coppola, also credited as Francis Coppola, is a semi-retired American film director, producer, and screenwriter. He is considered to have been a figure of the New Hollywood wave of filmmaking. After directing The Rain People, he co-wrote the 1970 film Patton and he followed with The Godfather Part II in 1974, which became the first sequel to win the Academy Award for Best Picture. The Conversation, which he directed, produced and wrote, was released same year. He next directed 1979s Apocalypse Now, while notorious for its lengthy and strenuous production, the film was widely acclaimed for its vivid and stark depiction of the Vietnam War, winning the Palme dOr at the 1979 Cannes Film Festival. Coppola is one of only eight filmmakers to win two Palme dOr awards, while a number of Coppolas ventures in the 1980s and 1990s were critically lauded, he has never quite achieved the same commercial success with films as in the 1970s. His most well-known films released since the start of the 1980s are the dramas The Outsiders and Rumble Fish, the crime-drama The Cotton Club, and his movies The Godfather, The Godfather Part II, and Apocalypse Now are often ranked among the greatest films of all time. Coppola was born in Detroit, Michigan, to father Carmine Coppola, a flautist with the Detroit Symphony Orchestra, Coppola is the second of three children, his older brother was August Coppola, his younger sister is actress Talia Shire. Born into a family of Italian immigrant ancestry, his grandparents came to the United States from Bernalda. His maternal grandfather, popular Italian composer Francesco Pennino, immigrated from Naples, Coppola received his middle name in honor of Henry Ford, not only because he was born in the Henry Ford Hospital but also because of his musician-fathers association with the automobile manufacturer. Contracting polio as a boy, Coppola was bedridden for periods of his childhood. Reading A Streetcar Named Desire at age 15 was instrumental in developing his interest in theater, eager to be involved in film-craft, he created 8mm features edited from home movies with such titles as The Rich Millionaire and The Lost Wallet. As a child, Coppola was a student, but he was so interested in technology. Trained initially for a career in music, he became proficient on the tuba, overall, Coppola attended 23 other schools before he eventually graduated from the Great Neck North High School. He entered Hofstra College in 1955 with a major in theater arts, there he was awarded a scholarship in playwriting. This furthered his interest in directing theater despite the disapproval of his father, Coppola was profoundly impressed after seeing Sergei Eisensteins October, Ten Days That Shook the World, especially with the movies quality of editing. It was at this time Coppola decided he would go into cinema rather than theater, Coppola also gives credit to the work of Elia Kazan and for its influence on him as a director. Amongst Coppolas classmates at Hofstra were James Caan, Lainie Kazan and he later cast Lainie Kazan in One from the Heart and Caan in The Rain People and The Godfather
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