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The Italian director Federico Fellini, a fashionable figure in the United States during the 1960s and 1970s, owed part of his popularity to the support of film critics and the distribution of foreign films in order to accommodate the increasingly sophisticated public.
The Italian director Federico Fellini, a fashionable figure in the United States during the 1960s and 1970s, owed part of his popularity to the suppor
Wong Kar-wai (pictured) is a renowned arthouse film director from Hong Kong known for works such as Chungking Express (1994) and In the Mood for Love
Wong Kar-wai (pictured) is a renowned arthouse film director from Hong Kong known for works such as Chungking Express (1994) and In the Mood for Love (2000).
Though his films have met with mixed commercial and critical success, American director Michael Mann (pictured above at Cinémathèque Française in 2009
Though his films have met with mixed commercial and critical success, American director Michael Mann (pictured above at Cinémathèque Française in 2009) is often considered to be a major figure of vulgar auteurism by contemporary cinephiles.
American director and cinephile Quentin Tarantino often makes references in his work to films and directors he admires.
American director and cinephile Quentin Tarantino often makes references in his work to films and directors he admires.
"Three by Truffaut" poster for the US re-release of French New Wave films The 400 Blows, Shoot the Piano Player and Jules and Jim.
"Three by Truffaut" poster for the US re-release of French New Wave films The 400 Blows, Shoot the Piano Player and Jules and Jim.
François Truffaut in 1965
François Truffaut in 1965
Jean-Luc Godard in 1968
Jean-Luc Godard in 1968
Agnès Varda at the Venice Film Festival, 1962
Agnès Varda at the Venice Film Festival, 1962