The New Wave, also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema.
"Three by Truffaut" poster for the US re-release of French New Wave films The 400 Blows, Shoot the Piano Player and Jules and Jim.
François Truffaut in 1965
Jean-Luc Godard in 1968
Agnès Varda at the Venice Film Festival, 1962
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, you would need a collection of shots and footages that vary from one another. The act of adjusting the shots you have already taken, and turning them into something new is known as film editing.
A film editor at work in 1946
Screenshot from The Four Troublesome Heads, one of the first films to feature multiple exposures.
Scene from The Great Train Robbery (1903), directed by Edwin Stanton Porter
The original editing machine: an upright Moviola.