1.
Europa (mythology)
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In Greek mythology Europa was the mother of King Minos of Crete, a woman with Phoenician origin of high lineage, and for whom the continent Europe was named. This can especially be said of the story of Europa, Europas earliest literary reference is in the Iliad, which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic Catalogue of Women, the earliest vase-painting securely identifiable as Europa dates from mid-7th century BC. Greek Εὐρώπη Eurṓpē contains the elements εὐρύς, wide, broad and ὤψ/ὠπ-/ὀπτ- eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion. It is common in ancient Greek mythology and geography to identify lands or rivers with female figures, thus, Europa is first used in a geographic context in the Homeric Hymn to Delian Apollo, in reference to the western shore of the Aegean Sea. As a name for a part of the world, it is first used in the 6th century BC by Anaximander. Barry adduces the word Ereb on an Assyrian stele with the meaning of night, sunset, in opposition to Asu sunrise and this proposal is mostly considered unlikely or untenable. They call it the temple of Astarte, I hold this Astarte to be no other than the moon-goddess. But according to the story of one of the priests this temple is sacred to Europa and this legend I heard from other Phœnicians as well, and the coinage current among the Sidonians bears upon it the effigy of Europa sitting upon a bull, none other than Zeus. Thus they do not agree that the temple in question is sacred to Europa, the paradox, as it seemed to Lucian, would be solved if Europa is Astarte in her guise as the full, broad-faced moon. Sources differ in details regarding Europas family, but agree that she is Phoenician, and from a lineage that descended from Io, the mythical nymph beloved of Zeus, who was transformed into a heifer. She is generally said to be the daughter of Agenor, the Phoenician King of Tyre, other sources, such as the Iliad, claim that she is the daughter of Agenors son, the sun-red Phoenix. So some interpret this as her brother Phoenix gave his siblings name to his three children and this Europa is also loved by Zeus, but because of the same name, gave some confusions to others. After arriving in Crete, Europa had three sons fathered by Zeus, Minos, Rhadamanthus, and Sarpedon, the three of whom became the three judges of the Underworld when they died, in Crete she married Asterion also rendered Asterius and became mother of his daughter Crete. There were two competing myths relating how Europa came into the Hellenic world, but they agreed that she came to Crete, the mythical Europa cannot be separated from the mythology of the sacred bull, which had been worshipped in the Levant. There is also a sanctuary of Demeter Europa, the mythographers tell that Zeus was enamored of Europa and decided to seduce or ravish her, the two being near-equivalent in Greek myth. He transformed himself into a white bull and mixed in with her fathers herds. While Europa and her helpers were gathering flowers, she saw the bull, caressed his flanks, Zeus took that opportunity and ran to the sea and swam, with her on his back, to the island of Crete
2.
Dallas Museum of Art
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The Dallas Museum of Art is a major art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In 1984, the museum moved from its previous location in Fair Park to the Arts District, the new building was designed by Edward Larrabee Barnes, the 2007 winner of the American Institute of Architects Gold Medal. The museum collection is made up of more than 24,000 objects and it is also defined by its dynamic exhibition policy and award-winning educational programs. The Mildred R. and Frederick M. Mayer Library contains over 50,000 volumes available to curators, with 159,000 square feet of exhibition spaces, it is one of the largest art museums in the United States. The museums history began with the establishment in 1903 of the Dallas Art Association, frank Reaugh, a Texas artist, saw in the new library the opportunity to display works of art. This idea was championed by May Dickson Exall, who was the first president of the Dallas Public Library. ”The museum’s collections started growing from this moment on and it soon became necessary to find a new permanent home. The museum, renamed the Dallas Museum of Fine Arts in 1932, relocated to a new art deco facility within Fair Park in 1936 and this new facility was designed by a consortium of Dallas architects in consultation with Paul Cret of Philadelphia. It is still possible to visit this building, in 1943, Jerry Bywaters became the director of the museum, a position he held for the next twenty-one years. Artist, art critic, and teacher, Bywaters gave a sense of identity and community to the museum, under Bywaters tenure, impressionist, abstract, and contemporary masterpieces were acquired and the Texas identity of the museum was emphasized. This identity is represented by works by Alexandre Hogue, Olin Herman Travis, Bywaters himself. In 1963, the Dallas Museum of Fine Arts merged with the Dallas Museum of Contemporary Art, rueppel became the director of the newly merged Museum. In 1965, the museum held an exhibition called The Art of Piet Mondrian and one entitled Sculpture, by the late 1970s, the greatly enlarged permanent collection and the ambitious exhibition program fostered a need for a new museum facility. Under Harry Parker’s direction, the museum was able to once again, to its current venue. The $54 million facility, designed by New York architect Edward Larrabee Barnes, was financed by a 1979 City bond election, the project was galvanized by the slogan “A Great City Deserves a Great Museum, ” and the new building opened in January 1984. The museums collections include more than 24,000 works of art from around the world ranging from ancient to modern times and they are conceived as a celebration of the human power of creation. Objects in the museum’s African collection come from West Africa and Central Africa, the objects date primarily from the 16th to the 20th centuries, although the earliest object is a Nok terracotta bust from Nigeria that dates from somewhere between 200 BC to 200 AD. Some works in the collection were created as symbols of leadership and status, the American art collection includes paintings, sculptures, and works on paper from the United States from the colonial period to World War II, and art from Mexico, and Canada. One of the most important pieces in the collection is The Icebergs by Frederic Edwin Church and this painting had long been referred to as a lost masterpiece
3.
Myth
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A myth is any traditional story consisting of events that are ostensibly historical, though often supernatural, explaining the origins of a cultural practice or natural phenomenon. The word myth is derived from the Greek word mythos, which means story. Mythology can refer either to the study of myths, or to a body or collection of myths, myth can mean sacred story, traditional narrative or tale of the gods. A myth can also be a story to explain why something exists, human cultures usually include a cosmogonical or creation myth, concerning the origins of the world, or how the world came to exist. The active beings in myths are generally gods and goddesses, heroes and heroines, or animals, most myths are set in a timeless past before recorded time or beginning of the critical history. A myth can be a story involving symbols that are capable of multiple meanings, a myth is a sacred narrative because it holds religious or spiritual significance for those who tell it. Myths also contribute to and express a cultures systems of thought and values, myths are often therefore stories that are currently understood as being exaggerated or fictitious. According to Albert A. Anderson, a professor of philosophy, in these works, the term had several meanings, conversation, narrative, speech, story, tale, and word. Like the related term logos, mythos expresses whatever can be delivered in the form of words, Anderson contrasts the two terms with ergon, a Greek term for action, deed, and work. The term mythos lacks an explicit distinction between true or false narratives, in the context of the Theatre of ancient Greece, the term mythos referred to the myth, the narrative, the plot, and the story of a theatrical play. According to David Wiles, the Greek term mythos in this era covered an entire spectrum of different meanings, from undeniable falsehoods to stories with religious, according to philosopher Aristotle, the spirit of a theatrical play was its mythos. The term mythos was also used for the material of Greek tragedy. The tragedians of the era could draw inspiration from Greek mythology, David Wiles observes that modern conceptions about Greek tragedy can be misleading. It is commonly thought that the ancient audience members were familiar with the mythos behind a play. However, the Greek dramatists were not expected to faithfully reproduce traditional myths when adapting them for the stage and they were instead recreating the myths and producing new versions. Storytellers like Euripides relied on suspense to excite their audiences, in one of his works, Merope attempts to kill her sons murderer with an axe, unaware that the man in question is actually her son. According to an ancient description of reactions to this work. They rose to their feet in terror and caused an uproar, David Wiles points that the traditional mythos of Ancient Greece, was primarily a part of its oral tradition
4.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
5.
Ancient Rome
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In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and then to an increasingly autocratic empire. Through conquest and assimilation, it came to dominate the Mediterranean region and then Western Europe, Asia Minor, North Africa and it is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern government, law, politics, engineering, art, literature, architecture, technology, warfare, religion, language and society. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond, its domain extended from the Atlantic to Arabia, the Roman Empire emerged with the end of the Republic and the dictatorship of Augustus Caesar. 721 years of Roman-Persian Wars started in 92 BC with their first war against Parthia and it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the part of the empire broke up into independent kingdoms in the 5th century. This splintering is a landmark historians use to divide the ancient period of history from the pre-medieval Dark Ages of Europe. King Numitor was deposed from his throne by his brother, Amulius, while Numitors daughter, Rhea Silvia, because Rhea Silvia was raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine. The new king, Amulius, feared Romulus and Remus would take back the throne, a she-wolf saved and raised them, and when they were old enough, they returned the throne of Alba Longa to Numitor. Romulus became the source of the citys name, in order to attract people to the city, Rome became a sanctuary for the indigent, exiled, and unwanted. This caused a problem for Rome, which had a large workforce but was bereft of women, Romulus traveled to the neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables they all refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins, after a long time in rough seas, they landed at the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, one woman, named Roma, suggested that the women burn the ships out at sea to prevent them from leaving. At first, the men were angry with Roma, but they realized that they were in the ideal place to settle. They named the settlement after the woman who torched their ships, the Roman poet Virgil recounted this legend in his classical epic poem the Aeneid
6.
Ancient Greek philosophy
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Ancient Greek philosophy arose in the 6th century BC and continued throughout the Hellenistic period and the period in which Ancient Greece was part of the Roman Empire. Philosophy was used to sense out of the world in a non-religious way. It dealt with a variety of subjects, including political philosophy, ethics, metaphysics, ontology, logic, biology, rhetoric. Many philosophers around the world agree that Greek philosophy has influenced much of Western culture since its inception, alfred North Whitehead once noted, The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato. Clear, unbroken lines of lead from ancient Greek and Hellenistic philosophers to Early Islamic philosophy, the European Renaissance. Some claim that Greek philosophy, in turn, was influenced by the wisdom literature. But they taught themselves to reason, Philosophy as we understand it is a Greek creation. Subsequent philosophic tradition was so influenced by Socrates as presented by Plato that it is conventional to refer to philosophy developed prior to Socrates as pre-Socratic philosophy. The periods following this, up to and after the wars of Alexander the Great, are those of classical Greek, the pre-Socratics were primarily concerned with cosmology, ontology and mathematics. They were distinguished from non-philosophers insofar as they rejected mythological explanations in favor of reasoned discourse, Thales of Miletus, regarded by Aristotle as the first philosopher, held that all things arise from water. It is not because he gave a cosmogony that John Burnet calls him the first man of science, according to tradition, Thales was able to predict an eclipse and taught the Egyptians how to measure the height of the pyramids. He began from the observation that the world seems to consist of opposites, therefore, they cannot truly be opposites but rather must both be manifestations of some underlying unity that is neither. This underlying unity could not be any of the classical elements, for example, water is wet, the opposite of dry, while fire is dry, the opposite of wet. Anaximenes in turn held that the arche was air, although John Burnet argues that by this he meant that it was a transparent mist, the aether. Xenophanes was born in Ionia, where the Milesian school was at its most powerful, Burnet says that Xenophanes was not, however, a scientific man, with many of his naturalistic explanations having no further support than that they render the Homeric gods superfluous or foolish. He has been claimed as an influence on Eleatic philosophy, although that is disputed, and a precursor to Epicurus, a representative of a total break between science and religion. Pythagoras lived at roughly the time that Xenophanes did and, in contrast to the latter. Parmenides of Elea cast his philosophy against those who held it is and is not the same, and all travel in opposite directions, —presumably referring to Heraclitus
7.
History of political thought
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The history of political thought dates back to antiquity. The political history of the world, and thus the history of thinking by man, stretches up through the Medieval period. In parallel, political systems have expanded from vaguely defined frontier-type boundaries, one of the first, extremely important classical works of political philosophy is Platos Republic, which was followed by Aristotles Politics, both created in the context of Athenian democracy. In India, Chanakya, in his Arthashastra, developed a viewpoint which foreshadowed both the Legalists and Niccolò Machiavelli, ancient Chinese and Indian civilizations resembled Greek civilization in that there was a unified culture divided into rival states. In the case of China, philosophers found themselves obliged to confront social and political breakdown, the early Christian philosophy of Augustine of Hippo was by and large a rewrite of Plato in a Christian context. The main change that Christian thought brought was to moderate the Stoicism and theory of justice of the Roman world, Augustine also preached that one was not a member of his or her city, but was either a citizen of the City of God or the City of Man. The rise of Islam, based on both the Quran and Muhammad strongly altered the power balances and perceptions of origin of power in the Mediterranean region. This view was challenged by the Mutazilite philosophers, who held a more Greek view and were supported by secular aristocracy who sought freedom of independent of the Caliphate. By the late period, however, the Asharite view of Islam had in general triumphed. Islamic political philosophy, was, indeed, rooted in the sources of Islam, i. e. the Quran and the Sunnah. The political conceptions of Islam such as kudrah, sultan, ummah, simaa -and even the core terms of the Quran, i. e. ibada, din, rab and ilah- is taken as the basis of an analysis. Hence, not only the ideas of the Muslim political philosophers but also many other jurists and ulama posed political ideas and theories. For example, the ideas of the Khawarij in the early years of Islamic history on Khilafa and Ummah. The clashes between the Ehl-i Sunna and Shia in the 7th and 8th centuries had a political character. The 14th century Arab scholar Ibn Khaldun is considered one of the greatest political theorists, Medieval political philosophy in Europe was heavily influenced by Christian thinking. It had much in common with the Islamic thinking in that the Roman Catholics also subordinated philosophy to theology, aquinass use of them set the agenda for scholastic political philosophy, dominated European thought for centuries. During the Renaissance secular political philosophy began to emerge after about a century of political thought in Europe. One of the most influential works during this period was Niccolò Machiavellis The Prince
8.
Classical antiquity
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It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and Southwestern Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer, and continues through the emergence of Christianity and it ends with the dissolution of classical culture at the close of Late Antiquity, blending into the Early Middle Ages. Such a wide sampling of history and territory covers many disparate cultures, Classical antiquity may refer also to an idealised vision among later people of what was, in Edgar Allan Poes words, the glory that was Greece, and the grandeur that was Rome. The culture of the ancient Greeks, together with influences from the ancient Near East, was the basis of art, philosophy, society. The earliest period of classical antiquity takes place before the background of gradual re-appearance of historical sources following the Bronze Age collapse, the 8th and 7th centuries BC are still largely proto-historical, with the earliest Greek alphabetic inscriptions appearing in the first half of the 8th century. Homer is usually assumed to have lived in the 8th or 7th century BC, in the same period falls the traditional date for the establishment of the Ancient Olympic Games, in 776 BC. The Phoenicians originally expanded from Canaan ports, by the 8th century dominating trade in the Mediterranean, carthage was founded in 814 BC, and the Carthaginians by 700 BC had firmly established strongholds in Sicily, Italy and Sardinia, which created conflicts of interest with Etruria. The Etruscans had established control in the region by the late 7th century BC, forming the aristocratic. According to legend, Rome was founded on April 21,753 BC by twin descendants of the Trojan prince Aeneas, Romulus and Remus. As the city was bereft of women, legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins and the Sabines. Archaeological evidence indeed shows first traces of settlement at the Roman Forum in the mid-8th century BC, the seventh and final king of Rome was Tarquinius Superbus. As the son of Tarquinius Priscus and the son-in-law of Servius Tullius, Superbus was of Etruscan birth and it was during his reign that the Etruscans reached their apex of power. Superbus removed and destroyed all the Sabine shrines and altars from the Tarpeian Rock, the people came to object to his rule when he failed to recognize the rape of Lucretia, a patrician Roman, at the hands of his own son. Lucretias kinsman, Lucius Junius Brutus, summoned the Senate and had Superbus, after Superbus expulsion, the Senate voted to never again allow the rule of a king and reformed Rome into a republican government in 509 BC. In fact the Latin word Rex meaning King became a dirty and hated throughout the Republic. In 510, Spartan troops helped the Athenians overthrow the tyrant Hippias, cleomenes I, king of Sparta, put in place a pro-Spartan oligarchy conducted by Isagoras. Greece entered the 4th century under Spartan hegemony, but by 395 BC the Spartan rulers removed Lysander from office, and Sparta lost her naval supremacy. Athens, Argos, Thebes and Corinth, the two of which were formerly Spartan allies, challenged Spartan dominance in the Corinthian War, which ended inconclusively in 387 BC
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Western culture
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The term also applies beyond Europe, to countries and cultures whose histories are strongly connected to Europe by immigration, colonization, or influence. For example, Western Culture includes countries in the Americas and Australasia, whose language, before the Cold War era, the traditional Western viewpoint identified Western Civilization with the Western Christian countries and culture. Ancient Greece is considered the birthplace of Western culture, with the worlds first democratic system of government and major advances in philosophy, science, Greece was followed by Rome, which made key contributions in law, government, engineering and political organization. European culture developed with a range of philosophy, medieval scholasticism, and mysticism. Rational thinking developed through an age of change and formation, with the experiments of the Enlightenment. More often an ideology is what will be used to categorize it as a Western society. There is some disagreement about what nations should or should not be included in the category, many parts of the Eastern Roman Empire are considered Western today but were Eastern in the past. Since the context is highly biased and context-dependent, there is no agreed definition what the West is and it is difficult to determine which individuals fit into which category and the East–West contrast is sometimes criticized as relativistic and arbitrary. Globalism has spread Western ideas so widely that almost all cultures are, to some extent. Stereotyped views of the West have been labeled Occidentalism, paralleling Orientalism—the term for the 19th-century stereotyped views of the East, as Europe discovered the wider world, old concepts adapted. The area that had formerly considered the Orient became the Near East, as the interests of the European powers interfered with Meiji Japan and Qing China for the first time. Thus, the Sino-Japanese War in 1894–1895 occurred in the Far East, the Greeks contrasted themselves to their Eastern neighbors, such as the Trojans in Iliad, setting an example for later contrasts between east and west. In the Middle Ages, the Near East provided a contrast to the West, concepts of what is the West arose out of legacies of the Western Roman Empire and the Eastern Roman Empire. Later, ideas of the west were formed by the concepts of Latin Christendom, Western culture is neither homogeneous nor unchanging. As with all cultures, it has evolved and gradually changed over time. Nevertheless, it is possible to follow the evolution and history of the West, and appreciate its similarities and differences, its borrowings from, and contributions to, other cultures of humanity. Nevertheless, the Greeks felt they were the most civilized and saw themselves as something between the wild barbarians of most of Europe and the soft, slavish Middle-Easterners. In the meantime, however, Greece, under Alexander, had become a capital of the East, the Celts also created some significant literature in the ancient world whenever they were given the opportunity
10.
Fine art
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Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theatre and dance. Today, the fine arts commonly include additional forms, such as film, photography, video production/editing, design, sequential art, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art, in that sense, there are conceptual differences between the fine arts and the applied arts. The word fine does not so much denote the quality of the artwork in question and this definition originally excluded the applied or decorative arts, and the products of what were regarded as crafts. According to some writers the concept of a category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art, A Cultural History locates the invention in the 18th century, There was a traditional “system of the arts” in the West before the eighteenth century. ”Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton, though the point of invention is often placed earlier, in the Italian Renaissance. The separation of arts and crafts that often exists in Europe, in Japanese aesthetics the activities of everyday life are depicted by integrating not only art with craft but man-made with nature. Traditional Chinese art distinguished within Chinese painting between the mostly landscape painting of scholar gentlemen and the artisans of the schools of court painting. A high status was given to many things that would be seen as craft objects in the West, in particular ceramics, jade carving, weaving. Drawing is a form of expression and is one of the major forms of the visual arts. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, chalk, pastels, markers, stylus, There are a number of subcategories of drawing, including cartooning. Mosaics are images formed with pieces of stone or glass. They can be decorative or functional, an artist who designs and makes mosaics is called a mosaic artist or a mosaicist. Printmaking is the process of making artworks by printing, normally on paper, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print is considered an original, as opposed to a copy, the reasoning behind this is that the print is not a reproduction of another work of art in a different medium — for instance, a painting — but rather an image designed from inception as a print. An individual print is also referred to as an impression, prints are created from a single original surface, known technically as a matrix. But there are other kinds, discussed below. Multiple nearly identical prints can be called an edition, in modern times each print is often signed and numbered forming a limited edition
11.
Classical music
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Classical music is art music produced or rooted in the traditions of Western music, including both liturgical and secular music. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period, Western staff notation is used by composers to indicate to the performer the pitches, tempo, meter and rhythms for a piece of music. This can leave less room for such as improvisation and ad libitum ornamentation. The term classical music did not appear until the early 19th century, the earliest reference to classical music recorded by the Oxford English Dictionary is from about 1836. This score typically determines details of rhythm, pitch, and, the written quality of the music has enabled a high level of complexity within them, J. S. The use of written notation also preserves a record of the works, Musical notation enables 2000s-era performers to sing a choral work from the 1300s Renaissance era or a 1700s Baroque concerto with many of the features of the music being reproduced. That said, the score does not provide complete and exact instructions on how to perform a historical work, even if the tempo is written with an Italian instruction, we do not know exactly how fast the piece should be played. Bach was particularly noted for his complex improvisations, during the Classical era, the composer-performer Mozart was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto, during the Romantic era, Beethoven would improvise at the piano. The instruments currently used in most classical music were largely invented before the mid-19th century and they consist of the instruments found in an orchestra or in a concert band, together with several other solo instruments. The symphony orchestra is the most widely known medium for music and includes members of the string, woodwind, brass. The concert band consists of members of the woodwind, brass and it generally has a larger variety and number of woodwind and brass instruments than the orchestra but does not have a string section. However, many bands use a double bass. Many of the used to perform medieval music still exist. Medieval instruments included the flute, the recorder and plucked string instruments like the lute. As well, early versions of the organ, fiddle, Medieval instruments in Europe had most commonly been used singly, often self accompanied with a drone note, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into haut, during the earlier medieval period, the vocal music from the liturgical genre, predominantly Gregorian chant, was monophonic, using a single, unaccompanied vocal melody line. Polyphonic vocal genres, which used multiple independent vocal melodies, began to develop during the medieval era, becoming prevalent by the later 13th
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Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
13.
History of theatre
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The history of theatre charts the development of theatre over the past 2,500 years. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity, since classical Athens in the 6th century BC, vibrant traditions of theatre have flourished in cultures across the world. Theatre probably arose as a performance of activities that did not require initiation on the part of the spectator. The physical location of such performances was accordingly named theatron, according to the historians Oscar Brockett and Franklin Hildy, rituals typically include elements that entertain or give pleasure, such as costumes and masks as well as skilled performers. As societies grew more complex, these spectacular elements began to be acted out under non-ritualistic conditions, as this occurred, the first steps towards theatre as an autonomous activity were being taken. Greek theatre, most developed in Athens, is the root of the Western tradition, participation in the city-states many festivals—and attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BC, it flowered during the 5th century BC, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in during the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century it was institutionalised in competitions held as part of festivities celebrating Dionysos. As contestants in the City Dionysias competition, playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as 534 BC, official records begin from 501 BC, when the satyr play was introduced. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of plays by Menander. Aristotle defined comedy as a representation of people that involves some kind of error or ugliness that does not cause pain or destruction. Western theatre developed and expanded considerably under the Romans, the Roman historian Livy wrote that the Romans first experienced theatre in the 4th century BC, with a performance by Etruscan actors. Beacham argues that Romans had been familiar with pre-theatrical practices for some time before recorded contact. Following the expansion of the Roman Republic into several Greek territories between 270–240 BC, Rome encountered Greek drama, while Greek drama continued to be performed throughout the Roman period, the year 240 BC marks the beginning of regular Roman drama. From the beginning of the empire, however, interest in full-length drama declined in favour of a variety of theatrical entertainments
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Western painting
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The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was concerned with representational and Classical modes of production, after which time more modern, abstract. Developments in Western painting historically parallel those in Eastern painting, in general a few centuries later, african art, Islamic art, Indian art, Chinese art, and Japanese art each had a significant influence on Western art, and, eventually, vice versa. Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy, from the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received commissions from a more educated. The idea of art for arts sake began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, during the 19th century commercial galleries became established and continued to provide patronage in the 20th century. Following the depth of discovery and the complexity of innovations of the Renaissance, the history of painting continues into the 21st century. The history of painting reaches back in time to artifacts from pre-historic humans, the oldest known paintings are at the Grotte Chauvet in France, claimed by some historians to be about 32,000 years old. They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, mammoth, there are examples of cave paintings all over the world—in France, India, Spain, Portugal, China, Australia etc. Various conjectures have been made as to the meaning these paintings had to the people who made them, Egyptian wall painting and decorative painting is often graphic, sometimes more symbolic than realistic. Egyptian painting depicts figures in bold outline and flat silhouette, in symmetry is a constant characteristic. Egyptian painting has close connection with its written language—called Egyptian hieroglyphs, painted symbols are found amongst the first forms of written language. The Egyptians also painted on linen, remnants of which survive today, Ancient Egyptian paintings survived due to the extremely dry climate. The ancient Egyptians created paintings to make the afterlife of the deceased a pleasant place, the themes included journey through the afterworld or their protective deities introducing the deceased to the gods of the underworld. Some examples of paintings are paintings of the gods and goddesses Ra, Horus, Anubis, Nut. Some tomb paintings show activities that the deceased were involved in when they were alive, in the New Kingdom and later, the Book of the Dead was buried with the entombed person. It was considered important for an introduction to the afterlife, to the north of Egypt was the Minoan civilization on the island of Crete. The wall paintings found in the palace of Knossos are similar to those of the Egyptians, around 1100 BC, tribes from the north of Greece conquered Greece and its art took a new direction
15.
Sculpture
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Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
16.
Opera
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Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing, recitative, a style and arias, a more melodic style. Opera incorporates many of the elements of theatre, such as acting, scenery. The performance is given in an opera house, accompanied by an orchestra or smaller musical ensemble. Opera is a key part of the Western classical music tradition, in the 18th century, Italian opera continued to dominate most of Europe, attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his operas in the 1760s. The first third of the 19th century saw the point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer, the mid-to-late 19th century was a golden age of opera, led and dominated by Richard Wagner in Germany and Giuseppe Verdi in Italy. The popularity of opera continued through the era in Italy and contemporary French opera through to Giacomo Puccini. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, the 20th century saw many experiments with modern styles, such as atonality and serialism, Neoclassicism, and Minimalism. With the rise of recording technology, singers such as Enrico Caruso, since the invention of radio and television, operas were also performed on these mediums. Beginning in 2006, a number of opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. In 2009, an opera company offered a download of a complete performance. The words of an opera are known as the libretto, some composers, notably Wagner, have written their own libretti, others have worked in close collaboration with their librettists, e. g. Mozart with Lorenzo Da Ponte. Vocal duets, trios and other ensembles often occur, and choruses are used to comment on the action, in some forms of opera, such as singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, the terminology of the various kinds of operatic voices is described in detail below. Over the 18th century, arias were accompanied by the orchestra. Subsequent composers have tended to follow Wagners example, though some, the changing role of the orchestra in opera is described in more detail below
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Ballet
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Ballet /ˈbæleɪ/ is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since become a widespread, highly technical form of dance with its own based on French terminology. It has been influential and has defined the foundational techniques used in many other dance genres. Becoming a ballet dancer requires years of training, Ballet has been taught in various schools around the world, which have historically incorporated their own cultures to evolve the art. Ballet may also refer to a dance work, which consists of the choreography. A well-known example of this is The Nutcracker, a ballet that was originally choreographed by Marius Petipa. Ballets are choreographed and performed by trained artists, the word came into English usage from the French around 1630. Ballet originated in the Italian Renaissance courts of the 15th and 16th centuries before being spread from Italy to France by an Italian aristocrat, Catherine de Medici, in France, ballet developed even further under her aristocratic influence. The dancers in these early court ballets were mostly noble amateurs, Ballets in this period were lengthy and elaborate and often served a political purpose. Ornamented costumes were meant to impress viewers and restricted freedom of movement. The ballets were performed in large chambers with viewers on three sides, French court ballet reached its height under the reign of King Louis XIV. Known as the Sun King, Louis symbolized the brilliance of France, in 1661 Louis founded the Académie Royale de Danse to establish standards and certify dance instructors. In 1672, Louis XIV made Jean-Baptiste Lully the director of the Académie Royale de Musique from which the first professional ballet company, Lully is considered the most important composer of music for ballets de cour and instrumental to the development of the form. Ballet went into decline in France after 1830, though it continued to develop in Denmark, Italy, the arrival in Europe on the eve of First World War of the Ballets Russes of Sergei Diaghilev, revived interest in the ballet and started the modern era. The Russian choreographer Michel Fokine challenged tradition and called for reforms that reinvigorated ballet as an art form, in the 20th century, ballet had a wide influence on other dance genres, and subgenres of ballet have also evolved. In the United States, choreographer George Balanchine developed what is now known as neoclassical ballet, other developments include contemporary ballet and post-structural ballet. Also in the century, ballet took a turn dividing it from classical ballet to the introduction of modern dance. Stylistic variations have emerged and evolved since the Italian Renaissance, early, classical variations are primarily associated with geographic origin
18.
Hollywood movies
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The cinema of the United States, often metonymously referred to as Hollywood, has had a profound effect on cinema across the world since the early 20th century. The dominant style of American cinema is Classical Hollywood Cinema, which developed from 1917-1960, while the French Lumière Brothers are generally credited with the birth of modern cinema, it is American cinema that soon became the most dominant force in an emerging industry. Since the 1920s, the American film industry has grossed more money every year than that of any other country, in 1878, Eadweard Muybridge demonstrated the power of photography to capture motion. In 1894, the worlds first commercial motion picture exhibition was given in New York City, the United States was in the forefront of sound film development in the following decades. Since the early 20th century, the U. S. film industry has largely been based in and around Hollywood, Los Angeles, director D. W. Griffith was central to the development of film grammar. Orson Welless Citizen Kane is frequently cited in critics polls as the greatest film of all time. T, the Extra-Terrestrial, Jurassic Park, Titanic, Avatar, The Avengers, Furious 7, Jurassic World, and Star Wars, The Force Awakens. Today, American film studios collectively generate several hundred movies every year, muybridges accomplishment led inventors everywhere to attempt to make similar devices that would capture such motion. In the United States, Thomas Edison was among the first to produce such a device, the history of cinema in the United States can trace its roots to the East Coast where, at one time, Fort Lee, New Jersey was the motion picture capital of America. The industry got its start at the end of the 19th century with the construction of Thomas Edisons Black Maria, in 1909, a forerunner of Universal Studios, the Champion Film Company, built the first studio. They were quickly followed by others who either built new studios or who leased facilities in Fort Lee, such notables as Mary Pickford got their start at Biograph Studios. In New York, the Kaufman Astoria Studios in Queens, was built during the silent film era, was used by the Marx Brothers, the Edison Studios were located in the Bronx. Chelsea, Manhattan was also frequently used, other major centers of film production also included Chicago, Florida, Texas, California, and Cuba. The film patents wars of the early 20th century led to the spread of film companies across the U. S and they started filming on a vacant lot near Georgia Street in downtown Los Angeles. While there, the decided to explore new territories, traveling several miles north to Hollywood. Griffith then filmed the first movie shot in Hollywood, In Old California, a Biograph melodrama about California in the 19th century. Griffith stayed there for months and made several films before returning to New York, after hearing about Griffiths success in Hollywood, in 1913, many movie-makers headed west to avoid the fees imposed by Thomas Edison, who owned patents on the movie-making process. Nestor Studios of Bayonne, New Jersey, built the first studio in Hollywood in 1911, Californias more hospitable and cost-effective climate led to the eventual shift of virtually all filmmaking to the West Coast by the 1930s. In Los Angeles, the studios and Hollywood grew, before World War I, movies were made in several U. S. cities, but filmmakers gravitated to southern California as the industry developed
19.
Television program
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It may be a single production, or more commonly, a series of related productions. A limited number of episodes of a show may be called a miniseries or a serial or limited series. Television series are without a fixed length and are divided into seasons or series. While there is no defined length, U. S. industry practice has traditionally favored longer television seasons than those of other countries, a one-time broadcast may be called a special, or particularly in the UK a special episode. A television film is a film that is initially broadcast on television rather than released in theaters or direct-to-video, a program can be either recorded, as on video tape, other various electronic media forms, played with an on-demand player or viewed on live television. Television programs may be fictional, or non-fictional and it may be topical, or historical. They could be primarily instructional or educational, or entertaining as is the case in situation comedy, a drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures, except for soap opera-type serials, many shows especially before the 1980s, remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters lives during the episode, because of this, the episodes could be broadcast in any order. Since the 1980s, there are series that feature progressive change to the plot. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time television series to have this kind of dramatic structure. While the later series, Babylon 5 is an example of such production that had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a component of major media companies revenues than film. Some also noted the increase in quality of television programs. When a person or company decides to create a new series, they develop the elements, consisting of the concept, the characters, the crew. Then they offer it to the networks in an attempt to find one interested enough to order a prototype first episode of the series. They want very much to get the word out on what types of shows they’re looking for, to create the pilot, the structure and team of the whole series must be put together. If the network likes the pilot, they pick up the show to air it the next season, sometimes they save it for mid-season, or request rewrites and further review
20.
Comic book
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A comic book or comicbook, also called comic magazine or simply comic, is a publication that consists of comic art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by brief descriptive prose and written narrative, although comics has some origins in 18th century Japan and 1830s Europe, comic books were first popularized in the United States during the 1930s. Comic books are reliant on their organization and appearance, authors largely focus on the frame of the page, size, orientation, and panel positions. These characteristic aspects of books are necessary in conveying the content. The key elements of comic books include panels, balloons, text, balloons are usually convex spatial containers of information that are related to a character using a tail element. The tail has an origin, path, tip, and pointed direction, there are many technological formulas used to create comic books, including directions, axes, data, and metrics. Following these key formatting procedures is the writing, drawing, Comics as a print medium have existed in America since the printing of The Adventures of Mr. Obadiah Oldbuck in 1842 in hardcover, making it the first known American prototype comic book. The introduction of Jerry Siegel and Joe Shusters Superman in 1938 turned comic books into a major industry, the Golden Age originated the archetype of the superhero. Historians generally divide the timeline of the American comic book into eras, the Golden Age of Comic Books began with the introduction of Superman in 1938, spurring a period of high sales. The Silver Age of comic books is considered to date from the first successful revival of the then-dormant superhero form. The demarcation between the Silver Age and the era, the Bronze Age of Comic Books, is less well-defined. The Modern Age of Comic Books runs from the mid-1980s to the present day, in response to attention from the government and from the media, the U. S. comic book industry set up the Comics Magazine Association of America. The CMAA instilled the Comics Code Authority in 1954 and drafted the self-censorship Comics Code that year and it was not until the 1970s that comic books could be published without passing through the inspection of the CMAA. In the early 1970s, a surge of creativity emerged in what known as underground comix. Published and distributed independently of the comics industry, most of such comics reflected the youth counterculture. Underground comics were almost never sold at newsstands, but rather in such youth-oriented outlets as head shops and record stores, frank Stacks The Adventures of Jesus, published under the name Foolbert Sturgeon, has been credited as the first underground comic. The rise of comic book specialty stores in the late 1970s created/paralleled a dedicated market for independent or alternative comics in the U. S, some independent comics continued in the tradition of underground comics. A few represented experimental attempts to bring closer to the status of fine art
21.
Video game
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A video game is an electronic game that involves interaction with a user interface to generate visual feedback on a video device such as a TV screen or computer monitor. The word video in video game referred to a raster display device. Some theorists categorize video games as an art form, but this designation is controversial, the electronic systems used to play video games are known as platforms, examples of these are personal computers and video game consoles. These platforms range from large mainframe computers to small handheld computing devices, the input device used for games, the game controller, varies across platforms. Common controllers include gamepads, joysticks, mouse devices, keyboards, the touchscreens of mobile devices, and buttons, or even, with the Kinect sensor, a persons hands and body. Players typically view the game on a screen or television or computer monitor, or sometimes on virtual reality head-mounted display goggles. There are often game sound effects, music and, in the 2010s, some games in the 2000s include haptic, vibration-creating effects, force feedback peripherals and virtual reality headsets. In the 2010s, the game industry is of increasing commercial importance, with growth driven particularly by the emerging Asian markets and mobile games. As of 2015, video games generated sales of USD74 billion annually worldwide, early games used interactive electronic devices with various display formats. The earliest example is from 1947—a Cathode ray tube Amusement Device was filed for a patent on 25 January 1947, by Thomas T. Goldsmith Jr. and Estle Ray Mann, and issued on 14 December 1948, as U. S. Written by MIT students Martin Graetz, Steve Russell, and Wayne Wiitanens on a DEC PDP-1 computer in 1961, and the hit ping pong-style Pong, used the DEC PDP-1s vector display to have two spaceships battle each other. In 1971, Computer Space, created by Nolan Bushnell and Ted Dabney, was the first commercially sold and it used a black-and-white television for its display, and the computer system was made of 74 series TTL chips. The game was featured in the 1973 science fiction film Soylent Green, Computer Space was followed in 1972 by the Magnavox Odyssey, the first home console. Modeled after a late 1960s prototype console developed by Ralph H. Baer called the Brown Box and these were followed by two versions of Ataris Pong, an arcade version in 1972 and a home version in 1975 that dramatically increased video game popularity. The commercial success of Pong led numerous other companies to develop Pong clones and their own systems, the game inspired arcade machines to become prevalent in mainstream locations such as shopping malls, traditional storefronts, restaurants, and convenience stores. The game also became the subject of articles and stories on television and in newspapers and magazines. Space Invaders was soon licensed for the Atari VCS, becoming the first killer app, the term platform refers to the specific combination of electronic components or computer hardware which, in conjunction with software, allows a video game to operate. The term system is commonly used
22.
History of astronomy
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In some cultures, astronomical data was used for astrological prognostication. Early cultures identified celestial objects with gods and spirits and they related these objects to phenomena such as rain, drought, seasons, and tides. Ancient structures with possibly astronomical alignments probably fulfilled astronomical, religious, calendars of the world have often been set by observations of the Sun and Moon, and were important to agricultural societies, in which the harvest depended on planting at the correct time of year. Since 1990 our understanding of prehistoric Europeans has been changed by discoveries of ancient astronomical artifacts throughout Europe. The artifacts demonstrate that Neolithic and Bronze Age Europeans had a knowledge of mathematics. Among the discoveries are, Bone sticks from locations like Africa, the Warren Field calendar in the Dee River valley of Scotlands Aberdeenshire. The calendar takes the form of an early Mesolithic monument containing a series of 12 pits which appear to help the observer track lunar months by mimicking the phases of the moon. It also aligns to sunrise at the solstice, thus coordinating the solar year with the lunar cycles. Goseck circle is located in Germany and belongs to the pottery culture. First discovered in 1991, its significance was only clear after results from archaeological digs became available in 2004. The site is one of hundreds of similar circular enclosures built in a region encompassing Austria, Germany, the Nebra sky disc is a Bronze Age bronze disc that was buried in Germany, not far from the Goseck circle, around 1600 BC. It measures about 30 cm diameter with a mass of 2.2 kg, found by archeological thieves in 1999 and recovered in Switzerland in 2002, it was soon recognized as a spectacular discovery, among the most important of the 20th century. Investigations revealed that the object had been in use around 400 years before burial, the inlaid gold depicted the full moon, a crescent moon about 4 or 5 days old, and the Pleiades star cluster in a specific arrangement forming the earliest known depiction of celestial phenomena. Twelve lunar months pass in 354 days, requiring a calendar to insert a leap month every two or three years in order to keep synchronized with the years seasons. The earliest known descriptions of this coordination were recorded by the Babylonians in 6th or 7th centuries BC, a Bronze Age astronomical observatory was constructed there around 1900 BC and continuously served the nearby community that lived there until about 700 BC. The central space was used to observe the rising of the sun, three markings locate sunrise at the summer and winter solstices and at the two equinoxes. Four more give the minimum and maximum declinations of the moon, in summer. Two measure the lengths of lunar months, together, they reconcile solar and lunar cycles in marking the 235 lunations that occur during 19 solar years, regulating a lunar calendar
23.
History of chemistry
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The history of alchemy represents a time span from ancient history to the present. By 1000 BC, civilizations used technologies that would form the basis of the various branches of chemistry. The protoscience of chemistry, alchemy, was unsuccessful in explaining the nature of matter, however, by performing experiments and recording the results, alchemists set the stage for modern chemistry. The distinction began to emerge when a clear differentiation was made between chemistry and alchemy by Robert Boyle in his work The Sceptical Chymist, while both alchemy and chemistry are concerned with matter and its transformations, chemists are seen as applying scientific method to their work. The history of chemistry is intertwined with the history of thermodynamics, the earliest recorded metal employed by humans seems to be gold which can be found free or native. Small amounts of gold have been found in Spanish caves used during the late Paleolithic period. Silver, copper, tin and meteoric iron can also be found native, egyptian weapons made from meteoric iron in about 3000 BC were highly prized as Daggers from Heaven. Arguably the first chemical reaction used in a manner was fire. However, for fire was seen simply as a mystical force that could transform one substance into another while producing heat. Fire affected many aspects of early societies and these ranged from the simplest facets of everyday life, such as cooking and habitat lighting, to more advanced technologies, such as pottery, bricks, and melting of metals to make tools. It was fire that led to the discovery of glass and the purification of metals which in turn gave way to the rise of metallurgy. During the early stages of metallurgy, methods of purification of metals were sought, certain metals can be recovered from their ores by simply heating the rocks in a fire, notably tin, lead and copper, a process known as smelting. The first evidence of this extractive metallurgy dates from the 5th and 6th millennium BC, to date, the earliest copper smelting is found at the Belovode site, these examples include a copper axe from 5500 BC belonging to the Vinča culture. Other signs of early metals are found from the third millennium BC in places like Palmela, Los Millares, however, as often happens with the study of prehistoric times, the ultimate beginnings cannot be clearly defined and new discoveries are continuous and ongoing. These first metals were single ones or as found, by combining copper and tin, a superior metal could be made, an alloy called bronze, a major technological shift which began the Bronze Age about 3500 BC. These naturally occurring ores typically included arsenic as a common impurity, copper/tin ores are rare, as reflected in the fact that there were no tin bronzes in western Asia before 3000 BC. After the Bronze Age, the history of metallurgy was marked by armies seeking better weaponry, countries in Eurasia prospered when they made the superior alloys, which, in turn, made better armor and better weapons. This often determined the outcomes of battles, significant progress in metallurgy and alchemy was made in ancient India
24.
Binomial nomenclature
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Such a name is called a binomial name, a binomen, binominal name or a scientific name, more informally it is also called a Latin name. The first part of the name identifies the genus to which the species belongs, for example, humans belong to the genus Homo and within this genus to the species Homo sapiens. The formal introduction of system of naming species is credited to Carl Linnaeus. But Gaspard Bauhin, in as early as 1623, had introduced in his book Pinax theatri botanici many names of genera that were adopted by Linnaeus. Although the general principles underlying binomial nomenclature are common to these two codes, there are differences, both in the terminology they use and in their precise rules. Similarly, both parts are italicized when a binomial name occurs in normal text, thus the binomial name of the annual phlox is now written as Phlox drummondii. In scientific works, the authority for a name is usually given, at least when it is first mentioned. In zoology Patella vulgata Linnaeus,1758, the original name given by Linnaeus was Fringilla domestica, the parentheses indicate that the species is now considered to belong in a different genus. The ICZN does not require that the name of the person who changed the genus be given, nor the date on which the change was made, in botany Amaranthus retroflexus L. – L. is the standard abbreviation used in botany for Linnaeus. – Linnaeus first named this bluebell species Scilla italica, Rothmaler transferred it to the genus Hyacinthoides, the ICN does not require that the dates of either publication be specified. Prior to the adoption of the binomial system of naming species. Together they formed a system of polynomial nomenclature and these names had two separate functions. First, to designate or label the species, and second, to be a diagnosis or description, such polynomial names may sometimes look like binomials, but are significantly different. For example, Gerards herbal describes various kinds of spiderwort, The first is called Phalangium ramosum, Branched Spiderwort, is aptly termed Phalangium Ephemerum Virginianum, Soon-Fading Spiderwort of Virginia. The Latin phrases are short descriptions, rather than identifying labels, the Bauhins, in particular Caspar Bauhin, took some important steps towards the binomial system, by pruning the Latin descriptions, in many cases to two words. The adoption by biologists of a system of binomial nomenclature is due to Swedish botanist and physician Carl von Linné. It was in his 1753 Species Plantarum that he first began using a one-word trivial name together with a generic name in a system of binomial nomenclature. This trivial name is what is now known as an epithet or specific name
25.
Sigmund Freud
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Sigmund Freud was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg and he qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology, Freud lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938 Freud left Austria to escape the Nazis and he died in exile in the United Kingdom in 1939. In creating psychoanalysis, Freud developed therapeutic techniques such as the use of free association and discovered transference, Freuds redefinition of sexuality to include its infantile forms led him to formulate the Oedipus complex as the central tenet of psychoanalytical theory. His analysis of dreams as wish-fulfillments provided him with models for the analysis of symptom formation. On this basis Freud elaborated his theory of the unconscious and went on to develop a model of psychic structure comprising id, in his later work Freud developed a wide-ranging interpretation and critique of religion and culture. Though in overall decline as a diagnostic and clinical practice, psychoanalysis remains influential within psychology, psychiatry, and psychotherapy, nonetheless, Freuds work has suffused contemporary Western thought and popular culture. In the words of W. H. Audens 1940 poetic tribute, by the time of Freuds death, Freud was born to Jewish parents in the Moravian town of Freiberg, in the Austro-Hungarian Empire, the first of eight children. Both of his parents were from Galicia, in modern-day Ukraine and his father, Jakob Freud, a wool merchant, had two sons, Emanuel and Philipp, by his first marriage. Jakobs family were Hasidic Jews, and although Jakob himself had moved away from the tradition and he and Freuds mother, Amalia Nathansohn, who was 20 years younger and his third wife, were married by Rabbi Isaac Noah Mannheimer on 29 July 1855. They were struggling financially and living in a room, in a locksmiths house at Schlossergasse 117 when their son Sigmund was born. He was born with a caul, which his mother saw as an omen for the boys future. In 1859, the Freud family left Freiberg, Freuds half brothers emigrated to Manchester, England, parting him from the inseparable playmate of his early childhood, Emanuels son, John. Jakob Freud took his wife and two children firstly to Leipzig and then in 1860 to Vienna where four sisters and a brother were born, Rosa, Marie, Adolfine, Paula, in 1865, the nine-year-old Freud entered the Leopoldstädter Kommunal-Realgymnasium, a prominent high school. He proved an outstanding pupil and graduated from the Matura in 1873 with honors and he loved literature and was proficient in German, French, Italian, Spanish, English, Hebrew, Latin and Greek. Freud entered the University of Vienna at age 17, in 1876, Freud spent four weeks at Clauss zoological research station in Trieste, dissecting hundreds of eels in an inconclusive search for their male reproductive organs. He graduated with an MD in 1881, in 1882, Freud began his medical career at the Vienna General Hospital
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Carl Jung
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Carl Gustav Jung was a Swiss psychiatrist and psychoanalyst who founded analytical psychology. His work has been not only in psychiatry but also in anthropology, archaeology, literature, philosophy. As a notable research scientist based at the famous Burghölzli hospital, under Eugen Bleuler, he came to the attention of the Viennese founder of psychoanalysis, the two men conducted a lengthy correspondence and collaborated on an initially joint vision of human psychology. Freud saw in the man the potential heir he had been seeking to carry on his new science of psychoanalysis. Jungs researches and personal vision, however, made it impossible for him to bend to his older colleagues dogma and this break was to have historic as well as painful personal repercussions that have lasted to this day. Jung was also an artist, craftsman and builder as well as a prolific writer, many of his works were not published until after his death and some are still awaiting publication. Among the central concepts of analytical psychology is individuation—the lifelong psychological process of differentiation of the out of each individuals conscious and unconscious elements. Jung considered it to be the task of human development. He created some of the best known psychological concepts, including synchronicity, archetypal phenomena, the unconscious, the psychological complex. Carl Gustav Jung was born in Kesswil, in the Swiss canton of Thurgau, on 26 July 1875 as the second and first surviving son of Paul Achilles Jung and their first child, born in 1873 was a boy named Paul who survived only a few days. Emilie was the youngest child of a distinguished Basel churchman and academic, Samuel Preiswerk, and his second wife. Preiswerk was antistes, the given to the head of the Reformed clergy in the city, as well as a Hebraist, author and editor. When Jung was six months old, his father was appointed to a prosperous parish in Laufen. Emilie Jung was an eccentric and depressed woman, she spent considerable time in her bedroom where she said that spirits visited her at night, although she was normal during the day, Jung recalled that at night his mother became strange and mysterious. He reported that one night he saw a luminous and indefinite figure coming from her room with a head detached from the neck. Jung had a relationship with his father. Jungs mother left Laufen for several months of hospitalization near Basel for a physical ailment. His father took the boy to be cared for by Emilie Jungs unmarried sister in Basel, Emilie Jungs continuing bouts of absence and often depressed mood influenced her sons attitude towards women — one of innate unreliability
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Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
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Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
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Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
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Europe
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Europe is a continent that comprises the westernmost part of Eurasia. Europe is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, yet the non-oceanic borders of Europe—a concept dating back to classical antiquity—are arbitrary. Europe covers about 10,180,000 square kilometres, or 2% of the Earths surface, politically, Europe is divided into about fifty sovereign states of which the Russian Federation is the largest and most populous, spanning 39% of the continent and comprising 15% of its population. Europe had a population of about 740 million as of 2015. Further from the sea, seasonal differences are more noticeable than close to the coast, Europe, in particular ancient Greece, was the birthplace of Western civilization. The fall of the Western Roman Empire, during the period, marked the end of ancient history. Renaissance humanism, exploration, art, and science led to the modern era, from the Age of Discovery onwards, Europe played a predominant role in global affairs. Between the 16th and 20th centuries, European powers controlled at times the Americas, most of Africa, Oceania. The Industrial Revolution, which began in Great Britain at the end of the 18th century, gave rise to economic, cultural, and social change in Western Europe. During the Cold War, Europe was divided along the Iron Curtain between NATO in the west and the Warsaw Pact in the east, until the revolutions of 1989 and fall of the Berlin Wall. In 1955, the Council of Europe was formed following a speech by Sir Winston Churchill and it includes all states except for Belarus, Kazakhstan and Vatican City. Further European integration by some states led to the formation of the European Union, the EU originated in Western Europe but has been expanding eastward since the fall of the Soviet Union in 1991. The European Anthem is Ode to Joy and states celebrate peace, in classical Greek mythology, Europa is the name of either a Phoenician princess or of a queen of Crete. The name contains the elements εὐρύς, wide, broad and ὤψ eye, broad has been an epithet of Earth herself in the reconstructed Proto-Indo-European religion and the poetry devoted to it. For the second part also the divine attributes of grey-eyed Athena or ox-eyed Hera. The same naming motive according to cartographic convention appears in Greek Ανατολή, Martin Litchfield West stated that phonologically, the match between Europas name and any form of the Semitic word is very poor. Next to these there is also a Proto-Indo-European root *h1regʷos, meaning darkness. Most major world languages use words derived from Eurṓpē or Europa to refer to the continent, in some Turkic languages the originally Persian name Frangistan is used casually in referring to much of Europe, besides official names such as Avrupa or Evropa
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Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
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Jupiter (mythology)
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Jupiter, also Jove, is the god of sky and thunder and king of the gods in Ancient Roman religion and mythology. Jupiter was the deity of Roman state religion throughout the Republican and Imperial eras. In Roman mythology, he negotiates with Numa Pompilius, the king of Rome, to establish principles of Roman religion such as offering. Jupiter is usually thought to have originated as a sky god, the two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, frequently seen on Greek and Roman coins. As the sky-god, he was a witness to oaths. Many of his functions were focused on the Capitoline Hill, where the citadel was located and he was the chief deity of the early Capitoline Triad with Mars and Quirinus. In the later Capitoline Triad, he was the guardian of the state with Juno. His sacred tree was the oak, the Romans regarded Jupiter as the equivalent of the Greek Zeus, and in Latin literature and Roman art, the myths and iconography of Zeus are adapted under the name Iuppiter. In the Greek-influenced tradition, Jupiter was the brother of Neptune, each presided over one of the three realms of the universe, sky, the waters, and the underworld. The Italic Diespiter was also a sky god who manifested himself in the daylight, usually, Tinia is usually regarded as his Etruscan counterpart. The Romans believed that Jupiter granted them supremacy because they had honoured him more than any other people had, Jupiter was the fount of the auspices upon which the relationship of the city with the gods rested. He personified the divine authority of Romes highest offices, internal organization and his image in the Republican and Imperial Capitol bore regalia associated with Romes ancient kings and the highest consular and Imperial honours. The consuls swore their oath of office in Jupiters name, to thank him for his help, they offered him a white ox with gilded horns. A similar offering was made by generals, who surrendered the tokens of their victory at the feet of Jupiters statue in the Capitol. Some scholars have viewed the triumphator as embodying Jupiter in the triumphal procession, Jupiters association with kingship and sovereignty was reinterpreted as Romes form of government changed. Originally, Rome was ruled by kings, after the monarchy was abolished and the Republic established, religious prerogatives were transferred to the patres, nostalgia for the kingship was considered treasonous. Those suspected of harbouring monarchical ambitions were punished, regardless of their service to the state, in the 5th century BC, the triumphator Camillus was sent into exile after he drove a chariot with a team of four white horses —an honour reserved for Jupiter himself. His house on the Capitoline Hill was razed, and it was decreed that no patrician should ever be allowed to live there, during the Conflict of the Orders, Romes plebeians demanded the right to hold political and religious office
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Pantheon (religion)
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A pantheon directed by a thunderboltwielding autocrat might suggest a patriarchy and the valuing of warrior skills. A pantheon headed by a great-mother goddess could suggest an agricultural society. To confront the pantheon of the Egyptians is to confront a worldview marked by a sense of death and resurrection and the agricultural importance of the cycles of nature. The Greek pantheon is a metaphor for a view of life that values art, beauty, and the power of the individual. Max Webers 1922 opus Economy and Society discusses the link between a pantheon of gods and the development of monotheism, Pantheon can also refer to a temple or sacred building explicitly dedicated to all deities, avoiding the difficulty of giving an exhaustive list. The most known such structure is the Pantheon of Rome, first built between the years 27 BCE and 14 CE, the building standing today was constructed on the same site around 126 CE. It was dedicated to all gods as a gesture embracing the religious syncretism in the increasingly multicultural Roman Empire, with subjects worshipping gods from many cultures, the building was later renovated for use as a Christian church in 609 under Pope Boniface IV. Since the 16th century, pantheon can also refer in a sense to the set of a societys exalted persons. Wrigley, Richard & Craske, Matthew, Pantheons, Transformations of a Monumental Idea
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Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
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Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
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Latin literature
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Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. Latin literature was in ways a continuation of Greek literature. Formal Latin literature began in 240 BC, when a Roman audience saw a Latin version of a Greek play, the adaptor was Livius Andronicus, a Greek who had been brought to Rome as a prisoner of war in 272 BC. Andronicus also translated Homers Greek epic the Odyssey into an old type of Latin verse called Saturnian, the first Latin poet to write on a Roman theme was Gnaeus Naevius during the 3rd century BC. He composed a poem about the first Punic War, in which he had fought. Naeviuss dramas were mainly reworkings of Greek originals, but he also created based on Roman myths. Quintus Ennius wrote an epic, the Annals, describing Roman history from the founding of Rome to his own time. He adopted Greek dactylic hexameter, which became the verse form for Roman epics. He also became famous for his tragic dramas, in this field, his most distinguished successors were Marcus Pacuvius and Lucius Accius. These three writers rarely used episodes from Roman history, instead, they wrote Latin versions of tragic themes that the Greeks had already handled. But even when they copied the Greeks, they did not translate slavishly, only fragments of their plays have survived. Considerably more is known about early Latin comedy, as 26 Early Latin comedies are extant –20 of which Plautus wrote, and these men modeled their comedies on Greek plays known as New Comedy. But they treated the plots and wording of the originals freely, Plautus scattered songs through his plays and increased the humor with puns and wisecracks, plus comic actions by the actors. Terences plays were more polite in tone, dealing with domestic situations and his works provided the chief inspiration for French and English comedies of the 17th century AD, and even for modern American comedy. The prose of the period is best known through On Agriculture by Cato the Elder, Cato also wrote the first Latin history of Rome and of other Italian cities. He was the first Roman statesman to put his political speeches in writing as a means of influencing public opinion, Early Latin literature ended with Gaius Lucilius, who created a new kind of poetry in his 30 books of Satires. He wrote in an easy, conversational tone about books, food, friends and this period is usually said to have begun with the first known speech of Cicero and ended with the death of Ovid. Cicero has traditionally been considered the master of Latin prose, Ciceros many works can be divided into four groups, letters, rhetorical treatises, philosophical works, and orations
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Ancient Greek religion
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Ancient Greek religion encompasses the collection of beliefs, rituals, and mythology originating in ancient Greece in the form of both popular public religion and cult practices. These groups varied enough for it to be possible to speak of Greek religions or cults in the plural, many ancient Greeks recognized the twelve major gods and goddesses, although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. Different cities often worshiped the deities, sometimes with epithets that distinguished them. Greek religion was tempered by Etruscan cult and belief to form much of the later ancient Roman religion, while there were few concepts universal to all the Greek peoples, there were common beliefs shared by many. Ancient Greek theology was polytheistic, based on the assumption there were many gods. There was a hierarchy of deities, with Zeus, the king of the gods, having a level of control all the others. Some deities had dominion over aspects of nature. Other deities ruled over abstract concepts, for instance Aphrodite controlled love, while being immortal, the gods were certainly not all-good or even all-powerful. They had to obey fate, known to Greek mythology as the Moirai, which overrode any of their divine powers or wills. For instance, in mythology, it was Odysseus fate to return home to Ithaca after the Trojan War, and the gods could only lengthen his journey and make it harder for him, the gods acted like humans, and had human vices. They would interact with humans, sometimes even spawning children with them, at times certain gods would be opposed to others, and they would try to outdo each other. In the Iliad, Aphrodite, Ares and Apollo support the Trojan side in the Trojan War, while Hera, Athena, some gods were specifically associated with a certain city. Athena was associated with the city of Athens, Apollo with Delphi and Delos, Zeus with Olympia, other deities were associated with nations outside of Greece, Poseidon was associated with Ethiopia and Troy, and Ares with Thrace. The Greeks believed in an underworld where the spirits of the dead went after death, one of the most widespread areas of this underworld was ruled over by Hades, a brother of Zeus, and was known as Hades. Other well known realms are Tartarus, a place of torment for the damned, and Elysium, in the early Mycenean religion all the dead went to Hades, but the rise of mystery cults in the Archaic age led to the development of places such as Tartarus and Elysium. Such beliefs are found in the most ancient of Greek sources, such as Homer and this belief remained strong even into the Christian era. For most people at the moment of death there was, however, no hope of anything, some Greeks, such as the philosophers Pythagoras and Plato, also embraced the idea of reincarnation, though this was only accepted by a few. Epicurus taught that the soul was simply atoms which dissolved at death, Greek religion had an extensive mythology
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Greek hero cult
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Hero cults were one of the most distinctive features of ancient Greek religion. In Homeric Greek, hero refers to a man who was fighting on either side during the Trojan War, copious renewed offerings begin to be represented, after a hiatus, at sites like Lefkandi, even though the names of the grandly buried dead were hardly remembered. Stories began to be told to individuate the persons who were now believed to be buried in these old, large Mycenaean tholos tombs that betokened a grander past, were often the site of hero-cults. Not all heroes were even known by names, the custom, then, was already established, and there were multiple local heroes. In the heros restricted and local scope he retained the limited, the two exceptions to the above were Heracles and Asclepius, who might be honored as either heroes or gods, with chthonic libation or with burnt sacrifice. Heroes in cult behaved very differently from heroes in myth and they might appear indifferently as men or as snakes, and they seldom appeared unless angered. A Pythagorean saying advises not to eat food that has fallen on the floor, Heroes if ignored or left unappeased could turn malicious, in a fragmentary play by Aristophanes, a chorus of anonymous heroes describe themselves as senders of lice, fever and boils. These all seem to date to the 8th century BC, the cult of Pelops at Olympia dates from the Archaic period. Where local cult venerated figures such as the sacrificial virgin Iphigeneia, other isolated female figures represented priestess-initiators of a local cult. Iconographic and epigraphal evidence marshalled by Larson combine to depict heroines as similar in kind to heroes, Whitley distinguishes four or five essential types of hero cult, Oikist cults of founders. Such cults arose in colonies in the Hellenic world in Magna Graecia and Sicily at the grave of the founder, in the case of cults at the tombs of the recently heroised, it must be assumed that the identity of the occupant of the tomb was unequivocally known. Thucydides gives the example of Brasidas at Amphipolis, battus of Cyrene might also be mentioned. Such historical examples, Whitley warns, have colored the interpretation of certain tomb cults in the Archaic period. Such Archaic sites as the heroon at Lefkandi and that close to the West Gate at Eretria cannot be distinguished by archaeological methods from family observances at tombs and the cult of ancestors. A number of sites known in Classical times were dedicated to known heroes in the Greek and modern senses, especially of the Iliad. The cults of Oedipus at Athens and Pelops at Olympia are examples, such local figures do not figure among the Panhellenic figures of epic. Examples would be Akademos and Erechtheus at Athens and these are represented archaeologically by Iron Age deposits in Mycenaean tombs, not easily interpreted. Because of the gap in time between the Bronze Age collapse and the earliest votive objects, continuity appears to be broken
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Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
40.
Iliad
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The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Then the epic narrative takes up events prophesied for the future, such as Achilles imminent death and the fall of Troy, although the narrative ends before these events take place. However, as events are prefigured and alluded to more and more vividly. The Iliad is paired with something of a sequel, the Odyssey, along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760–710 BC, in the modern vulgate, the Iliad contains 15,693 lines, it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. Note, Book numbers are in parentheses and come before the synopsis of the book, after an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollos help, and Apollo causes a plague to afflict the Greek army, after nine days of plague, Achilles, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, angered, Achilles declares that he and his men will no longer fight for Agamemnon but will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague, in the meantime, Agamemnons messengers take Briseis away. Achilles becomes very upset, sits by the seashore, and prays to his mother, Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, and Zeus agrees, Zeus sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but decides to first test the Greek armys morale, the plan backfires, and only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a soldier who voices discontent about fighting Agamemnons war. After a meal, the Greeks deploy in companies upon the Trojan plain, the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans too sortie upon the plain, in a list similar to that for the Greeks, the poet describes the Trojans and their allies. The armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector. While Helen tells Priam about the Greek commanders from the walls of Troy, Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him
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Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
