1.
Saint Dominic
–
Saint Dominic, also known as Dominic of Osma and Dominic of Caleruega, often called Dominic de Guzmán and Domingo Félix de Guzmán, was a Castilian priest and founder of the Dominican Order. Dominic is the saint of astronomers. Dominic was born in Caleruega, halfway between Osma and Aranda de Duero in Old Castile, Spain and he was named after Saint Dominic of Silos, who is said to be the patron saint of hopeful mothers. The Benedictine abbey of Santo Domingo de Silos lies a few north of Caleruega. In the earliest narrative source, by Jordan of Saxony, Dominics parents are named Felix Guzman and Juanna of Aza. This story drew resonance from the fact that his order became known, after his name, as the Dominican order, Dominicanus in Latin which a play on words interpreted as Domini canis, Dog of the Lord. Jordan adds that Dominic was brought up by his parents and an uncle who was an archbishop. The failure to name his parents is not unusual, since Jordan wrote a history of the Orders early years, a later source, still of the 13th century, also gives their names as Juana and Felix. Nearly a century after Dominics birth, a local author asserted that Dominics father was vir venerabilis et dives in populo suo. The travel narrative of Pero Tafur, written circa 1439, states that Dominics father belonged to the family de Guzmán, Dominics mother, Jane of Aza, was beatified by Pope Leo XII in 1828. Dominic was educated in the schools of Palencia where he devoted six years to the arts, in 1191, when Spain was desolated by famine, young Dominic gave away his money and sold his clothes, furniture and even precious manuscripts to feed the hungry. Dominic reportedly told his fellow students, Would you have me study off these dead skins. In 1194, around age twenty-five, Dominic joined the Canons Regular in the canonry in the Cathedral of Osma, following the rule of Saint Augustine. In 1203 or 1204 he accompanied Diego de Acebo, the Bishop of Osma, on a mission for Alfonso VIII, King of Castile. The envoys traveled to Denmark via Aragon and the south of France, the marriage negotiations ended successfully, but the princess died before leaving for Castile. However, even Dominic managed only a few converts among the Cathari, in 1215, Dominic established himself, with six followers, in a house given by Peter Seila, a rich resident of Toulouse. He subjected himself and his companions to the rules of prayer and penance. In the same year, the year of the Fourth Lateran Council, Dominic and Foulques went to Rome to secure the approval of the Pope, Innocent III
2.
Spain
–
By population, Spain is the sixth largest in Europe and the fifth in the European Union. Spains capital and largest city is Madrid, other urban areas include Barcelona, Valencia, Seville, Bilbao. Modern humans first arrived in the Iberian Peninsula around 35,000 years ago, in the Middle Ages, the area was conquered by Germanic tribes and later by the Moors. Spain is a democracy organised in the form of a government under a constitutional monarchy. It is a power and a major developed country with the worlds fourteenth largest economy by nominal GDP. Jesús Luis Cunchillos argues that the root of the span is the Phoenician word spy. Therefore, i-spn-ya would mean the land where metals are forged, two 15th-century Spanish Jewish scholars, Don Isaac Abravanel and Solomon ibn Verga, gave an explanation now considered folkloric. Both men wrote in two different published works that the first Jews to reach Spain were brought by ship by Phiros who was confederate with the king of Babylon when he laid siege to Jerusalem. This man was a Grecian by birth, but who had given a kingdom in Spain. He became related by marriage to Espan, the nephew of king Heracles, Heracles later renounced his throne in preference for his native Greece, leaving his kingdom to his nephew, Espan, from whom the country of España took its name. Based upon their testimonies, this eponym would have already been in use in Spain by c.350 BCE, Iberia enters written records as a land populated largely by the Iberians, Basques and Celts. Early on its coastal areas were settled by Phoenicians who founded Western Europe´s most ancient cities Cadiz, Phoenician influence expanded as much of the Peninsula was eventually incorporated into the Carthaginian Empire, becoming a major theater of the Punic Wars against the expanding Roman Empire. After an arduous conquest, the peninsula came fully under Roman Rule, during the early Middle Ages it came under Germanic rule but later, much of it was conquered by Moorish invaders from North Africa. In a process took centuries, the small Christian kingdoms in the north gradually regained control of the peninsula. The last Moorish kingdom fell in the same year Columbus reached the Americas, a global empire began which saw Spain become the strongest kingdom in Europe, the leading world power for a century and a half, and the largest overseas empire for three centuries. Continued wars and other problems led to a diminished status. The Napoleonic invasions of Spain led to chaos, triggering independence movements that tore apart most of the empire, eventually democracy was peacefully restored in the form of a parliamentary constitutional monarchy. Spain joined the European Union, experiencing a renaissance and steady economic growth
3.
Baroque painting
–
Baroque painting is the painting associated with the Baroque cultural movement. Baroque art was meant to evoke emotion and passion instead of the rationality that had been prized during the Renaissance. Among the greatest painters of the Baroque period are Velázquez, Caravaggio, Rembrandt, Rubens, Poussin, Caravaggio is an heir of the humanist painting of the High Renaissance. Baroque painting often dramatizes scenes using light effects, this can be seen in works by Rembrandt, Vermeer, Le Nain. The Flemish painter Anthony van Dyck developed a graceful but imposing portrait style that was very influential, technical standards were very high, and Dutch Golden Age painting established a new repertoire of subjects that was very influential until the arrival of Modernism. The term Baroque was initially used with a meaning, to underline the excesses of its emphasis. Others derive it from the mnemonic term Baroco denoting, in logical Scholastica, in particular, the term was used to describe its eccentric redundancy and noisy abundance of details, which sharply contrasted the clear and sober rationality of the Renaissance. He did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Writers in French and English did not begin to treat Baroque as a respectable study until Wölfflins influence had made German scholarship pre-eminent. Led by Italy, Mediterranean countries, slowly followed by most of the Holy Roman Empire in Germany and Central Europe, while the Baroque nature of Rembrandts art is clear, the label is less use for Vermeer and many other Dutch artists. In France a dignified and graceful classicism gave a distinctive flavour to Baroque painting, likeness and Presence, A History of the Image before the Era of Art. Mark Getlein, Living With Art, 8th edition, the Story of Art, Phaidon,1995. ISBN 0-7148-3355-X Christine Buci-Glucksmann, Baroque Reason, The Aesthetics of Modernity, the Age of Baroque Heinrich Wölfflin,1964. Renaissance and Baroque The classic study
4.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
El Escorial
–
It is one of the Spanish royal sites and functions as a monastery, basilica, royal palace, pantheon, library, museum, university and hospital. It is situated 2.06 km up the valley from the town of El Escorial, El Escorial was, at once, a monastery and a Spanish royal palace. Originally a property of the Hieronymite monks, it is now a monastery of the Order of Saint Augustine and it is also a boarding school. Philip engaged the Spanish architect, Juan Bautista de Toledo, to be his collaborator in the design of El Escorial, Philip appointed him architect-royal in 1559, and together they designed El Escorial as a monument to Spains role as a center of the Christian world. On 2 November 1984, UNESCO declared The Royal Seat of San Lorenzo of El Escorial a World Heritage Site and it is a popular tourist attraction, often visited by day-trippers from Madrid – more than 500,000 visitors come to El Escorial every year. El Escorial is situated at the foot of Mt. Abantos in the Sierra de Guadarrama, Quentin in Picardy against Henry II, king of France. He also intended the complex to serve as a necropolis for the interment of the remains of his parents, Charles I and Isabella of Portugal, himself, in addition, Philip envisioned El Escorial as a center for studies in aid of the Counter-Reformation cause. The buildings cornerstone was laid on 23 April 1563, the design and construction were overseen by Juan Bautista de Toledo, who did not live to see the completion of the project. With Toledos death in 1567, direction passed to his apprentice, Juan de Herrera, under whom the building was completed in 1584, to this day, la obra de El Escorial is a proverbial expression for a thing that takes a long time to finish. Since then, El Escorial has been the site for most of the Spanish kings of the last five centuries. Two Bourbon kings, Philip V and Ferdinand VI, as well as King Amadeus, are not buried in the monastery, the floor plan of the building is in the form of a gridiron. The traditional belief is that design was chosen in honor of St. Lawrence. St. Lawrence’s feast day is 10 August, the date as the 1557 Battle of St. Quentin. In fact, however, the origin of the layout is quite controversial. The grill-like shape, which did not fully emerge until Herrera eliminated from the conception the six interior towers of the facade, was, by no means. In fact, palaces of this design were commonplace in the Byzantine. Statues of David and Solomon on either side of the entrance to the basilica of El Escorial lend further weight to the theory that this is the origin of the design. A more personal connection can be drawn between the David-warrior figure, representing Charles V, and his son, the stolid and solomonically prudent Philip II
6.
Sculpture
–
Sculpture is the branch of the visual arts that operates in three dimensions. It is one of the plastic arts, a wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or molded, or cast. However, most ancient sculpture was painted, and this has been lost. Those cultures whose sculptures have survived in quantities include the cultures of the ancient Mediterranean, India and China, the Western tradition of sculpture began in ancient Greece, and Greece is widely seen as producing great masterpieces in the classical period. During the Middle Ages, Gothic sculpture represented the agonies and passions of the Christian faith, the revival of classical models in the Renaissance produced famous sculptures such as Michelangelos David. Relief is often classified by the degree of projection from the wall into low or bas-relief, high relief, sunk-relief is a technique restricted to ancient Egypt. Relief sculpture may also decorate steles, upright slabs, usually of stone, techniques such as casting, stamping and moulding use an intermediate matrix containing the design to produce the work, many of these allow the production of several copies. The term sculpture is used mainly to describe large works. The very large or colossal statue has had an enduring appeal since antiquity, another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the head, showing just that, or the bust, small forms of sculpture include the figurine, normally a statue that is no more than 18 inches tall, and for reliefs the plaquette, medal or coin. Sculpture is an important form of public art, a collection of sculpture in a garden setting can be called a sculpture garden. One of the most common purposes of sculpture is in form of association with religion. Cult images are common in cultures, though they are often not the colossal statues of deities which characterized ancient Greek art. The actual cult images in the innermost sanctuaries of Egyptian temples, of which none have survived, were rather small. The same is true in Hinduism, where the very simple. Some undoubtedly advanced cultures, such as the Indus Valley civilization, appear to have had no monumental sculpture at all, though producing very sophisticated figurines, the Mississippian culture seems to have been progressing towards its use, with small stone figures, when it collapsed. Other cultures, such as ancient Egypt and the Easter Island culture, from the 20th century the relatively restricted range of subjects found in large sculpture expanded greatly, with abstract subjects and the use or representation of any type of subject now common. Today much sculpture is made for intermittent display in galleries and museums, small sculpted fittings for furniture and other objects go well back into antiquity, as in the Nimrud ivories, Begram ivories and finds from the tomb of Tutankhamun
7.
Court painter
–
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, in England the role of Serjeant Painter was set up for this, leaving the Kings painter free to paint mostly portraits. See category of Italian art collectors for lists that included non-aristocratic patrons, some artists, like Jan van Eyck or Diego Velázquez, were used in other capacities at court, as diplomats, functionaries, or administrators. In Islamic cultures, especially between the 14th and 17th centuries, similar arrangements operated for miniaturists and artists in other media. In the Persian miniature, the shah and other rulers typically maintained a workshop or atelier, of calligraphers, miniaturists, binders and other crafts. The name by which Riza Abbasi is usually includes the honorific title Abbasi. Abd as-Samad, a Persian painter who moved to the Mughal Empire, was given a number of significant administrative jobs, the court remained the focus of patronage of painting in the sub-Mughal princely courts of India, whether Muslim or Hindu. At many periods rulers owned or controlled royal workshops or factories making high-quality tapestries, porcelain or pottery, silks and this was especially the case in China and in the Byzantine Empire. Le Brun dominated, and largely created, the style found throughout Louis XIVs palaces, by the 20th century court painters was an obsolete position. Commonly more artists were granted permission by royalty who would sit for official portraits whether for private of patron purposes, Artists of the Tudor Court 21st Century Court Artists Michael Levey, Painting at Court, Weidenfeld and Nicholson, London,1971
8.
Charles II of Spain
–
Charles II of Spain was the last Habsburg ruler of Spain. His realm included Southern Netherlands, Italian territories, several cities in north Africa and Spains overseas empire, known as the Bewitched, he is noted for his extensive physical, intellectual, and emotional disabilities and his consequent ineffectual rule. He died in 1700, childless and heirless, with all potential Habsburg successors having predeceased him, in his will, Charles named as his successor the almost 17-year-old Philip, Duke of Anjou, grandson of Charles half-sister Maria Theresa of Spain, the first wife of Louis XIV. Charles was born in the Spanish capital, Madrid, the son of Philip IV of Spain and his second wife, Mariana of Austria. As the only surviving heir of his fathers two marriages, Charles was named Prince of Asturias, the title given to the person first in line to the Spanish throne. The Spanish branch of the Habsburg royal family was noted for extreme consanguinity, well aware that they owed their power to fortunate marriages, they married between themselves to protect their gains. Philip and Mariana were actually uncle and niece, therefore, Charles was not only their son, Charles was physically and mentally disabled and infertile, possibly due to this massive inbreeding. Due to the deaths of his brothers, he was the last member of the male Spanish Habsburg line. Charles did not learn to speak until the age of four nor to walk until eight and his jaw was so badly deformed that he could barely speak or chew. Fearing the frail child would be overtaxed, his caretakers did not force Charles to attend school, the indolence of the young Charles was indulged to such an extent that at times he was not expected to be clean. The only vigorous activity in which Charles is known to have participated was shooting and he occasionally indulged in the sport in the preserves of El Escorial. The years of Charless reign were difficult for Spain, the economy was stagnant, there was hunger in the land, and the power of the monarchy over the various Spanish provinces was extremely weak. Spain’s finances were perpetually in crisis, Charles unfitness for rule meant he was often ignored, and power during his reign became the subject of court intrigues and foreign influence, particularly French and Austrian. Charles was three years old when his father, Philip IV, died on 17 September 1665, the Council of Castile appointed Philips second wife and Charles mother, Mariana of Austria, regent for the minor king. Charles inherited the Portuguese Restoration War and soon after his accession Spain was plunged into the War of Devolution with France in Spanish Netherlands, as regent, Mariana managed the countrys affairs through a series of favourites, whose merits usually amounted to no more than meeting her fancy. From then on he was the de facto prime minister or valido of Spain, the sheer size of the kingdom at that time made this kind of government increasingly damaging to the realms affairs. The treaty ceded the North African enclave of Ceuta to Spain, but marked the loss of Portugal, to end the War of Devolution, Nithard signed the Treaty of Aix-la-Chapelle. However, the members of the Councils and in particular Charles illegitimate half-brother, in February 1669, a military revolt in Aragon and Catalonia led by Juan José, who then proceeded to march toward Madrid, brought about Nithards dismissal
9.
Madrid
–
Madrid is the capital city of the Kingdom of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has a population of almost 3.2 million with an area population of approximately 6.5 million. It is the third-largest city in the European Union after London and Berlin, the municipality itself covers an area of 604.3 km2. Madrid lies on the River Manzanares in the centre of both the country and the Community of Madrid, this community is bordered by the communities of Castile and León. As the capital city of Spain, seat of government, and residence of the Spanish monarch, Madrid is also the political, economic, the current mayor is Manuela Carmena from Ahora Madrid. Madrid is home to two football clubs, Real Madrid and Atlético de Madrid. Madrid is the 17th most liveable city in the according to Monocle magazine. Madrid organises fairs such as FITUR, ARCO, SIMO TCI, while Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Cibeles Palace and Fountain have become one of the monument symbols of the city, the first documented reference of the city originates in Andalusan times as the Arabic مجريط Majrīṭ, which was retained in Medieval Spanish as Magerit. A wider number of theories have been formulated on possible earlier origins, according to legend, Madrid was founded by Ocno Bianor and was named Metragirta or Mantua Carpetana. The most ancient recorded name of the city Magerit comes from the name of a built on the Manzanares River in the 9th century AD. Nevertheless, it is speculated that the origin of the current name of the city comes from the 2nd century BC. The Roman Empire established a settlement on the banks of the Manzanares river, the name of this first village was Matrice. In the 8th century, the Islamic conquest of the Iberian Peninsula saw the changed to Mayrit, from the Arabic term ميرا Mayra. The modern Madrid evolved from the Mozarabic Matrit, which is still in the Madrilenian gentilic, after the disintegration of the Caliphate of Córdoba, Madrid was integrated in the Taifa of Toledo. With the surrender of Toledo to Alfonso VI of León and Castile, the city was conquered by Christians in 1085, Christians replaced Muslims in the occupation of the centre of the city, while Muslims and Jews settled in the suburbs. The city was thriving and was given the title of Villa, since 1188, Madrid won the right to be a city with representation in the courts of Castile. In 1202, King Alfonso VIII of Castile gave Madrid its first charter to regulate the municipal council, which was expanded in 1222 by Ferdinand III of Castile
10.
Sacristy
–
A sacristy is a room for keeping vestments and other church furnishings, sacred vessels, and parish records. In some countries, it is known as the vestry, the sacristy is usually located inside the church, but in some cases it is an annex or separate building. In most older churches, a sacristy is near a side altar, in newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function, often additional sacristies are used for maintaining the church and its items – such as candles and other materials. The sacristy is also where the priest and attendants vest and prepare before the service and they will return there at the end of the service to remove their vestments and put away any of the vessels used during the service. The hangings and altar linens are stored there as well, the Parish registers may be kept in the sacristy and are administered by the parish clerk. The piscina is used to wash linens used during the celebration of the Mass, the cruets, chalice, ciborium, paten, altar linens and sometimes the Holy Oils are kept inside the sacristy. Sacristies are usually off limits to the general public, the word sacristy derives from the Latin sacristia, sometimes spelled sacrastia, which is in turn derived from sacrista, from sacra. A person in charge of the sacristy and its contents is called a sacrist or a sacristan, the latter name was formerly given to the sexton of a parish church, where he would have cared for these things, the fabric of the building and the grounds. In Eastern Christianity, the functions of the sacristy are fulfilled by the Diaconicon and the Prothesis, two rooms or areas adjacent to the Holy Table
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Coello, Claudio". In Graves, Robert Edmund. Bryan's Dictionary of Painters and Engravers (A–K). I (3rd ed.). London: George Bell & Sons.
