1.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
2.
Spell (paranormal)
–
A spell, charm, invocation, or hex is a set of words, spoken or unspoken, which are considered by its user to invoke some magical effect. Historical attestations exist for the use of some variety of incantations in many cultures around the world. Spells can be used in calling upon or summoning a spirit, demon, god or other supernatural agent, spells would generally be distinguished from magic symbols, words, patterns, recipes, practices and other forms of magic that were not directly exercised by a collection of words. However, some spells were combinations or repetitions of words that were considered to have magic power, surviving examples from northern Europe include For a Swarm of Bees, the Nine Herbs Charm and the Merseburg Incantations. Due to the written record of ancient Egyptian culture, a number of references to magic. In particular the embalming and interring process involved the use of many documented spells, the performance of magic almost always involves the use of language. Whether spoken out loud or unspoken, words are used to access or guide magical power. In The Magical Power of Words S. J. Tambiah argues that the connection between language and magic is due to a belief in the inherent ability of words to influence the universe. Magical speech is therefore an act and is of equal or even greater importance to the performance of magic than non-verbal acts. Not all speech is considered magical, only certain words and phrases or words spoken in a specific context are considered to have magical power. Magical language, according to C. K, Magical language is therefore particularly adept at constructing metaphors that establish symbols and link magical rituals to the world. Malinowski argues that the language of magic is sacred, set, the two forms of language are differentiated through word choice, grammar, style, or by the use of specific phrases or forms, prayers, spells, songs, blessings, or chants, for example. Sacred modes of language often employ archaic words and forms in an attempt to invoke the purity or truth of a religious or a golden age. The use of Hebrew in Judaism is an example, another potential source of the power of words is their secrecy and exclusivity. Much sacred language is differentiated enough from common language that it is incomprehensible to the majority of the population, in this respect, Tambiah argues that magical languages violate the primary function of language, communication. Incantation Invocation Magic word Mantra Prayer
Spell (paranormal)
–
Manuscript with the
Merseburg Incantations.
3.
Coffin
–
A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation. The word took two different paths, cofin in Old French originally meaning basket, became coffin in English, a distinction is often made between coffin and casket, the latter is generally understood to denote a four-sided funerary box, while a coffin is usually six-sided. However, coffins having a side with a curve at the shoulder instead of a join are more commonly used in the United Kingdom. First attested in English in 1380, the word derives from the Old French cofin, from Latin cophinus, which means a basket. The earliest attested form of the word is the Mycenaean Greek ko-pi-na, receptacles for cremated and cremulated human ashes are called urns. A coffin may be buried in the ground directly, placed in a vault or cremated. Alternatively it may be entombed above ground in a mausoleum, a chapel, some countries practice one form almost exclusively, whereas in others it may depend on the individual cemetery. In part of Sumatra, Indonesia, ancestors are revered and bodies were kept in coffins kept alongside the longhouses until a ritual burial could be performed. The dead are also disinterred for rituals, in northern Sulawesi, some dead were kept in above ground sarcophagi called waruga until the practice was banned by the Dutch in the 19th century. The handles and other ornaments that go on the outside of a coffin are called fittings while organising the inside of the coffin with fabric of some kind is known as trimming the coffin, cultures that practice burial have widely different styles of coffin. In Judaism, the coffin must be plain, made of wood and these coffins use wooden pegs instead of nails. All Jews are buried in the same plain cloth shroud from shoulder to knees, regardless of status in life, in China and Japan, coffins made from the scented, decay-resistant wood of cypress, sugi, thuja and incense-cedar are in high demand. Certain Aboriginal Australian groups use intricately decorated tree-bark cylinders sewn with fibre, the cylinder is packed with dried grasses. When a coffin is used to transport a person, it can also be called a pall. Coffins are traditionally made with six sides plus the top and bottom, tapered around the shoulders, another form of four-sided coffin is trapezoidal and is considered a variant of the six-sided hexagonal kind of coffin. Continental Europe at one time favoured the rectangular coffin or casket, although variations exist in size, coffins in the UK are mainly similar to the hexagonal design, but with one-piece sides, curved at the shoulder instead of having a join. In Medieval Japan, round coffins were used, which resembled barrels in shape and were made by coopers. In the case of a death at sea, there have been instances where trunks have been pressed into use as a coffin, coffins usually have handles on the side so they will be easier to carry
Coffin
–
A shop window display of coffins at a Funeral Director's offices in
Warsaw,
Poland. These coffins were visible to anyone walking down the street
Coffin
–
Recreation of President Abraham Lincoln lying in repose in replicated coffin at the National Museum of Funeral History, Houston TX
Coffin
–
The side of an
Ancient Egyptian sarcophagus
Coffin
–
plain bespoke stone coffin, c. 7th century
4.
Pyramid Texts
–
The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
Pyramid Texts
–
Pyramid texts from
Teti I's pyramid.
5.
Pharaoh
–
The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
Pharaoh
–
Den
Pharaoh
–
Narmer Palette
Pharaoh
–
Nomen and prenomen of
Ramesses III
Pharaoh
–
Royal titulary
6.
Middle Kingdom of Egypt
–
Some scholars also include the Thirteenth Dynasty of Egypt wholly into this period as well, in which case the Middle Kingdom would finish c. 1650, while others only include it until Merneferre Ay c.1700 BC, during the Middle Kingdom period, Osiris became the most important deity in popular religion. The period comprises two phases, the 11th Dynasty, which ruled from Thebes and the 12th Dynasty onwards which was centered on el-Lisht, after the collapse of the Old Kingdom, Egypt entered a period of weak Pharaonic power and decentralization called the First Intermediate Period. Towards the end of period, two rival dynasties, known in Egyptology as the Tenth and Eleventh, fought for power over the entire country. The Theban 11th Dynasty only ruled southern Egypt from the first cataract to the Tenth Nome of Upper Egypt, to the north, Lower Egypt was ruled by the rival 10th Dynasty from Herakleopolis. The struggle was to be concluded by Mentuhotep II, who ascended the Theban throne in 2055 B. C, during Mentuhotep IIs fourteenth regnal year, he took advantage of a revolt in the Thinite Nome to launch an attack on Herakleopolis, which met little resistance. After toppling the last rulers of the 10th Dynasty, Mentuhotep began consolidating his power over all Egypt, for this reason, Mentuhotep II is regarded as the founder of the Middle Kingdom. Mentuhotep II commanded military campaigns south as far as the Second Cataract in Nubia and he also restored Egyptian hegemony over the Sinai region, which had been lost to Egypt since the end of the Old Kingdom. He also sent the first expedition to Punt during the Middle Kingdom, by means of ships constructed at the end of Wadi Hammamat, Mentuhotep III was succeeded by Mentuhotep IV, whose name significantly is omitted from all ancient Egyptian king lists. The Turin Papyrus claims that after Mentuhotep III came seven kingless years, despite this absence, his reign is attested from a few inscriptions in Wadi Hammamat that record expeditions to the Red Sea coast and to quarry stone for the royal monuments. The leader of expedition was his vizier Amenemhat, who is widely assumed to be the future pharaoh Amenemhet I. Mentuhotep IVs absence from the king lists has prompted the theory that Amenemhet I usurped his throne, while there are no contemporary accounts of this struggle, certain circumstantial evidence may point to the existence of a civil war at the end of the 11th dynasty. Inscriptions left by one Nehry, the Haty-a of Hermopolis, suggest that he was attacked at a place called Shedyet-sha by the forces of the reigning king, but his forces prevailed. Khnumhotep I, an official under Amenemhet I, claims to have participated in a flotilla of 20 ships to pacify Upper Egypt, donald Redford has suggested these events should be interpreted as evidence of open war between two dynastic claimants. What is certain is that, however he came to power, from the 12th dynasty onwards, pharaohs often kept well-trained standing armies, which included Nubian contingents. These formed the basis of larger forces which were raised for defence against invasion, however, the Middle Kingdom was basically defensive in its military strategy, with fortifications built at the First Cataract of the Nile, in the Delta and across the Sinai Isthmus. Early in his reign, Amenemhet I was compelled to campaign in the Delta region, in addition, he strengthened defenses between Egypt and Asia, building the Walls of the Ruler in the East Delta region. Perhaps in response to this perpetual unrest, Amenemhat I built a new capital for Egypt in the north, known as Amenemhet Itj Tawy, or Amenemhet, the location of this capital is unknown, but is presumably near the citys necropolis, the present-day el-Lisht
Middle Kingdom of Egypt
–
An
Osiride statue of the first pharaoh of the Middle Kingdom, Mentuhotep II
Middle Kingdom of Egypt
–
The head of a statue of Senusret I.
Middle Kingdom of Egypt
–
Statue head of Senusret III
7.
Stele
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A stele is a stone or wooden slab, generally taller than it is wide, erected in ancient Western culture as a monument. Grave steles were often used for funerary or commemorative purposes, Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. The surface of the stele usually has text, ornamentation, or both, the ornamentation may be inscribed, carved in relief, or painted. Traditional Western gravestones may technically be considered the equivalent of ancient stelae. The most famous example of an inscribed stela leading to increased understanding is the Rosetta Stone, an informative stele of Tiglath-Pileser III is preserved in the British Museum. Two steles built into the walls of a church are major documents relating to the Etruscan language, unfinished standing stones, set up without inscriptions from Libya in North Africa to Scotland were monuments of pre-literate Megalithic cultures in the Late Stone Age. The Pictish stones of Scotland, often carved, date from between the 6th and 9th centuries. An obelisk is a kind of stele. The Insular high crosses of Ireland and Britain are specialized steles, totem poles of North and South America that are made out of stone may also be considered a specialized type of stele. Gravestones, typically with inscribed name and often with inscribed epitaph, are among the most common types of stele seen in Western culture. Most recently, in the Memorial to the Murdered Jews of Europe in Berlin, the memorial is meant to be read not only as the field, but also as an erasure of data that refer to memory of the Holocaust. Steles have been the medium of stone inscription in China since the Tang dynasty. Chinese steles are generally rectangular stone tablets upon which Chinese characters are carved intaglio with a funerary, commemorative and they can commemorate talented writers and officials, inscribe poems, portraits, or maps, and frequently contain the calligraphy of famous historical figures. During the Han dynasty, tomb inscriptions containing biographical information on deceased people began to be written on stone tablets rather than wooden ones, erecting steles at tombs or temples eventually became a widespread social and religious phenomenon. Emperors found it necessary to promulgate laws, regulating the use of funerary steles by the population, Steles are found at nearly every significant mountain and historical site in China. The First Emperor made five tours of his domain in the 3rd century BC and had Li Si make seven stone inscriptions commemorating and praising his work, of which fragments of two survive. One of the most famous mountain steles is the 13 m high stele at Mount Tai with the calligraphy of Emperor Xuanzong of Tang commemorating his imperial sacrifices there in 725. A number of stone monuments have preserved the origin and history of Chinas minority religious communities
Stele
–
Stele N from
Copán,
Honduras, depicting King K'ac Yipyaj Chan K'awiil ("Smoke Shell"), as drawn by
Frederick Catherwood in 1839
Stele
–
The
funerary stele of Thrasea and Euandria, c. 365 BC
Stele
–
Chinese ink rubbings of the 1489 (left) and 1512 (right) steles left by the
Kaifeng Jews.
Stele
–
Grave Stela of Nehemes-Ra-tawy, ca. 760-656 B.C.E.,37.588E,
Brooklyn Museum
8.
Canopic chest
–
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification. Once canopic jars began to be used, in the late Fourth Dynasty, although the first proven canopic burials date from the Fourth Dynasty reign of Sneferu, there is evidence to suggest that there were canopic installations at Saqqara dating from the Second Dynasty. Canopic chests had an important place in Egyptian culture, canopic chests contained the internal organs of mummies, so they relate to the Egyptian belief that the afterlife is just as important as life on earth. Egyptians believed that everything had to be preserved to journey into the land after life. The first canopic chests were simple and wooden, but as time went on became more elaborate. Then, around the 21st Dynasty the Egyptians decided to leave the viscera inside mummies, but because they had been using canopic chests for thousands of years they kept putting them in tombs, just without anything in them. Canopic chests fell out of use during the Ptolemaic period, the style and materials were different at different times, though always reflected the Egyptian ideal of perfectly measured and precise beauty. The tall wooden shrine-like chests had bright painting on their sides, craftsmen coated the wood with gesso to prepare it for the pigment they then painted it with. All the decoration tells us something about Egyptian religion, the painting is not as perfectly measured and precise as earlier Egyptian art, because Egyptian civilization was decaying when it was made
Canopic chest
–
Tutankhamun 's canopic chest.
Egyptian Museum,
Cairo.
Canopic chest
–
Replica of
Tutankhamun 's canopic chest on display at the
Rosicrucian Egyptian Museum.
9.
Papyrus
–
The word papyrus /pəˈpaɪrəs/ refers to a thick precursor to modern paper made from the pith of the papyrus plant, Cyperus papyrus. Papyrus can also refer to a document written on sheets of papyrus joined together side by side and rolled up into a scroll, the plural for such documents is papyri. Papyrus is first known to have used in ancient Egypt. It was also used throughout the Mediterranean region and in Kingdom of Kush, the Ancient Egyptians used papyrus as a writing material, as well as employing it commonly in the construction of other artifacts such as reed boats, mats, rope, sandals, and baskets. Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE, the earliest archaeological evidence of papyrus was excavated in 2012 and 2013 at Wadi al-Jarf, an ancient Egyptian harbor located on the Red Sea coast. The papyrus rolls describe the last years of building the Great Pyramid of Giza, in the first centuries BCE and CE, papyrus scrolls gained a rival as a writing surface in the form of parchment, which was prepared from animal skins. Sheets of parchment were folded to form quires from which book-form codices were fashioned, early Christian writers soon adopted the codex form, and in the Græco-Roman world, it became common to cut sheets from papyrus rolls to form codices. Codices were an improvement on the scroll, as the papyrus was not pliable enough to fold without cracking. Papyrus had the advantage of being cheap and easy to produce. Unless the papyrus was of quality, the writing surface was irregular. Its last appearance in the Merovingian chancery is with a document of 692, the latest certain dates for the use of papyrus are 1057 for a papal decree, under Pope Victor II, and 1087 for an Arabic document. Its use in Egypt continued until it was replaced by more inexpensive paper introduced by Arabs who originally learned of it from the Chinese, by the 12th century, parchment and paper were in use in the Byzantine Empire, but papyrus was still an option. Papyrus was made in several qualities and prices, pliny the Elder and Isidore of Seville described six variations of papyrus which were sold in the Roman market of the day. These were graded by quality based on how fine, firm, white, grades ranged from the superfine Augustan, which was produced in sheets of 13 digits wide, to the least expensive and most coarse, measuring six digits wide. Materials deemed unusable for writing or less than six digits were considered commercial quality and were pasted edge to edge to be used only for wrapping, until the middle of the 19th century, only some isolated documents written on papyrus were known. They did not contain literary works, the first modern discovery of papyri rolls was made at Herculaneum in 1752. Until then, the papyri known had been a few surviving from medieval times. The English word papyrus derives, via Latin, from Greek πάπυρος, Greek has a second word for it, βύβλος
Papyrus
–
Papyrus (P. BM EA 10591 recto column IX, beginning of lines 13-17)
Papyrus
–
An official letter on a papyrus of the
third century B.C.
Papyrus
–
A section of the Egyptian
Book of the Dead written on papyrus
Papyrus
–
Bill of sale for a donkey, papyrus; 19.3 by 7.2 cm, MS Gr SM2223, Houghton Library, Harvard University
10.
Death mask
–
A death mask is an image, typically in wax or plaster cast made of a persons face following death, often by taking a cast or impression directly from the corpse. Death masks may be mementos of the dead, or be used for creation of portraits, in other cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites, and normally buried with them. The best known of these are the used by ancient Egyptians as part of the mummification process, such as Tutankhamuns mask. In some European countries, it was common for death masks to be used as part of the effigy of the deceased, displayed at state funerals, mourning portraits were also painted, showing the subject lying in repose. During the 18th and 19th centuries masks were used to permanently record the features of unknown corpses for purposes of identification. This function was replaced by post-mortem photography. In the cases of people whose faces were damaged by their death, an example of this occurred in the case of Thomas DArcy McGee, the Canadian statesman whose face was shattered by the bullet which assassinated him in 1868. When taken from a subject, such a cast is called a life mask. Proponents of phrenology used both death masks and life masks for pseudoscientific purposes, masks of deceased persons are part of traditions in many countries. A special element of the rite was a mask, put on the face of the deceased. This mask was believed to strengthen the spirit of the mummy, the best known mask is Tutankhamuns mask. Made of gold and gems, the conveys the highly stylized features of the ancient ruler. Such masks were not, however, made from casts of the features, rather, in 1876 the archaeologist Heinrich Schliemann discovered in Mycenae six graves, which he was confident belonged to kings and ancient Greek heroes—Agamemnon, Cassandra, Evrimdon and their associates. To his surprise, the skulls were covered with gold masks and it is now thought most unlikely that the masks actually belonged to Agamemnon and other heroes of the Homeric epics, in fact they are several centuries older. The lifelike character of Roman portrait sculptures has been attributed to the earlier Roman use of wax to preserve the features of deceased family members, the wax masks were subsequently reproduced in more durable stone. The use of masks in the cult is also attested in Etruria. Excavations of tombs in the area of the ancient city of Clusium have yielded a number of sheet bronze masks dating from the Etruscan Late Orientalising period. In the 19th century it was thought that they were related to the Mycenaean examples, the most credited hypothesis holds that they were originally fixed to cinerary urns, to give them a human appearance
Death mask
–
Death mask of
Samuel F.B. Morse
Death mask
–
Mask of
Tutankhamun 's mummy
Death mask
–
Death mask of
Blaise Pascal
Death mask
–
Two men in the process of making a death mask, New York, c. 1908
11.
Book of the Dead
–
The Book of the Dead is an ancient Egyptian funerary text, used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw is translated as Book of Coming Forth by Day, another translation would be Book of Emerging Forth into the Light. The Book of the Dead was part of a tradition of texts which includes the earlier Pyramid Texts and Coffin Texts. Some of the spells included were drawn from older works. Other spells were composed later in Egyptian history, dating to the Third Intermediate Period, a number of the spells which made up the Book continued to be inscribed on tomb walls and sarcophagi, as had always been the spells from which they originated. The Book of the Dead was placed in the coffin or burial chamber of the deceased, there was no single or canonical Book of the Dead. The surviving papyri contain a selection of religious and magical texts. Some people seem to have commissioned their own copies of the Book of the Dead, the Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The first funerary texts were the Pyramid Texts, first used in the Pyramid of King Unas of the 5th dynasty and these texts were written on the walls of the burial chambers within pyramids, and were exclusively for the use of the Pharaoh. Towards the end of the Old Kingdom, the Pyramid Texts ceased to be a royal privilege. In the Middle Kingdom, a new funerary text emerged, the Coffin Texts, the Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time. The Coffin Texts were most commonly written on the surfaces of coffins. The Book of the Dead first developed in Thebes towards the beginning of the Second Intermediate Period, by the 17th dynasty, the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well. At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, the New Kingdom saw the Book of the Dead develop and spread further. The famous Spell 125, the Weighing of the Heart, is first known from the reign of Hatshepsut and Thutmose III, from this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes. During the 19th dynasty in particular, the vignettes tended to be lavish, in the Third Intermediate Period, the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a version, lacking illustration apart from a single vignette at the beginning. At the same time, many burials used additional funerary texts, during the 25th and 26th dynasties, the Book of the Dead was updated, revised and standardised
Book of the Dead
Book of the Dead
–
Part of the
Pyramid Texts, a precursor of the Book of the Dead, inscribed on the tomb of
Teti
Book of the Dead
–
The mystical Spell 17, from the
Papyrus of Ani. The vignette at the top illustrates, from left to right, the god
Heh as a representation of the Sea; a gateway to the realm of Osiris; the
Eye of Horus; the celestial cow
Mehet-Weret; and a human head rising from a coffin, guarded by the four Sons of Horus.
Book of the Dead
–
Two 'gate spells'. On the top register, Ani and his wife face the 'seven gates of the House of Osiris'. Below, they encounter ten of the 21 'mysterious portals of the House of Osiris in the Field of Reeds'. All are guarded by unpleasant protectors.
12.
Heaven
–
According to the beliefs of some religions, heavenly beings can descend to earth or incarnate, and earthly beings can ascend to Heaven in the afterlife, or in exceptional cases enter Heaven alive. Some believe in the possibility of a Heaven on Earth in a World to Come, another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, Heaven is considered as Svarga loka, and this cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, the modern English word heaven is derived from the earlier heven, this in turn was developed from the previous Old English form heofon. By about 1000, heofon was being used in reference to the Christianized place where God dwells, all of these have been derived from a reconstructed Proto-Germanic form *Hemina-. In Ancient Egyptian religion, belief in an afterlife is much more stressed than in ancient Judaism, Heaven was a physical place far above the Earth in a dark area of space where there were no stars, basically beyond the Universe. Their heart would finally be weighed with the feather of truth, almost nothing is known of Bronze Age Canaanite views of Heaven, and the archeological findings at Ugarit have not provided information. The 1st century Greek author Philo of Byblos may preserve elements of Iron Age Phoenician religion in his Sanchuniathon, in the Middle Hittite myths, Heaven is the abode of the gods. In the Song of Kumarbi, Alalu was king in Heaven for nine years before giving birth to his son, Anu was himself overthrown by his son, Kumarbi. The Baháí Faith regards the description of Heaven as a specific place as symbolic. The Baháí writings describe Heaven as a condition where closeness to God is defined as Heaven. For Baháís, entry into the life has the potential to bring great joy. Baháulláh likened death to the process of birth and he explains, The world beyond is as different from this world as this world is different from that of the child while still in the womb of its mother. Accordingly, Baháís view life as a stage, where one can develop. The key to progress is to follow the path outlined by the current Manifestation of God. Baháulláh wrote, Know thou, of a truth, that if the soul of man hath walked in the ways of God, it will, assuredly return, in Buddhism there are several Heavens, all of which are still part of samsara. Those who accumulate good karma may be reborn in one of them, however, their stay in Heaven is not eternal—eventually they will use up their good karma and will undergo rebirth into another realm, as a human, animal or other being. Because Heaven is temporary and part of samsara, Buddhists focus more on escaping the cycle of rebirth, Nirvana is not a heaven but a mental state
Heaven
–
Dante and
Beatrice gaze upon the highest heavens; from
Gustave Doré 's illustrations to the
Divine Comedy.
Heaven
–
Structure of Universe as per the Jain Scriptures.
Heaven
–
The
Assumption of the Virgin by
Francesco Botticini at the National Gallery London, shows three hierarchies and nine orders of angels, each with different characteristics.
13.
Ancient Egyptian deities
–
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Ancient Egyptian deities
–
The gods
Osiris,
Anubis, and
Horus
Ancient Egyptian deities
–
Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Ancient Egyptian deities
–
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Ancient Egyptian deities
–
Deities personifying
provinces of Egypt
14.
Osiris
–
Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
Osiris
–
Head of the God Osiris, ca. 595-525 B.C.E.
Brooklyn Museum
Osiris
–
Osiris with an Atef-crown made of bronze in the
Naturhistorisches Museum (Vienna)
Osiris
–
The gods Osiris,
Anubis, and
Horus, from a tomb painting.
Osiris
–
The family of Osiris. Osiris on a
lapis lazuli pillar in the middle, flanked by
Horus on the left and
Isis on the right (22nd dynasty,
Louvre,
Paris)
15.
Duat
–
Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
Duat
–
A section of the Egyptian
Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where
Anubis can be seen on the far right, the scales are shown with the feather balance, and
Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth.
Duat
–
Mictlan
Duat
16.
Judgement (afterlife)
–
A central theme of many religions is what happens to people upon death. Almost all religions are greatly devoted to the afterlife, emphasizing that what you do in your current life effects what happens to you in the afterlife. This usually takes the form of judgement by a deity, in ones deeds. In Ancient Egypt, it was believed that death, ones fate in the afterlife was determined by the weighing of one’s heart. One’s heart was kept within the body during mummification so that it can travel with the deceased into the afterlife. Upon death, one entered the underworld, where Osiris, the God of the afterlife, weighed the heart on a scale against the feather of Ma’at, the goddess of order, truth. If a persons heart was devoured by Ammit, then he would die a second death, Ancient Greeks believed that upon death, an individual would enter the realm of Hades, the Greek underworld, and be judged by King Minos, Aeacus, and Radamanthus. Depending on ones actions in life, an individual would be sent to one of three different planes, Elysium, the Asphodel Fields, or Tartarus, Elysium is for those who were righteous in life and is reserved for good people and legendary heroes. In Elysium people relax and enjoy a life of everlasting joy in a beautiful and comfortable field with trees, the Ashpodel Fields is the land of neutrality, where those who were either neutral, or whose good and bad deeds are about equal reside. It is a bland place symbolizing their lack of notability in life, the final realm, Tartarus, is the realm of the wicked. It is the deepest realm of Hades, and those who have performed wicked deeds are punished here for eternity, punishment here reflects the wicked deeds committed in ones life. Mortals shared this realm with non-mortals, Hinduism was extremely influential, with aspects and gods from Hinduism being borrowed into other religions not only in India, but also in China, Korea, and Japan. As such, many of the Asian religions have similarities in myths, deities, in Hinduism, people are judged by Yama, the God of Death, in accordance with Karma. Depending on whether or not and how closely one adhered to ones duties in life, as well as ones deeds, there are several layers to Naraka, and people are sent to different ones for different punishments based on the severity and nature of their misdeeds in life. In Buddhism there is no God that passes down judgement on individuals to determine their future life or to reward or punish them for their current one. In such cases, humans, as well as all other beings except for the Buddhas who have reached Nirvana, chinese religion borrows heavily form Hinduism and Buddhism, including Yama and Naraka. However, Karma and the Caste system is not employed, thus reincarnation, as well as rewards and those who followed all of the seven laws given to Moses, including non-Jews, would be considered righteous gentiles and allowed to enter Olam Ha-Ba. In contrast, those who did not obey the rules and were wicked would spend time in Gehenna for spiritual purification
Judgement (afterlife)
–
The central panel portrays the Hindu god
Yama judges the dead. Other panels depict various realms/hells of
Naraka.
Judgement (afterlife)
–
A section of the Egyptian
Book of the Dead written on papyrus showing the "Weighing of the Heart" in the
Duat.
17.
Osiris and his council
–
Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
Osiris and his council
–
Head of the God Osiris, ca. 595-525 B.C.E.
Brooklyn Museum
Osiris and his council
–
Osiris, lord of the dead. His black-green skin symbolizes re-birth.
Osiris and his council
–
Osiris with an Atef-crown made of bronze in the
Naturhistorisches Museum (Vienna)
Osiris and his council
–
The gods Osiris,
Anubis, and
Horus, from a tomb painting.
18.
Weighing of the Heart
–
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
Weighing of the Heart
–
The gods Osiris, Anubis, and Horus, in order from left to right
Weighing of the Heart
–
Amun-Ra kamutef, wearing the plumed headdress of Amun and the sun disk representing Ra
Weighing of the Heart
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
19.
Ritual action
–
A ritual is a sequence of activities involving gestures, words, and objects, performed in a sequestered place, and performed according to set sequence. Rituals may be prescribed by the traditions of a community, including a religious community, Rituals are characterized but not defined by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all human societies. Even common actions like hand-shaking and saying hello may be termed rituals, the field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsiders or etic category for a set activity that, to the outsider, seems irrational, non-contiguous, or illogical. The term can be used also by the insider or emic performer as an acknowledgement that this activity can be seen as such by the uninitiated onlooker, the English word ritual derives from the Latin ritualis, that which pertains to rite. In Roman juridical and religious usage, ritus was the way of doing something, or correct performance. The word ritual is first recorded in English in 1570, there are hardly any limits to the kind of actions that may be incorporated into a ritual. Catherine Bell argues that rituals can be characterized by formalism, traditionalism, invariance, rule-governance, sacral symbolism, Ritual utilizes a limited and rigidly organized set of expressions which anthropologists call a restricted code. Maurice Bloch argues that ritual obliges participants to use this formal oratorical style, which is limited in intonation, syntax, vocabulary, loudness, in adopting this style, ritual leaders speech becomes more style than content. Because this formal speech limits what can be said, it induces acceptance, compliance, Bloch argues that this form of ritual communication makes rebellion impossible and revolution the only feasible alternative. Ritual tends to support forms of social hierarchy and authority. Rituals appeal to tradition and are concerned to repeat historical precedents accurately. Traditionalism varies from formalism in that the ritual may not be yet still makes an appeal to historical. An example is the American Thanksgiving dinner, which may not be formal, thus, the appeal to history is important rather than accurate historical transmission. Catherine Bell states that ritual is also invariant, implying careful choreography and this is less an appeal to traditionalism than a striving for timeless repetition. The key to invariance is bodily discipline, as in prayer and meditation meant to mold dispositions. This bodily discipline is frequently performed in unison, by groups, Rituals tend to be governed by rules, a feature somewhat like formalism
Ritual action
–
A priest elevates the Host during a
Catholic Mass, one of the most widely performed rituals in the world.
Ritual action
–
The use of Latin in a Tridentine Catholic Mass is an example of a "restricted code".
Ritual action
–
The First Thanksgiving 1621, oil on canvas by
Jean Leon Gerome Ferris (1863–1930). The painting shows common misconceptions about the event that persist to modern times: Pilgrims did not wear such outfits, and the Wampanoag are dressed in the style of
Plains Indians.
Ritual action
–
Masquerade at the
Carnival of Venice.
20.
Reincarnation
–
Reincarnation is the philosophical or religious concept that an aspect of a living being starts a new life in a different physical body or form after each biological death. It is also called rebirth or transmigration, and is a part of the Saṃsāra doctrine of cyclic existence and it is a central tenet of all major Indian religions, namely Buddhism, Hinduism, Jainism, and Sikhism. The idea of reincarnation is found in ancient cultures, and a belief in rebirth/metempsychosis was held by Greek historic figures, such as Pythagoras, Socrates. Unity Church and its founder Charles Fillmore teach reincarnation, in recent decades, many Europeans and North Americans have developed an interest in reincarnation, and many contemporary works mention it. The word reincarnation derives from Latin, literally meaning, entering the flesh again, the Greek equivalent metempsychosis derives from meta and empsykhoun, a term attributed to Pythagoras. An alternate term is transmigration implying migration from one life to another, the term has been used by modern philosophers such as Kurt Gödel and has entered the English language. Another Greek term sometimes used synonymously is palingenesis, being born again, Rebirth is a key concept found in major Indian religions, and discussed with various terms. These religions believe that this reincarnation is cyclic and an endless Saṃsāra and they consider the release from the cycle of reincarnations as the ultimate spiritual goal, and call the liberation by terms such as moksha, nirvana, mukti and kaivalya. Gilgul, Gilgul neshamot or Gilgulei Ha Neshamot refers to the concept of reincarnation in Kabbalistic Judaism, Gilgul means cycle and neshamot is souls. Kabbalistic reincarnation says that humans only to humans and to the same sex only. The origins of the notion of reincarnation are obscure, discussion of the subject appears in the philosophical traditions of India. The Greek Pre-Socratics discussed reincarnation, and the Celtic Druids are also reported to have taught a doctrine of reincarnation, the ideas associated with reincarnation may have arisen independently in different regions, or they might have spread as a result of cultural contact. In ancient European, Iranian and Indian agricultural cultures, the cycles of birth, death. The idea of reincarnation has early roots in the Vedic period, predating the Buddha, the concepts of the cycle of birth and death, samsara, and liberation partly derive from ascetic traditions that arose in India around the middle of the first millennium BCE. Though no direct evidence of this has found, the tribes of the Ganges valley or the Dravidian traditions of South India have been proposed as another early source of reincarnation beliefs. Hinduisms Rigveda makes references to reincarnation in the Brahmanas layer, though these early textual layers of the Vedas, from 2nd millennium BCE, mention and anticipate the doctrine of Karma and rebirth, the idea is not fully developed. It is in the early Upanishads, which are pre-Buddha and pre-Mahavira, the texts of ancient Jainism that have survived into the modern era are post-Mahavira, likely from the last centuries of the 1st millennium BCE, and extensively mention rebirth and karma doctrines. The Jaina philosophy assumes that the soul exists and is eternal, passing through cycles of transmigration, after death, reincarnation into a new body is asserted to be instantaneous in early Jaina texts
Reincarnation
–
The drawing illustrating how the soul travels to any one of the four states of existence after the death depending on its karmas, according to
Jainism.
Reincarnation
–
Temple door depicting
Dashavatar -the ten avatars, Sree Balaji Temple, Goa. (from leftmost upper corner, clock wise) Matsya, Narasimha, Parashurama, Rama, Krishna, Kalki, Vamana, Vithoba, Varaha and Kurma.
Reincarnation
–
A 2nd-century Roman sarcophagus shows the mythology and symbolism of the Orphic and Dionysiac Mystery schools. Orpheus plays his lyre to the left
Reincarnation
–
Sváfa holding the dying
Helgi in their first incarnation of three.
21.
Ba (Egyptian soul)
–
The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
Ba (Egyptian soul)
–
This golden Ba amulet from the
Ptolemaic period would have been worn as an
apotropaic device.
Walters Art Museum,
Baltimore.
22.
Akh
–
The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
Akh
–
This golden Ba amulet from the
Ptolemaic period would have been worn as an
apotropaic device.
Walters Art Museum,
Baltimore.
23.
Deir el-Bersha
–
For the communities in Dubai, see Al Barsha. Deir El Bersha is a Coptic village in Middle Egypt and it is located on the east bank of the Nile in the Minya Governorate, to the south of Antinopolis and almost opposite the city of Mallawi. During the Middle Kingdom it was the cemetery of the governors of the 15th Upper Egyptian Nome. The most spectacular of the tombs is that of the Great Overlord of the Hare Nome called Djehutihotep and he lived during the reigns of Amenemhat II, Senusret II and Senusret III. In the spring of 1915, the Harvard University-Museum of Fine Arts and they excavated a tomb that belonged to an early Middle Kingdom nomarch named Djehutynakht. The tomb had been looted, but a collection of wooden models representing scenes of daily life. The tomb also contained the extraordinary painted coffins of Djehutynakht and his wife, the grave goods are now in the collection of the Museum of Fine Arts, Boston. Deir El Bersha necropolis is near the Nile valley town of Minya,225 km south of Cairo, in 2007, the tomb of an Egyptian courtier was found. The tomb belonged to Henu, a manager and high-ranking official during the First Intermediate Period. The archaeologists found Henus mummy wrapped in linen in a wooden coffin. The tomb contained well-preserved painted wooden statuettes of workers making bricks, women making beer and pounding cereal, and a model of a boat with rowers, Egyptian media said
Deir el-Bersha
Deir el-Bersha
24.
New Kingdom
–
Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
New Kingdom
–
New Kingdom at its maximum territorial extent in the 15th century BC.
New Kingdom
–
Relief of a Nobleman, ca. 1295-1070 B.C.E.
Brooklyn Museum
New Kingdom
–
Queen Ahmose-Nefertari
25.
Opening of the mouth ceremony
–
The opening of the mouth ceremony was an ancient Egyptian ritual described in funerary texts such as the Pyramid Texts. The ceremony involved a symbolic animation of a statue or mummy by magically opening its mouth so that it could breathe, there is evidence of this ritual from the Old Kingdom to the Roman Period. Special tools were used to perform the ceremony, such as a ritual adze, an arm shaped ritual censer, a spooned blade known as a peseshkaf, a blade. A calfs leg was held up to the lips painted on the coffin. The ancient Egyptians believed that in order for a soul to survive in the afterlife it would need to have food. The opening of the ritual was thus performed so that the person who died could eat. Thoth has come equipped with spells, He looses the bonds of Seth from my mouth. Atum has given me my hands, They are placed as guardians and my mouth is given to me, My mouth is opened by Ptah, With that chisel of metal With which he opened the mouth of the gods. I am Sekhmet-Wadjet who dwells in the west of heaven, I am Sahyt among the souls of On, parallels between the Opening of the Mouth and Psalm 51 have been noted. The parallels include, Mentions of ritual washing with special herbs, O Lord, open thou my lips
Opening of the mouth ceremony
–
Priests of Anubis, the guide of the dead and the god of tombs and embalming, perform the opening of the mouth ritual
Opening of the mouth ceremony
–
Ay performing the Opening of the Mouth for
Tutankhamun
26.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
27.
University of Chicago Oriental Institute
–
The Oriental Institute, established in 1919, is the University of Chicagos interdisciplinary research center for ancient Near Eastern studies, and archaeology museum. It was founded for the university by professor James Henry Breasted with funds donated by John D. Rockefeller and it conducts research on ancient civilizations throughout the Near East, including at its facility, Chicago House, in Luxor, Egypt. The Institute publicly exhibits a collection of artifacts related to ancient civilizations at its on campus building in the Hyde Park. James Henry Breasted built up the collection of the universitys Haskell Oriental Museum, which he oversaw along with his field work, as World War I wound down, he sensed an opportunity to use his influence in the new political climate. He wrote to John D. Rockefeller, Jr. and proposed the foundation of what would become the Oriental Institute. Fundamental to the implementation of his plan was a trip through the Middle East. Breasted received a reply from Rockefeller pledging $50,000 over five years for the Oriental Institute, Rockefeller also assured University of Chicago President Harry Pratt Judson that he would pledge another $50,000 to the cause. The University of Chicago contributed additional support, and in May 1919 the Oriental Institute was founded, the Institute is housed in an unusual Art-Deco/Gothic building at the corner of 58th Street and University Avenue, which was designed by the architectural firm Mayers Murray & Phillip. Construction was completed in 1930, and the building was dedicated in 1931, in the 1990s, Tony Wilkinson, founded the Center for Ancient Middle Eastern Landscapes based at the institute. Its role is to investigate the Middle East through landscape archaeology, the Museum of the Oriental Institute has artifacts from digs in Egypt, Israel, Syria, Turkey, Iraq, and Iran. The museum has free admission, although visitors are encouraged to donate US $10.00 for adults, the Oriental Institute is a center of active research on the ancient Near East. The buildings upper floors contain classrooms and faculty offices, and its gift shop, in addition to carrying out many digs in the Fertile Crescent, OI scholars have made contributions to the understanding of the origins of human civilization. The term Fertile Crescent was coined by J. H. Breasted, the OI founder, in 2011, among other projects OI scholars completed publication of the 21-volume Chicago Assyrian Dictionary, a basic cultural reference work. The effort was begun in 1921 by J. H. Breasted, Dr. Erica Reiner as editor-in-charge led the research teams for 44 years. She was succeeded by Dr. Martha T. Roth, dean of humanities at the university, similar dictionaries are under way, including the Chicago Hittite Dictionary and one for Demotic. The Institute oversees the work of Chicago House in Luxor, Egypt, the Egyptian facility, established in 1924, performs the Epigraphic Survey, which documents and researches the historical sites in Luxor. It also manages conservation at various sites, a collection comparable to the Institutes treasures could not be assembled today, since Middle Eastern governments no longer allow foreign archeologists to take home half of what they find. This had been the typical arrangement in the 19th and early 20th centuries, when most of the holdings were excavated, until the 1930s, when new antiquities laws were instituted
University of Chicago Oriental Institute
–
The
Art-Deco doors of the Oriental Institute, sculpture by
Ulric Ellerhusen
University of Chicago Oriental Institute
–
Head of a bull that once guarded the entrance to the Hundred-Column Hall in
Persepolis
University of Chicago Oriental Institute
–
A
lamassu from the palace of
Sargon II at
Dur-Sharrukin
