Contradanza is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.
Bizet included a habanera in his opera Carmen, derived from Yradier's "El Arreglito".
Ignacio Cervantes
Scott Joplin (c. 1867–1917)
Jelly Roll Morton (1890–1941)
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles.
Comical 18th-century country dance; engraving by Hogarth
Village country dance; engraving by Abraham Bosse, 1633
Lorin's contradanse choreography, one of the earliest western dance notations
The "La Trénis" figure of the Contredanse, an illustration from Le Bon Genre, Paris, 1805