1.
Fayum mummy portraits
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Mummy portraits or Fayum mummy portraits is the modern term given to a type of naturalistic painted portrait on wooden boards attached to Egyptian mummies from the Coptic period. They belong to the tradition of painting, one of the most highly regarded forms of art in the Classical world. In fact, the Fayum portraits are the large body of art from that tradition to have survived. Mummy portraits have been found across Egypt, but are most common in the Faiyum Basin, particularly from Hawara in the Fayum Basin, Faiyum Portraits is generally thought of as a stylistic, rather than a geographic, description. While painted cartonnage mummy cases date back to times, the Faiyum mummy portraits were an innovation dating to the Coptic period at the time of the Roman occupation of Egypt. They date to the Roman period, from the late 1st century BC or the early 1st century AD onwards and it is not clear when their production ended, but recent research suggests the middle of the 3rd century. The portraits covered the faces of bodies that were mummified for burial, extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies. Almost all have now been detached from the mummies and they usually depict a single person, showing the head, or head and upper chest, viewed frontally. In terms of tradition, the images clearly derive more from Graeco-Roman traditions than Egyptian ones. Two groups of portraits can be distinguished by technique, one of encaustic paintings, the former are usually of higher quality. About 900 mummy portraits are known at present, the majority were found in the necropoleis of Faiyum. Due to the hot dry Egyptian climate, the paintings are very well preserved. The Italian explorer Pietro della Valle, on a visit to Saqqara-Memphis in 1615, was the first European to discover and he transported some mummies with portraits to Europe, which are now in the Albertinum. Although interest in Ancient Egypt steadily increased after that period, further finds of mummy portraits did not become known before the early 19th century, the provenance of these first new finds is unclear, they may come from Saqqara as well, or perhaps from Thebes. In 1820, the Baron of Minotuli acquired several mummy portraits for a German collector, in 1827, Léon de Laborde brought two portraits, supposedly found in Memphis, to Europe, one of which can today be seen at the Louvre, the other in the British Museum. Ippolito Rosellini, a member of Jean-François Champollions 1828/29 expedition to Egypt and it is so similar to de Labordes specimens that it is thought to be from the same source. During the 1820s, the British Consul General to Egypt, Henry Salt, sent several further portraits to Paris and London. Some of them were long considered portraits of the family of the Theban Archon Pollios Soter, a character known from written sources
2.
Cooper Union
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Inspired in 1830 when Peter Cooper learned about the government-supported École Polytechnique in France, Cooper Union was established in 1859. The Cooper Union originally granted each admitted student a full-tuition scholarship, following its own financial crisis, the school decided to abandon this policy starting in the Fall of 2014, but each incoming student receives at least a half-tuition merit scholarship. The college is divided into three schools, the Irwin S. Chanin School of Architecture, the School of Art, and it offers undergraduate and masters degree programs exclusively in the fields of architecture, fine arts, and engineering. It is a member of the Accreditation Board for Engineering and Technology, until 2014 Cooper Union was one of the very few American institutions of higher learning to offer a full-tuition scholarship – valued at approximately $150,000 as of 2012 – to every admitted student. Cooper Union has historically been one of the most selective colleges in the United States, both the art and architecture schools have acceptance rates below 5%. Cooper Union received 2,536 applications for the 2014–2015 academic year, as a result of its record low acceptance ratio for the fall 2010 incoming class, Cooper Union was named by Newsweek as the #1 Most Desirable Small School and #7 Most Desirable School overall. The Cooper Union was founded in 1859 by American industrialist Peter Cooper, who was an inventor, successful entrepreneur. Cooper was a son who had less than a year of formal schooling, yet went on to become an industrialist. Cooper designed and built Americas first steam engine, and made a fortune with a glue factory. After achieving wealth, he turned his skills to successful ventures in real estate, insurance. Coopers dream was to give talented young people the one privilege he lacked and he also wished to make possible the development of talent that otherwise would have gone undiscovered. According to The New York Times in 1863, Those only are supposed to pay anything who are abundantly able, discrimination based on ethnicity, religion, or sex was expressly prohibited. Since the opening of this institute all who desire, and particularly those who work for their own support, can avail themselves, free of charge, of all the advantages the institution affords. The early institution also had a reading room open day and night, and a new four-year nighttime engineering college for men. A daytime engineering college was added in 1902 thanks to funds contributed by Andrew Carnegie Initial board members included Daniel F. Tiemann, Peter Coopers dream of providing an education equal to the best has since become reality. Since 1859, the Cooper Union has educated thousands of artists, architects, after 1864 there were a few attempts to merge Cooper Union and Columbia University, but these were never realized. The Cooper–Hewitt, National Design Museum, was founded in 1897 as part of Cooper Union by Sarah, Eleanor, Cooper Unions Foundation Building is an Italianate brownstone building designed by architect Fred A. Petersen, one of the founders of the American Institute of Architects. It was the first structure in New York City to feature rolled-iron I-beams for structural support, Petersen patented a fire-resistant hollow brick tile he used in the buildings construction
3.
Tapestry
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Tapestry is a form of textile art, traditionally woven on a vertical loom. Tapestry is weft-faced weaving, in all the warp threads are hidden in the completed work. In tapestry weaving, weft yarns are typically discontinuous, the artisan interlaces each coloured weft back and it is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. Most weavers use a warp thread, such as linen or cotton. The weft threads are usually wool or cotton, but may include silk, gold, silver, the earliest attested form of the word is the Mycenaean Greek
4.
California Academy of Sciences
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The California Academy of Sciences is a natural history museum in San Francisco, California, that is among the largest museums of natural history in the world, housing over 26 million specimens. Completely rebuilt in 2008, the building covers 400,000 square feet and is among the newest natural history museums in the United States, the primary building in Golden Gate Park reopened on September 27,2008. The Academy Fellows are, in turn, ominated by their colleagues, underlying these operations is a staff of hundreds of employees who operate the day-to-day functions without which the Academy could not offer its programs. The operations branch of the Academy is divided into three departments, Building Operations, Guest Operations, and IT Services, in fact, unbeknownst to most patrons, research and administrative facilities occupy nearly 50% of the Academys physical structure. Prior to being replaced, the old Academy building attracted approximately half a million each year. As has been the case from the start, the main thrust of the exhibits is natural history, Morrison Planetarium - features the worlds largest completely digital planetarium dome measuring in at 27. There also is an emphasis on environmental concerns, with all the various departments collaborating closely to focus on systematic biology. Academy researchers study life around the world, a 2011 expedition to the Philippines discovered an estimated 300 species new to science, the Academy publishes the peer-reviewed journal Proceedings of the California Academy of Sciences, as well as Occasional Papers, Memoirs, and Special Publications. The California Academy of Natural Sciences was founded in 1853, only three years after California joined the United States, becoming the first society of its kind in the Western US. Its stated aim was to undertake a systematic survey of every portion of the State. It was renamed as the more inclusive California Academy of Sciences in 1868, in 1892, Alice Eastwood, a botanist, was hired by the Academy and worked there until she retired in 1949. Fortunately, the 1905-1906 scientific collecting expedition to the Galápagos Islands already was underway, in 1916, the Academy moved to the North American Hall of Birds and Mammals in Golden Gate Park, the first building on the site that was to become its permanent home. In 1923, the Steinhart Aquarium was added, followed in 1934 by the Simson African Hall, the post-war years saw a flurry of new construction on the site, the Science Hall was added in 1951, followed by the Morrison Planetarium in 1952. The Morrison Planetarium was the seventh major planetarium to open in the United States and featured a one-of-a-kind star projector, the Academy Projector produced a remarkably natural-looking star field. It projected irregularly shaped stars, rather than the circular stars projected by many optical star projectors, the irregular shapes were created by placing variously sized grains of silicon carbide onto the glass star plates by hand, then aluminizing the plates, and brushing away the silicon carbide grains. In 1959, the Malliard Library, Eastwood Hall of Botany, in 1969, another new building, Cowell Hall, was added to the site. In 1976, several new galleries were opened, and the year, in 1977. Prior to the old building being torn down in 2005, there was a Life through Time gallery, housing a display on evolution
5.
Copts
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The Copts are an ethno-religious group that primarily inhabit the area of modern Egypt, where they are the largest Christian denomination. Copts are also the largest Christian adherent group in Sudan and Libya, historically, they spoke the Coptic language, a direct descendant of the Demotic Egyptian that was spoken during the Roman era. The Coptic language is a focus of Coptology and remains in liturgical use, Copts in Sudan constitute the largest Christian community in Sudan, accounting for an estimated 1% of the Sudanese population. Copts in Libya constitute the largest Christian community in Libya, accounting for an estimated 1% of the Libyan population, most Copts adhere to the Coptic Orthodox Church of Alexandria. The Coptic Catholic Church, which is an Eastern Catholic church in communion with the Catholic Church. The Coptic word is in turn an adaptation of the Greek term for the people of Egypt. The Greek term for Egypt, Aigýptos, is derived from the Egyptian language. This Mycenaean form is likely from Middle Egyptian ḥwt-k3-ptḥ, literally Estate of the Spirit of Ptah, the term is thus ultimately derived from the Greek designation of the native Egyptian population in Roman Egypt. After the Muslim conquest of Egypt, it restricted to those Egyptians adhering to the Christian religion. In Coptic Egyptian, the Copts referred to themselves as ni rem en kīmi en khristianos, which literally means Christian people of Egypt or Christian Egyptians. The Coptic name for Egyptians, rem en kīmi, is realized in the Fayyumic dialect as lem en kēmi, or rem en khēmi in the Bohairic dialect, cf. Egyptian rmṯ n kmt, Demotic rmt n kmỉ. The Arabic word qibṭ has also connected to the Greek name of the town of Coptos. It is possible that this association has contributed to making Copt the settled form of the name, in the 20th century, some Egyptian nationalists and intellectuals in the context of Pharaonism began using the term qubṭ in the historical sense. The Copts are one of the oldest Christian communities in the Middle East, although integrated in the larger Egyptian nation state, the Copts have survived as a distinct religious community forming around 10–20% of the population, though estimates vary. They pride themselves on the apostolicity of the Egyptian Church whose founder was the first in a chain of patriarchs. The main body for 16 centuries has been out of communion with both the Roman Catholic Church and the various Eastern orthodox churches, the legacy that Saint Mark left in Egypt was a considerable Christian community in Alexandria. The Church of Alexandria is therefore the oldest Christian church in Africa, the Copts in Egypt contributed immensely to Christian tradition. The Catechetical School of Alexandria was the oldest catechetical school in the world, however, the scope of this school was not limited to theological subjects, science, mathematics and humanities were also taught there
6.
Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
7.
Icon
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An icon is a religious work of art, most commonly a painting, from Eastern Christianity and certain Eastern Catholic churches. The most common subjects include Christ, Mary, saints and/or angels, icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity are generally not described as icons, Eastern Orthodox tradition holds that the creation of Christian images dates back to the very early days of Christianity, and there is has been a continuous tradition since then. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, there was enormous destruction of images during the Byzantine Iconoclasm of 726-842, although this did settle for good the question of the appropriateness of images. Since then icons have had a continuity of style and subject. At the same time there has been change and development, Christian tradition dating from the 8th century identifies Luke the Evangelist as the first icon painter. Aside from the legend that Pilate had made an image of Christ and he relates that King Abgar of Edessa sent a letter to Jesus at Jerusalem, asking Jesus to come and heal him of an illness. In this version there is no image, further legends relate that the cloth remained in Edessa until the 10th century, when it was taken to Constantinople. It went missing in 1204 when Crusaders sacked Constantinople, but by then numerous copies had firmly established its iconic type. They crown these images, and set them up along with the images of the philosophers of the world that is to say, with the images of Pythagoras, and Plato, and Aristotle, and the rest. They have also other modes of honouring these images, after the manner of the Gentiles. And he called him and said, Lycomedes, what do you mean by this matter of the portrait, can it be one of thy gods that is painted here. For I see that you are living in heathen fashion. Later in the passage John says, But this that you have now done is childish and imperfect, at least some of the hierarchy of the Christian churches still strictly opposed icons in the early 4th century. At the Spanish non-ecumenical Synod of Elvira bishops concluded, Pictures are not to be placed in churches, so that they do not become objects of worship and adoration. to our religion. After the emperor Constantine I extended official toleration of Christianity within the Roman Empire in 313 and this period of Christianization probably saw the use of Christian images became very widespread among the faithful, though with great differences from pagan habits. Robin Lane Fox states By the early century, we know of the ownership of private icons of saints. 480-500, we can be sure that the inside of a saints shrine would be adorned with images and votive portraits, when Constantine himself apparently converted to Christianity, the majority of his subjects remained pagans
8.
Luke the Evangelist
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Luke the Evangelist is one of the Four Evangelists—the four traditionally ascribed authors of the canonical Gospels. The New Testament mentions Luke briefly a few times, and the Pauline epistle to the Colossians refers to him as a doctor, Christians since the faiths early years have regarded him as a saint. He is believed to have been a martyr, reportedly as having been hanged in an olive tree, though some believe otherwise. Many scholars believe that Luke was a Greek physician who lived in the Greek city of Antioch in Ancient Syria, though other scholars. Bart Koet for instance considered it as widely accepted that the theology of Luke–Acts points to a gentile Christian writing for a gentile audience, gregory Sterling though, claims that he was either a Hellenistic Jew or a god-fearer. His earliest notice is in Pauls Epistle to Philemon—Philemon 1,24 and he is also mentioned in Colossians 4,14 and 2Timothy 4,11, two works commonly ascribed to Paul. He had become a disciple of the apostle Paul and later followed Paul until his martyrdom, having served the Lord continuously, unmarried and without children, filled with the Holy Spirit he died at the age of 84 years. If one accepts that Luke was in fact the author of the Gospel bearing his name and also the Acts of the Apostles, the we section of Acts continues until the group leaves Philippi, when his writing goes back to the third person. This change happens again when the returns to Philippi. There are three we sections in Acts, all following this rule, Luke never stated, however, that he lived in Troas, and this is the only evidence that he did. The composition of the writings, as well as the range of vocabulary used, a quote in the Letter of Paul to the Colossians differentiates between Luke and other colleagues of the circumcision. 10 My fellow prisoner Aristarchus sends you his greetings, as does Mark,11 Jesus, who is called Justus, also sends greetings. These are the only Jews among my co-workers for the kingdom of God,14 Our dear friend Luke, the doctor, and Demas send greetings. This comment has traditionally caused commentators to conclude that Luke was a Gentile, if this were true, it would make Luke the only writer of the New Testament who can clearly be identified as not being Jewish. However, that is not the only possibility, although Luke is considered likely to be a Gentile Christian, some scholars believe him to be a Hellenized Jew. The phrase could just as easily be used to differentiate between those Christians who strictly observed the rituals of Judaism and those who did not. Lukes presence in Rome with the Apostle Paul near the end of Pauls life was attested by 2 Timothy 4,11, Only Luke is with me. In the last chapter of the Book of Acts, widely attributed to Luke, we find several accounts in the first person also affirming Lukes presence in Rome including Acts 28,16, And when we came to Rome
9.
Islamic architecture
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Islamic architecture encompasses a wide range of both secular and religious styles from the foundation of Islam to the present day. What today is known as Islamic architecture was influenced by Persian, Roman, Byzantine, further east, it was also influenced by Chinese and Indian architecture as Islam spread to Southeast Asia. The principal Islamic architectural types are, the Mosque, the Tomb, the Palace, from these four types, the vocabulary of Islamic architecture is derived and used for other buildings such as public baths, fountains and domestic architecture. Symbolic views of scholars on Islamic architecture have consistently been criticized by historians for lacking historical evidence. The Dome of the Rock in Jerusalem is one of the most important buildings in all of Islamic architecture and it is patterned after the nearby Church of the Holy Sepulchre and Byzantine Christian artists were employed to create its elaborate mosaics against a golden background. The great epigraphic vine frieze was adapted from the pre-Islamic Syrian style, the Dome of the Rock featured interior vaulted spaces, a circular dome, and the use of stylized repeating decorative arabesque patterns. Desert palaces in Jordan and Syria served the caliphs as living quarters, reception halls, and baths, the horseshoe arch became a popular feature in Islamic structures. After the Moorish invasion of Spain in 711 AD the form was taken by the Umayyads who accentuated the curvature of the horseshoe. The Great Mosque of Damascus, built on the site of the basilica of John the Baptist after the Islamic invasion of Damascus, certain modifications were implemented, including expanding the structure along the transversal axis which better fit with the Islamic style of prayer. The Abbasid dynasty witnessed the movement of the capital from Damascus to Baghdad, the shift to Baghdad influenced politics, culture, and art. The Great Mosque of Samarra, once the largest in the world, was built for the new capital, other major mosques built in the Abbasid Dynasty include the Mosque of Ibn Tulun in Cairo, Abu Dalaf in Iraq, the great mosque in Tunis. Abbasid architecture in Iraq as exemplified in the Fortress of Al-Ukhaidir demonstrated the despotic, the Great Mosque of Kairouan is considered the ancestor of all the mosques in the western Islamic world. Its original marble columns and sculptures were of Roman workmanship brought in from Carthage and it is one of the best preserved and most significant examples of early great mosques, founded in 670 AD and dating in its present form largely from the Aghlabid period. The Great Mosque of Kairouan is constituted of a square minaret, a large courtyard surrounded by porticos. The Great Mosque of Samarra in Iraq, completed in 847 AD, the Hagia Sophia in Istanbul also influenced Islamic architecture. When the Ottomans captured the city from the Byzantines, they converted the basilica to a mosque, the Hagia Sophia also served as a model for many Ottoman mosques such as the Shehzade Mosque, the Suleiman Mosque, and the Rüstem Pasha Mosque. Domes are a structural feature of Islamic architecture. Domes remain in use, being a significant feature of many mosques, the distinctive pointed domes of Islamic architecture, also originating with the Byzantines and Persians, have remained a distinguishing feature of mosques into the 21st century
10.
Coptic cross
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The term Coptic cross may refer to a number of Christian cross variants associated in some way with Coptic Christians. Coptic crosses are often shown with arms dividing into three points each (also called Ethiopian cross or Axum cross, Liungman shows a cross fleury. Bertran de la Farge identifies a cross crosslet as croix copte and cites it as a predecessor of the Occitan cross somewhere in the marquisate of Provence, probably Venasque. Old Coptic crosses often incorporate a circle, as in the form called a Coptic cross by Rudolf Koch in his The Book of Signs, sometimes the arms of the cross extend through the circle, as in the Celtic cross. The circle cross was used by the early Gnostic sects. The form used in the Coptic Church and defined as the Coptic cross is made up of two lines of equal length that intersect at the middle at right angles. At each angle are three points, representing the Trinity of the Father, the Son and the Holy Spirit, all together, the cross has 12 points symbolizing the Apostles whose mission it was to spread the Gospel message throughout the world. The Coptic cross is used in the Coptic church and the Ethiopian and Eritrean churches. Many Copts have the cross tattooed on the inside of their right arm, the Coptic cross in its modern and ancient forms is considered a sign of faith and pride to the Copts The Ethiopians Christians wear it as a symbol of faith. One of the forms of the Coptic cross, which is referred to as the Ethiopian Coptic cross was worn by Stevie Ray Vaughan, keith Richards also wears an Ethiopian Coptic Cross
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