1.
Clothing
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Clothing is fiber and textile material worn on the body. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on type, social. Some clothing types can be gender-specific, physically, clothing serves many purposes, it can serve as protection from the elements, and can enhance safety during hazardous activities such as hiking and cooking. It protects the wearer from rough surfaces, rash-causing plants, insect bites, splinters, thorns, Clothes can insulate against cold or hot conditions. Further, they can provide a barrier, keeping infectious. Clothing also provides protection from ultraviolet radiation, there is no easy way to determine when clothing was first developed, but some information has been inferred by studying lice. The body louse specifically lives in clothing, and diverge from head lice about 170 millennia ago, another theory is that modern humans are the only survivors of several species of primates who may have worn clothes and that clothing may have been used as long ago as 650 millennia. Other louse-based estimates put the introduction of clothing at around 42, the most obvious function of clothing is to improve the comfort of the wearer, by protecting the wearer from the elements. In hot climates, clothing provides protection from sunburn or wind damage, shelter usually reduces the functional need for clothing. For example, coats, hats, gloves, and other layers are normally removed when entering a warm home. Similarly, clothing has seasonal and regional aspects, so that thinner materials, Clothing performs a range of social and cultural functions, such as individual, occupational and gender differentiation, and social status. In many societies, norms about clothing reflect standards of modesty, religion, gender, Clothing may also function as a form of adornment and an expression of personal taste or style. Clothing can and has in history been made from a wide variety of materials. Materials have ranged from leather and furs, to materials, to elaborate and exotic natural. Not all body coverings are regarded as clothing, Clothing protects against many things that might injure the uncovered human body. Clothes protect people from the elements, including rain, snow, wind, however, clothing that is too sheer, thin, small, tight, etc. offers less protection. Clothes also reduce risk during activities such as work or sport, some clothing protects from specific environmental hazards, such as insects, noxious chemicals, weather, weapons, and contact with abrasive substances
2.
Sleeve
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A sleeve is the part of a garment that covers the arm, or through which the arm passes or slips. The pattern of the sleeve is one of the characteristics of fashion in dress, varying in every country, various survivals of the early forms of sleeve are still found in the different types of academic or other robes. Where the long hanging sleeve is worn it has, as still in China and Japan, been used as a pocket, whence has come the phrase to have up ones sleeve, to have something concealed ready to produce. There are many other proverbial and metaphorical expressions associated with the sleeve, such as to ones heart upon ones sleeve. Sleeve length varies from barely over the shoulder to floor-length, most contemporary shirt sleeves end somewhere between the mid-upper arm and the wrist. Early medieval sleeves were cut straight, and underarm triangle-shaped gussets were used to ease of movement. In the 14th century, the sleeve cap was invented. Often the names applied to sleeves in historical costume are modern, oxford English Dictionary Picken, Mary Brooks, The Fashion Dictionary, Funk and Wagnalls,1957. Media related to Sleeves at Wikimedia Commons
3.
Turkish people
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Turkish people, or the Turks, also known as Anatolian Turks, are a Turkic ethnic group and nation living mainly in Turkey and speaking Turkish, the most widely spoken Turkic language. They are the largest ethnic group in Turkey, as well as by far the largest ethnic group among the speakers of Turkic languages, ethnic Turkish minorities exist in the former lands of the Ottoman Empire. In addition, a Turkish diaspora has been established with modern migration, the ethnonym Turk may be first discerned in Herodotus reference to Targitas, first king of the Scythians, furthermore, during the first century AD. Pomponius Mela refers to the Turcae in the north of the Sea of Azov. The first definite references to the Turks come mainly from Chinese sources in the sixth century, in these sources, Turk appears as Tujue, which referred to the Göktürks. Although Turk refers to Turkish people, it may sometimes refer to the wider language group of Turkic peoples. In the 19th century, the word Türk only referred to Anatolian villagers, the Ottoman ruling class identified themselves as Ottomans, not usually as Turks. In the late 19th century, as the Ottoman upper classes adopted European ideas of nationalism the term Türk took on a more positive connotation. The Turkish-speakers of Anatolia were the most loyal supporters of Ottoman rule, Turkish Jews, Christians, or even Alevis may be considered non-Turks. On the other hand, Kurdish Arab followers of the Sunni branch of Islam who live in eastern Anatolia are sometimes considered Turks, article 66 of the Turkish Constitution defines a Turk as anyone who is bound to the Turkish state through the bond of citizenship. Anatolia was first inhabited by hunter-gatherers during the Paleolithic era, most of the Turkic peoples were followers of Tengriism, sharing the cult of the sky god Tengri, although there were also adherents of Manichaeism, Nestorian Christianity and Buddhism. However, during the Muslim conquests, the Turks entered the Muslim world proper as servants, during the booty of Arab raids, the Turks began converting to Islam after Muslim conquest of Transoxiana through the efforts of missionaries, Sufis, and merchants. Although initiated by the Arabs, the conversion of the Turks to Islam was filtered through Persian, under the Umayyads, most were domestic servants, whilst under the Abbasids, increasing numbers were trained as soldiers. By the ninth century, Turkish commanders were leading the caliphs’ Turkish troops into battle, as the Abbasid caliphate declined, Turkish officers assumed more military and political power taking over or establishing provincial dynasties with their own corps of Turkish troops. During the 11th century the Seljuk Turks who were admirers of the Persian civilization grew in number and were able to occupy the province of the Abbasid Empire. By 1055, the Seljuk Empire captured Baghdad and began to make their first incursions into the edges of Anatolia, when the Seljuk Turks won the Battle of Manzikert against the Byzantine Empire in 1071, it opened the gates of Anatolia to them. Although ethnically Turkish, the Seljuk Turks appreciated and became the purveyors of the Persian culture rather than the Turkish culture, in dire straits, the Byzantine Empire turned to the West for help setting in motion the pleas that led to the First Crusade. Once the Crusaders took Iznik, the Seljuk Turks established the Sultanate of Rum from their new capital, Konya, by the 12th century the Europeans had begun to call the Anatolian region Turchia or Turkey, meaning the land of the Turks
4.
Cassock
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The white or black cassock, or soutane, is an item of Christian clerical clothing used by the clergy of Catholic, Eastern Orthodox, Anglican and Reformed churches, among others. Ankle-length garment is the meaning of the corresponding Latin term. It is related to habit traditionally worn by nuns, monks, the cassock derives historically from the tunic that in ancient Rome was worn underneath the toga and the chiton that was worn beneath the himation in ancient Greece. In religious services, it has traditionally been worn underneath vestments, the word cassock comes from Middle French casaque, meaning a long coat. In turn, the old French word may come ultimately from Turkish quzzak, the name was originally specially applied to the dress worn by soldiers and horsemen, and later to the long garment worn in civil life by both men and women. As an ecclesiastical term the word came into use somewhat late, being mentioned in canon 74 of 1604. The word soutane is a French-derived word, coming from Italian sottana, derived in turn from Latin subtana, the cassock comes in a number of styles or cuts, though no particular symbolism attaches to these. A Roman cassock often has a series of buttons down the front – sometimes thirty-three, in some English-speaking countries these buttons may be merely ornamental, with a concealed fly-front buttoning, known as a Chesterfield front, used to fasten the garment. A French cassock also has buttons sewn to the sleeves after the manner of a suit, an Ambrosian cassock has a series of only five buttons under the neck, with a sash on the waist. A Jesuit cassock, in lieu of buttons, has a fly fastened with hooks at the collar and is bound at the waist with a cincture knotted on the right side. The ordinary Roman cassock worn by Roman Catholic clerics is black except in tropical countries, the 1969 Instruction on the dress of prelates stated that for all of them, even cardinals, the dress for ordinary use may be a simple black cassock without coloured trim. A band cincture or sash, known also as a fascia, the Instruction on the dress of prelates specifies that the two ends that hang down by the side have silk fringes, abolishing the sash with tassels. The Pope wears a white watered-silk fascia, sometimes with his coat of arms on the ends, cardinals have the additional distinction of having both choir cassock sleeves and the fascia made of scarlet watered-silk. The cut of the cassock is still a Roman-cut or French-cut Roman cassock. In the past, a cardinals cassock was made entirely of watered silk and this train was abolished by the motu proprio Valde solliciti of Pope Pius XII with effect from 1 January 1953. An elbow-length shoulder cape, open in front, is worn with the cassock. It is known as a pellegrina and it is distinct from the mozzetta, which is buttoned in front and is worn over a rochet. The general rule of the Roman Catholic Church is that the pellegrina may be worn with the cassock by cardinals, others too have made the same distinction between the simar and the cassock, but many scholars disagree with Nainfas distinction
5.
Hussar
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A Hussar was a member of any one of several types of light cavalry used during the 18th and 19th centuries, beginning in Central Europe. Historically, the term derives from the cavalry of late medieval Hungary, the title and distinctive dress of these horsemen were subsequently widely adopted by light cavalry regiments in European and European colonial armies in the late 17th and 18th centuries. A number of armored or ceremonial mounted units in modern armies retain the designation of hussars, the first written mention of the word Hussarones has been found in documents dating from 1432 in Southern Hungary. A type of light horsemen was already well-established by the 15th century in medieval Hungary. Etymologists are divided over the derivation of the word hussar, byzantinist scholars argue that the term originated in Roman military practice, and the cursarii. 10th-century Byzantine military manuals mention chonsarioi, light cavalry, recruited in the Balkans, especially Serbs and this word was subsequently reintroduced to Western European military practice after its original usage had been lost with the collapse of Rome in the west. According to Websters Dictionary, the word stems from the Hungarian huszár. On the other hand, husz means twenty in Hungarian whilst ar is a unit of measurement or acre. Hussars are so named as they were a form of military levy whereby any land owner with twenty acres was duty bound to provide a mounted and equipped soldier to the army at their own expense. The elaborate uniforms were based on traditional Magyar horsemans clothes with highly braided, tight riding breeches, close fitting pointed boots, the hussars reportedly originated in bands of mostly Serbian warriors, crossing into southern Hungary after the Ottoman conquest of Serbia at the end of the 14th century. Regent-Governor John Hunyadi created mounted units inspired by the Ottomans and his son, Matthias Corvinus, later king of Hungary, is unanimously accepted as the creator of these troops, commonly called Rac. Initially, they fought in bands, but were reorganised into larger. The first hussar regiments comprised the cavalry of the Black Army of Hungary. Under Corvinus command, the took part in the war against the Ottoman Empire in 1485 and proved successful against the sipahis as well as against the Bohemians. After the kings death, in 1490, hussars became the form of cavalry in Hungary in addition to the heavy cavalry. The Habsburg emperors hired Hungarian hussars as mercenaries to serve against the Ottomans, early hussars wore armor when they could afford to it like the later Polish hussars. Hungarian hussars abandoned using shields and later armors and became entirely light cavalry in the first half of the 17th century, initially the first units of Polish hussars in the Kingdom of Poland were formed in 1500, influenced by Serbian mercenaries. A small number of Serbian mercenaries were recruited and became citizens of the Polish–Lithuanian Commonwealth, the Polish heavy hussars of the Polish-Lithuanian Commonwealth were far more manoeuvrable than the heavily armoured lancers previously employed
6.
Harper's Bazaar
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Harpers Bazaar is an American womens fashion magazine, first published in 1867. Harpers Bazaar is published by Hearst and, as a magazine, considers itself to be the resource for women who are the first to buy the best. Writers Alice Meynell, Daisy Fellowes, Gloria Guinness, and Eleanor Hoyt Brainerd, when Harpers Bazaar began publication, it was a weekly magazine catering to women in the middle and upper classes. It showcased fashion from Germany and Paris in a newspaper-design format and it was not until 1901 that Harpers moved to a monthly issued magazine which it maintains today. Now Harpers Bazaar is owned and operated by the Hearst Corporation in the U. S. harper & Brothers founded the magazine. This company also gave birth to Harpers Magazine and HarperCollins Publishing, glenda Bailey is the editor-in-chief of U. S. edition of Harpers Bazaar. As the turn-of-the-century began in America, Harpers Bazaar began featuring both illustrations and photographs for its covers and inside features of society and increasingly of fashion. During the late Victorian period, as the suffrage movement was gaining momentum. Bazaar also began profiling prominent socialites, such as the Astors, in 1933, editor-in-chief Carmel Snow brought photojournalist Martin Munkacsi to a windswept beach to shoot a swimwear spread. As the model ran toward the camera, Munkacsi took the picture that made fashion-magazine history, until that moment, nearly all fashion was carefully staged on mannequin-like models in a studio. Snows buoyant spirit and wicked sense of adventure brought life to the pages of Bazaar, Snows genius came from cultivating the best people. Her first big find was art director Alexey Brodovitch, who innovated Bazaars iconic Didot logo, Snow also unleashed the force of nature known as Diana Vreeland, whom she brought on as fashion editor in 1936. The collaboration of these four visionaries resulted in some of the germane fashion shoots of the 20th century and ended only with Snows retirement, at the age of 70, throughout his career at the magazine, Brodovitch, a Russian émigré, revolutionized magazine design. With his directive Astonish me, he inspired some of the greatest visual artists of the 20th century, one of his assistants was future Rolling Stone art director Tony Lane. Sadly, Brodovitchs personal life was less triumphant, plagued by alcoholism, he left Bazaar in 1958 and eventually moved to the south of France, where he died in 1971. Diana, who is said to have invented the word pizzazz, before long, she became fashion editor, collaborating with photographers Louise Dahl-Wolfe and Richard Avedon and, later, art director Henry Wolf. Her eccentricity, perception and wit, as well as her sharp wit and sweeping pronouncements, were memorialized in the movie Funny Face, making her, for many, Richard Avedon began creating fashion portfolios for Harpers Bazaar at the age of 22. His distinctive photographs showed both chic insouciance and boundless vitality, avedons women leapt off curbs, roller-skated on the Place de la Concorde, and were seen in nightclubs, enjoying the freedom and fashions of the postwar era
One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Dolman". Encyclopædia Britannica. 8 (11th ed.). Cambridge University Press. p. 392.
One or more of the preceding sentences incorporates text from a publication now in the 