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Domenico Ghirlandaio
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Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation
Detail from Adoration of the Shepherds, 1485
Detail from Adoration of the Shepherds, 1485
Pope Gregory announces the death of Santa Fina, in the Collegiate Church of San Gimignano (about 1477)
Pope Gregory announces the death of Santa Fina, in the Collegiate Church of San Gimignano (about 1477)
The Confirmation of the Franciscan Rule from the Sassetti Chapel, with portraits of Lorenzo de' Medici and his family occupying prominent positions as
The Confirmation of the Franciscan Rule from the Sassetti Chapel, with portraits of Lorenzo de' Medici and his family occupying prominent positions as spectators to the event
The Adoration of the Shepherds, Sassetti Chapel, containing a portrait of Ghirlandaio as one of the Shepherds
The Adoration of the Shepherds, Sassetti Chapel, containing a portrait of Ghirlandaio as one of the Shepherds
Sandro Botticelli
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Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the
Domenico Ghirlandaio
…in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano…
Probable self-portrait of Botticelli, in his Adoration of the Magi (1475)
Probable self-portrait of Botticelli, in his Adoration of the Magi (1475)
Detail from Botticelli's most famous work, The Birth of Venus (c. 1484–1486)
Detail from Botticelli's most famous work, The Birth of Venus (c. 1484–1486)
Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's t
Via Borgo Ognissanti in 2008, with the eponymous church halfway down on the right. Like the street, it has had a Baroque makeover since Botticelli's time.
Madonna and Child with St. John the Baptist, c. 1470–1475, Louvre, Paris
Madonna and Child with St. John the Baptist, c. 1470–1475, Louvre, Paris