1.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
2.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
3.
Via del Corso
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The Via del Corso, is a main street in the historical centre of Rome. It is remarkable for being absolutely straight in an area characterized by narrow meandering alleys, considered a wide street in ancient times, today the Corso is approximately 10 metres wide, and it only has room for two lanes of traffic and two narrow sidewalks. The northern portion of the street is a pedestrian area, the length of the street is roughly 1.5 kilometres. The Corso runs in a generally north-south direction, today, the Corso is a popular place for the passeggiata, the evening stroll for the populace to be seen and to see others. It is also an important shopping street for tourists and locals alike, the history of Via del Corso began in 220 BC when Gaius Flaminius censor built a new road to link Rome with the Adriatic Sea in the north. The starting point of the road was Porta Fontinalis, a gate in the Servian city walls near present-day Piazza Venezia, in its first miles Via Flaminia cut through the plain between the Tiber and the eastern hills in a straight line. The Field of Mars, as it was called, was at the used as a training ground. Numerous tombs must have lined the road similarly to the Appian Way, the open area outside the city walls went through a process of urbanization during the late Republican and early imperial age. The city gradually spread north and monumental public buildings were built along the road. A set of dynastic monuments around the Mausoleum of Augustus was the most important development in the unpopulated northern section of the district. The first was the Arcus Novus erected by Diocletian in 303-304, then the Arch of Claudius stood further ahead and the third was later known as the Arco di Portogallo. The most important ancient monuments along Via Lata were Aurelians Temple of the Sun, the Ara Pacis, the Ustrinum Domus Augustae, the Ara Providentiae and the Column of Marcus Aurelius. A densely populated residential quarter from the Hadrianic era was discovered on the side of the road between Via delle Muratte and Via delle Convertite. From around the year 600 AD, the Corso accommodated a welfare centre linked to feeding the populace at Santa Maria in Via Lata and granaries at its southern end. During the Middle Ages the Via Lata, the present day Corso, effectively denoted a boundary, to the city mainly developed to the south. From the fifteenth century, the Via del Corso became a street for new or renovated churches. The lack of regularity and decorum of this street of the city meant that it became a main urban priority of Pope Alexander VII. Where he met with success was over imposing order on the street by empowering the maestri di strade
4.
Landi family
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The Landi were a noble family from Piacenza, now in Reggio-Emilia, in central Italy. From 1551 to 1582, they were princes of the Val di Taro, now in the province of Parma, at that time in papal territory. Their principality is sometimes called Lo Stato Landi, although the term is not well known, there is documentation of it in the Archivio Segreto Vaticano. The Landi were a family from the area of Piacenza. They are thought to have descended from one Rodolfo Landi, however, the family divided into several lines, of which the most notable is that of Compiano, which descended from Giannone Landi, a great-grandson of Rodolfo. From mediaeval times, most of the Val di Taro was held by the Landi family, in 1582, their lands passed into the hands of Ottavio Farnese, Duke of Parma, following a failed conspiracy against the Farnese family, some thirty years before the better-known Sanvitale conspiracy. Landi was stripped of his titles and his status in 1578. However, as a prince of the Holy Roman Empire, he was not subject to the judgement of ordinary courts and he was pardoned on 27 September 1583 by the emperor Rudolf II, who also ordered Landis confiscated lands returned to him, they were not
5.
Piazza Navona
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Piazza Navona is a piazza in Rome, Italy. It is built on the site of the Stadium of Domitian, built in 1st century AD, the ancient Romans went there to watch the agones, and hence it was known as Circus Agonalis. It is believed that time the name changed to in avone to navone. Piazza Navona has two other fountains, at the southern end is the Fontana del Moro with a basin and four Tritons sculpted by Giacomo della Porta to which, in 1673, Bernini added a statue of a Moor, or African, wrestling with a dolphin. At the northern end is the Fountain of Neptune also created by Giacomo della Porta, during its history, the piazza has hosted theatrical events and other ephemeral activities. From 1652 until 1866, when the festival was suppressed, it was flooded on every Saturday and Sunday in August in elaborate celebrations of the Pamphilj family. The pavement level was raised in the 19th century, and in 1869 the market was moved to the nearby Campo de Fiori, a Christmas market is held in the piazza. During June 2008, Ron Howard directed several scenes of the adaptation of Angels & Demons on the southern section of the piazza. The piazza is featured in scenes of director Mike Nichols 1970 adaptation of Joseph Hellers novel. The Fontana dei Quattro Fiumi was used in the 1990 film Coins in the Fountain, the characters threw coins into the fountain as they made wishes. The Trevi Fountain was used in the 1954 version of the film, the piazza is featured in Eugene Levys Once Upon A Crime film. In the early hours of 3 September 2011, the Fontana del Moro was damaged by a vandal, roth, Leland M. Understanding Architecture, Its Elements, History, and Meaning. Birds eye view of Piazza Navona, virtual Tour of Piazza Navona Bernini Fountains Video Introduction
6.
Chapel
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The term chapel usually refers to a place of prayer and worship that is attached to a larger, often nonreligious institution or that is considered an extension of a primary religious institution. Chapel has also referred to independent or nonconformist places of worship in Great Britain—outside of the established church, the earliest Christian places of worship are now often referred to as chapels, as they were not dedicated buildings but rather a dedicated chamber within a building. Most larger churches had one or more secondary altars, which if they occupied a distinct space, in Russian Orthodox tradition, the chapels were built underneath city gates, where most people could visit them. The most famous example is the Iberian Chapel, although chapels frequently refer to Christian places of worship, they are also commonly found in Jewish synagogues and do not necessarily connote a specific denomination. In England—where the Church of England is established by law—non-denominational or inter-faith chapels in such institutions may nonetheless be consecrated by the local Anglican bishop, non-denominational chapels are commonly encountered as part of a non-religious institution such as a hospital, airport, university or prison. Many military installations have chapels for the use of military personnel, the earliest Christian places of worship were not dedicated buildings but rather a dedicated chamber within a building, such as a room in an individuals home. Here one or two people could pray without being part of a communion/congregation, people who like to use chapels may find it peaceful and relaxing to be away from the stress of life, without other people moving around them. The word, chapel, like the word, chaplain, is ultimately derived from Latin. The other half he wore over his shoulders as a small cape, the beggar, the stories claim, was Christ in disguise, and Martin experienced a conversion of heart, becoming first a monk, then abbot, then bishop. This cape came into the possession of the Frankish kings, the tent which kept the cape was called the capella and the priests who said daily Mass in the tent were known as the capellani. From these words, via Old French, we get the names chapel, the word also appears in the Irish language in the Middle Ages, as Welsh people came with the Norman and Old English invaders to the island of Ireland. While the traditional Irish word for church was eaglais, a new word, séipéal, in British history, chapel or meeting house, was formerly the standard designation for church buildings belonging to independent or Nonconformist religious societies and their members. As a result, chapel is used as an adjective in the UK to describe the members of such churches. A proprietary chapel is one that belonged to a private person. In the 19th century they were common, often being built to cope with urbanisation, frequently they were set up by evangelical philanthropists with a vision of spreading Christianity in cities whose needs could no longer be met by the parishes. Some functioned more privately, with a wealthy person building a chapel so they could invite their favorite preachers and they are anomalies in the English ecclesiastical law, having no parish area, but being able to have an Anglican clergyman licensed there. Historically many Anglican Churches were Proprietary Chapels, over the years they have often been converted into normal Parishes. While the usage of the chapel is not exclusively limited to Christian terminology
7.
Mummy
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Some authorities restrict the use of the term to bodies deliberately embalmed with chemicals, but the use of the word to cover accidentally desiccated bodies goes back to at least 1615 CE. Mummies of humans and other animals have found on every continent. Over one million animal mummies have been found in Egypt, many of which are cats, in addition to the well-known mummies of ancient Egypt, deliberate mummification was a feature of several ancient cultures in areas of America and Asia with very dry climates. The Spirit Cave mummies of Fallon, Nevada in North America were accurately dated at more than 9,400 years old. Before this discovery, the oldest known deliberate mummy was a child, one of the Chinchorro mummies found in the Camarones Valley, Chile, which dates around 5050 BCE. The oldest known naturally mummified corpse is a severed head dated as 6,000 years old. These substances were defined as mummia, the OED defines a mummy as the body of a human being or animal embalmed as a preparation for burial, citing sources from 1615 CE onward. However, Chambers Cyclopædia and the Victorian zoologist Francis Trevelyan Buckland define a mummy as follows, also applied to the frozen carcase of an animal imbedded in prehistoric snow. Wasps of the genus Aleiodes are known as mummy wasps because they wrap their prey as mummies. While interest in the study of mummies dates as far back as Ptolemaic Greece, prior to this, many rediscovered mummies were sold as curiosities or for use in pseudoscientific novelties such as mummia. The first modern scientific examinations of mummies began in 1901, conducted by professors at the English-language Government School of Medicine in Cairo, Egypt. The first X-ray of a mummy came in 1903, when professors Grafton Elliot Smith, British chemist Alfred Lucas applied chemical analyses to Egyptian mummies during this same period, which returned many results about the types of substances used in embalming. Lucas also made significant contributions to the analysis of Tutankhamun in 1922, pathological study of mummies saw varying levels of popularity throughout the 20th century. In 1992, the First World Congress on Mummy Studies was held in Puerto de la Cruz on Tenerife in the Canary Islands, more than 300 scientists attended the Congress to share nearly 100 years of collected data on mummies. This was not possible prior to the Congress due to the unique, in more recent years, CT scanning has become an invaluable tool in the study of mummification by allowing researchers to digitally unwrap mummies without risking damage to the body. The level of detail in such scans is so intricate that small linens used in areas such as the nostrils can be digitally reconstructed in 3-D. Such modelling has been utilized to perform autopsies on mummies to determine cause of death and lifestyle. Mummies are typically divided into one of two categories, anthropogenic or spontaneous
8.
Cadaver
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A cadaver, also called corpse in medical, literary, and legal usage, or when intended for dissection, is a deceased body. Observation of the stages of decomposition can help determine how long a body has been dead. The first stage is autolysis, more known as self-digestion. However, these enzymes are released into the cells because of active processes ceasing in the cells, as a result of autolysis, liquid is created that gets between the layers of skin and makes the skin peel off. During this stage, flies start to lay eggs in the openings of the body, eyes, nostrils, mouth, ears, open wounds, hatched larvae, of blowflies, subsequently get under the skin and start to eat the body. This bloating occurs largely in the abdomen, and sometimes in the mouth and this usually happens in about the second week of decomposition. Gas accumulation and bloating will continue until the body is decomposed sufficiently for the gas to escape and it is the last and longest stage. Putrefaction is where the structures of the body break down. The digestive organs, the brain, and lungs are the first to disintegrate, under normal conditions, the organs are unidentifiable after three weeks. The muscles can be eaten by bacteria or devoured by animals, eventually, sometimes after several years, all that remains is the skeleton. In acid-rich soils, the skeleton will eventually dissolve into its base chemicals, the rate of decomposition depends on many factors including temperature and the environment. The warmer and more humid the environment, the faster the body is broken down, greek physicians Herophilus and Erasistratus were among the first on record to have dissected bodies. Andreas Vesalius, author of De humani corporis fabrica, who was able to dispel many misconceptions by dissecting human cadavers, is regarded as the father of human anatomy. The tradition of dissecting criminals was carried up into the eighteenth and nineteenth century when anatomy schools became popular in England and Scotland, at that time, a greater percentage of Christians believed in the literal raising from the dead. Because the souls of dissected bodies could not go to heaven, criminals who were executed for their crimes were used as the first cadavers. From the 16th century until 1832, and the passage of the Anatomy Act, the demand for cadavers increased when the number of criminals being executed decreased. Since corpses were in high demand, it became commonplace to steal bodies from graves in order to keep the market supplied. The methods of preserving cadavers have changed over the last 200 years, at that time, cadavers had to be used immediately because there were no adequate methods to keep the body from quickly decaying
9.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
10.
Byzantine art
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Byzantine art is the name for the artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. A number of states contemporary with the Byzantine Empire were culturally influenced by it, after the fall of the Byzantine capital of Constantinople in 1453, art produced by Eastern Orthodox Christians living in the Ottoman Empire was often called post-Byzantine. Byzantine art never lost sight of this classical heritage, the Byzantine capital, Constantinople, was adorned with a large number of classical sculptures, although they eventually became an object of some puzzlement for its inhabitants. And indeed, the art produced during the Byzantine Empire, although marked by periodic revivals of an aesthetic, was above all marked by the development of a new aesthetic. The most salient feature of new aesthetic was its abstract. The nature and causes of this transformation, which took place during late antiquity, have been a subject of scholarly debate for centuries. Giorgio Vasari attributed it to a decline in skills and standards. Although this point of view has been revived, most notably by Bernard Berenson. Alois Riegl and Josef Strzygowski, writing in the early 20th century, were all responsible for the revaluation of late antique art. Riegl saw it as a development of pre-existing tendencies in Roman art. In any case, the debate is purely modern, it is clear that most Byzantine viewers did not consider their art to be abstract or unnaturalistic, religious art was not, however, limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the illumination of manuscripts was another major genre of Byzantine art. The most commonly illustrated texts were religious, both scripture itself and devotional or theological texts, secular texts were also illuminated, important examples include the Alexander Romance and the history of John Skylitzes. Small ivories were also mostly in relief, Byzantine ceramics were relatively crude, as pottery was never used at the tables of the rich, who ate off silver. Two events were of importance to the development of a unique. First, the Edict of Milan, issued by the emperors Constantine I and Licinius in 313, allowed for public Christian worship, second, the dedication of Constantinople in 330 created a great new artistic centre for the eastern half of the Empire, and a specifically Christian one. Major Constantinopolitan churches built under Constantine and his son, Constantius II, included the foundations of Hagia Sophia. The next major building campaign in Constantinople was sponsored by Theodosius I, the most important surviving monument of this period is the obelisk and base erected by Theodosius in the Hippodrome
11.
Gian Lorenzo Bernini
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Gian Lorenzo Bernini was an Italian sculptor and architect. While a major figure in the world of architecture, he was the sculptor of his age. Bernini was also a figure in the emergence of Roman Baroque architecture along with his contemporaries, the architect Francesco Borromini. Early in their careers they had all worked at the time at the Palazzo Barberini, initially under Carlo Maderno and, following his death. Later on, however, they were in competition for commissions, Peters Basilica, completed under Pope Paul V with the addition of Madernos nave and facade and finally re-consecrated by Pope Urban VIII on 18 November 1626, after 150 years of planning and building. Berninis design of the Piazza San Pietro in front of the Basilica is one of his most innovative, during his long career, Bernini received numerous important commissions, many of which were associated with the papacy. At an early age, he came to the attention of the nephew, Cardinal Scipione Borghese. Although he did not fare so well during the reign of Innocent X, under Alexander VII, he again regained pre-eminent artistic domination. Bernini and other artists fell from favor in later neoclassical criticism of the Baroque, the art historian Howard Hibbard concludes that, during the seventeenth century, there were no sculptors or architects comparable to Bernini. Bernini was born in Naples in 1598 to Angelica Galante and Mannerist sculptor Pietro Bernini and he was the sixth of their thirteen children. Gianlorenzo Bernini was the definition of childhood genius and he was “recognized as a prodigy when he was only eight years old, he was consistently encouraged by his father, Pietro. His precocity earned him the admiration and favor of powerful patrons who hailed him as ‘the Michelangelo of his century’” and his father was so impressed by his son’s obvious talent that he took him to Rome to showcase him to the cardinals and Pope. Bernini was presented before Pope Paul V, for whom he did a sketch of Saint Paul, once he was brought to Rome, he never left. “For Bernini there could be only one Rome, ‘You are made for Rome, ’ said Pope Urban VIII to him, ‘and Rome for you’”. It was in world of 17th century Rome and religious power. Under the patronage of the wealthy and most powerful Cardinal Scipione Borghese. By the time he was twenty-two, he was considered talented enough to have given a commission for a papal portrait. Berninis reputation, however, was established by four masterpieces
