1.
Dust cover (firearms)
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The following are terms related to firearms and ammunition topics. Accurize, accurizing, The process of altering a stock firearm to improve its accuracy, action, The physical mechanism that manipulates cartridges and/or seals the breech. The term refers to the method in which cartridges are loaded, locked, actions are generally categorized by the type of mechanism used. A firearm action is not present on muzzleloaders as all loading is done by hand. The mechanism that fires a muzzle-loader is called the lock, ammunition or ammo, Gunpowder and artillery. Since the design of the cartridge, the meaning has been transferred to the assembly of a projectile, back bore, backbored barrel, A shotgun barrel whose internal diameter is greater than nominal for the gauge, but less than the SAAMI maximum. Done in an attempt to reduce recoil, improve patterning. Bandolier or bandoleer, A pocketed belt for holding ammunition and cartridges and it was usually slung over the chest. Bandoliers are now rare because most military arms use magazines, which are not well-suited to being stored in a bandolier and they are, however, still commonly used with shotguns, as a traditional bandolier conveniently stores individual 12 gauge shells. Barrel, A tube, usually metal, through which an explosion or rapid expansion of gases are released to propel a projectile out of the end at high velocity. Ballistic coefficient or BC, a measure of ability to overcome air resistance in flight. It is inversely proportional to the high number indicates a low deceleration. BC is a function of mass, diameter, and drag coefficient, in bullets, it refers to the amount that drop over distance and wind drift affects the bullet. Bayonet lug, An attachment point for a bayonet, belt, ammunition belt is a device used to retain and feed cartridges into a firearm. Belted magnum or belt, Any caliber cartridge, generally rifles and this design originated with the British gunmaker Holland & Holland for the purpose of headspace certain of their more powerful cartridges. Bipod, A support device that is similar to a tripod or monopod, on firearms, bipods are commonly used on rifles to provide a forward rest and reduce motion. The bipod permits the operator to rest the weapon on the ground, black powder also called gunpowder, a mixture of sulfur, charcoal, and potassium nitrate. It burns rapidly, producing a volume of hot gas made up of carbon dioxide, water, and nitrogen, and a solid residue of potassium sulfide
2.
Book cover
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A book cover is any protective covering used to bind together the pages of a book. This article is concerned with modern mechanically produced covers, before the early nineteenth century, books were hand-bound, in the case of luxury medieval manuscripts using materials such as gold, silver and jewels. For hundreds of years, book bindings had functioned as a device for the expensively printed or hand-made pages. In the 1820s great changes began to occur in how a book might be covered, not only were the new types of book-covers cheaper to produce, they were also printable, using multi-colour lithography, and later, half-tone illustration processes. Techniques borrowed from the nineteenth-century poster-artists gradually infiltrated the book industry, the book cover became more than just a protection for the pages, taking on the function of advertising, and communicating information about the text inside. Some of the first radically modern cover designs were produced in the Soviet Union during the 1920s by avant-gardists such as Alexander Rodchenko, another highly influential early book cover designer was Aubrey Beardsley, thanks to his striking covers for the first four volumes of The Yellow Book. In the post-war era, book covers have become important as the book industry has become commercially competitive. Covers now give detailed hints about the style, genre and subject of the book and this can differ from country to country because of other tastes of the markets. So translated books can also have different book-accessories such as belonging to childrens books. The era of internet sales has not diminished the importance of the book cover, as it now continues its role in a two-dimensional digital form, helping to identify. The Book Cover Archive *Decorated Publishers Bindings-Grand Valley State University Archives, on the topic of cover art
3.
Blurb
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A blurb is a short promotional piece accompanying a creative work. It may be written by the author or publisher or quote praise from others, Blurbs were originally printed on the back or rear dust-jacket of a book, and are now found on DVD and video cases, web portals, and news websites. A blurb may introduce a newspaper or magazine feature story, in the US, the history of the blurb is said to begin with Walt Whitmans collection, Leaves of Grass. The word blurb was coined in 1907 by American humorist Gelett Burgess and his short 1906 book Are You a Bromide. was presented in a limited edition to an annual trade association dinner. In this case the jacket proclaimed YES, this is a BLURB. the name and term stuck for any publishers contents on a books back cover, even after the picture was dropped and only the text remained. In Germany, the blurb is regarded to have been invented by Karl Robert Langewiesche around 1902, in German bibliographic usage, it is usually located on the second page of the book underneath the half title, or on the dust cover. In the 1980s, Spy ran a feature called Logrolling in Our Time which exposed writers who wrote blurbs for one anothers books. Prominent writers can receive large volumes of requests from aspiring authors. This has led writers to turn down such requests as a matter of policy. For example, Gary Shteyngart announced in The New Yorker that he would no longer write blurbs, except for certain writers with whom he had a professional or personal connection. Neil Gaiman reports that now and again I stop writing blurbs. The hiatus lasts for a year or two, and then I feel guilty or someone asks me at the right time, and I relent. Jacob M. Appel reports that he received fifteen to twenty blurb requests per week, many humorous books and films parody blurbs that deliver exaggerated praise by unlikely people and insults disguised as praise. One of the blurbs stated One of the two or three books, movie blurbs are part of the promotional campaign for films, and usually consist of positive, colorful extracts from published reviews. Movie blurbs have often been faulted for taking out of context. Luckily for consumers, there is a cavalry, blurb watchdog sites have sprung up, helping to keep studios in line these days are watchdog sites like eFilmCritic. com and The Blurbs, a Web column for Gelf magazine written by Carl Bialik of The Wall Street Journal. Slate wrote in an Explainer column, How much latitude do movie studios have in writing blurbs, theres no official check on running a misleading movie blurb, aside from the usual laws against false advertising. Studios do have to submit advertising materials like newspaper ads and trailers to the Motion Picture Association of America for approval, but the MPAA reviews the ads for their tone and content, not for the accuracy of their citations. As a courtesy, studios will often run the new, condensed quote by the critic before sending it to print, essay by Bill Morris, Feb.152011 A Brief History of the Blurb, by Alan Levinovitz, Feb.12012 Riveting
4.
Public library
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A public library is a library that is accessible by the general public and is generally funded from public sources, such as taxes. It is operated by librarians and library paraprofessionals, who are civil servants. There are five fundamental characteristics shared by public libraries, Public libraries exist in many countries across the world and are often considered an essential part of having an educated and literate population. Public access to books is not new, romans made scrolls in dry rooms available to patrons of the baths, and tried with some success to establish libraries within the empire. In the middle of the 19th century, the push for public libraries, paid for by taxes. Public libraries were started with a donation, or were bequeathed to parishes, churches. These social and institutional libraries formed the base of many academic and public collections of today. The establishment of circulating libraries in the 18th century, by booksellers and publishers provided a means of gaining profit, the circulating libraries not only provided a place to sell books, but also a place to lend books for a price. These circulating libraries provided a variety of including the increasingly popular novels. Circulating libraries were not exclusively lending institutions and often provided a place for other forms of commercial activity and this was necessary because the circulating libraries did not generate enough funds through subscription fees collected from its borrowers. As a commerce venture, it was important to consider the factors such as other goods or services available to the subscribers. The Malatestiana Library, also known as the Malatesta Novello Library, is a public library dating from 1452 in Cesena, Emilia-Romagna and it was the first European civic library, i. e. belonging to the Commune and open to everybody. It was commissioned by the Lord of Cesena, Malatesta Novello, the works were directed by Matteo Nuti of Fano and lasted from 1447 to 1452. In the early years of the 17th century, many famous collegiate, norwich City library was established in 1608 and Chethams Library in Manchester, which claims to be the oldest public library in the English-speaking world, opened in 1653. Claude Sallier, the French philologist and churchman, operated an early form of library in the town of Saulieu from 1737 to 1750. He wished to make culture and learning accessible to all people, the Załuski Library was built in Warsaw 1747–1795 by Józef Andrzej Załuski and his brother, Andrzej Stanisław Załuski, both Roman Catholic bishops. The library was open to the public and indeed was the first Polish public library, at the start of the 18th century, libraries were becoming increasingly public and were more frequently lending libraries. The 18th century saw the switch from closed parochial libraries to lending libraries, before this time, public libraries were parochial in nature and libraries frequently chained their books to desks
5.
Leather
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Leather is a durable and flexible material created by tanning animal rawhide and skin, often cattle hide. It can be produced at manufacturing scales ranging from cottage industry to heavy industry, people use leather to make various goods—including clothing, bookbinding, leather wallpaper, and as a furniture covering. It is produced in a variety of types and styles. Several tanning processes transform hides and skins into leather, Chrome-tanned leather, invented in 1858, is tanned using chromium sulfate and it is more supple and pliable than vegetable-tanned leather and does not discolor or lose shape as drastically in water as vegetable-tanned. It is also known as wet-blue for its color derived from the chromium, more exotic colors are possible when using chrome tanning. The chrome tanning method usually only takes a day to finish, and it is reported that chrome-tanned leather adds up to 80% of the global leather supply. Vegetable-tanned leather is tanned using tannins and other found in different vegetable matter, such as tree bark prepared in bark mills, wood, leaves, fruits. It is supple and brown in color, with the exact shade depending on the mix of chemicals and it is the only form of leather suitable for use in leather carving or stamping. Vegetable-tanned leather is not stable in water, it tends to discolor, so if left to soak and then dried it shrinks, in hot water, it shrinks drastically and partly congeals—becoming rigid, and eventually brittle. Boiled leather is an example of this, where the leather has been hardened by being immersed in hot water, historically, it was occasionally used as armour after hardening, and it has also been used for book binding. Aldehyde-tanned leather is tanned using glutaraldehyde or oxazolidine compounds and this is the leather that most tanners refer to as wet-white leather due to its pale cream or white color. It is the type of chrome-free leather, often seen in shoes for infants. Formaldehyde tanning is another aldehyde tanning method, brain-tanned leathers fall into this category, and are exceptionally water absorbent. Brain tanned leathers are made by a process that uses emulsified oils, often those of animal brains such as deer, cattle. They are known for their softness and washability. Chamois leather also falls into the category of aldehyde tanning, and like brain tanning, produces a porous, chamois leather is made using marine oils that oxidize easily to produce the aldehydes that tan the leather to color it. Rose-tanned leather is a variation of oil tanning and brain tanning. Rose-tanned leather tanned leaves a powerful rose fragrance even years from when it is manufactured and it has been called the most valuable leather on earth, but this is mostly due to the high cost of rose otto and its labor-intensive tanning process
6.
Wallpaper
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It is usually sold in rolls and is put onto a wall using wallpaper paste. Wallpapers can come plain as lining paper, textured, with a repeating pattern design, or, much less commonly today. Wallpaper printing techniques include surface printing, gravure printing, silk screen-printing, rotary printing, Wallpaper is made in long rolls, which are hung vertically on a wall. The number of times the pattern repeats horizontally across a roll does not matter for this purpose, a single pattern can be issued in several different colorways. The worlds most expensive wallpaper, Les Guerres DIndependence, was priced at £24,896.50 for a set of 32 panels, the wallpaper was designed by Zuber in France and is very popular in the United States. The main historical techniques are, hand-painting, woodblock printing, stencilling, the first three all date back to before 1700. Wallpaper, using the technique of woodcut, gained popularity in Renaissance Europe amongst the emerging gentry. The social elite continued to hang large tapestries on the walls of their homes and these tapestries added color to the room as well as providing an insulating layer between the stone walls and the room, thus retaining heat in the room. However, tapestries were extremely expensive and so only the rich could afford them. Less well-off members of the elite, unable to buy tapestries due either to prices or wars preventing international trade, turned to wallpaper to brighten up their rooms. Prints were very often pasted to walls, instead of being framed and hung, and the largest sizes of prints, some important artists made such pieces - notably Albrecht Dürer, who worked on both large picture prints and also ornament prints - intended for wall-hanging. The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I, very few samples of the earliest repeating pattern wallpapers survive, but there are a large number of old master prints, often in engraving of repeating or repeatable decorative patterns. These are called ornament prints and were intended as models for wallpaper makers, England and France were leaders in European wallpaper manufacturing. Among the earliest known samples is one found on a wall from England and is printed on the back of a London proclamation of 1509, without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper. During the Protectorate under Oliver Cromwell, the manufacture of wallpaper, in 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-eighteenth century, Britain was the wallpaper manufacturer in Europe. However this trade was disrupted in 1755 by the Seven Years War and later the Napoleonic Wars. In 1748 the British Ambassador to Paris decorated his salon with blue flock wallpaper, in the 1760s the French manufacturer Jean-Baptiste Réveillon hired designers working in silk and tapestry to produce some of the most subtle and luxurious wallpaper ever made
7.
Codex
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A codex is a book constructed of a number of sheets of paper, vellum, papyrus, or similar materials, with hand-written contents. The book is bound by stacking the pages and fixing one edge. Some codices are continuously folded like a concertina, the alternative to paged codex format for a long document is the continuous scroll. Examples of folded codices include the Maya codices, sometimes people use the term for a book-style format, including modern printed books but excluding folded books. The Romans developed the form from wooden writing tablets, the codexs gradual replacement of the scroll—the dominant book form in the ancient world—has been called the most important advance in book making before the invention of printing. The codex transformed the shape of the book itself, and offered a form that lasted for centuries, the spread of the codex is often associated with the rise of Christianity, which adopted the format for use with the Bible early on. In fact, any combination of codices and scrolls with papyrus and parchment is technically feasible, the codex began to replace the scroll almost as soon as it was invented. In Egypt, by the century, the codex outnumbered the scroll by ten to one based on surviving examples. By the sixth century, the scroll had almost vanished as a medium for literature, technically, even modern paperbacks are codices, but publishers and scholars reserve the term for manuscript books produced from Late antiquity until the Middle Ages. The scholarly study of manuscripts from the point of view of the bookbinding craft is called codicology. The study of ancient documents in general is called paleography, the Romans used precursors made of reusable wax-covered tablets of wood for taking notes and other informal writings. Two ancient polyptychs, a pentatych and octotych, excavated at Herculaneum used a connecting system that presages later sewing on of thongs or cords. Julius Caesar may have been the first Roman to reduce scrolls to pages in the form of a note-book. At the turn of the 1st century AD, a kind of folded parchment notebook called pugillares membranei in Latin became commonly used for writing in the Roman Empire, theodore Cressy Skeat theorized that this form of notebook was invented in Rome and then spread rapidly to the Near East. Codices are described in works by the Classical Latin poet. He wrote a series of five couplets meant to accompany gifts of literature that Romans exchanged during the festival of Saturnalia. ”Early codices of parchment or papyrus appear to have widely used as personal notebooks. The parchment notebook pages were commonly washed or scraped for re-use and consequently, writings in a codex were often considered informal, as early as the early 2nd century, there is evidence that a codex—usually of papyrus—was the preferred format among Christians. In the library of the Villa of the Papyri, Herculaneum, however, in the Nag Hammadi library, hidden about AD390, all texts are codices
8.
Manuscript
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A manuscript is any document written by hand or typewritten, as opposed to being mechanically printed or reproduced in some automated way. More recently, it is understood to be a written, typed, or word-processed copy of a work. Before the arrival of printing, all documents and books were manuscripts, manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations. The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS. ms or ms. for singular, and MSS. mss or mss. for plural are also accepted. The second s is not simply the plural, by an old convention, it doubles the last letter of the abbreviation to express the plural, just as pp. means pages. Before the invention of printing in China or by moveable type in a printing press in Europe. Historically, manuscripts were produced in form of scrolls or books, manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived, in India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century. Paper spread from China via the Islamic world to Europe by the 14th century, when Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud. Manuscripts in Tocharian languages, written on leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum, ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Originally, all books were in manuscript form, in China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868, in the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. Manuscript copying of books continued for a least a century, as printing remained expensive, private or government documents remained hand-written until the invention of the typewriter in the late 19th century. In the Philippines, for example, as early as 900AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the document in the hot
9.
Scroll
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A scroll, also known as a roll, is a roll of papyrus, parchment, or paper containing writing. The scroll is usually unrolled so that one page is exposed at a time, for writing or reading, with the remaining pages rolled up to the left and right of the visible page. It is unrolled side to side, and the text is written in lines from the top to the bottom of the page. Depending on the language, the letters may be left to right, right to left. Some scrolls are simply rolled up pages, others may have wooden rollers on each end, scrolls were the first form of editable record keeping texts, used in Eastern Mediterranean ancient Egyptian civilizations. Parchment scroll used by Israelites after Sinai was the first use of scrolls in the recording of literature before the codex or bound book with pages was invented by the Latins in the 1st century AD. Scrolls were more highly regarded than codices until well into Roman times where they were written in single latitudinal column. The ink used in writing scrolls had to adhere to a surface that was rolled and unrolled, even so, ink would slowly flake off of scrolls. Shorter pieces of parchment or paper are called rolls or rotuli, historians of the classical period tend to use roll instead of scroll. A distinction that sometimes applies is that the lines of writing in rotuli run across the width of the rather than along the length. Rolls may be wider than most scrolls, up to perhaps 60 cm or two feet wide, Rolls were often stored together in a special cupboard on shelves. A special Chinese form of book, called the whirlwind book, consists of several pieces of paper bound at the top with bamboo. In Scotland, the term scrow was used from about the 13th to the 17th centuries for scroll, writing, there existed an office of Clerk of the Scrow meaning the Clerk of the Rolls or Clerk of the Register. The scroll was replaced by the codex, a process which started almost as soon as the codex was invented. Unfortunately, scrolls were usually discarded after their contents were transferred to a codex, most scrolls uncovered by archaeologists are found in trash middens and burial sites. The oldest complete Torah scroll was discovered in May 2013 by Professor Mauro Perani. It was stored in a library in Bolonia, Italy. It had been mislabeled in 1889 as dating from the 17th century, carbon testing dates the prayer book to the year 840, which is 300 to 400 years earlier than the previously oldest known Torah scrolls from the 12th and 13th centuries
10.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
11.
Card stock
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Card stock is often used for business cards, postcards, playing cards, catalogue covers, scrapbooking, and other uses which require higher durability than regular paper. The texture is smooth, but can be textured, metallic. Most countries use the term grammage is used to describe the weight of the paper in grams per square metre, in the U. S. card stock thickness is usually measured in points or mils, the thickness of the sheet in thousandths of an inch. For example, a 10 pt. card is 0.010 in thick,12 pt. is 0.012 in. Card Stock Thickness Point size is 0.001 - not to be confused with typographical point size, paper sizes using the ISO system are often used for card stock. Card stock sizes can be labeled as A3 referencing the ISO Standard system, instead of using the physical dimensions to describe its size
12.
Bookbinding
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Bookbinding is the process of physically assembling a book from an ordered stack of paper sheets that are folded together into sections or sometimes left as a stack of individual sheets. The stack is then bound together along one edge by either sewing with thread through the folds or by a layer of flexible adhesive, for protection, the bound stack is either wrapped in a flexible cover or attached to stiff boards. Finally, a cover is adhered to the boards and a label with identifying information is attached to the covers along with additional decoration. Bookbinding is a trade that relies on basic operations of measuring, cutting. A finished book depends on a minimum of two dozen operations to complete but sometimes more than double that according to the specific style. All operations have an order and each one relies on accurate completion of the previous step with little room for back tracking. An extremely durable binding can be achieved by using the best hand techniques, Bookbinding combines skills from other trades such as paper and fabric crafts, leather work, model making, and graphic arts. It requires knowledge about numerous varieties of book structures along with all the internal and external details of assembly, a working knowledge of the materials involved is required. Bookbinding is a craft of great antiquity, and at the same time. The division between craft and industry is not so wide as might at first be imagined and it is interesting to observe that the main problems faced by the mass-production bookbinder are the same as those that confronted the medieval craftsman or the modern hand binder. Before the computer age, the bookbinding trade involved two divisions, second was Letterpress binding which deals with making new books intended to be read from and includes fine binding, library binding, edition binding, and publishers bindings. A result of the new bindings is a third division dealing with the repair, restoration, with the digital age, personal computers have replaced the pen and paper based accounting that used to drive most of the work in the stationery binding industry. There is a grey area between the two divisions. There are cases where the printing and binding jobs are combined in one shop, a step up to the next level of mechanization is determined by economics of scale until you reach production runs of ten thousand copies or more in a factory employing a dozen or more workers. The craft of bookbinding probably originated in India, where religious sutras were copied on to palm leaves with a metal stylus, the leaf was then dried and rubbed with ink, which would form a stain in the wound. The finished leaves were given numbers, and two long twines were threaded through each end through wooden boards, making a palm-leaf book, when the book was closed, the excess twine would be wrapped around the boards to protect the manuscript leaves. Buddhist monks took the idea through Afghanistan to China in the first century BC, similar techniques can also be found in ancient Egypt where priestly texts were compiled on scrolls and books of papyrus. Another version of bookmaking can be seen through the ancient Mayan codex, writers in the Hellenistic-Roman culture wrote longer texts as scrolls, these were stored in boxes or shelving with small cubbyholes, similar to a modern winerack
13.
Wax
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Waxes are a diverse class of organic compounds that are hydrophobic, malleable solids near ambient temperatures. They include higher alkanes and lipids, typically with melting points above about 40 °C, waxes are insoluble in water but soluble in organic, nonpolar solvents. Natural waxes of different types are produced by plants and animals, waxes are organic compounds that characteristically consist of long alkyl chains. They may also include various groups such as fatty acids, primary and secondary long chain alcohols, unsaturated bonds, aromatics, amides, ketones. They frequently contain fatty acid esters as well, synthetic waxes are often long-chain hydrocarbons that lack functional groups. Waxes are synthesized by plants and animals. Those of animal origin typically consist of wax esters derived from a variety of carboxylic acids, in waxes of plant origin characteristic mixtures of unesterified hydrocarbons may predominate over esters. The composition depends not only on species, but also on location of the organism. The most commonly known animal wax is beeswax, but other insects secrete waxes, a major component of the beeswax used in constructing honeycombs is the ester myricyl palmitate which is an ester of triacontanol and palmitic acid. Its melting point is 62-65 °C, spermaceti occurs in large amounts in the head oil of the sperm whale. One of its constituents is cetyl palmitate, another ester of a fatty acid. Lanolin is a wax obtained from wool, consisting of esters of sterols, plants secrete waxes into and on the surface of their cuticles as a way to control evaporation, wettability and hydration. From the commercial perspective, the most important plant wax is carnauba wax, containing the ester myricyl cerotate, it has many applications, such as confectionery and other food coatings, car and furniture polish, floss coating, and surfboard wax. Other more specialized vegetable waxes include candelilla wax and ouricury wax, plant and animal based waxes or oils can undergo selective chemical modifications to produce waxes with more desirable properties than are available in the unmodified starting material. This approach has relied on green chemistry approaches including olefin metathesis and enzymatic reactions, although many natural waxes contain esters, paraffin waxes are hydrocarbons, mixtures of alkanes usually in a homologous series of chain lengths. These materials represent a significant fraction of petroleum and they are refined by vacuum distillation. Paraffin waxes are mixtures of saturated n- and iso- alkanes, naphthenes, a typical alkane paraffin wax chemical composition comprises hydrocarbons with the general formula CnH2n+2, such as Hentriacontane, C31H64. The degree of branching has an important influence on the properties, millions of tons of paraffin waxes are produced annually
14.
Glue
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The use of adhesives offers many advantages over binding techniques such as sewing, mechanical fastening, thermal bonding, etc. Adhesives are typically organized by the method of adhesion and these are then organized into reactive and non-reactive adhesives, which refers to whether the adhesive chemically reacts in order to harden. Alternatively they can be organized by whether the raw stock is of natural or synthetic origin, Adhesives may be found naturally or produced synthetically. The earliest human use of substances was approximately 200,000 years ago. The first references to adhesives in literature first appeared in approximately 2000 BCE, the Greeks and Romans made great contributions to the development of adhesives. In Europe, glue was not widely used until the period 1500–1700 CE, from then until the 1900s increases in adhesive use and discovery were relatively gradual. Only since the last century has the development of synthetic adhesives accelerated rapidly, the earliest use of adhesives was discovered in central Italy when two stone flakes partially covered with birch-bark tar and a third uncovered stone from the Middle Pleistocene era were found. This is thought to be the oldest discovered human use of tar-hafted stones, the birch-bark-tar adhesive is a simple, one-component adhesive. Although sticky enough, plant-based adhesives are brittle and vulnerable to environmental conditions, the first use of compound adhesives was discovered in Sibudu, South Africa. The ability to produce stronger adhesives allowed middle stone age humans to attach stone segments to sticks in greater variations, more recent examples of adhesive use by prehistoric humans have been found at the burial sites of ancient tribes. Archaeologists studying the sites found that approximately 6,000 years ago the tribesmen had buried their dead together with food found in clay pots repaired with tree resins. The glue was analyzed as pitch, which requires the heating of tar during its production, the retrieval of this tar requires a transformation of birch bark by means of heat, in a process known as pyrolysis. The first references to adhesives in literature first appeared in approximately 2000 BCE, further historical records of adhesive use are found from the period spanning 1500–1000 BCE. Artifacts from this period include paintings depicting wood gluing operations and a made of wood. Other ancient Egyptian artifacts employ animal glue for bonding or lamination, such lamination of wood for bows and furniture is thought to have extended their life and was accomplished using casein -based glues. The ancient Egyptians also developed starch-based pastes for the bonding of papyrus to clothing, from 1 to 500 AD the Greeks and Romans made great contributions to the development of adhesives. Wood veneering and marquetry were developed, the production of animal and fish glues refined, egg-based pastes were used to bond gold leaves incorporated various natural ingredients such as blood, bone, hide, milk, cheese, vegetables, and grains. The Greeks began the use of slaked lime as mortar while the Romans furthered mortar development by mixing lime with volcanic ash and this material, known as pozzolanic cement, was used in the construction of the Roman Colosseum and Pantheon
15.
Bodleian Library
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The Bodleian Library, the main research library of the University of Oxford, is one of the oldest libraries in Europe. With over 12 million items, it is the second largest library in Britain after the British Library, known to Oxford scholars as Bodley or the Bod, it operates principally as a reference library and, in general, documents may not be removed from the reading rooms. They do, however, participate in OLIS, the Bodleian Libraries online union catalogue, much of the librarys archives were digitized and put online for public access in 2015. Since the 19th century a number of stores have been built. Before being granted access to the library, new readers are required to agree to a formal declaration and this declaration was traditionally an oral oath, but is now usually made by signing a letter to a similar effect. Ceremonies in which readers recite the declaration are still performed for those who wish to take them, external readers are still required to recite the declaration orally prior to admission. The Bodleian Admissions Office has amassed a collection of translations of the declaration allowing those who are not native English speakers to recite it in their first language. Whilst the Bodleian Library, in its current incarnation, has a history dating back to 1602. The first purpose-built library known to have existed in Oxford was founded in the century under the will of Thomas Cobham. This small collection of chained books was situated above the side of the University Church of St Mary the Virgin on the High Street. A suitable room was built above the Divinity School. This room continues to be known as Duke Humfreys Library, after 1488, the university stopped spending money on the librarys upkeep and acquisitions, and manuscripts began to go unreturned to the library. The late sixteenth century saw the library go through a period of decline, the furniture was sold. During the reign of Edward VI, there was a purge of superstitious manuscripts, six of the Oxford University dons were tasked with helping Bodley in refitting the library in March 1658. Duke Humfrey’s Library was refitted, and Bodley donated a number of his own books to furnish it, the library was formally re-opened on 8 November 1602 under the name “Bodleian Library”. There were around two thousand books in the library at this time, with an ornate Benefactors Register displayed prominently, in 1605, Francis Bacon gave the library a copy of The Advancement of Learning and described the Bodleian as an Ark to save learning from deluge. At this time, there were few books written in English held in the library, Thomas James suggested that Bodley should ask the Stationers Company to provide a copy of all books printed to the Bodleian. In 1610, Bodley made an agreement with the Stationers Company in London to put a copy of every book registered with them in the library, the Bodleian collection grew so fast that the building was expanded between 1610–1612, and again in 1634–1637
16.
Bookman (reading)
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Bibliophilia or bibliophilism is the love of books, and a bibliophile or bookworm is an individual who loves books. The classic bibliophile is one who loves to read, admire and collect books, often amassing a large, Bibliophiles do not necessarily want to possess the books that they love, an alternative would be unusual bindings, autographed copies, etc. The New York Public Library follows the same practice, according to Arthur H. Minters, the private collecting of books was a fashion indulged in by many Romans, including Cicero and Atticus. The term bibliophile entered the English language in 1824, lord Spencer and the Marquess of Blandford were noted bibliophiles. J. P. Morgan was also a noted bibliophile, in 1884, he paid $24,750 for a 1459 edition of the Mainz Psalter. Antiquarian book trade in the United States Book collecting The Book Club of Detroit Caxton Club The Club of Odd Volumes Grolier Club Oxford University Society of Bibliophiles Merriam-Webster, a Gentle Madness, Bibliophiles, Bibliomanes, and the Eternal Passion for Books, Henry Holt and Company, Inc. The love of books, The Philobiblon translated by E. C. Thomas, london, Frances Lincoln ISBN 0-7112-2685-7 Thomas Frognall Dibdin. The Committed Reader, Reading for Utility, Pleasure, and Fulfillment in the Twenty-First Century, forbes article on bibliomania by Finn-Olaf Jones, December 12,2005
17.
Don Marquis
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Donald Robert Perry Marquis was a humorist, journalist, and author. He was variously a novelist, poet, newspaper columnist, and he is remembered best for creating the characters Archy and Mehitabel, supposed authors of humorous verse. During his lifetime he was famous for creating another fictitious character, the Old Soak. Marquis grew up in Walnut, Illinois and his brother David died in 1892 at the age of 20, his father James died in 1897. After graduating from Walnut High School in 1894, he attended Knox Academy, a preparatory program run by Knox College, in 1896. In 1909, Marquis married Reina Melcher, with whom he had a son, Robert, Reina died on December 2,1923. Three years later Marquis married the actress Marjorie Potts Vonnegut, whose first husband, actor Walter Vonnegut, was a cousin of American author, playwright and she died in her sleep on October 25,1936. Marquis died of a stroke after suffering three strokes that partly disabled him. On August 23,1943, the United States Navy christened a Liberty ship, Marquis began work for the New York newspaper The Evening Sun in 1912 and edited for the next eleven years a daily column, The Sun Dial. During 1922 he left The Evening Sun for the New York Tribune and he regularly contributed columns and short stories to the Saturday Evening Post, Colliers and American magazines and also appeared in Harpers, Scribners, Golden Book, and Cosmopolitan. Marquiss best-known creation was Archy, a cockroach who had been a free-verse poet in a previous life. Archy usually typed only lower-case letters, without punctuation, because he could not operate the shift key, the archy and mehitabel pieces were illustrated by cartoonist George Herriman, better known to posterity as the author of the newspaper comic Krazy Kat. Other characters developed by Marquis included Pete the Pup, Clarence the ghost, Marquis was the author of about 35 books. He co-wrote to the films The Sports Pages, Shinbone Alley, The Good Old Soak, the 1926 film The Cruise of the Jasper B was supposedly based on his 1916 novel of the same name, although the plots have little in common. 1912, Dannys Own Story 1915, Dreams & Dust 1916,1916, Hermione and Her Little Group of Serious Thinkers 1919, Prefaces 1921, The Old Soak and Hail and Farewell Dramatized 1921,1926,1937. The play subsequently opened on Broadway on 14 November 1932 and ran 8 performances, but Not Forgotten, The Adventure of the University Players, New York, William Sloane Associates,1951, pp. 285–6. 1996, archyology Edited by Jeff Adams,1998, archyology ii Edited by Jeff Adams. 2006, The Annotated Archy and Mehitabel Edited by Michael Sims, franklin Pierce Adams Heywood Broun Christopher Morley O Rare Don Marquis by Edward Anthony, published 1962 by Doubleday
18.
Vellum
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Vellum is prepared animal skin or membrane used as a material for writing on. Vellum is prepared for writing or printing on, to produce single pages, scrolls, vellum is generally smooth and durable, although there are great variations depending on preparation and the quality of the skin. The manufacture involves the cleaning, bleaching, stretching on a frame, to create tension, scraping is alternated with wetting and drying. A final finish may be achieved by abrading the surface with pumice, modern paper vellum is a quite different synthetic material, used for a variety of purposes, including plans, technical drawings, and blueprints. In Europe, from Roman times, the vellum was used for the best quality of prepared skin, regardless of the animal from which the hide was obtained, calf, sheep. Although the term derives from the French for calf, animal vellum can include hide from virtually any other mammal. The best quality, uterine vellum, was said to be made from the skins of stillborn or unborn animals, there has long been, however, much blurring of the boundaries between these terms. In 1519, William Horman could write in his Vulgaria, That stouffe that we wrytte upon, modern scholars and custodians increasingly use only the safe if confusing term membrane. In the usage of modern practitioners of the crafts of writing, illuminating, lettering. Vellum is a translucent material produced from the skin, often split, the skin is washed with water and lime, but not together. It is then soaked in lime for several days to soften, once clear, the two sides of the skin are distinct, the side facing inside the animal and the hair side. The inside body side of the skin is usually the lighter, the hair follicles may be visible on the outer side, together with any scarring, made while the animal was alive. The membrane can also show the pattern of the animals vein network called the veining of the sheet, any remaining hair is removed and the skin is dried by attaching it to a frame. The skin is attached at points around the circumference with cords, to prevent tearing, the maker then uses a crescent shaped knife, to clean off any remaining hairs. Once the skin is dry, it is thoroughly cleaned and processed into sheets. The number of extracted from the piece of skin depends on the size of the skin. For example, the average calfskin can provide three and half sheets of writing material. This can be doubled when it is folded into two conjoint leaves, also known as a bifolium, historians have found evidence of manuscripts where the scribe wrote down the medieval instructions now followed by modern membrane makers
19.
Obi (publishing)
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An obi is a strip of paper looped around a book or other product. This extends the term obi used for Japanese clothing, it is written with the same kanji and it is also referred to as a tasuki, or more narrowly as obigami. Many books in Japan are supplied with an obi, which is added outside any dust jacket. However, a book in a slipcase may have an obi around the slipcase, in English, the term belly-band is sometimes used instead. The term is used for a strip that is looped over one side or folded over the top of LP albums released in Japan. Obi are unique to Japan and are used to provide the title of the product, track listings, price, catalog number and it is used by the consumer to determine what is included in the album or book, and the store can use the information for ordering. Obi are sometimes used on boxes for collectible toys and figures, products with an obi have become popular with some collectors, as products with the obi intact can fetch premium prices, and are collectible items in their own right. A used/second hand record or CD with an still intact obi may be more than the same with the obi missing
20.
Palookaville (comics)
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Palookaville is a comic book written and drawn by cartoonist Gregory Gallant, better known as Seth, and published by Drawn & Quarterly. The first issue appeared in April 1991 and it has been published ever since. The comics are generally filled with lost, lonely characters searching for meaning. The series and its creator have won multiple awards, including the 1997 Ignatz Award for Outstanding Artist. Palooka-Ville at the GCD preview of Palokaville #20 at Drawn and Quarterlys website
21.
Art Deco
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Art Deco, sometimes simply referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. It took its name, short for Arts Decorators, from the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925 and it combined modernist styles with fine craftsmanship and rich materials. During its heyday, Art Deco represented luxury, glamour, exuberance, Art Deco was a pastiche of many different styles, sometimes contradictory, united by a desire to be modern. It featured rare and expensive materials such as ebony and ivory, the Chrysler Building and other skyscrapers of New York were the most visible monuments of the new style. In the 1930s, during the Great Depression, the became more subdued. New materials arrived, including chrome plating, stainless steel and plastic, a more sleek form of the style, called Streamline Moderne, appeared in the 1930s, it featured curving forms and smooth, polished surfaces. Art Deco became one of the first truly international architectural styles, with examples found in European cities, the style came to an end with the beginning of World War II. Deco was replaced as the dominant global style by the functional and unadorned styles of modernism. The term arts décoratifs was first used in France in 1858, in 1868, Le Figaro newspaper used the term art décoratifs with respect to objects for stage scenery created for the Théâtre de lOpéra. In 1875, furniture designers, textile, jewelry and glass designers and it took its present name of ENSAD in 1927. The term Art déco was then used in a 1966 newspaper article by Hillary Gelson in the Times, describing the different styles at the exhibit. Art Deco gained currency as a broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major book on the style. Hillier noted that the term was already being used by art dealers and cites The Times, in 1971, Hillier organized an exhibition at the Minneapolis Institute of Arts, which he details in his book about it, The World of Art Deco. The emergence of Art Deco was closely connected with the rise in status of decorative artists, the term arts décoratifs had been invented in 1875, giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs, or SAD, was founded in 1901, a similar movement developed in Italy. The first international exhibition devoted entirely to the arts, the Esposizione international dArte decorative moderna, was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration, Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français, and later in the Salon dautomne. French nationalism also played a part in the resurgence of decorative arts, in 1911 the SAD proposed the holding of a major new international exposition of decorative arts in 1912
22.
The Great Gatsby
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The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the beautiful former debutante Daisy Buchanan. Progress was slow, with Fitzgerald completing his first draft following a move to the French Riviera in 1924 and his editor, Maxwell Perkins, felt the book was vague and persuaded the author to revise over the next winter. First published by Scribners in April 1925, The Great Gatsby received mixed reviews and sold poorly, in its first year, Fitzgerald died in 1940, believing himself to be a failure and his work forgotten. However, the experienced a revival during World War II. Today, The Great Gatsby is widely considered to be a literary classic, in 1998, the Modern Library editorial board voted it the 20th centurys best American novel and second best English-language novel of the same time period. Set on the prosperous Long Island of 1922, The Great Gatsby provides a social history of America during the Roaring Twenties within its fictional narrative. Fitzgerald educates his readers about the society of the Roaring Twenties by placing a timeless. Fitzgeralds visits to Long Islands north shore and his experience attending parties at mansions inspired The Great Gatsbys setting, today, there are a number of theories as to which mansion was the inspiration for the book. One possibility is Lands End, a notable Gold Coast Mansion where Fitzgerald may have attended a party, many of the events in Fitzgeralds early life are reflected throughout The Great Gatsby. Fitzgerald was a man from Minnesota, and like Nick, he was educated at an Ivy League school. Fitzgerald is also similar to Jay Gatsby, in that he fell in love while stationed far from home in the military, Fitzgerald became a second lieutenant, and was stationed at Camp Sheridan, in Montgomery, Alabama. There he met and fell in love with a wild seventeen-year-old beauty named Zelda Sayre, Zelda finally agreed to marry him, but her preference for wealth, fun, and leisure led her to delay their wedding until he could prove a success. Like Nick in The Great Gatsby, Fitzgerald found this new lifestyle seductive and exciting, in many ways, The Great Gatsby represents Fitzgeralds attempt to confront his conflicting feelings about the Jazz Age. Like Gatsby, Fitzgerald was driven by his love for a woman who symbolized everything he wanted, even as she led him toward everything he despised. In her book Careless People, Murder, Mayhem and the Invention of The Great Gatsby, based on her forensic search for clues, she asserts that the two victims in the Hall-Mills murder case inspired the characters who were murdered in The Great Gatsby. The main events of the novel take place in the summer of 1922, Nick Carraway, a Yale graduate and veteran of the Great War from the Midwest—who serves as the novels narrator—takes a job in New York as a bond salesman. Nick drives around the bay to East Egg for dinner at the home of his cousin, Daisy Fay Buchanan, and her husband, Tom and they introduce Nick to Jordan Baker, an attractive, cynical young golfer with whom Nick begins a romantic relationship. She reveals to Nick that Tom has a mistress, Myrtle Wilson, who lives in the valley of ashes, not long after this revelation, Nick travels to New York City with Tom and Myrtle to an apartment Tom keeps for his affairs with Myrtle and others
23.
F. Scott Fitzgerald
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Francis Scott Key Fitzgerald, known professionally as F. Scott Fitzgerald, was an American novelist and short story writer, whose works illustrate the Jazz Age. While he achieved limited success in his lifetime, he is now regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the Lost Generation of the 1920s and he finished four novels, This Side of Paradise, The Beautiful and Damned, The Great Gatsby, and Tender Is the Night. A fifth, unfinished novel, The Last Tycoon, was published posthumously, Fitzgerald also wrote numerous short stories, many of which treat themes of youth and promise, and age and despair. He was also named after his sister, Louise Scott Fitzgerald. Well, three months before I was born, he wrote as an adult, my mother lost her two children. I think I started then to be a writer and his mother was Mary Molly McQuillan Fitzgerald, the daughter of an Irish immigrant who had made his fortune in the wholesale grocery business. Fitzgerald was the first cousin once removed of Mary Surratt, hanged in 1865 for conspiring to assassinate Abraham Lincoln, Edward Fitzgerald had earlier worked as a wicker furniture salesman, he joined Procter & Gamble when the business failed. His parents, both Catholic, sent Fitzgerald to two Catholic schools on the West Side of Buffalo, first Holy Angels Convent and then Nardin Academy and his formative years in Buffalo revealed him to be a boy of unusual intelligence with a keen early interest in literature. His doting mother ensured that her son had all the advantages of an upper-middle-class upbringing and her inheritance and donations from an aunt allowed the family to live a comfortable lifestyle. In a rather unconventional style of parenting, Fitzgerald attended Holy Angels with the arrangement that he go for only half a day—and was allowed to choose which half. In 1908, his father was fired from Procter & Gamble, and the returned to Minnesota. When he was 13, he saw his first piece of writing appear in print—a detective story published in the school newspaper. In 1911, when Fitzgerald was 15 years old, his parents sent him to the Newman School, Fitzgerald played on the 1912 Newman football team. At Newman, he met Father Sigourney Fay, who noticed his incipient talent with the written word, after graduating from the Newman School in 1913, Fitzgerald decided to stay in New Jersey to continue his artistic development at Princeton University. He tried out for the football team, but was cut the first day of practice. He firmly dedicated himself at Princeton to honing his craft as a writer and he wrote for the Princeton Triangle Club, the Nassau Lit, and the Princeton Tiger. He also was involved in the American Whig-Cliosophic Society, which ran the Nassau Lit and his absorption in the Triangle—a kind of musical-comedy society—led to his submission of a novel to Charles Scribners Sons where the editor praised the writing but ultimately rejected the book
24.
Edition (book)
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The bibliographical definition of an edition includes all copies of a book printed “from substantially the same setting of type, ” including all minor typographical variants. The numbering of editions is a special case of the wider field of revision control. The old and new aspects of book edition numbering are discussed below, however, book collectors generally use the term first edition to mean specifically the first print run of the first edition. Since World War II, books often include a line that indicates the print run. A first edition per se is not a collectible book. A popular work may be published and reprinted over time by many publishers, there will be a first edition of each, which the publisher may cite on the copyright page, such as, First mass market paperback edition. The first edition of a facsimile reprint is the reprint publishers first edition, the classic explanation of edition was given by Fredson Bowers in Principles of Bibliographical Description. ”Publishers often use the same typesetting for the hardcover and trade paperback versions of a book. These books have different covers, the page and copyright page may differ, and the page margin sizes may differ. From time to time, readers may observe an error in the text, the publisher typically keeps these reprint corrections in a file pending demand for a new print run of the edition, and before the new run is printed, they will be entered. The method of entry, obviously, depends on the method of typesetting, for letterpress metal, it typically meant resetting a few characters or a line or two. For linotype, it meant casting a new line for any line with a change in it, with film, it involved cutting out a bit of the film and inserting a new bit. In an electronic file, it means entering the changes digitally, such minor changes do not constitute a new edition, but introduce typographical variations within an edition, which are of interest to collectors. A common complaint of book collectors is that the definition is used in a book-collecting context. For example, J. D. Salingers The Catcher in the Rye as of 2016 remains in print in hardcover, the type is the same as the 1951 first printing, therefore all hardcover copies are, for the bibliographer, the first edition. Collectors would use the term for the first printing only, the term first trade edition, refers to the earliest edition of a book offered for sale to the general public in book stores. For example, Upton Sinclairs 1906 novel The Jungle was published in two variant forms, a Sustainers Edition, published by the Jungle Publishing Company, was sent to subscribers who had advanced funds to Sinclair. The first trade edition was published by Doubleday, Page to be sold in bookstores and it is true that these are rarer than the production copies, but given that these were not printed from a different setting of type, they are not different editions. Publishers use the term first edition for their own purposes, with little consistency, the first edition of a trade book may be the first edition by the current publisher, or the first edition with a particular set of illustrations or editorial commentary
25.
Book collecting
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The love of books is bibliophilia, and someone who loves to read, admire, and collect books is a bibliophile. Bibliophile book collecting is distinct from casual book ownership and the accumulation of books for reading, duke Philip the Good of Burgundy appears to have had the largest private collection of his day, with about six hundred volumes. There was an English antiquarian reaction to Henry VIIIs dissolution of the Monasteries, the commissioners of Edward VI plundered and stripped university, college, and monastic libraries, so to save books from being destroyed, those who could began to collect them. Book collecting can be easy and inexpensive, there are millions of new and used books, and thousands of bookstores, including online booksellers like Abebooks, Alibris, Amazon, and Biblio. com. Only the wealthiest book collectors pursue the great rarities, the Gutenberg Bible and Shakespeares First Folio are, for example, Collectors of average means may collect works by a favorite author, first editions of modern authors, or books on a given subject. Book prices generally depend on the demand for a book, the number of copies available. There are associations that collectors may join, the Fine Press Book Association is aimed at collectors of modern fine printing, and produces its journal, Parenthesis, twice a year. The Private Libraries Association covers modern fine printing too, but is more general in its outlook and produces a quarterly journal. There are millions of books, so collectors necessarily specialize in one or more genres or subgenres of literature, a reader of fiction, who enjoys Westerns, might decide to collect first editions of Zane Greys novels. A lover of modern English poetry might collect the works of W H Auden, a Californian who prefers non-fiction might look for books about the history of the San Francisco Bay Area. Individual interests may include, A particular author or genre or field of study A particular illustrator Award winning books Books as Art Bindings and/or Book design, the Grolier Club has since 1884 been interested in the. Study of the arts pertaining to the production of books, stages of publication, advance review copies, galley proofs Related collecting interests include collecting bookplates, autographs, and ephemera. Book prices generally depend on the demand for a book, the number of copies available for purchase. As with other collectibles, prices rise and fall with the popularity of an author, title. Because of the number of books for sale, there is no single comprehensive price guide for collectible books. The prices of the copies listed for sale at the online bookseller sites provide some indication of their current market values, as with other collectibles, the value of a book ultimately depends on its physical condition. Years of handling, moving, and storage take their toll on the dust jacket, cover, pages, Books are subject to damage from sunlight, moisture, and insects. Acid from the process can cause the pages to develop brown spots, called foxing, gradually turn brown, called tanning
26.
Book design
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Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent whole. In the words of Swiss typographer Jan Tschichold, book design, though largely forgotten today, methods, to produce perfect books, these rules have to be brought back to life and applied. Richard Hendel describes book design as a subject, and refers to the need for a context to understand what that means. Front matter, or preliminaries, is the first section of a book, the pages are numbered in lower-case Roman numerals. Each page is counted, but no folio or page number is expressed, or printed, front matter generally only appears in the first volume in a multi-volume work, although some elements may appear in each volume. The following table will help distinguish some of the different types of front matter, The structure of a work is often described hierarchically. Volumes A volume is a set of leaves that are bound together, thus each work is either a volume, or is divided into volumes. Books and parts A single volume may embody either a part of a book or the whole of a book, in works, parts include multiple books. Chapters and sections A chapter or section may be contained within a part and/or a book, when both chapters and sections are used in the same work, the sections are more often contained within chapters than the reverse. Modules and units In some books the chapters are grouped into bigger parts, the numbering of the chapters can begin again at the start of every module. In educational books, especially, the chapters are often called units, the first page of the actual text of a book is the opening page, which often incorporates special design features, such as initials. The following are two examples, The Lord of the Rings has three parts, with each part containing two books, each containing, in turn, multiple chapters. The front cover contains at least the title and/or author. On the inside of the page, extending to the facing page is the front endpaper sometimes referred as FEP. The free half of the end paper is called a flyleaf, traditionally, in hand-bound books, the endpaper was just a sheet of blank or ornamented paper physically masking and reinforcing the connection between the cover and the body of the book. These books have an audience and traditions of their own where the design and immediacy is especially important and publishing tradition. The spine is the edge of a book as it normally stands on a bookshelf. It is customary for it to have printed text on it, in books from continental Europe, vertical spine text traditionally runs from the bottom up, though this convention has been changing lately
27.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
28.
Victoria and Albert Museum
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The Victoria and Albert Museum, London, is the worlds largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert and these include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a public body sponsored by the Department for Culture, Media. Like other national British museums, entrance to the museum has been free since 2001, the V&A covers 12.5 acres and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The museum owns the worlds largest collection of sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea, the East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world, New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815, at this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection, by February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House, this was extended including the first refreshment rooms opened in 1857, the official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting, in these early years the practical use of the collection was very much emphasised as opposed to that of High Art at the National Gallery and scholarship at the British Museum. George Wallis, the first Keeper of Fine Art Collection, passionately promoted the idea of art education through the museum collections. From the 1860s to the 1880s the scientific collections had been moved from the museum site to various improvised galleries to the west of Exhibition Road. In 1893 the Science Museum had effectively come into existence when a director was appointed. The laying of the stone of the Aston Webb building on 17 May 1899 was the last official public appearance by Queen Victoria. It was during this ceremony that the change of name from the South Kensington Museum to the Victoria, the exhibition which the museum organised to celebrate the centennial of the 1899 renaming, A Grand Design, first toured in North America from 1997, returning to London in 1999
29.
Book
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A book is a set of written, printed, illustrated, or blank sheets, made of paper, parchment, or other materials, fastened together to hinge at one side, with text and/or images printed in ink. A single sheet within a book is a leaf, and each side of a leaf is a page, a set of text-filled or illustrated pages produced in electronic format for reading on a computer screen, smartphone or e-reader device is known as an electronic book, or e-book. The term books may refer the body of works of literature. In library and information science, a book is called a monograph, to distinguish it from serial periodicals such as magazines, journals, in novels and sometimes other types of books, a book may be divided into several large sections, also called books. An avid reader or collector of books or a lover is a bibliophile or colloquially. A shop where books are bought and sold is a bookshop or bookstore, Books are also sold in some department stores, drugstores and newspaper vendors. Books can also be borrowed from libraries, google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, printed books are giving way to the usage of electronic or e-books, the word book comes from Old English bōc, which in turn comes from the Germanic root *bōk-, cognate to beech. Similarly, in Slavic languages буква is cognate with beech, in Russian and in Serbian and Macedonian, the word букварь or буквар refers specifically to a primary school textbook that helps young children master the techniques of reading and writing. It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood, similarly, the Latin word codex, meaning a book in the modern sense, originally meant block of wood. When writing systems were created in ancient civilizations, a variety of objects, such as stone, clay, tree bark, metal sheets, the study of such inscriptions forms a major part of history. The study of inscriptions is known as epigraphy, the Ancient Egyptians would often write on papyrus, a plant grown along the Nile River. At first the words were not separated from other and there was no punctuation. Texts were written right to left, left to right. The technical term for that last type of writing is boustrophedon, a tablet might be defined as a physically robust writing medium, suitable for casual transport and writing. See also stylus, the instrument used to write on a tablet, clay tablets were flattened and mostly dry pieces of clay that could be easily carried, and impressed with a stylus. They were used as a medium, especially for writing in cuneiform, throughout the Bronze Age. Tablets were used by traders to record sales of such as bushels of grain
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Author
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An author is narrowly defined as the originator of any written work and can thus also be described as a writer. More broadly defined, an author is the person who originated or gave existence to anything, in the copyright laws of various jurisdictions, there is a necessity for little flexibility regarding what constitutes authorship. The United States Copyright Office, for example, defines copyright as a form of protection provided by the laws of the United States to authors of works of authorship. After a fixed amount of time, the copyright expires on intellectual work and it enters the public domain, however, copyright is merely the legal reassurance that one owns his/her work. Technically, someone owns their work from the time its created, an interesting aspect of authorship emerges with copyright in that, in many jurisdictions, it can be passed down to another upon ones death. The person who inherits the copyright is not the author, questions arise as to the application of copyright law. How does it, for example, apply to the issue of fan fiction. If the media responsible for the authorized production allows material from fans, what is the limit before legal constraints from actors, music. Additionally, how does copyright apply to fan-generated stories for books, what powers do the original authors, as well as the publishers, have in regulating or even stopping the fan fiction. In literary theory, critics find complications in the term author beyond what constitutes authorship in a legal setting, in the wake of postmodern literature, critics such as Roland Barthes and Michel Foucault have examined the role and relevance of authorship to the meaning or interpretation of a text. Barthes challenges the idea that a text can be attributed to any single author and he writes, in his essay Death of the Author, that it is language which speaks, not the author. The words and language of a text itself determine and expose meaning for Barthes, with this, the perspective of the author is removed from the text, and the limits formerly imposed by the idea of one authorial voice, one ultimate and universal meaning, are destroyed. The psyche, culture, fanaticism of an author can be disregarded when interpreting a text, because the words are rich enough themselves with all of the traditions of language. To expose meanings in a work without appealing to the celebrity of an author, their tastes, passions, vices, is, to Barthes, to allow language to speak. Michel Foucault argues in his essay What is an author and that all authors are writers, but not all writers are authors. He states that a letter may have a signatory—it does not have an author. For a reader to assign the title of author upon any written work is to certain standards upon the text which. Foucaults author function is the idea that an author exists only as a function of a work, a part of its structure
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Editing
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Editing is the process of selecting and preparing written, visual, audible, and film media used to convey information. The editing process can involve correction, condensation, organization, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete work. The editing process begins with the authors idea for the work itself. As such, editing can involve creative skills, human relations, there are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the editorial staff. Senior executive editors are responsible for developing a product for its final release, the smaller the publication, the more these roles overlap. The top editor at many publications may be known as the chief editor, a frequent and highly regarded contributor to a magazine may acquire the title of editor-at-large or contributing editor. Mid-level newspaper editors often manage or help to manage sections, such as business, sports, in U. S. newspapers, the level below the top editor is usually the managing editor. Obtaining manuscripts or recruiting authors is the role of an editor or a commissioning editor in a publishing house. Finding marketable ideas and presenting them to appropriate authors are the responsibilities of a sponsoring editor, copy editors correct spelling, grammar and align writings to house style. Changes to the industry since the 1980s have resulted in nearly all copy editing of book manuscripts being outsourced to freelance copy editors. At newspapers and wire services, copy editors write headlines and work on substantive issues, such as ensuring accuracy, fairness. In some positions, they design pages and select news stories for inclusion, at U. K. and Australian newspapers, the term is sub-editor. They may choose the layout of the publication and communicate with the printer and these editors may have the title of layout or design editor or makeup editor. However, another editor is sometimes involved in the creation of research articles. Called the authors editor, this works with authors to get a manuscript fit for purpose before it is submitted to a scholarly journal for publication. The primary difference between copy editing scholarly books and journals and other sorts of copy editing lies in applying the standards of the publisher to the copy. K, technical editing involves reviewing text written on a technical topic, identifying usage errors and ensuring adherence to a style guide. Large companies dedicate experienced writers to the editing function
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Book illustration
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The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature, modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of printing were to expand the possibilities and were exploited by such masters as Daumier. Book illustration as we now know it evolved from early European woodblock printing, in the early 15th century, playing cards were created using block printing, which was the first use of prints in a sequenced and logical order. The first known European block printings with a communications function were devotional prints of saints, as printing took off and books became common, printers began to use woodcuts to illustrate them. Hence, centers for woodblock playing-card and religious-print production became centers for illustrated books, luxury books were for a few decades often printed with blank spaces for manual illumination in the old way. Unlike later techniques, woodcut uses relief printing just as metal moveable type does, however the technique either gives rather crude results or was expensive if a high-quality block-cutter was used, and could only manage fine detail on atypically large pages. They remained so until the later 19th century and they required the illustrations to be printed separately, on a different type of printing press, so encouraging illustrations that took a whole page, which became the norm. A wide range of books were now illustrated, initially mostly on a few pages, but with the number of illustrations gradually rising over the period, and tending to use more etching than engraving. In East Asia colour printing with many different woodblocks was increasing widely used, the developed technique in Japan was called nishiki-e. Lithography allowed for more variety and accuracy. This is because the artist could now draw directly on the plate itself. New techniques developed in the nineteenth and twentieth centuries revolutionized book illustrations and put new resources at the disposal of artists, in the early nineteenth century, the photogravure process allowed for photographs to be reproduced in books. In this process, light-sensitive gelatin was used to transfer the image to a metal plate, another process, chromolithography, which was developed in France in the mid-nineteenth century, permitted color printing. The process was extremely labor-intensive and expensive though as the artist would have to prepare a plate for each color used. In the late century, the process known as offset lithography made color printing cheaper. The process used a process to transfer a photographic negative to a rubber surface before printing. There were various movements and their proponents in the nineteenth and twentieth centuries that took an interest in the enrichment of book design
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Printing
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Printing is a process for reproducing text and images using a master form or template. The earliest examples include Cylinder seals and other such as the Cyrus Cylinder. The earliest known form of printing came from China dating to before 220 A. D. Later developments in printing include the type, first developed by Bi Sheng in China around 1040 AD. Johannes Gutenberg introduced mechanical movable type printing to Europe in the 15th century, modern large-scale printing is typically done using a printing press, while small-scale printing is done free-form with a digital printer. Though paper is the most common material, it is frequently done on metals, plastics, cloth. On paper it is carried out as a large-scale industrial process and is an essential part of publishing. Woodblock printing is a technique for printing text, images or patterns that was used widely throughout East Asia and it originated in China in antiquity as a method of printing on textiles and later on paper. As a method of printing on cloth, the earliest surviving examples from China date to before 220 A. D, the earliest surviving woodblock printed fragments are from China. They are of silk printed with flowers in three colours from the Han Dynasty and they are the earliest example of woodblock printing on paper appeared in the mid-seventh century in China. By the ninth century, printing on paper had taken off, by the tenth century,400,000 copies of some sutras and pictures were printed, and the Confucian classics were in print. A skilled printer could print up to 2,000 double-page sheets per day, Printing spread early to Korea and Japan, which also used Chinese logograms, but the technique was also used in Turpan and Vietnam using a number of other scripts. This technique then spread to Persia and Russia and this technique was transmitted to Europe via the Islamic world, and by around 1400 was being used on paper for old master prints and playing cards. However, Arabs never used this to print the Quran because of the limits imposed by Islamic doctrine, block printing, called tarsh in Arabic developed in Arabic Egypt during the ninth-tenth centuries, mostly for prayers and amulets. There is some evidence to suggest that these print blocks made from non-wood materials, possibly tin, lead, the techniques employed are uncertain, however, and they appear to have had very little influence outside of the Muslim world. Though Europe adopted woodblock printing from the Muslim world, initially for fabric, block printing later went out of use in Islamic Central Asia after movable type printing was introduced from China. Block printing first came to Europe as a method for printing on cloth, images printed on cloth for religious purposes could be quite large and elaborate. When paper became relatively easily available, around 1400, the medium transferred very quickly to small religious images
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History of printing
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The history of printing goes back to the duplication of images by means of stamps in very early times. In both China and Egypt, the use of stamps for seals preceded the use of larger blocks. In China, India and Europe, the printing of cloth certainly preceded the printing of paper or papyrus, the process is essentially the same - in Europe special presentation impressions of prints were often printed on silk until the seventeenth century. Block printing is a technique for printing text, images or patterns used widely throughout East Asia both as a method of printing on textiles and later, under the influence of Buddhism, on paper. As a method of printing on cloth, the earliest surviving examples from China date to about 220, ukiyo-e is the best known type of Japanese woodblock art print. Most European uses of the technique on paper are covered by the term woodcut, the worlds earliest printer printed fragments to survive are from China and are of silk printed with flowers in three colours from the Han Dynasty. It reached Europe, via the Islamic world, and by around 1400 was being used on paper for old master prints, the third oldest wood-block printed book ever found after Mugujeonggwang great Dharani sutraand Hyakumantō Darani is the Diamond Sutra. It carries a date of the 13th day of the moon of the ninth year of the Xiantong era. A number of printed dhāraṇīs, however, predate the Diamond Sūtra by about two hundred years, in Buddhism, great merit is thought to accrue from copying and preserving texts. The fourth-century master listed the copying of scripture as the first of ten essential religious practices and this ‘cult of the book’ led to techniques for reproducing texts in great numbers, especially the short prayers or charms known as dhāraṇīs. Stamps were carved for printing these prayers on clay tablets from at least the seventh century, especially popular was the Pratītyasamutpāda Gāthā, a short verse text summing up Nāgārjunas philosophy of causal genesis or dependent origination. Nagarjuna lived in the centuries of the current era and the Buddhist Creed. This tradition was transmitted to China and Tibet with Buddhism, Printing text from woodblocks does not, however, seem to have been developed in India. Printing with a press was practiced in Christian Europe as a method for printing on cloth and these prints were produced in very large numbers from about 1425 onwards. Around the mid-century, block-books, woodcut books with text and images, usually carved in the same block, emerged as a cheaper alternative to manuscripts. These were all heavily illustrated works, the bestsellers of the day, repeated in many different block-book versions, the Ars moriendi. In Europe, from about 1450 they were commonly used to colour old master prints printed in black and white. This was especially the case with playing-cards, which continued to be coloured by stencil long after most other subjects for prints were left in black, stenciling back in the 27th century BCE was different
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Incunable
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An incunable, or sometimes incunabulum, is a book, pamphlet, or broadside that was printed—not handwritten—before the year 1501 in Europe. Incunable is the singular form of incunabula, Latin for swaddling clothes or cradle. A former term for incunable is fifteener, referring to the 15th century, but since 2009 we know that this lexical invention should no more be assigned to Mallinckrodt, dated 1569, it has to be credited to the Dutch Physician Hadrianus Junius. The term came to denote the printed books themselves in the late 17th century, post-incunable typically refers to books printed after 1500 up to another arbitrary end date such as 1520 or 1540. As of 2014, there are about 30,000 distinct incunable editions known to be extant, many authors reserve the term incunabula for the typographic ones only. The spread of printing to cities both in the north and in Italy ensured that there was great variety in the chosen for printing. Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles, standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various local vernaculars began to appear. Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges, the first incunable to have woodcut illustrations was Ulrich Boners Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461. The data in this section were derived from the Incunabula Short-Title Catalogue, printing towns, The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries, illustrations, Only about one edition in ten has any illustrations, woodcuts or metalcuts. Survival, The commonest incunable is Schedels Nuremberg Chronicle of 1493, very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a complete incunable may consist of a slip, or up to ten volumes. Formats, In terms of format, the 29, 000-odd editions comprise,2,000 broadsides,9,000 folios,15,000 quartos,3,000 octavos,18 12mos,230 16mos,20 32mos, and 3 64mos. Caxton, ISTC at present cites 528 extant copies of books printed by Caxton, dispersal, Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to less than 2,000 copies – i. e. about 97. 75% remain north of the equator. However many incunabula are sold at auction or through the book trade every year. The British Librarys Incunabula Short Title Catalogue now records over 29,000 titles, studies of incunabula began in the 17th century. Hain was expanded in subsequent editions, by Walter A, North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue
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Publishing
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Publishing is the dissemination of literature, music, or information—the activity of making information available to the general public. In some cases, authors may be their own publishers, meaning originators and developers of content also provide media to deliver, also, the word publisher can refer to the individual who leads a publishing company or an imprint or to a person who owns/heads a magazine. Traditionally, the term refers to the distribution of printed works such as books, Publishing includes the following stages of development, acquisition, copy editing, production, printing, and marketing and distribution. There are two categories of book publisher, Non-paid publishers, A non-paid publisher is a house that does not charge authors at all to publish their books. Paid publishers, The author has to meet with the expense to get the book published. This is also known as vanity publishing, at a small press, it is possible to survive by relying entirely on commissioned material. But as activity increases, the need for works may outstrip the publishers established circle of writers, for works written independently of the publisher, writers often first submit a query letter or proposal directly to a literary agent or to a publisher. Submissions sent directly to a publisher are referred to as unsolicited submissions, the acquisitions editors send their choices to the editorial staff. Unsolicited submissions have a low rate of acceptance, with some sources estimating that publishers ultimately choose about three out of every ten thousand unsolicited manuscripts they receive. Many book publishers around the world maintain a strict no unsolicited submissions policy and this policy shifts the burden of assessing and developing writers out of the publisher and onto the literary agents. At these publishers, unsolicited manuscripts are thrown out, or sometimes returned, established authors may be represented by a literary agent to market their work to publishers and negotiate contracts. Literary agents take a percentage of earnings to pay for their services. Some writers follow a route to publication. Such books often employ the services of a ghostwriter, for a submission to reach publication, it must be championed by an editor or publisher who must work to convince other staff of the need to publish a particular title. An editor who discovers or champions a book that becomes a best-seller may find their reputation enhanced as a result of their success. Once a work is accepted, commissioning editors negotiate the purchase of property rights. The authors of traditional printed materials typically sell exclusive territorial intellectual property rights that match the list of countries in which distribution is proposed. In the case of books, the publisher and writer must also agree on the formats of publication —mass-market paperback
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Typesetting
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Typesetting is the composition of text by means of arranging physical types or the digital equivalents. Stored letters and other symbols are retrieved and ordered according to a languages orthography for visual display, typesetting requires the prior process of designing a font. One significant effect of typesetting was that authorship of works could be spotted more easily, during much of the letterpress era, movable type was composed by hand for each page. The form was placed in a press, inked, and an impression made on paper. During typesetting, individual sorts are picked from a case with the right hand, and set into a composing stick held in the left hand from left to right. This is reputed to be the origin of the expression mind your ps and it might just as easily have been “mind your bs and ds”. The diagram at right illustrates a cast metal sort, a face, b body or shank, wooden printing sorts were in use for centuries in combination with metal type. Not shown, and more the concern of the casterman, is the “set”, set width, like body size, is measured in points. This was particularly prevalent in book and newspaper work where rotary presses required type forms to wrap an impression cylinder rather than set in the bed of a press, advances such as the typewriter and computer would push the state of the art even farther ahead. Still, hand composition and letterpress printing have not fallen out of use. However, it is a small niche within the larger typesetting market. The time and effort required to compose the text led to several efforts in the 19th century to produce mechanical typesetting. Most of the systems involved the in-house casting of the type to be used. The Linotype machine, invented in 1884, used a keyboard to assemble the casting matrices, in the Monotype System, a keyboard was used to punch a paper tape, which was then fed to control a casting machine. The Ludlow Typograph involved hand-set matrices, but otherwise used hot metal, by the early 20th century, the various systems were nearly universal in large newspapers and publishing houses. Phototypesetting or cold type systems first appeared in the early 1960s and these devices consisted of glass disks that spun in front of a light source to selectively expose characters onto light-sensitive paper. Originally they were driven by pre-punched paper tapes, later they were hooked up to computer front ends. One of the earliest electronic photocomposition systems was introduced by Fairchild Semiconductor, the typesetter typed a line of text on a Fairchild keyboard that had no display
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Bibliography
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Bibliography, as a discipline, is traditionally the academic study of books as physical, cultural objects, in this sense, it is also known as bibliology. Carter and Barker describe bibliography as a twofold scholarly discipline—the organized listing of books, carter and Barker describe bibliography as a twofold scholarly discipline—the organized listing of books and the systematic, description of books as physical objects. These two distinct concepts and practices have separate rationales and serve differing purposes, innovators and originators in the field include W. W. Greg, Fredson Bowers, Philip Gaskell, G. Thomas Tanselle. Bowers refers to enumerative bibliography as a procedure that identifies books in “specific collections or libraries, ” in a discipline, by an author, printer. He refers to descriptive bibliography as the description of a book as a material or physical artifact. Analytical bibliography, the cornerstone of descriptive bibliography, investigates the printing and all features of a book that yield evidence establishing a books history. Descriptive bibliographers follow specific conventions and associated classification in their description, titles and title pages are transcribed in a quasi-facsimile style and representation. The thought expressed in this book expands substantively on W. W. Gregs groundbreaking theory that argued for the adoption of formal bibliographic principles, D. F. McKenzie extended previous notions of bibliography as set forth by W. W. Greg, Bowers, Gaskell and Tanselle. He describes the nature of bibliography as the discipline that studies texts as recorded forms, mcKenzies perspective contextualizes textual objects or artifacts with sociological and technical factors that have an effect on production, transmission and, ultimately, ideal copy. Bibliography, generally, concerns the conditions of books how they are designed, edited, printed, circulated, reprinted, collected. In earlier times, bibliography mostly focused on books, now, both categories of bibliography cover works in other media including audio recordings, motion pictures and videos, graphic objects, databases, CD-ROMs and websites. An enumerative bibliography is a systematic list of books and other such as journal articles. Bibliographies range from works cited lists at the end of books and articles, to complete, a notable example of a complete, independent publication is Gows, A. E. Housman, A Sketch, Together with a List of His Classical Papers. As separate works, they may be in volumes such as those shown on the right. A library catalog, while not referred to as a bibliography, is bibliographic in nature, Bibliographical works are almost always considered to be tertiary sources. Enumerative bibliographies are based on a unifying principle such as creator, subject, date, an entry in an enumerative bibliography provides the core elements of a text resource including a title, the creator, publication date and place of publication. The enumerative list may be comprehensive or selective, one noted example would be Tanselles bibliography that exhaustively enumerates topics and sources related to all forms of bibliography. A more common and particular instance of an enumerative bibliography relates to specific sources used or considered in preparing a paper or academic term paper
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Bibliophilia
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Bibliophilia or bibliophilism is the love of books, and a bibliophile or bookworm is an individual who loves books. The classic bibliophile is one who loves to read, admire and collect books, often amassing a large, Bibliophiles do not necessarily want to possess the books that they love, an alternative would be unusual bindings, autographed copies, etc. The New York Public Library follows the same practice, according to Arthur H. Minters, the private collecting of books was a fashion indulged in by many Romans, including Cicero and Atticus. The term bibliophile entered the English language in 1824, lord Spencer and the Marquess of Blandford were noted bibliophiles. J. P. Morgan was also a noted bibliophile, in 1884, he paid $24,750 for a 1459 edition of the Mainz Psalter. Antiquarian book trade in the United States Book collecting The Book Club of Detroit Caxton Club The Club of Odd Volumes Grolier Club Oxford University Society of Bibliophiles Merriam-Webster, a Gentle Madness, Bibliophiles, Bibliomanes, and the Eternal Passion for Books, Henry Holt and Company, Inc. The love of books, The Philobiblon translated by E. C. Thomas, london, Frances Lincoln ISBN 0-7112-2685-7 Thomas Frognall Dibdin. The Committed Reader, Reading for Utility, Pleasure, and Fulfillment in the Twenty-First Century, forbes article on bibliomania by Finn-Olaf Jones, December 12,2005
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Bookmark
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A bookmark is a thin marker, commonly made of card, leather, or fabric, used to keep the readers place in a book and to enable the reader to return to it with ease. Other frequently used materials for bookmarks are paper, metals like silver and brass, silk, wood, cord, many bookmarks can be clipped on a page with the aid of a page-flap. According to new results of the research done on the history of bookmarks, the earliest existing bookmark dates from the 6th century AD and it is made of ornamented leather lined with vellum on the back and was attached with a leather strap to the cover of a Coptic codex. It was found near Sakkara, Egypt, under the ruins of the monastery Apa Jeremiah, further earliest bookmarks and remnants of them have been found in Coptic codices dating from the 1st to the 11th century and in Carolingian codices from the 8th to the 12th century. Bookmarks were used throughout the period, consisting usually of a small parchment strip attached to the edge of folio. As the first printed books were rare and valuable, it was determined early on that something was needed to mark ones place in a book without causing its pages any harm. Some of the earliest bookmarks were used at the end of the sixteenth century, modern bookmarks are available in a huge variety of materials in a multitude of designs and styles. The first detached, and therefore collectible, bookmarkers began to appear in the 1850s, one of the first references to these is found in Mary Russell Mitfords Recollections of a Literary Life, I had no marker and the richly bound volume closed as if instinctively. Note the abbreviation of bookmarker to marker, the modern abbreviation is usually bookmark. Historical bookmarks can be valuable, and are sometimes collected along with other paper ephemera. By the 1860s, attractive machine-woven markers were being manufactured, mainly in Coventry, England, one of the earliest was produced by J. &J. Cash to mark the death of Albert, Prince Consort, in 1861. Thomas Stevens of Coventry soon became pre-eminent in the field and claimed to have nine hundred different designs, woven pictorial bookmarks produced by Thomas Steven, a 19th-century English silk weaver, starting around 1862, are called Stevengraphs. Woven silk bookmarks were very appreciated gifts in the Victorian Era, most 19th-century bookmarks were intended for use in Bibles and prayer books and were made of ribbon, woven silk, or leather. By the 1880s the production of woven silk markers was declining and this development paralleled the wider availability of books themselves, and the range of available bookmarkers soon expanded dramatically. Bookmark Dog ears Rotating bookmark Earliest History of Bookmarks by Asim Maner World of Bookmarks, international Friends of Bookmarks, community website with lots of nformation about bookmarks
