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Johannes Vermeer, The Milkmaid (1658–1661)
Johannes Vermeer, The Milkmaid (1658–1661)
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture,
Frans Hals' tronie, with the later title Gypsy Girl. 1628–30. Oil on wood, 58 cm × 52 cm (23 in × 20 in). The tronie includes elements of portraiture, genre painting, and sometimes history painting.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
Paulus Potter, The Young Bull (1647); 3.4 metres wide. An unusually monumental animal painting that challenges the hierarchy of genres.
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left
The Haarlem Painter's Guild in 1675, by Jan de Bray, whose self-portrait is the second from the left
Willem Pietersz. Buytewech, Merry Company, c. 1620, apart from the maid an all-male group
Willem Pietersz. Buytewech, Merry Company, c. 1620, apart from the maid an all-male group
Dirck Hals, Merry Company at Table, 1627–1629
Dirck Hals, Merry Company at Table, 1627–1629
Prostitution is clearly indicated in this scene by Gerard van Honthorst of 1623, complete with aged procuress, low cleavage, and a feathered headdress
Prostitution is clearly indicated in this scene by Gerard van Honthorst of 1623, complete with aged procuress, low cleavage, and a feathered headdress on the second girl.
Abraham van den Hecken, A Merry Company in a Tavern, 1640s
Abraham van den Hecken, A Merry Company in a Tavern, 1640s