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Drying colored cloth
Drying colored cloth
Dyeing wool cloth, 1482: from a French translation of Bartolomaeus Anglicus
Dyeing wool cloth, 1482: from a French translation of Bartolomaeus Anglicus
Historical collection of over 10,000 dyes at Technical University Dresden, Germany
Historical collection of over 10,000 dyes at Technical University Dresden, Germany
RIT brand dye from mid-20th century Mexico, part of the permanent collection of the Museo del Objeto del Objeto
RIT brand dye from mid-20th century Mexico, part of the permanent collection of the Museo del Objeto del Objeto
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Pigments for sale at a market stall in Goa, India
Pigments for sale at a market stall in Goa, India
The Milkmaid by Johannes Vermeer (c. 1658). Vermeer was lavish in his choice of expensive pigments, including lead-tin yellow, natural ultramarine, an
The Milkmaid by Johannes Vermeer (c. 1658). Vermeer was lavish in his choice of expensive pigments, including lead-tin yellow, natural ultramarine, and madder lake, as shown in the vibrant painting.
Titian used the historic pigment vermilion to create the reds in the oil painting of Assunta, completed c. 1518.
Titian used the historic pigment vermilion to create the reds in the oil painting of Assunta, completed c. 1518.
Miracle of the Slave by Tintoretto (c. 1548). The son of a master dyer, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, t
Miracle of the Slave by Tintoretto (c. 1548). The son of a master dyer, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, to achieve dramatic color effects.