A pigment is a powder used to add color or change visual appearance. Pigments are completely or nearly insoluble and chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use. Dyes are often organic compounds whereas pigments are often inorganic. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli.
Pigments for sale at a market stall in Goa, India
The Milkmaid by Johannes Vermeer (c. 1658). Vermeer was lavish in his choice of expensive pigments, including lead-tin yellow, natural ultramarine, and madder lake, as shown in the vibrant painting.
Titian used the historic pigment vermilion to create the reds in the oil painting of Assunta, completed c. 1518.
Miracle of the Slave by Tintoretto (c. 1548). The son of a master dyer, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, to achieve dramatic color effects.
Charcoal is a lightweight black carbon residue produced by strongly heating wood in minimal oxygen to remove all water and volatile constituents. In the traditional version of this pyrolysis process, called charcoal burning, often by forming a charcoal kiln, the heat is supplied by burning part of the starting material itself, with a limited supply of oxygen. The material can also be heated in a closed retort. Modern charcoal briquettes used for outdoor cooking may contain many other additives, e.g. coal.
Charcoal
Packaging of charcoal for export in Namibia
An abandoned charcoal kiln near Walker, Arizona, US
Wood pile before covering with turf or soil, and firing it (c. 1890)