Edward Alexander Wadsworth was a British artist initially associated with the Vorticism movement. In the First World War he was part of a team involved in the transfer of dazzle camouflage designs to ships for the Royal Navy. After the war his maritime landscapes and still-life compositions using tempera were infused with a surrealistic mood - although he never exhibited with the British surrealists. In the early thirties and in the early forties his work was mainly abstract. He made a significant contribution to the development of modern art in Britain in the inter-war years.
Wadsworth in 1937 (self-portrait in tempera)
Rotherhithe oil on canvas c.1911
Edward Wadsworth and Wyndham Lewis at the Rebel Art Centre, March 1914, with Kate Lechmere and Cuthbert Hamilton (seated).
Abstract Composition, 1915 Tate Gallery.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
Edward Wadsworth, Vorticist Study, 1914, Museo Thyssen-Bornemisza, Madrid
Rock Drill in Jacob Epstein's studio c.1913
The Dancers Wyndham Lewis, 1912
Kate Lechmere, Cuthbert Hamilton (seated), Edward Wadsworth and Wyndham Lewis at the Rebel Art Centre, March 1914