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History
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Egyptian blue
Egyptian blue
Pyxis made out of "Egyptian blue" faience: Imported to Italy from northern Syria, it was produced 750–700 BC. (Shown at Altes Museum in Berlin)
Pyxis made out of "Egyptian blue" faience: Imported to Italy from northern Syria, it was produced 750–700 BC. (Shown at Altes Museum in Berlin)
Blue faience saucer and stand, New Kingdom (1400–1325 BC)
Blue faience saucer and stand, New Kingdom (1400–1325 BC)
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Pigments for sale at a market stall in Goa, India
Pigments for sale at a market stall in Goa, India
The Milkmaid by Johannes Vermeer (c. 1658). Vermeer was lavish in his choice of expensive pigments, including lead-tin yellow, natural ultramarine, an
The Milkmaid by Johannes Vermeer (c. 1658). Vermeer was lavish in his choice of expensive pigments, including lead-tin yellow, natural ultramarine, and madder lake, as shown in the vibrant painting.
Titian used the historic pigment vermilion to create the reds in the oil painting of Assunta, completed c. 1518.
Titian used the historic pigment vermilion to create the reds in the oil painting of Assunta, completed c. 1518.
Miracle of the Slave by Tintoretto (c. 1548). The son of a master dyer, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, t
Miracle of the Slave by Tintoretto (c. 1548). The son of a master dyer, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, to achieve dramatic color effects.