1.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
2.
Valkyrie
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In Norse mythology, a valkyrie is one of a host of female figures who choose those who may die in battle and those who may live. Selecting among half of those who die in battle, the valkyries bring their chosen to the hall of the slain, Valhalla. There, the deceased warriors become einherjar, when the einherjar are not preparing for the events of Ragnarök, the valkyries bear them mead. They appear throughout the poetry of skalds, in a 14th-century charm, scholarly theories have been proposed about the relation between the valkyries, the norns, and the dísir, all of which are supernatural figures associated with fate. Archaeological excavations throughout Scandinavia have uncovered amulets theorized as depicting valkyries, in modern culture, valkyries have been the subject of works of art, musical works, video games and poetry. The word valkyrie derives from Old Norse valkyrja, which is composed of two words, the noun valr and the verb kjósa, together, they mean chooser of the slain. The Old Norse valkyrja is cognate to Old English wælcyrge, from the Old English and Old Norse forms, philologist Vladimir Orel reconstructs a Proto-Germanic form, *wala-kuzjōn. However, the term may have been borrowed into Old English from Old Norse, other terms for valkyries in Old Norse sources include óskmey, appearing in the poem Oddrúnargrátr and Óðins meyjar, appearing in the Nafnaþulur. Óskmey may be related to the Odinic name Óski, referring to the fact that Odin receives slain warriors in Valhalla, valkyries are mentioned or appear in the Poetic Edda poems Völuspá, Grímnismál, Völundarkviða, Helgakviða Hjörvarðssonar, Helgakviða Hundingsbana I, Helgakviða Hundingsbana II and Sigrdrífumál. In stanza 30 of the poem Völuspá, a völva tells Odin that she saw valkyries coming from far away who are ready to ride to the realm of the gods. The völva follows this with a list of six valkyries, Skuld who bore a shield, Skögul, Gunnr, Hildr, afterwards, the völva tells him she has listed the ladies of the War Lord, ready to ride, valkyries, over the earth. A prose introduction in the poem Völundarkviða relates that the brothers Slagfiðr, Egil, there, early one morning, the brothers find three women spinning linen on the shore of the lake Úlfsjár, and near them were their swans garments, they were valkyries. Two, daughters of King Hlödvér, are named Hlaðguðr svanhvít and Hervör alvitr, the brothers take the three women back to their hall with them—Egil takes Ölrún, Slagfiðr takes Hlaðguðr svanhvít and Völund takes Hervör alvitr. They live together for seven winters, until the women fly off to go to a battle, Egil goes off in snow-shoes to look for Ölrún, Slagfiðr goes searching for Hlaðguðr svanhvít and Völund sits in Úlfdalir. He finds one particularly striking, this valkyrie is detailed later in a narrative as Sváva, king Eylimis daughter. The valkyrie speaks to the man, and gives him the name Helgi. The valkyrie tells him she knows of a hoard of swords in Sigarsholm, and that one of them is of particular importance, further into the poem, Atli flytes with the female jötunn Hrímgerðr. After Hrímgerðr is turned to stone by the daylight, a prose narrative continues that Helgi, Helgi and Sváva are betrothed and love one another dearly
3.
Runes
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The Scandinavian variants are also known as futhark or fuþark, the Anglo-Saxon variant is futhorc or fuþorc. Runology is the study of the runic alphabets, runic inscriptions, runestones, runology forms a specialised branch of Germanic linguistics. The earliest runic inscriptions date from around 150 AD, the characters were generally replaced by the Latin alphabet as the cultures that had used runes underwent Christianisation, by approximately 700 AD in central Europe and 1100 AD in northern Europe. However, the use of runes persisted for specialized purposes in northern Europe, until the early 20th century, runes were used in rural Sweden for decorative purposes in Dalarna and on Runic calendars. The three best-known runic alphabets are the Elder Futhark, the Anglo-Saxon Futhorc, and the Younger Futhark, the Younger Futhark is divided further into the long-branch runes, short-branch or Rök runes, and the stavlösa or Hälsinge runes. The Younger Futhark developed further into the Medieval runes, and the Dalecarlian runes, historically, the runic alphabet is a derivation of the Old Italic scripts of antiquity, with the addition of some innovations. Which variant of the Old Italic family in particular gave rise to the runes is uncertain, suggestions include Raetic, Venetic, Etruscan, or Old Latin as candidates. At the time, all of these scripts had the same angular letter shapes suited for epigraphy, the process of transmission of the script is unknown. The oldest inscriptions are found in Denmark and northern Germany, not near Italy, a West Germanic hypothesis suggests transmission via Elbe Germanic groups, while a Gothic hypothesis presumes transmission via East Germanic expansion. The runes were in use among the Germanic peoples from the 1st or 2nd century AD, no distinction is made in surviving runic inscriptions between long and short vowels, although such a distinction was certainly present phonologically in the spoken languages of the time. Similarly, there are no signs for labiovelars in the Elder Futhark The term runes is used to distinguish these symbols from Latin and it is attested on a 6th-century Alamannic runestaff as runa and possibly as runo on the 4th-century Einang stone. The name comes from the Germanic root run-, meaning secret or whisper, in Old Irish Gaelic, the word rún means mystery, secret, intention or affectionate love. Similarly in Welsh and Old English, the word rhin and rūn respectively means mystery, secret, secret writing, or sometimes in the sense of the word. Ogham is a Celtic script, similarly carved in the Norse manner, the root run- can also be found in the Baltic languages, meaning speech. In Lithuanian, runoti means both to cut and to speak, according to another theory, the Germanic root comes from the Indoeuropean root *reuə- dig. The Finnish term for rune, riimukirjain, means scratched letter, the Finnish word runo means poem and comes from the same source as the English word rune, it is a very old loan of the Proto-Germanic *rūnō. The runes developed centuries after the Old Italic alphabets from which they are historically derived. The formation of the Elder Futhark was complete by the early 5th century, specifically, the Raetic alphabet of Bolzano is often advanced as a candidate for the origin of the runes, with only five Elder Futhark runes having no counterpart in the Bolzano alphabet
4.
Bergen
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Bergen, historically Bjørgvin, is a city and municipality in Hordaland on the west coast of Norway. At the end of the first quarter of 2016, the population was 278,121. Bergen is the second-largest city in Norway, the municipality covers 465 square kilometres and is on the peninsula of Bergenshalvøyen. The city centre and northern neighbourhoods are on Byfjorden, the city fjord, many of the extra-municipal suburbs are on islands. Bergen is the centre of Hordaland and consists of eight boroughs—Arna, Bergenhus, Fana, Fyllingsdalen, Laksevåg, Ytrebygda, Årstad. Trading in Bergen may have started as early as the 1020s, according to tradition, the city was founded in 1070 by king Olav Kyrre, its name was Bjørgvin, the green meadow among the mountains. It served as Norways capital in the 13th century, and from the end of the 13th century became a city of the Hanseatic League. Until 1789, Bergen enjoyed exclusive rights to trade between Northern Norway and abroad and it was the largest city in Norway until the 1830s when it was surpassed by the capital. What remains of the quays, Bryggen, is a World Heritage Site, the city was hit by numerous fires over the years. The Bergen School of Meteorology was developed at the Geophysical Institute beginning in 1917, the Norwegian School of Economics was founded in 1936, from 1831 to 1972, Bergen was its own county. In 1972 the municipality absorbed four surrounding municipalities and became a part of Hordaland county, the city is an international centre for aquaculture, shipping, offshore petroleum industry and subsea technology, and a national centre for higher education, media, tourism and finance. Bergen Port is Norways busiest in both freight and passengers with over 300 cruise ship calls a year bringing nearly a half a million passengers to Bergen, almost half of the passengers are German or British. The citys main team is SK Brann and the citys unique tradition is the buekorps. Natives speak the distinct Bergensk dialect, the city features Bergen Airport, Flesland, Bergen Light Rail, and is the terminus of the Bergen Line. Four large bridges connect Bergen to its suburban municipalities, Bergen is well known for having a mild winter climate, though with a lot of precipitation. In December - March, the difference between Bergen and Oslo can be up to 30 degrees Celsius, despite the fact that both cities are at approximately 60 degrees North. The Gulf Stream keeps the sea relatively warm, considering the latitude, the city of Bergen was traditionally thought to have been founded by king Olav Kyrre, son of Harald Hardråde in 1070 AD, four years after the Viking Age ended with the Battle of Hastings. Modern research has, however, discovered that a settlement was established already during the 1020s or 1030s
5.
Norway
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The Antarctic Peter I Island and the sub-Antarctic Bouvet Island are dependent territories and thus not considered part of the Kingdom. Norway also lays claim to a section of Antarctica known as Queen Maud Land, until 1814, the kingdom included the Faroe Islands, Greenland, and Iceland. It also included Isle of Man until 1266, Shetland and Orkney until 1468, Norway has a total area of 385,252 square kilometres and a population of 5,258,317. The country shares a long border with Sweden. Norway is bordered by Finland and Russia to the north-east, Norway has an extensive coastline, facing the North Atlantic Ocean and the Barents Sea. King Harald V of the Dano-German House of Glücksburg is the current King of Norway, erna Solberg became Prime Minister in 2013, replacing Jens Stoltenberg. A constitutional monarchy, Norway divides state power between the Parliament, the Cabinet and the Supreme Court, as determined by the 1814 Constitution, the kingdom is established as a merger of several petty kingdoms. By the traditional count from the year 872, the kingdom has existed continuously for 1,144 years, Norway has both administrative and political subdivisions on two levels, counties and municipalities. The Sámi people have an amount of self-determination and influence over traditional territories through the Sámi Parliament. Norway maintains close ties with the European Union and the United States, the country maintains a combination of market economy and a Nordic welfare model with universal health care and a comprehensive social security system. Norway has extensive reserves of petroleum, natural gas, minerals, lumber, seafood, the petroleum industry accounts for around a quarter of the countrys gross domestic product. On a per-capita basis, Norway is the worlds largest producer of oil, the country has the fourth-highest per capita income in the world on the World Bank and IMF lists. On the CIAs GDP per capita list which includes territories and some regions, from 2001 to 2006, and then again from 2009 to 2017, Norway had the highest Human Development Index ranking in the world. It also has the highest inequality-adjusted ranking, Norway ranks first on the World Happiness Report, the OECD Better Life Index, the Index of Public Integrity and the Democracy Index. Norway has two names, Noreg in Nynorsk and Norge in Bokmål. The name Norway comes from the Old English word Norðrveg mentioned in 880, meaning way or way leading to the north. In contrasting with suðrvegar southern way for Germany, and austrvegr eastern way for the Baltic, the Anglo-Saxon of Britain also referred to the kingdom of Norway in 880 as Norðmanna land. This was the area of Harald Fairhair, the first king of Norway, and because of him
6.
Frigg
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In Germanic mythology, Frigg, Frija, Frea, and Frige is a goddess. In nearly all sources, she is described as the wife of the god Odin, in Old High German and Old Norse sources, she is also connected with the goddess Fulla. The English weekday name Friday bears her name, Frigg is described as a goddess associated with foreknowledge and wisdom in Norse mythology, the northernmost branch of Germanic mythology and most extensively attested. The children of Frigg and Odin include the gleaming god Baldr, due to significant thematic overlap, scholars have proposed a particular connection to the goddess Freyja. After Christianization, mention of Frigg continued to occur in Scandinavian folklore, in modern times, Frigg has appeared in modern popular culture, has been the subject of art, and receives modern veneration in Germanic Neopaganism. The theonyms Frigg and Frija are cognate forms—linguistic siblings of the same origin—that descend from a substantivized feminine of Proto-Germanic *frijaz, *frijaz descends from the same source as the feminine Sanskrit noun priyā and the feminine Avestan noun fryā. In the modern period, an -a suffix is applied to denote femininity. This spelling also serves the purpose of distancing the goddess from the English word frig, the connection with and possible earlier identification of the goddess Freyja with Frigg in the Proto-Germanic period is a matter of scholarly debate. The name Freyja is not attested outside of Scandinavia, like the name of the group of gods to which Freyja belongs, the Vanir. This is in contrast to the name of the goddess Frigg, who is attested as a common among the Germanic peoples. The best that can be done is to survey the arguments for and against their identity, the English weekday name Friday comes from Old English Frīges Day and is cognate with Old High German frîatac. Both weekday names are result of interpretatio germanica that occurred at or before the 3rd or 4th century CE, several place names refer to Frigg in what are now Norway and Sweden, although her name is altogether absent in recorded place names in Denmark. According to this legend, a people known as the Winnili were ruled by a woman named Gambara who had two sons, Ybor and Agio. The Vandals, ruled by Ambri and Assi, came to the Winnili with their army, Ybor, Agio, and their mother Gambara rejected their demands for tribute. Ambra and Assi then asked the god Godan for victory over the Winnili, to which Godan responded, Whom I shall first see when at sunrise, meanwhile, Ybor and Agio called upon Frea, Godans wife. Frea counseled them that at sunrise the Winnil should come, at sunrise, Frea turned Godans bed around to face east and woke him. Godan saw the Winnili, including their women, and asked who are those Long-beards. Frea responded to Godan, As you have given them a name, Godan did so, so that they should defend themselves according to his counsel and obtain the victory
7.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
8.
Filigree
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It often suggests lace and remains popular in Indian and other Asian metalwork. It was popular as well in Italian, French and Portuguese metalwork from 1660 to the late 19th century and it should not be confused with ajoure jewellery work, the ajoure technique consisting of drilling holes in objects made of sheet metal. The English word filigree is shortened from the use of filigreen which derives from Latin filum meaning thread. The Latin words gave filigrana in Italian which itself became filigrane in 17th-century French, though filigree has become a special branch of jewellery in modern times, it was historically part of the ordinary work of the jeweler. Indeed, all the jewelry of the Etruscans and Greeks was made by soldering together, archaeological finds in ancient Mesopotamia indicate that filigree was incorporated into jewelry since 3,000 BC. Specific to the city of Midyat in Mardin Province in upper Mesopotamia, to this day, expert craftsmen in this region continue to produce fine pieces of telkari. The Egyptian jewelers employed wire, both to lay down on a background and to plait or otherwise arranged jour, but, with the exception of chains, it cannot be said that filigree work was much practiced by them. Their strength lay rather in their work and their molded ornaments. Many examples, however, remain of round plaited gold chains of fine wire, such as those that are made by the filigree workers of India. From some of these are hung smaller chains of finer wire with minute fishes, a number of earrings and other personal ornaments found in central Italy are preserved in the Louvre and in the British Museum. Almost all of them are made of filigree work, but the feathers and petals of modern Italian filigree are not seen in these ancient designs. Instances occur, but only rarely, in which filigree devices in wire are self-supporting, the museum of the Hermitage at Saint Petersburg contains a large collection of Scythian jewelry from the tombs of the Crimea. Many bracelets and necklaces in that collection are made of twisted wire, some in as many as seven rows of plaiting, others are strings of large beads of gold, decorated with volutes, knots and other patterns of wire soldered over the surfaces. In the British Museum a sceptre, probably that of a Greek priestess, is covered with plaited and netted gold wipe, finished with a sort of Corinthian capital and a boss of green glass. It is probable that in India and various parts of central Asia filigree has been worked from the most remote period without any change in the designs. Very fine grains or beads and spines of gold, scarcely thicker than coarse hair, also noted is silver filigree of Karimnagar in Telangana state. These objects, besides being enriched with precious stones, polished, but not cut into facets, byzantine filigree work occasionally has small stones set amongst the curves or knots. Examples of such decoration can be seen in the Victoria and Albert, examples include the Cross of Lothair in Aachen
9.
Norns
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The Norns in Norse mythology are female beings who rule the destiny of gods and men. They roughly correspond to other controllers of humans destiny, the Fates, in Snorri Sturlusons interpretation of the Völuspá, Urðr, Verðandi and Skuld, the three most important of the Norns, come out from a hall standing at the Well of Urðr or Well of Fate. They draw water from the well and take sand that lies around it and these three Norns are described as powerful maiden giantesses whose arrival from Jötunheimr ended the golden age of the gods. They may be the same as the maidens of Mögþrasir who are described in Vafþrúðnismál, beside these three famous Norns, there are many others who appear at a persons birth in order to determine his or her future. In the pre-Christian Norse societies, Norns were thought to have visited newborn children, there were both malevolent and benevolent Norns, the former caused all the malevolent and tragic events in the world while the latter were kind and protective goddesses. The origin of the name norn is uncertain, it may derive from a meaning to twine. Bek-Pedersen suggests that the word norn has relation to the Swedish dialect word norna and this relates to the perception of norns as shadowy, background figures who only really ever reveal their fateful secrets to men as their fates come to pass. It should be noted that wyrd and urðr are etymological cognates, both Urðr and Verðandi are derived from the Old Norse verb verða, to be. While Urðr derives from the past tense, Verðandi derives from the present tense of verða, Skuld is derived from the Old Norse verb skulla, need/ought to be/shall be, its meaning is that which should become, or that needs to occur. There is no distinction between norns, fylgjas, hamingjas and valkyries, nor with the generic term dísir. Moreover, artistic license permitted such terms to be used for women in Old Norse poetry. To quote Snorri Sturlusons Skáldskaparmál on the names used for women. There are a number of surviving Old Norse sources that relate to the norns, the most important sources are the Prose Edda and the Poetic Edda. A skaldic reference to the norns appears in Hvinis poem in Ynglingatal 24 found in Ynglingasaga 47 and this reference brings in the phrase norna dómr which means judgment of the nornir. In most cases, when the norns pass judgment, it means death to those who have been judged - in this case, along with being associated with being bringers of death, Bek-Pedersen suggests that this phrase brings in a quasi-legal aspect to the nature of the norns. This legal association is employed quite frequently within skaldic and eddic sources and this phrase can also be seen as a threat, as death is the final and inevitable decision that the norns can make with regard to human life. The Poetic Edda is valuable in representing older material in poetry from which Snorri tapped information in the Prose Edda, like Gylfaginning, the Poetic Edda mentions the existence of many lesser norns beside the three main norns. Moreover, it agrees with Gylfaginning by telling that they were of several races
10.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
11.
Snorri Sturluson
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Snorri Sturluson was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker at the Icelandic parliament, the Althing and he was also the author of the Heimskringla, a history of the Norwegian kings that begins with legendary material in Ynglinga saga and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of Egils saga, as a historian and mythographer, Snorri is remarkable for proposing the hypothesis that mythological gods begin as human war leaders and kings whose funeral sites develop cults. As people call upon the war leader as they go to battle, or the dead king as they face tribal hardship. Eventually, the king or warrior is remembered only as a god and he also proposed that as tribes defeat others, they explain their victory by proposing that their own gods were in battle with the gods of the others. Snorri Sturluson was born in Hvammur into the wealthy and powerful Sturlungar family of the Icelandic Commonwealth and his parents were Sturla Þórðarson the elder of Hvammur and his second wife, Guðný Böðvarsdóttir. He had two brothers, Þórðr Sturluson and Sighvatr Sturluson, two sisters and nine half-siblings. By a quirk of circumstance Snorri was raised from the age of three by Jón Loftsson, a relative of the Norwegian royal family, in Oddi, Iceland. The resulting settlement would have beggared Páll, but Jón Loftsson intervened in the Althing to mitigate the judgment and, to compensate Sturla, offered to raise, Snorri therefore received an excellent education and made connections that he might not otherwise have made. He attended the school of Sæmundr fróði, grandfather of Jón Loftsson, at Oddi and his father died in 1183 and his mother as guardian soon wasted Snorris share of the inheritance. The two families arranged an marriage in 1199 between Snorri and Herdís, the daughter of Bersi Vermundarson. From her father, Snorri inherited an estate at Borg and a chieftainship and he soon acquired more property and chieftainships. Snorri and Herdís were together for four years at Borg and they had at least two children, Hallbera and Jón. The marriage succumbed to Snorris philandering, and in 1206, he settled in Reykholt as manager of an estate there and he made significant improvements to the estate, including a hot outdoor bath. The bath and the buildings have preserved to some extent. During the initial years at Reykholt he fathered five children by three different women, Guðrún Hreinsdóttir, Oddný, and Þuríður Hallsdóttir, Snorri quickly became known as a poet, but was also a successful lawyer. In 1215, he became lawspeaker of the Althing, the public office of the Icelandic commonwealth. In the summer of 1218, he left the position and sailed to Norway
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