In Norse mythology, Eir is a goddess or valkyrie associated with medical skill. Eir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources. Scholars have theorized about whether these three sources refer to the same figure, debate whether Eir may have been a healing goddess or a valkyrie. In addition, Eir has been theorized as a form of the goddess Frigg and has been compared to the Greek goddess Hygieia. In the Poetic Edda poem Fjölsvinnsmál, the watchman Fjölsviðr presents a list of the maidens that attend the lady of the keep—Menglöð—that includes Eir, states that they all sit on the hill Lyfjaberg; the exchange between the hero Svipdagr and Fjölsviðr mentioning Eir is as follows: After the exchange, Svipdagr asks if these figures will give aid if blóts are made to them. Fjölsviðr responds that Svipdagr is correct: In chapter 35 of the Prose Edda book Gylfaginning, the enthroned figure of High provides brief descriptions of 16 ásynjur. High lists Eir third, says no more about her other than noting that "she is an good physician."
In chapter 75 of the Prose Edda book Skáldskaparmál Eir appears within a list of valkyrie names, but Eir is not included in the list of ásynjur in the same chapter. In skaldic poetry, the name Eir is frequent in kennings for women. A sample construction is Eir aura, occurring in Gísla saga; the name is used in this way by the 10th century poets Kormákr Ögmundarson and Hallfreðr vandræðaskáld. The name Eir is used in a woman kenning in a runic inscription inscribed on a stick from Bergen, Norway around the year 1300; the stick records a common mercantile transaction followed by a verse from a displeased scribe:'Wise Var of wire makes sit unhappy. Eir of mackerels' ground takes and much sleep from me.' Mindy Macleod and Bernard Mees posit that the first line of the inscription means "women make me miserable" or "marriage makes me miserable," whereas the second line means "women take a lot of sleep from me."The name remained used in woman kennings in rímur poetry. Regarding the three different conflicting, mentions of Eir, Andy Orchard says that the etymology of the name Eir may appear to fit the role of Eir as a goddess and servant of Menglöð best, but that one should consider that the valkyries have the ability to waken the dead.
John Lindow is skeptical of there having been a belief in Eir as a goddess, stating that "whether we should trust Snorri and imagine the existence of a goddess Eir is problematic". Rudolf Simek says that Eir may have been a valkyrie rather than a goddess, lists the servant of Menglöð by the same name as a separate figure. Hilda Ellis Davidson comments that "virtually nothing" is known about Eir outside of her association with healing, points out that she is "singled out as one of the Norns who shape the lives of children". Davidson adds that "no satisfactory conclusions" have been drawn from her name, considers all mentions of Eir as of the same figure. Davidson says that, in reference to Eir's appearance among Menglöð's maidens, that the names of these maidens "suggest that they are guardian spirits, said to'shelter and save' those who make offerings of them, they could be akin to protective spirits of the house, guarding both men and women." She additionally draws a link between these spirits and Lyfjaberg: Lyfjaberg is where the goddess sits surrounded by her helpful spirits.
Although healing by a goddess—or indeed by a god either—has left little mark on Norse myths as they have come down to us, there is no doubt that the healing power of goddesses was of enormous importance in daily life in the pre-Christian period, as was that of many women saints in Christian times. The goddess who presided over childbirth was held to possess power over life and death, was revered as a lifegiver, both in the family home and in the courts of kings, though she might pass sentence of death. Henry Adams Bellows proposes a relationship between Eir and the place name Lyfjaberg, which he translates as "hill of healing". Bellows notes that manuscripts vary about the spelling of the place name, that he, like others, has followed 19th-century scholar Sophus Bugge's choice. Bellows states that the stanza mentioning Lyfjaberg "implies that Mengloth is a goddess of healing, hence an hypostasis of Frigg, as intimated by her name. In stanza 54, Eir appears as one of Mengloth's handmaidens, Eir, according to Snorri is herself the Norse Hygeia.
Compare this stanza to stanza 32."
The Coventry Alliance Football League known as the Coventry Works League, is an association football competition in England, composed of five divisions containing in total 50 teams. Premier Division Bulkington Sports & Social Christ the King Copeswood Coventry Colliery Dunlop Sports Folly Lane Boys Club & Old Boys Association Rugby Jet Blades Triumph Athletic Woodlands Working Mens ClubDivision One AFC Woods United Ambleside Sports Balsall & Berkswell Bedworth Rangers Christ the King Reserves Fillongley Folly Lane Reserves Gurdwara GNP Stockingingford AA PavilionDivision Two AFC Binley Brinklow Coundon Court Old Boys Reserves Coventry College Reserves Coventry Plumbling Crick Athletic FC Polonia Coventry Jaguar/Daimler RS Sports Shilton Stockton Woodlands Working Mens Club ReservesDivision Three AFC Binley Reserves AFC Coventry Athletic Sparta Balsall & Berkswell Reserves Bourton & Frankton Christ the King'A' Coventry Sky Blues Dunlop Reserves FISCC Rugby Reserves Triumph Athletic ReservesDivision Four Black Hercules Coventry Plumbing Reserves Crick Athletic Reserves Holbrooks United Kenilworth Wardens Prince of Wales RS Sports Reserves Shilton Reserves Official website
The Last Kind Words is the third studio album by DevilDriver, released in the United States on July 31, 2007. It was released in the United Kingdom on June 19; the album debuted at number 48 on the U. S. Billboard 200. "Clouds Over California" is available for playable download in Rock Band. DevilDriverDez Fafara – vocals Jeff Kendrick – guitar Mike Spreitzer – guitar Jon Miller – bass John Boecklin – drumsAdditional musiciansSimon Fafara – vocals on "Tirades of Truth"ProductionJason Suecof – production, engineering Andy Sneap – mixing Mark Lewis – engineering The Last Kind Words at AllMusic The Last Kind Words at DevilDriver's official website The Last Kind Words at Roadrunner Records