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Ella Fitzgerald

Ella Jane Fitzgerald was an American jazz singer sometimes referred to as the First Lady of Song, Queen of Jazz, Lady Ella. She was noted for her purity of tone, impeccable diction, intonation, a "horn-like" improvisational ability in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most associated with the Savoy Ballroom in Harlem, her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career, her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more noted works her interpretations of the Great American Songbook. While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, The Ink Spots were some of her most notable acts outside of her solo career.

These partnerships produced some of her best-known songs such as "Dream a Little Dream of Me", "Cheek to Cheek", "Into Each Life Some Rain Must Fall", "It Don't Mean a Thing". In 1993, after a career of nearly 60 years, she gave her last public performance. Three years she died at the age of 79 after years of declining health, her accolades included fourteen Grammy Awards, the National Medal of Arts, the Presidential Medal of Freedom. Fitzgerald was born on April 1917, in Newport News, Virginia, she was the daughter of Temperance "Tempie" Henry. Her parents lived together for at least two and a half years after she was born. In the early 1920s, Fitzgerald's mother and her new partner, a Portuguese immigrant named Joseph Da Silva, moved to Yonkers, in Westchester County, New York, her half-sister, Frances Da Silva, was born in 1923. By 1925, Fitzgerald and her family had moved to a poor Italian area, she began her formal education at the age of six and was an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School in 1929.

Starting in third grade, Fitzgerald admired Earl Snakehips Tucker. She performed for her peers on the way at lunchtime, she and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, where she attended worship services, Bible study, Sunday school. The church provided Fitzgerald with her earliest experiences in music. Fitzgerald listened to jazz recordings by Louis Armstrong, Bing Crosby, The Boswell Sisters, she loved the Boswell Sisters' lead singer Connee Boswell saying, "My mother brought home one of her records, I fell in love with it... I tried so hard to sound just like her."In 1932, when Fitzgerald was fifteen, her mother died from injuries sustained in a car accident. Her stepfather took care of her until April 1933; this swift change in her circumstances, reinforced by what Fitzgerald biographer Stuart Nicholson describes as rumors of "ill treatment" by her stepfather, leaves him to speculate that Da Silva might have abused her. Fitzgerald began skipping school, her grades suffered.

She worked as a lookout with a Mafia-affiliated numbers runner. She never talked publicly about this time in her life; when the authorities caught up with her, she was placed in the Colored Orphan Asylum in Riverdale in the Bronx. When the orphanage proved too crowded, she was moved to the New York Training School for Girls, a state reformatory school in Hudson, New York. While she seems to have survived during 1933 and 1934 in part from singing on the streets of Harlem, Fitzgerald made her most important debut at age 17 on November 21, 1934, in one of the earliest Amateur Nights at the Apollo Theater, she had intended to go on stage and dance, but she was intimidated by a local dance duo called the Edwards Sisters and opted to sing instead. Performing in the style of Connee Boswell, she sang "Judy" and "The Object of My Affection" and won first prize, she won the chance to perform at the Apollo for a week but because of her disheveled appearance, the theater never gave her that part of her prize.

In January 1935, Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House. She was introduced to drummer and bandleader Chick Webb, who had asked his signed singer Charlie Linton to help find him a female singer. Although Webb was "reluctant to sign her...because she was gawky and unkempt, a'diamond in the rough,'" he offered her the opportunity to test with his band when they played a dance at Yale University. Met with approval by both audiences and her fellow musicians, Fitzgerald was asked to join Webb's orchestra and gained acclaim as part of the group's performances at Harlem's Savoy Ballroom. Fitzgerald recorded several hit songs, including "Love and Kisses" and " You'll Have to Swing It", but it was her 1938 version of the nursery rhyme, "A-Tisket, A-Tasket", a song she co-wrote, that brought her public acclaim. "A-Tisket, A-Tasket" became a major hit on the radio and was one of the biggest-selling records of the decade. Webb died of spinal tuberculosis on June 16, 1939, his band was renamed Ella and Her Famous Orchestra with Fitzgerald taking on the role of bandleader.

She recorded nearly 150 songs with Webb's orchestra between 1935 and 1942. In addition to her work with We

Soldiers and McKinley Memorial Parkways

The Soldiers and McKinley Memorial Parkways are a pair of historic brick streets in Fremont, United States. Designed as small parkways, they were constructed in honor of Sandusky County's eighty-five soldiers who were killed in action during World War I. Unlike many similar streets in other cities, they were not built as centerpieces for grand city plans. Laid out in the form of a cross, the parkways run for four blocks with vegetation between the lanes for the two directions. Historic research has identified both streets as fine examples of the implementation of City Beautiful ideas in an extant city. Today, the parkways continue to provide access to a residential neighborhood. In 1991, the two parkways were listed together on the National Register of Historic Places, qualifying both because of their importance in community planning and in landscape architecture

Psycho Dream

Psycho Dream is a 1992 video game for the Super Famicom. An attempt to release it in North America as Dream Probe failed. Unlike the developer's popular Valis series of video games, Psycho Dream's experience is focused on the gameplay, less on story. In the early 1980s, rumors begin to circulate about a new entertainment medium called "D Movie," which allows people to immerse themselves in a world of virtual reality; as D Movies gain traction, a trend emerges of disaffected young people taking permanent refuge in the virtual world while abandoning their physical bodies to atrophy. To retrieve these so-called "Sinkers," Japan's National Public Safety Commission establishes Public Security Division Four, nicknamed "Diamond Dog", in 1984; the agents who enter the virtual world and perform these rescues are known as Debuggers. In 1992, a seventeen-year-old girl named Yūki Sayaka sinks into "Story of the Ruined Capital", a D Movie directed by David Visconti. Three days pass before she is discovered, combined with her weak constitution, she is expected to die within twenty-four hours.

Two Debuggers, Shijima Ryō and Tobira Maria, are dispatched to rescue her. The player takes control of either Maria. Ryō is a swordsman while Maria is an angelic warrior who uses a whip that can be upgraded into metal claws or a laser gun. Demons can be summoned to destroy most of the monsters on the screen. Many of the stages are set against the backdrop of 20th century Japan. Having a limited amount of time to defeat enemies, the focus is on advancing through the stages as as possible. Super Play gave the game a 33% score. Electronic Gaming Monthly gave it a score of 52/100. Famitsu gave it an 18/40. Italian magazine Game Power gave it 75%. Psycho Dream at MobyGames