1.
Los Angeles
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Los Angeles, officially the City of Los Angeles and often known by its initials L. A. is the cultural, financial, and commercial center of Southern California. With a census-estimated 2015 population of 3,971,883, it is the second-most populous city in the United States, Los Angeles is also the seat of Los Angeles County, the most populated county in the United States. The citys inhabitants are referred to as Angelenos, historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was founded on September 4,1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence, in 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4,1850, the discovery of oil in the 1890s brought rapid growth to the city. The completion of the Los Angeles Aqueduct in 1913, delivering water from Eastern California, nicknamed the City of Angels, Los Angeles is known for its Mediterranean climate, ethnic diversity, and sprawling metropolis. Los Angeles also has an economy in culture, media, fashion, science, sports, technology, education, medicine. A global city, it has been ranked 6th in the Global Cities Index, the city is home to renowned institutions covering a broad range of professional and cultural fields, and is one of the most substantial economic engines within the United States. The Los Angeles combined statistical area has a gross metropolitan product of $831 billion, making it the third-largest in the world, after the Greater Tokyo and New York metropolitan areas. The city has hosted the Summer Olympic Games in 1932 and 1984 and is bidding to host the 2024 Summer Olympics and thus become the second city after London to have hosted the Games three times. The Los Angeles area also hosted the 1994 FIFA mens World Cup final match as well as the 1999 FIFA womens World Cup final match, the mens event was watched on television by over 700 million people worldwide. The Los Angeles coastal area was first settled by the Tongva, a Gabrielino settlement in the area was called iyáangẚ, meaning poison oak place. Gaspar de Portolà and Franciscan missionary Juan Crespí, reached the present site of Los Angeles on August 2,1769, in 1771, Franciscan friar Junípero Serra directed the building of the Mission San Gabriel Arcángel, the first mission in the area. The Queen of the Angels is an honorific of the Virgin Mary, two-thirds of the settlers were mestizo or mulatto with a mixture of African, indigenous and European ancestry. The settlement remained a small town for decades, but by 1820. Today, the pueblo is commemorated in the district of Los Angeles Pueblo Plaza and Olvera Street. New Spain achieved its independence from the Spanish Empire in 1821, during Mexican rule, Governor Pío Pico made Los Angeles Alta Californias regional capital
2.
Riverside, California
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Riverside is a city in Riverside County, California, United States, located in the Inland Empire metropolitan area. Riverside is the county seat of the county and named for its location beside the Santa Ana River. It is the most populous city in the Inland Empire and in Riverside County and it is also part of the Greater Los Angeles area. Riverside is the 59th most populous city in the United States, as of the 2010 Census, Riverside had a population of 303,871. Riverside was founded in the early 1870s and it is the birthplace of the California citrus industry and home of the Mission Inn, the largest Mission Revival Style building in the United States. It is also home to the Riverside National Cemetery, the University of California, Riverside, is located in the northeastern part of the city. The university also hosts the Riverside Sports Complex, in the late 1700s and early 1800s, the area was inhabited by Cahuilla and the Serrano people. Californios such as Bernardo Yorba and Juan Bandini established ranches during the first half of the 19th century, in the 1860s, Louis Prevost launched the California Silk Center Association, a short-lived experiment in sericulture. In the wake of its failure, John W. North purchased some of its land, in March 1870, North distributed posters announcing the formation of a colony in California. North, a staunch temperance-minded abolitionist from New York State, had formerly founded Northfield, a few years later, some navel orange trees were planted and found to be such a success that full-scale planting began. Riverside was temperance minded, and Republican, there were four saloons in Riverside when it was founded. The license fees were raised until the saloons moved out of Riverside, investors from England and Canada transplanted traditions and activities adopted by prosperous citizens. As a result, the first golf course and polo field in Southern California were built in Riverside. C, the trees came from Bahia, Brazil. The Bahia orange did not thrive in Florida, but its success in Southern California was phenomenal, the three trees were planted on the Tibbetts property. One of the trees died after it was trampled by a cow during the first year it was planted, after the trampling, the two remaining trees were transplanted to property belonging to Sam McCoy to receive better care than L. C. That tree still stands to this day inside a protective fence abutting what is now a major intersection, the trees thrived in the Southern California climate and the navel orange industry grew rapidly. Many growers purchased bud wood and then grafted the cuttings to root stock, by 1882, there were more than half a million citrus trees in California, almost half of which were in Riverside. The development of refrigerated cars and innovative irrigation systems established Riverside as the richest city in the United States by 1895
3.
Blues
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Blues is a genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century. The genre developed from roots in African musical traditions, African-American work songs, spirituals, Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. Blue notes, usually thirds or fifths flattened in pitch, are also a part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove, Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times, Early blues frequently took the form of a loose narrative, often relating the troubles experienced in African-American society. Many elements, such as the format and the use of blue notes. The origins of the blues are closely related to the religious music of the Afro-American community. The first appearance of the blues is often dated to after the ending of slavery and, later and it is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century, the first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a variety of styles and subgenres. Blues subgenres include country blues, such as Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues, World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a form called blues rock evolved. The term blues may have come from blue devils, meaning melancholy and sadness, the phrase blue devils may also have been derived from Britain in the 1600s, when the term referred to the intense visual hallucinations that can accompany severe alcohol withdrawal. As time went on, the phrase lost the reference to devils, by the 1800s in the United States, the term blues was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, in lyrics the phrase is often used to describe a depressed mood. The lyrics of traditional blues verses probably often consisted of a single line repeated four times. Two of the first published songs, Dallas Blues and Saint Louis Blues, were 12-bar blues with the AAB lyric structure. Handy wrote that he adopted this convention to avoid the monotony of lines repeated three times, the lines are often sung following a pattern closer to rhythmic talk than to a melody
4.
Rhythm and blues
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Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. In the commercial rhythm and blues music typical of the 1950s through the 1970s, R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, the term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was applied to blues records. This tangent of RnB is now known as British rhythm and blues, by the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a style of R&B developed, becoming known as Contemporary R&B. It combines elements of rhythm and blues, soul, funk, pop, hip hop, popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder, Whitney Houston, and Mariah Carey. Although Jerry Wexler of Billboard magazine is credited with coining the term rhythm and blues as a term in the United States in 1948. It replaced the term race music, which came from within the black community. The term rhythm and blues was used by Billboard in its chart listings from June 1949 until August 1969, before the Rhythm and Blues name was instated, various record companies had already begun replacing the term race music with sepia series. In 2010 LaMont Robinson founded the Rhythm & Blues Hall of Fame Museum, writer and producer Robert Palmer defined rhythm & blues as a catchall term referring to any music that was made by and for black Americans. He has used the term R&B as a synonym for jump blues, however, AllMusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of Nothing but the Blues, writes that rhythm, according to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use to music made by black musicians. In the commercial rhythm and blues music typical of the 1950s through the 1970s, arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, while singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, an associated with the modern popular music that rhythm. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords, there was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone
5.
Soul music
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Soul music is a popular music genre that originated in the United States in the late 1950s and early 1960s. It combines elements of African-American gospel music, rhythm and blues, Soul music became popular for dancing and listening in the United States, where record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music, catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and a tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds, Soul music reflected the African-American identity and it stressed the importance of an African-American culture. The new-found African-American consciousness led to new styles of music, which boasted pride in being black, Soul music dominated the U. S. R&B chart in the 1960s, and many recordings crossed over into the pop charts in the U. S. By 1968, the music genre had begun to splinter. Some soul artists developed funk music, while other singers and groups developed slicker, more sophisticated, by the early 1970s, soul music had been influenced by psychedelic rock and other genres, leading to psychedelic soul. The United States saw the development of neo soul around 1994, there are also several other subgenres and offshoots of soul music. The term soul had been used among African-American musicians to emphasize the feeling of being an African-American in the United States, according to another source, Soul music was the result of the urbanization and commercialization of rhythm and blues in the 60s. The phrase soul music itself, referring to music with secular lyrics, is first attested in 1961. The term soul in African-American parlance has connotations of African-American pride, gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz style that derived from gospel came to be called soul jazz, important innovators whose recordings in the 1950s contributed to the emergence of soul music included Clyde McPhatter, Hank Ballard, and Etta James. Ray Charles is often cited as popularizing the genre with his string of hits starting with 1954s I Got a Woman. Singer Bobby Womack said, Ray was the genius and he turned the world onto soul music. Charles was open in acknowledging the influence of Pilgrim Travelers vocalist Jesse Whitaker on his singing style, little Richard and James Brown were equally influential. Sam Cooke and Jackie Wilson are also acknowledged as soul forefathers. Cooke became popular as the singer of gospel group The Soul Stirrers
6.
Gospel music
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Gospel music is a music genre in Christian music. The creation, performance, significance, and even the definition of music varies according to culture. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, Gospel music usually has dominant vocals with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the oral tradition. Hymns and sacred songs were repeated in a call and response fashion, most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella, the first published use of the term Gospel Song probably appeared in 1874. The original gospel songs were written and composed by such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane. The advent of radio in the 1920s greatly increased the audience for gospel music, following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate. Gospel blues is a form of gospel music. Southern gospel used all male, tenor-lead-baritone-bass quartet make-up, progressive Southern gospel is an American music genre that has grown out of Southern gospel over the past couple of decades. Christian country music, sometimes referred to as gospel music, is a subgenre of gospel music with a country flair. It peaked in popularity in the mid-1990s, bluegrass gospel music is rooted in American mountain music. Celtic gospel music infuses gospel music with a Celtic flair, and is popular in countries such as Ireland. British black gospel refers to Gospel music of the African diaspora, some proponents of standard hymns generally dislike gospel music of the late 19th and early 20th centuries. Today, with distance, there is a greater acceptance of such gospel songs into official denominational hymnals. Gospel music in general is characterized by dominant vocals referencing lyrics of a Christian nature, subgenres include contemporary gospel, urban contemporary gospel, Southern gospel, and modern gospel music. Several forms of gospel music utilize choirs, use piano or Hammond organ, tambourines, drums, bass guitar and, increasingly, electric guitar. In comparison with hymns, which are generally of a statelier measure, several attempts have been made to describe the style of late 19th and early 20th century gospel songs in general
7.
Modern Records
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Modern Music was an American record company and label formed in 1945 in Los Angeles by the Bihari brothers. In the 1960s, Modern Records went bankrupt and ceased operations and this back catalogue was eventually licensed to the UK label Ace Records in the 1980s and later sold outright during the 1990s. Modern was also one of the big R&B labels with artists including Etta James, Joe Houston, Little Richard, Ike and Tina Turner, here, they had less success and the company eventually went bankrupt, although the catalogue was maintained under similar management at Kent Records. Ace Records of the U. K. now owns the tapes, saul, Jules and Joe Bihari were the main people who ran the label. The older brother Lester was only there sporadically, tony Hilder was an A & R man for Modern Records in the late 1950s. Later he went on to form his own labels, first CT Records and later owner, austin McCoy was an artist, session musician and recording session director with Modern Records. He left Modern in late 1950 to take up an A & R post with Mercury Records at their Beverly Hills office, Modern Music, The First Year -1945 RPM Records Flair Records Meteor Records Crown Records Yuletide Records - Christmas music Crown Records Discography Modern Records Story
8.
Chess Records
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Chess Records was an American record company, founded in 1950 in Chicago and specializing in blues and rhythm and blues. Over time it expanded into music, gospel music, early rock and roll, and occasional jazz and comedy recordings, released on the Chess, Checker, Argo. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records. Founded and run by Jewish immigrant brothers from Poland, Leonard and Phil Chess, the musician and critic Cub Koda described Chess as Americas greatest blues label. Chess was based at different locations on the south side of Chicago. The most famous location was 2120 S, Michigan Avenue from around 1956 to 1965, immortalized by the Rolling Stones in 2120 South Michigan Avenue, an instrumental recorded there during the groups first U. S. tour in 1964. The Stones recorded at Chess Studios on two more occasions, the building is now the home of Willie Dixons Blues Heaven Foundation. In the mid-1960s, Chess relocated to a larger building, at 320 E. 21st Street. Leonard bought a stake in Aristocrat Records in 1947. in 1950, he brought his brother, Phil, into the operation, in the same year they brought in a third partner, Evelyn Aron, and renamed the company Chess Records. The first release from Chess was a 78 RPM single, My Foolish Heart, backed with Bless You, by Gene Ammons, issued as Chess 1425 in June 1950, which became the labels biggest hit of the year. In 1951, the Chess brothers began an association with Sam Phillips, of the Memphis Recording Service, one of the most important artists that came out of Memphis was Howlin Wolf, who stayed with the label until his death in 1976. Many songs created by Chess artists were covered by many famous rock-and-roll artists, including the Beatles, the Rolling Stones. Musical figures created for Chess by Bo Diddley, Willie Dixon, Chuck Berry, Howlin Wolf, Muddy Waters, Buddy Guy and others were the basis of much subsequent rock, in 1952, the brothers started Checker Records as an alternative label for radio play. In December 1955, they launched a jazz and pop label, Marterry and this was quickly renamed Argo Records, but the name was changed again in 1965 to Cadet Records to end confusion with a British spoken-word label. In 1953, Leonard Chess and Gene Goodman set up Arc Music BMI, a publishing company, several of Chesss releases gave a writing credit to Alan Freed. During the 1950s, Leonard and Phil Chess handled most of the production and they brought in producer Ralph Bass in 1960 to handle the gospel output and some of the blues singers. Bassist and songwriter Willie Dixon was also involved in organizing blues sessions for the label and is now credited retroactively as a producer on some re-releases. In 1958, Chess began producing their first LP records which included such albums as The Best of Muddy Waters, Best of Little Walter, in 1962, Chess Records was sued by Peacock Records for recording their artists Reverend Robert Ballinger and the Five Blind Boys of Mississippi
9.
MCA Records
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MCA Records was an American-based record company owned by MCA Inc. which later gave way to the larger MCA Music Entertainment Group, of which MCA Records was still part. MCAs country division, MCA Nashville, is an active imprint of Universal Music Group Nashville. MCA was forced to exit the talent agency business in order to complete the merger, as American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into the top film studio in town, producing hit after hit. In 1966, MCA formed Uni Records and in 1967 purchased Kapp Records which was placed under Uni Records management. In 1937, the owner of Decca, E. R. Lewis, chose to split off the U. K. Decca company from the U. S. company, companies if the emerging hostilities of Nazi Germany should lead to war – correctly foreseeing World War II. Lewis sold the remainder of his U. S. Decca holdings when war did break out, MCAs U. S. -based Decca Records kept the rights to the Decca name in North and South America and parts of Asia including Japan. U. K. Decca owned the rights to the Decca name in the rest of the world, after the war, British Decca formed a new U. S. subsidiary, London Records. During this time U. S. Decca issued records outside North America on the Brunswick, in 1967, Brunswick and Coral were replaced by the MCA label to release U. S. Decca and Kapp label material outside North America. Initial activity as MCA Records was based in London and MCA Records UK was formally launched on February 16,1968. Among the early artists on the MCA label, around 1971, were groups Wishbone Ash, Osibisa, Stackridge and Budgie, early MCA releases were distributed by U. K. Decca but it moved to EMI in 1974. In 1979, distribution moved to CBS, while the last releases in the 1980s were self-distributed, as the U. S. division of MCA Records was not established until 1972, the earliest U. K. MCA Records material was released in the U. S. on either Kapp or Decca, Uni label material was issued on the Uni label worldwide. In 1970, MCA reorganized its Canadian record company Compo Company Ltd. into MCA Records, in April 1970, former Warner Bros. Records president Mike Maitland joined MCA and initially served as Deccas general manager. Maitland was unsuccessful in his attempt to consolidate Warner Bros. Records with co-owned Atlantic Records which led to his departure from Warner, the three labels maintained their identities for a short time but were retired in favor of the MCA label in 1973. Drift Away by Dobie Gray became the final Decca pop label release in the U. S in 1973. Beginning the same year the catalogs of Decca, Uni and Kapp were reissued in the U. S. on the MCA label under the supervision of veteran Decca producer Milt Gabler. The first MCA Records release in the U. S. was former Uni artist Elton Johns Crocodile Rock single in 1972, MCA label used a black with curved rainbow design until the late 1970s. This design was inspired by the U. S. Decca label of the 1960s
10.
Island Records
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Island Records is a major record label that operates as a division of UMG Recordings, Inc. It was founded by Chris Blackwell, Graeme Goodall and Leslie Kong in Jamaica in 1959, Blackwell sold the label to PolyGram in 1989. Three Island labels exist in the world, Island UK, Island US, and Island Australia, current key people of Island Records include Island president Darcus Beese, OBE and MD Jon Turner. Partially due to the labels significant legacy, Island remains one of UMGs pre-eminent record labels, Island Records was founded in Jamaica on 4 July 1959 by Chris Blackwell, Graeme Goodall and Leslie Kong, and partially financed by Stanley Borden from RKO. Its name was inspired by the Harry Belafonte song Island in the Sun. Blackwell explained in 2009, “I loved music so much, I just wanted to get into it, or be as close to it as I could. ”Tom Hayes, the labels sales manager between 1965 and 1967, referred to the early period of the label in the UK as “organized chaos”. “My Boy Lollipop”, sung by Millie Small, was the labels first success in the UK, Blackwell explained in a 50-year-anniversary documentary that he was only interested in building long-term careers at that stage in time, rather than short-term projects. Suzette Newman has been a colleague of Chris Blackwells since working together in the early days of Island Records. Suzette Newman and Chris Salewicz were the editors for the book “The Story of Island Records, Blackwell relocated to England in May 1962 to garner greater levels of attention after the local Jamaican sound systems proved to be overwhelmingly successful. The vast majority of the artists who had signed to Blackwells fledgling label while he was in Jamaica agreed to allow the entrepreneur to release their music in the UK. While in England, Blackwell travelled throughout the city carrying his stock with him and he did not provide any copies to radio stations, as they would not play any of the Island music, the music was also not reviewed by the press. Meanwhile, Goodall left to start the Doctor Bird record label in 1965, Blackwell signed the Spencer Davis Group to the label. The group became popular and Island started their own independent series to spotlight UK rock talent. They signed artists like John Martyn, Fairport Convention, Free, by the late 1960s and early 1970s, they were a major label in England with artists like Roxy Music, King Crimson, Traffic, The Wailers, and many others. Blackwell had signed Bob Marley, and now Toots and the Maytals, in November 2016, Jackie Jackson described the formation of the group in a radio interview for Kool 97 FM Jamaica. Accompanied by Paul Douglas and Radcliffe Dougie Bryan in studio, Jackson explained, Were all original members of Toots, first it was Toots and the Maytals, three guys, Toots, Raleigh, and Jerry. …And then they were signed to Island Records, Chris Blackwell, and we were their recording band. One day we were summoned to Chris house, and he says, Alright gentleman, I think its time
11.
PolyGram
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PolyGram was a Dutch entertainment company, a division of Seagram. It started as a record label recording company founded by Philips. The name was chosen to reflect the Siemens interest Polydor Records, the company traced its origins through Deutsche Grammophon back to the inventor of the flat disk gramophone, Emil Berliner. Later on, PolyGram expanded into the largest global entertainment company, creating film, in May 1998, it was sold to Seagram which owned MCA Inc. PolyGram Music Group was merged into Universal Music Group, and PolyGram Filmed Entertainment was merged into Universal Pictures. When the new company faced difficulties, its parent Seagram was sold in large part to Vivendi. Vivendi is the current owner of UMG, in February 2017, Polygram Entertainment was re-launched as the film & television division of Universal Music Group. In 1929, Decca Records licensed record shop owner H. W. Van Zoelen as a distributor in the Netherlands, by 1931, his company Hollandsche Decca Distributie had become exclusive Decca distributor for all of the Netherlands and its colonies. Over the course of the 1930s, HDD put together its own facilities for A&R, recording, HDD was commercially successful during World War II because of the absence of American and British competition. Van Zoelen wanted to sell to Philips so that HDD would have sufficient financial backing when their major competitors returned after the war and this led Philips to purchase HDD in 1942. Philips labs were developing magnetic tape and LPs, and they could support eventual new formats, after the war, Philips built a large factory in Doetinchem to produce 78 rpm records. During the late 1940s, Philips combined its various businesses into Philips Phonografische Industrie. PPIs early growth was based on alliances, a merger was first proposed with Decca of London in late 1945, but was rejected by Edward Lewis, Deccas owner. In the early 1950s, Philips set itself the goal of making PPI the largest record company in Europe, PPIs second attempt at a merger was with Deutsche Grammophon Gesellschaft. DGG, owned by Siemens AG, and well known for its repertoire, had been the German licensee for Decca from 1935. PPI and DGG finally merged in 1962, the alliance with DGG still left PPI without repertoire in Britain or the United States. But in 1951, after Columbia had failed to renew its international distribution agreement with EMI, Columbia became PPIs distributor within the US. This agreement ran until 1961 when Columbia set up its own European network, PPI signed a worldwide distribution deal with Mercury Records in 1961
12.
RCA Records
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
13.
Elektra Records
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Elektra Records is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of folk music. In 2004, it was consolidated into WMGs Atlantic Records Group, after five years of dormancy, the label was revived as an imprint of Atlantic in 2009. The label has been run by Gregg Nadel since 2015 who officially became its president in 2017, Elektra was formed in 1950 by Jac Holzman and Paul Rickolt in Holzmans St. Johns College dorm room. The usual spelling of the Greek mythological Pleiad Electra was changed, Holzman famously explained, I gave her the ‘K’ that I lacked. He found the C in the name too soft but liked the solid bite of the letter K. The first Elektra LP, New Songs, was a collection of Lieder and similar art songs, Holzman also recorded Josh White, who was without a record deal as a result of McCarthyite blacklisting. In 1964, Elektra launched Nonesuch Records and this classical budget label was the best-selling budget classical label of the era. In 1965, Elektra began a joint venture with Survey Music called Bounty Records which was Elektras first foray into pop music. The most notable signing for Bounty was the Paul Butterfield Band who was moved over to Elektra when Bounty folded, the labels most important signings were the Chicago-based Paul Butterfield Blues Band, the Los Angeles bands Love and The Doors, and the Detroit bands The Stooges and MC5. Included in Elektras LA signings were Tim Buckley and Bread, in 1968, the label also signed pioneering rock guitar soloist Lonnie Mack to a three-album deal. Also in 1967, Elektra launched its influential Nonesuch Explorer Series, excerpts from several Nonesuch Explorer recordings were later included on the two Voyager Golden Discs which were sent into deep space in 1977 aboard the Voyager 1 and Voyager 2 space probes. Elektra, along with its Nonesuch Records subsidiary, was acquired by Kinney National Services in 1970, soon afterwards, Kinney consolidated their label holdings under the Warner-Elektra-Atlantic umbrella. Holzman remained in charge of Elektra until 1972, when it merged with Asylum Records to become Elektra/Asylum Records, Asylums founder, David Geffen, would head the newly combined label. Holzman, in the meantime, was appointed vice president and chief technologist for Warner — ushering the company into home video. Holzman also went on to acquire Discovery Records, in 1975, Geffen stepped down due to health problems. He would be replaced by Joe Smith, who went on to become CEO of Capitol Records. Although the company was listed as Elektra/Asylum Records on the label credits
14.
Virgin Records
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Virgin Records is a British-founded record label originally founded by English entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It was later sold to Thorn EMI in 1992, today, the operations of Virgin Records America, Inc. are still active and headquartered in Hollywood, California, as it operates exclusively under the Capitol Music Group since 2007. US artists include Knox Hamilton, LTric and Rise Against, in fact the first real store was above a shoe shop at the Tottenham Court Road end of Oxford Street. After making the shop into a success, they turned their business into a fully fledged record label, the name Virgin, according to Branson, arose from Tessa Watts, a colleague of his, when they were brainstorming business ideas. She suggested Virgin – as they were all new to business – like virgins, the original Virgin logo was designed by English artist and illustrator Roger Dean, a young naked woman in mirror image with a large long-tailed serpent and the word Virgin in Deans familiar script. A variation on the logo was used for the spin-off Caroline Records label and this was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream, and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p and as a result allowed this relatively unknown band to reach number 12 in the album charts, other early albums include Gongs Flying Teapot, which Daevid Allen has been quoted as having never been paid for. Under the guidance of Tessa Watts, Virgins Head of Publicity, shortly afterwards, the Notting Hill record shop was raided by police for having a window display of the Sex Pistols album Never Mind the Bollocks, Heres the Sex Pistols in the window. After modified versions of the label came the red, white and blue design introduced in 1975. The current Virgin logo was created in 1978, commissioned by Simon Draper, brian Cooke of Cooke Key Associates commissioned a graphic designer to produce a stylised signature. In 1983 Virgin purchased Charisma Records, renaming it Charisma/Virgin, then later Virgin/Charisma, before folding the label in 1986, in the process they acquired Genesis and comedy group Monty Python. The Charisma label was reactivated in the US in 1990 and enjoyed success with such as Maxi Priest, Right Said Fred,38 Special. When this Charisma label was retired in 1992, all of its artists were, as before, in 1987, Venture Records was created for new age and modern classical artists including Klaus Schulze, who had been associated with Virgin since the early 1970s. 10 Records Immortal Records Delabel Caroline Records was a label used from 1973 to 1977. The name and logo were used for some American editions of Virgin records in the 1980s and 1990s. Caroline was primarily used for independent distribution until the label was reactivated in 2013, today, Caroline Records acts as an independent label taking the place of EMI Label Services, after Virgins former parent company EMI was purchased by Universal Music Group. Front Line Records was a label for issuing Jamaican and English reggae music from 1978 to approximately 1987, a short-lived associated label, Dindisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief existence, after which its recordings became part of Virgins catalogue. Noo Trybe Records was a hip hop label that existed from 1994 to 1999
15.
EMI
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EMI was a British multinational conglomerate founded in March 1931 and was based in London. At the time of its break-up in 2012, it was the fourth-largest business group and its EMI Records Ltd. group of record labels included EMI Records, Parlophone, Virgin Records and Capitol Records. EMI also had a publishing arm, EMI Music Publishing—also based in London with offices globally. The company was once a constituent of the FTSE100 Index, other members of the Sony consortium include the Estate of Michael Jackson, The Blackstone Group, and Abu Dhabi–owned investment fund Mubadala Development Company. The new vertically integrated company produced sound recordings as well as recording, the companys gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set, post-war, the company resumed its involvement in making broadcasting equipment, notably providing the BBCs second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC, the commercial television ITV companies also used them alongside cameras made by Pye and Marconi. Exports of this piece of equipment were low, however, the company was also for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of Thorn-EMI, in 1958 the EMIDEC1100, the UKs first commercially available all-transistor computer, was developed at Hayes under the leadership of Godfrey Hounsfield, an electrical engineer at EMI. In 1973 EMI was awarded a prestigious Queens Award for Technological Innovation for what was called the EMI scanner. After brief, but brilliant, success in the imaging field, EMIs manufacturing activities were sold off to other companies. Subsequently, development and manufacturing activities were sold off to companies and work moved to other towns such as Crawley. Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, US and it manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established subsidiary operations in a number of countries in the British Commonwealth, including India, Australia. Over 150,000 78-rpm recordings from around the world are held in EMIs temperature-controlled archive in Hayes, in 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, during this time EMI appointed its first A&R managers. These included George Martin, who brought the Beatles into the EMI fold. When the Gramophone Company merged with the Columbia Graphophone Company in 1931, at this point RCA had a majority shareholding in the new company, giving RCA chair David Sarnoff a seat on the EMI board
16.
Verve Records
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Verve Records is an American record company operating under the newly-founded Verve Label Group distributed by Interscope Geffen A&M Records. It was founded in 1956 by Norman Granz and it absorbed the catalogues of his earlier labels, Clef Records and Norgran Records, and material previously licensed to Mercury Records. It has been under ownership of Universal Music Group and has expanded to scope newer artists. Norman Granz created Verve to produce new recordings by Ella Fitzgerald, whom he managed, the catalog grew throughout the 1950s and 1960s to include Charlie Parker, Bill Evans, Stan Getz, Billie Holiday, Oscar Peterson, Ben Webster, and Lester Young. Milton Rudin, his attorney, represented Frank Sinatra and knew that Sinatra wanted his own label, Sinatra and Granz made a handshake deal, but negotiations broke down over price and Sinatras desire that Granz remain head of the label. Granz sold Verve to MGM in 1961, Sinatra established Reprise Records and hired Mo Ostin, an executive at Verve, to run it. At Verve, Creed Taylor was made head producer, Taylor adopted a more commercial approach, canceling several contracts. He brought bossa nova to America with the release of Jazz Samba by Stan Getz and Charlie Byrd, Getz/Gilberto, Verves notable arrangers included Claus Ogerman and Oliver Nelson. According to Ogerman in Jazzletter, he arranged 60–70 albums for Verve from 1963–1947, in 1964, Taylor supervised the creation of a folk music subsidiary named Verve Folkways, later renamed Verve Forecast. Taylor left Verve in 1967 to form CTI Records, aside from jazz, Verves catalogue included the Righteous Brothers, the Velvet Underground, Frank Zappa & the Mothers of Invention, and the Blues Project. In the 1970s, Verve became part of the PolyGram, incorporating the Mercury/EmArcy jazz catalog, Verve Records became the Verve Music Group after PolyGram was merged with Seagrams Universal Music Group in 1998. The jazz holdings from the companies were folded into this sub-group. When Universal and Polygram merged in 1998, Verves holdings were merged with Universals GRP Recording Company to become Verve Music Group, after forays into Americana and adult contemporary music, Verve was corporately aligned with Universal Music Enterprises, and was no longer a stand-alone label within UMG. The Verve imprint itself manages much of the catalog that once belonged to PolyGram. Meanwhile, GRP manages the rest of MCA/Universals jazz catalog, including releases once issued on the Decca, the Verve Music Group has expanded its output beyond jazz to include crossover classical music, progressive pop and show tunes. Official site Article about Creed Taylor
17.
Universal Music Group
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Universal Music Group is an American-French global music corporation that is a subsidiary of the Paris-based French media conglomerate Vivendi. UMGs global corporate headquarters are in Santa Monica, California and it is considered one of the Big Three record labels, along with Warner Music Group and Sony Music Entertainment. Universal Music was once the music attached to film studio Universal Pictures and its origins go back to the formation of the American branch of Decca Records in September 1934. The Decca Record Co. Ltd. of England spun American Decca off in 1939, MCA Inc. merged with American Decca in 1962. The present organization was formed when its parent company Seagram purchased PolyGram in May 1998, however, the name had first appeared in 1996 when MCA Music Entertainment Group was renamed Universal Music Group. The PolyGram acquisition included Deutsche Grammophon which traces its ancestry to Berliner Gramophone making Deutsche Grammophon UMGs oldest unit, UMGs Canadian unit traces its ancestry to a Berliner Gramophone breakaway firm the Compo Company. With the 2004 acquisition of Universal Studios by General Electric and merging with GEs NBC and this is the second time a music company has done so, the first being the separation of Time Warner and Warner Music Group. On June 25,2007, Vivendi completed its €1.63 billion purchase of BMG Music Publishing, after receiving European Union regulatory approval, doug Morris stepped down from his position as CEO on January 1,2011. Former chairman/CEO of Universal Music International Lucian Grainge was promoted to CEO of the company, Grainge later replaced him as chairman on March 9,2011. Morris became the chairman of Sony Music Entertainment on July 1,2011. With Grainges appointment as CEO at UMG, Max Hole was promoted to COO of UMGI, starting in 2011 UMGs Interscope Geffen A&M Records will be signing contestants from American Idol/Idol series. On January 2011, UMG announced it was donating 200,000 master recordings from the 1920s to 1940s to the Library of Congress for preservation, in March 2011, Barry Weiss became chairman & CEO of The Island Def Jam Music Group & Universal Republic Records. Both companies are restructuring under Weiss, in December 2011, David Foster was named Chairman of Verve Music Group. Among the other companies that had competed for the music business was Warner Music Group which was reported to have made a $2 billion bid. However, IMPALA has said it would fight the merger, coincidentally, UMG sister company StudioCanal has owned the EMI Films library for several years. On September 21,2012, the sale of EMI to UMG was approved in Europe, UMG divested Mute Records, Parlophone, Roxy Recordings, MPS Records, Cooperative Music, Now Thats What I Call Music. Jazzland, Universal Greece, Sanctuary Records, Chrysalis Records, EMI Classics, Virgin Classics, the Beatles recorded music library was allowed to remain with UMG despite being considered part of Parlophone and is now managed by UMGs reorganized Capitol Music Group worldwide. Robbie Williams, who had recorded for Chrysalis, had his transferred to Universals Island Records
18.
Harvey Fuqua
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Harvey Fuqua was an American rhythm-and-blues singer, songwriter, record producer, and record label executive. Fuqua founded the seminal R&B/doo-wop group the Moonglows in the 1950s and he is notable as one of the key figures in the development of the Motown label in Detroit, Michigan. His group gave Marvin Gaye a start in his music career, Fuqua and his wife at the time, Gwen Gordy, distributed the first Motown hit single, Barrett Strongs Money, on their record label, Anna Records. Fuqua later sold Anna Records to Gwens brother Berry Gordy and became a songwriter and he was the nephew of Charlie Fuqua of the Ink Spots and the uncle of the filmmaker Antoine Fuqua. Fuqua was born in Louisville, Kentucky and he was the nephew of Charlie Fuqua of the Ink Spots. In 1951, with Bobby Lester, Alexander Graves and Prentiss Barnes, he formed a vocal group, there they were taken under the wing of disc jockey Alan Freed, who renamed them the Moonglows, after his own nickname, Moondog. The Moonglows first releases were for Freeds Champagne label in 1953 and they then recorded for the Chance label in Chicago, before signing with Chess Records in 1954. Their single Sincerely reached number 1 on the Billboard R&B chart, recording for Chess Records, Fuqua initially shared lead vocals with Lester but eventually asserted himself as the leader of the group. This changed in 1957 when he, in effect, fired the members and installed a new group, previously known as the Marquees. The new group, billed as Harvey and the Moonglows, had success with Ten Commandments of Love. Fuqua left the group in 1958, the Moonglows reunited temporarily in 1972. They were inducted into the Rock and Roll Hall of Fame in 2000, while on the Chess label, Fuqua also sang duets with Etta James, having hits with If I Cant Have You and Spoonful. Fuqua left the Moonglows when Leonard Chess suggested that he join Anna Records in Detroit, at Anna Records, Fuqua began working with Anna Gordy, Billy Davis, Lamont Dozier and Johnny Bristol. He also introduced Marvin Gaye to Annas brother, Berry Gordy, in 1961, he started his own labels, Tri-Phi Records and Harvey Records, whose acts included the Spinners, Junior Walker and Shorty Long. Fuqua brought the Spinners and Johnny Bristol to Motown and co-produced several hits for Bristol and he was also responsible for bringing Tammi Terrell to the label and for suggesting and producing her duets with Marvin Gaye, including Aint No Mountain High Enough and Your Precious Love. In 1962, with the Five Quails, Fuqua had a hit with Been a Long Time. Around 1971, Fuqua left Motown and obtained a deal with RCA Records. He also discovered the disco pioneer Sylvester and Two Tons o Fun, producing Sylvesters hit singles Dance and You Make Me Feel in 1978 and he also served as Smokey Robinsons road manager
19.
Johnny Otis
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Johnny Otis was an American singer, musician, composer, arranger, bandleader, talent scout, disc jockey, record producer, television show host, artist, author, journalist, minister, and impresario. He was an influence on American R&B and rock and roll. Otis has become synonymous with being known as the original King of Rock and Roll. Otis was born in Vallejo, California, to Greek immigrant parents, Alexander J. Veliotes, a Mare Island longshoreman and grocery owner, and his wife, the former Irene Kiskakes. He had a sister, Dorothy, and a younger brother, Nicholas A. Veliotes. Johnny grew up in a black neighborhood in Berkeley, California. He became known for his choice to live his professional and personal life as a member of the African-American community and he wrote, As a kid I decided that if our society dictated that one had to be black or white, I would be black. At 20, despite the deep and enduring objections of his mother, he married Phyllis Walker and they had four children, Shuggie Otis and Nicholas Otis, both of whom became musicians, and two daughters, Janice and Laura. Otis began playing drums as a teenager, having bought a set by forging his fathers signature on a credit slip, soon after, he dropped out of Berkeley High School, in his junior year. He joined a band, the West Oakland Houserockers, with his pianist friend Count Otis Matthews. By 1939, they were performing at local functions, mostly in and around Oakland and Berkeley. In the early 1940s Otis played in swing orchestras, including Lloyd Hunters Serenaders and he founded his own band in 1945, they had one of the most enduring hits of the big-band era, Harlem Nocturne, a composition by Earle Hagen. His band included Wynonie Harris, Charles Brown, and Illinois Jacquet, in 1947, he and Bardu Ali opened the Barrelhouse Club in the Watts district of Los Angeles. Otis reduced the size of his band and hired the singers Mel Walker, Little Esther and he discovered the teenaged Esther Jones when she won a talent show at the Barrelhouse Club. With this band, he toured extensively in the United States as the California Rhythm, Otis discovered the tenor saxophonist Big Jay McNeely, who played on his up-tempo Barrelhouse Stomp. In 1950, Billboard selected Otis as the R&B Artist of the Year and he also began playing the vibraphone on many of his recordings. In 1951, Otis released Mambo Boogie, featuring congas, maracas, claves, and mambo saxophone guajeos in a blues progression, Otis moved to Mercury Records in 1951. He discovered the singer Etta James, who was then 13 years old and he produced and co-wrote her first hit, The Wallflower
20.
Sugar Pie DeSanto
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Sugar Pie DeSanto is a Filipino-American rhythm-and-blues singer, whose career in music flourished in the 1950s and 1960s. She was born to an African-American mother, who was a concert pianist, and she spent most of her early life in San Francisco, California, where she moved with her family at the age of four. She stands 4 feet 11 inches, as a girl she was friends with Etta James. Johnny Otis discovered DeSanto in 1955, and she toured with the Johnny Otis Revue, Otis gave her the stage name Sugar Pie. In 1959 and 1960, she toured with the James Brown Revue, in 1960, DeSanto rose to national prominence when her single I Want to Know reached number four on Billboards Hot R&B chart. She recorded the song with her husband, Pee Wee Kingsley, DeSanto moved to Chicago and signed with Chess Records in 1962 as a recording artist and writer. Among her recordings for Chess were Slip-in Mules, Use What You Got, Soulful Dress, DeSanto participated in the American Folk Blues Festival tour of Europe in 1964, and her lively performances, including wild dancing and standing back flips, were widely appreciated. In 1965 DeSanto, under the name Peylia Parham, began a collaboration with Shena DeMell. They produced the song Do I Make Myself Clear, which DeSanto sang as a duet with Etta James and it was followed by another DeSanto–James duet, In the Basement, in 1966. DeSantos next record, Go Go Power, did not make the charts, DeSanto kept on writing songs and recorded for a few more labels without much success. She eventually moved back to the Bay Area, settling in Oakland, though it has often been said that her stage performances far surpassed her studio recordings, a full-length live recording, Classic Sugar Pie, was not released until 1997. DeSanto was given a Bay Area Music Award in 1999 for best female blues singer, in September 2008, she was given a Pioneer Award by the Rhythm and Blues Foundation. She received an achievement award from the Goldie Awards in November 2009. DeSanto was married to Pee Wee Kingsley in the 1950s, after that marriage ended, she was married to Jesse Earl Davis for 27 years. In October 2006, Davis died attempting to extinguish a fire destroyed their apartment in Oakland
21.
Rock and roll
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While elements of rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until the 1950s. For the purpose of differentiation, this deals with the first definition. The beat is essentially a blues rhythm with an accentuated backbeat, classic rock and roll is usually played with one or two electric guitars, a double bass or string bass or an electric bass guitar, and a drum kit. Beyond simply a style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes. In addition, rock and roll may have contributed to the civil rights movement because both African-American and white American teens enjoyed the music and it went on to spawn various genres, often without the initially characteristic backbeat, that are now more commonly called simply rock music or rock. The term rock and roll now has at least two different meanings, both in common usage, the American Heritage Dictionary and the Merriam-Webster Dictionary both define rock and roll as synonymous with rock music. Encyclopædia Britannica, on the hand, regards it as the music that originated in the mid-1950s. In 1934, the song Rock and Roll by the Boswell Sisters appeared in the film Transatlantic Merry-Go-Round, in 1942, Billboard magazine columnist Maurie Orodenker started to use the term rock-and-roll to describe upbeat recordings such as Rock Me by Sister Rosetta Tharpe. By 1943, the Rock and Roll Inn in South Merchantville, in 1951, Cleveland, Ohio disc jockey Alan Freed began playing this music style while popularizing the phrase to describe it. The origins of rock and roll have been debated by commentators. The migration of former slaves and their descendants to major urban centers such as St. The immediate roots of rock and roll lay in the rhythm and blues, then called race music, particularly significant influences were jazz, blues, gospel, country, and folk. The 1940s saw the use of blaring horns, shouted lyrics. In the same period, particularly on the West Coast and in the Midwest, similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Rock and roll arrived at a time of technological change, soon after the development of the electric guitar, amplifier and microphone. It was the realization that relatively affluent white teenagers were listening to music that led to the development of what was to be defined as rock. Because the development of rock and roll was a process, no single record can be identified as unambiguously the first rock. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Little Richard, Jerry Lee Lewis
22.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
23.
At Last
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At Last is a 1941 song written by Mack Gordon and Harry Warren for the musical film Sun Valley Serenade, starring Sonja Henie and John Payne. Prior to release, it was performed in the film by Glenn Miller and his orchestra, with vocal by John Payne and Lynn Bari, studio head Darryl Zanuck reportedly said, “There are too many big ones in this. Let’s save one for the next. ”The “At Last” vocal by Payne and Bari was thus deleted, although instrumental versions remained in the film, “At Last” was added to Glenn Miller’s subsequent and only other film, Orchestra Wives, starring George Montgomery and Ann Rutherford. Vocal was by Ray Eberle and, again, Lynn Bari, unreleased recordings of the song had been made in 1941 by Glenn Miller. A new version was recorded by Glenn Miller and His Orchestra in Chicago on May 20,1942, the song reached number 9 on the Billboard pop charts in 1942, staying on the charts for nine weeks, and later became a standard. James version was the track in the same-named album At Last. and was inducted into the Grammy Hall of Fame in 1999. The song became Etta James signature song and was the third in a string of songs from her Argo Records debut album At Last. In April 1961, it became her second number 2 R&B hit single and crossed over to pop radio, despite its modest pop chart standing, the song is well-known and is still played regularly on oldies radio stations. The James version reached the top 40 in Cashbox and Music Vendor, the B-side, I Just Want to Make Love to You, written by Willie Dixon, became a hit for Foghat in 1972, peaking at #83 on the Billboard Hot 100. In the decades since its release it has covered by many artists. The Etta James version, with its vocal and sweeping orchestration, is often chosen for weddings. Percy Faith charted the medley of At Last and Angel Face, a cover by Gene Watson peaked at number 61 on the Billboard Hot Country Singles & Tracks chart in 1991. In 1998, AT&T sponsored a concert as a benefit for The Walden Woods Project, canadian singer Liberty Silver recorded one of the most soulful renditions of the song ever heard in 2005. Cyndi Lauper recorded a version for her 2003 cover album At Last. Country singer Martina McBride recorded a version for her 2005 album. The 1942 RCA Victor studio recording of At Last by Glenn Miller, War Department during World War II in October 1943 as No. V-Discs were sent to American soldiers and military personnel overseas and it has also been used in television commercials for such products as Jaguar automobiles, Hoover vacuum cleaners, and State Farm insurance. Paramount Pictures used the recording in its home video divisions The Man Of Your Dreams promotion in 1998 and it was also used on a trailer for the video game FIFA16
24.
Something's Got a Hold on Me
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Somethings Got a Hold on Me is a song by American singer Etta James. The song was written by James, Leroy Kirkland and Pearl Woods, while production was handled by Leonard and it was released in 1962 as the third single from her 1962 self-titled album as a 7 vinyl disc. Musically, Somethings Got a Hold on Me is an R&B track with elements of soul, blues, upon its release, the single was an R&B hit, peaking at number four on the Billboard Hot R&B Sides chart. Somethings Got a Hold on Me has been covered and sampled by contemporary artists. Pretty Lights sampled the song on his 2006 album Taking Up Your Precious Time, in 2010, American singer-songwriter Christina Aguilera recorded a cover version of the song on the soundtrack Burlesque. In 2011, the track was sampled on two hits, Levels by Swedish DJ Avicii and Good Feeling by American rapper Flo Rida, Australian recording artist Jessica Mauboy also covered Somethings Got a Hold on Me in 2013 and released it as a single. Somethings Got a Hold on Me was written by Etta James, Leroy Kirkland and Pearl Woods, the song was released as the third single from James 1962 self-titled studio album. It was served as a 7 vinyl disc with the song, Waiting for Charlie to Come Home. Later, the track was included on the singers 1963 compilation album Etta James Top Ten, the live version of Somethings Got a Hold on Me also appeared on Etta James first live album, Etta James Rocks the House. In 1992, the song was a part of her greatest hits album, Somethings Got a Hold on Me is an R&B track with elements of soul, blues, and gospel. The song lasts for a duration of 2,48, according to the sheet music published by EMI Music Publishing, Somethings Got a Hold on Me was composed in the key of G minor and set as the moderate tempo of 72 beats per minute with a strong beat. James vocals in the span on nearly one and a half octaves. During a King-led all-star concert which was held at the Ebony Theater, Los Angeles, California in 1987, there, the singer sang the track with backing guitar played by King. That performance was released as a CD and home video entitled A Night of Blistering Blues. US7 single Somethings Got a Hold on Me –2,48 Waiting for Charlie to Come Home –2,08 Jay Lustig of New Jersey On-Line called Somethings Got a Hold on Me a scintillating track. The single also charted on the Billboard Hot 100 chart, peaking at number 37, Somethings Got a Hold on Me has been covered on numerous occasions. The Kingsmen released a version on The Kingsmen Volume II in 1965. The Belgian band Vaya Con Dios covered the track on their album Night Owls, on March 30,2004, Natalie Cole performed Somethings Got a Hold on Me at the Apollo Theater in New York City
25.
Grammy Award
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A Grammy Award, or Grammy, is an honor awarded by The Recording Academy to recognize outstanding achievement in the mainly English-language music industry. The annual presentation ceremony features performances by prominent artists, and the presentation of awards that have a more popular interest. It shares recognition of the industry as that of the other performance awards such as the Emmy Awards, the Tony Awards. The first Grammy Awards ceremony was held on May 4,1959, to honor, following the 2011 ceremony, The Academy overhauled many Grammy Award categories for 2012. The 59th Grammy Awards, honoring the best achievements from October 2015 to September 2016, was held on February 12,2017, the Grammys had their origin in the Hollywood Walk of Fame project in the 1950s. The music executives decided to rectify this by creating a given by their industry similar to the Oscars. This was the beginning of the National Academy of Recording Arts, after it was decided to create such an award, there was still a question of what to call it, one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of the invention of Emile Berliner, the gramophone, for the awards, the number of awards given grew and fluctuated over the years with categories added and removed, at one time reaching over 100. The second Grammy Awards, also held in 1959, was the first ceremony to be televised, the gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, Billings developed a zinc alloy named grammium, which is trademarked. The trophies with the name engraved on them are not available until after the award announcements. By February 2009,7,578 Grammy trophies had been awarded, the General Field are four awards which are not restricted by genre. Album of the Year is awarded to the performer and the team of a full album if other than the performer. Record of the Year is awarded to the performer and the team of a single song if other than the performer. Song of the Year is awarded to the writer/composer of a single song, Best New Artist is awarded to a promising breakthrough performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist. The only two artists to win all four of these awards are Christopher Cross, who won all four in 1980, and Adele, who won the Best New Artist award in 2009 and the other three in 2012 and 2017. Other awards are given for performance and production in specific genres, as well as for other such as artwork. Special awards are given for longer-lasting contributions to the music industry, the many other Grammy trophies are presented in a pre-telecast Premiere Ceremony earlier in the afternoon before the Grammy Awards telecast
26.
Rock and Roll Hall of Fame
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The Rock and Roll Hall of Fame and Museum is a hall of fame and museum located on the shore of Lake Erie in downtown Cleveland, Ohio, United States. In 1986, Cleveland was chosen as the hall of fames permanent home.8 billion, the Foundation began inducting artists in 1986, but the Hall of Fame still had no home. The search committee considered several cities, including Philadelphia, Memphis, Detroit, Cincinnati, New York City, Cleveland was also one of the premier tour stops for most rock bands. Civic leaders in Cleveland pledged $65 million in money to fund the construction. A petition drive was signed by 600,000 fans favoring Cleveland over Memphis, on May 5,1986, the Hall of Fame Foundation chose Cleveland as the permanent home of the Rock and Roll Hall of Fame and Museum. Sam Phillips of Sun Studios fame and many others were stunned and disappointed that it ended up in Cleveland, the hall of fame shouldve been in Memphis, certainly, wrote Peter Guralnick, author of an acclaimed two-volume Elvis Presley biography. Cleveland may also have chosen as the organizations site because the city offered the best financial package. As The Plain Dealer music critic Michael Norman noted, It was $65 million, Cleveland wanted it here and put up the money. During early discussions on where to build the Hall of Fame and Museum, ultimately, the chosen location was along East Ninth Street in downtown Cleveland by Lake Erie, east of Cleveland Stadium. Initial CEO Dr. Larry R. Thompson facilitated I. M. Pei in designs for the site, Pei came up with the idea of a tower with a glass pyramid protruding from it. The museum tower was planned to stand 200 ft high. The buildings base is approximately 150,000 square feet, the groundbreaking ceremony took place on June 7,1993. Pete Townshend, Chuck Berry, Billy Joel, Sam Phillips, Ruth Brown, Sam Moore of Sam and Dave, Carl Gardner of the Coasters and Dave Pirner of Soul Asylum all appeared at the groundbreaking. The museum was dedicated on September 1,1995, with the ribbon being cut by an ensemble that included Yoko Ono and Little Richard, among others, the following night an all-star concert was held at the stadium. It featured Chuck Berry, Bob Dylan, Al Green, Jerry Lee Lewis, Aretha Franklin, Bruce Springsteen, Iggy Pop, John Fogerty, John Mellencamp, and many others. In addition to the Hall of Fame inductees, the documents the entire history of rock and roll. Hall of Fame inductees are honored in an exhibit located in a wing that juts out over Lake Erie. Since 1986, the Rock and Roll Hall of Fame has selected new inductees, the formal induction ceremony has been held in New York City 25 times, twice in Los Angeles, and four times in the Hall of Fames home in Cleveland
27.
Rolling Stone
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Rolling Stone is an American biweekly magazine that focuses on popular culture. It was founded in San Francisco in 1967 by Jann Wenner, who is still the publisher. It was first known for its coverage and for political reporting by Hunter S. Thompson. In the 1990s, the magazine shifted focus to a readership interested in youth-oriented television shows, film actors. In recent years, it has resumed its traditional mix of content, Rolling Stone magazine was founded in San Francisco in 1967 by Jann Wenner and Ralph Gleason. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. The first issue carried a date of November 9,1967. Some authors have attributed the name solely to Dylans hit single, At Gleasons suggestion, Rolling Stone initially identified with and reported the hippie counterculture of the era. In the very first edition, Wenner wrote that Rolling Stone is not just about the music, in the 1970s, Rolling Stone began to make a mark with its political coverage, with the likes of gonzo journalist Hunter S. Thompson writing for the magazines political section. Thompson first published his most famous work Fear and Loathing in Las Vegas within the pages of Rolling Stone, where he remained a contributing editor until his death in 2005. In the 1970s, the magazine also helped launch the careers of prominent authors, including Cameron Crowe, Lester Bangs, Joe Klein, Joe Eszterhas, Patti Smith. It was at point that the magazine ran some of its most famous stories. One interviewer, speaking for a number of his peers, said that he bought his first copy of the magazine upon initial arrival on his college campus. In 1977, the magazine moved its headquarters from San Francisco to New York City, editor Jann Wenner said San Francisco had become a cultural backwater. During the 1980s, the magazine began to shift towards being an entertainment magazine. Music was still a dominant topic, but there was increasing coverage of celebrities in television, films, the magazine also initiated its annual Hot Issue during this time. Rolling Stone was initially known for its coverage and for Thompsons political reporting. In the 1990s, the changed its format to appeal to a younger readership interested in youth-oriented television shows, film actors
28.
Rudolf Wanderone
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Rudolf Walter Wanderone Jr. was an American professional pocket billiards player, also known as Minnesota Fats. Although he never won a major tournament as Fats, he was perhaps the most publicly recognized pool player in the United States – not only as a player. Wanderone was inducted in 1984 into the Billiard Congress of America Hall of Fame for his public promotion of pool. Wanderone began playing at an age in New York City. As a teenager, he became a pool hustler. Later, in his 30s, he moved to southern Illinois where he met and married his first wife, during World War II, he hustled servicemen in Norfolk, Virginia. With the end of the war, Wanderone returned to Illinois, Wanderone adopted the nickname Minnesota Fats from a character in the 1961 film The Hustler, claiming that the character was based upon him. He parlayed the association with the film into his own book deals and television appearances, later in life, Wanderone divorced Evelyn and moved to Nashville, Tennessee, where he married his second wife, Theresa, with whom he remained until his death. Wanderon was born in New York City to Rosa and Rudolf Wanderon and he was born in 1913 but sometimes hinted he was born earlier, even as early as 1900. The surname was changed to Wanderone. Known as Rudy to friends and family, Wanderone started playing pool as a child living in Washington Heights. In 1923, he traveled to Europe with his father where he received training from German balkline billiards champion Erich Hagenlocher and his first prominent match was in 1926 when he competed against former nine-ball champion Cowboy Weston. The intensity of their competition led Wanderones friend, Titanic Thompson, by the mid-1930s, during the Great Depression, Wanderone had become a manager of a pool hall, owned by a friend, in Anacostia, southeast Washington, D. C. Eventually he met Evelyn Inez Graff, they married two months to the day later, on May 7,1941, following their wedding, the Wanderones settled in Dowell, Illinois. In 1942, the moved to Norfolk, Virginia. Norfolk had become a key mustering point for American soldiers, as well as a shipbuilding center, the growing population led to an enormous interest in gambling, Wanderone, in partnership with fellow hustler Lassiter, quickly recognized the financial possibilities. Following World War II, however, the dried up soon. For a period throughout the 1950s, Wanderone entered semi-retirement, making only occasional hustling trips to New York City, in 1961, the film version of Walter Tevis novel The Hustler was released
29.
Watts, Los Angeles
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Watts is a 2. 12-square-mile neighborhood in Los Angeles, California, within the South Los Angeles region. It is a high-density, youthful neighborhood with a household size. The district was once a city but was consolidated with Los Angeles in 1926. As a major junction of lines, Watts attracted many railroad workers as residents. The Watts railroad station is on the National Register of Historic Places, Watts is noted for the Watts Towers and for the 1965 Watts riots. The neighborhood was known for its number of youth gangs. Residents engage in activities such as cycling, a toy drive, a Christmas parade. There is a theatre and a dance company. There is one branch, and there are four high schools. Watts has also known as a site for motion picture filming. The area now known as Watts is located on the 1843 Rancho La Tajauta Mexican land grant, as on all ranchos, the principal vocation was at that time grazing and beef production. Watts in 1886 for alfalfa and livestock farming, in those days each Tajuata farm had an artesian well. The arrival of the railroad spurred the settlement and development of the area, most of the first residents were the traqueros, Mexican and Mexican American rail workers who constructed and maintained the new rail lines. The city voted to annex itself to Los Angeles in 1926, Watts did not become predominantly black until the 1940s. Before then, there were some African American residents, many of whom were Pullman car porters, schoolroom photos from 1909 and 1911 show only two or three black faces among the 30 or so children pictured. By 1914, a realtor, Charles C. Leake, was doing business in the area, racially restrictive covenants prevented blacks from living in any other neighborhoods outside of Central Avenue District and Watts. During World War II, the city built several housing projects for the thousands of new workers in war industries
30.
South Los Angeles
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South Los Angeles is a 51-square-mile region of Los Angeles County, California, comprising 25 neighborhoods within the City of Los Angeles and three unincorporated neighborhoods. In the 2000 census, the area of South Los Angeles had a population of 520,461, the 1932 and 1984 Olympic Games took place near the USC campus at neighboring Exposition Park, which hosts the Los Angeles Coliseum. Until the 1920s, West Adams was one of the most desirable areas of the city, then development of the Wilshire Boulevard corridor drew Los Angeles development west of downtown. As the wealthy were building mansions in West Adams and Jefferson Park. Affluent blacks gradually moved into West Adams and Jefferson Park as the decades passed, at the same time, the area of modest bungalows and low-rise commercial buildings along Central Avenue emerged as the heart of the black community in southern California. It had one of the first jazz scenes in the western U. S. with trombonist Kid Ory a prominent resident. Under racially restrictive covenants, blacks were allowed to own property only within the Main-Slauson-Alameda-Washington box and in Watts, in an escalation of behavior that began in the 1920s, white gangs in nearby cities such as South Gate and Huntington Park routinely accosted blacks who traveled through white areas. The black mutual protection clubs that formed in response to these assaults became the basis of the regions fearsome street gangs, as in most urban areas, 1950s freeway construction radically altered the geography of southern Los Angeles. Freeway routes tended to reinforce traditional segregation lines, the Harbor Freeway ran just to the west of Main Street, and the Santa Monica Freeway just to the north of Washington Boulevard. The Marina Freeway was originally to run near Slauson Avenue all the way to the Orange County line, although the freeways worked in moving cars around, they were decidedly unsuccessful as instruments of integration. The explosive growth of suburbs, most of which barred blacks by a variety of methods and this process accelerated after the Watts Riots of 1965. The riots resulted in an abandonment of southern Los Angeles and its neighboring cities by white residents and merchants, middle-class blacks also left the area, moving to the north and west. By the late 1960s most of Los Angeles south of Pico Boulevard, the Santa Monica Freeway formed the northern boundary of the new South Central, primarily dividing the middle-class blacks of Mid-Wilshire from the poor and working-class blacks to the south. Beginning in the 1970s, the decline of the areas manufacturing base resulted in a loss of the jobs that had allowed skilled union workers to have a middle class life. Widespread unemployment, poverty and street crime contributed to the rise of street gangs in South Central, such as the Crips and they became even more powerful with money from drugs, especially the crack cocaine trade, dominated by gangs in the 1980s. By the 2000s, the rate of South L. A. has lowered significantly. Nevertheless, South Los Angeles was still known for its gangs at the time, since then, a number of protests focused on events in Ferguson have taken place in South Los Angeles. By the end of the 1980s, South Los Angeles had an number of Hispanics and Latinos
31.
Choir
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A choir is a musical ensemble of singers. Choral music, in turn, is the music specifically for such an ensemble to perform. Choirs may perform music from the classical repertoire, which spans from the Medieval era to the present. Most choirs are led by a conductor, who leads the performances with arm, a body of singers who perform together as a group is called a choir or chorus. The former term is often applied to groups affiliated with a church and the second to groups that perform in theatres or concert halls. Choirs may sing without instrumental accompaniment, with the accompaniment of a piano or pipe organ, with a small ensemble, choirs are often led by a conductor or choirmaster. Other than four, the most common number of parts are three, five, six, and eight, choirs can sing with or without instrumental accompaniment. Singing without accompaniment is called a cappella singing, many choirs perform in one or many locations such as a church, opera house, or school hall. In some cases choirs join up to become one mass choir that performs for a special concert, in this case they provide a series of songs or musical works to celebrate and provide entertainment to others. Conducting is the art of directing a musical performance, such as a concert, by way of visible gestures with the hands, arms, face. The primary duties of the conductor or choirmaster are to unify performers, set the tempo, execute clear preparations and beats, and to listen critically and shape the sound of the ensemble. The conductor or choral director typically stands on a raised platform, many choral conductors use their hands to conduct. In the 2010s, most conductors do not play an instrument when conducting, although in earlier periods of music history. In Baroque music from the 1600s to the 1750s, conductors performing in the 2010s may lead an ensemble while playing a harpsichord or the violin, conducting while playing a piano may also be done with musical theatre pit orchestras. Communication is typically non-verbal during a performance, however, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how the music should be sung. Conductors act as guides to the choirs they conduct and they choose the works to be performed and study their scores, to which they may make certain adjustments, work out their interpretation, and relay their vision to the singers. Choral conductors may also have to conduct instrumental ensembles such as if the choir is singing a piece for choir. They may also attend to matters, such as scheduling rehearsals, planning a concert season, hearing auditions
32.
Fillmore District, San Francisco
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The Fillmore District is a historical neighborhood in San Francisco located to the South West of Nob Hill, east of Market Street and north of the Mission District. It has been given nicknames such as “the Moe” or “the Fill”. The Fillmore District began to rise to prominence after the 1906 San Francisco earthquake, as a result of not being affected by the earthquake itself nor the large fires that ensued, it quickly became one of the major commercial and cultural centers of the city. After the earthquake, the experienced a large influx of diverse ethnic populations. It began to house large amounts of African Americans, Japanese, each Group significantly contributed to the local culture and earned the Fillmore district a reputation for being One of the most diverse neighborhoods in San Francisco. In particular, the district was known for having the largest jazz scene on the west coast of the United States up until its decline in the 1970s. A large Japan town was historically located in the Fillmore District although technically it does not lie within the borders of the district today. During the late 1960s and 1970s, the Fillmore District underwent a large redevelopment project. This has largely lead to a decline of the scene in the area. However, many people have claimed that jazz in the district has made a rebound in recent years. Even today, the redevelopment of the Fillmore remains a controversial issue, Many of the people who were forced to move from the district say that redevelopment was a Negro Removal and a product of racism. The city planners claim redevelopment was a way to combat the high rates of crime in the area. The community also extends south of Grove St. at several points, Fillmore Street, from which the district gets its name, is the main north-south thoroughfare running through the center of the district. The area east of Fillmore St. is locally referred to as Downtown Fillmore, some definitions, particularly older ones, include Hayes Valley, Japantown, and what is now known as North of Panhandle as part of the district and extend the western border further. However, redevelopment — for example, that followed the Loma Prieta earthquake. Instead, it became tied to the extremely wealthy Pacific Heights neighborhood to the north. This change in identity has caused the Upper Fillmore to be commonly called Lower Pacific Heights in recent times. Overall, most locals agree that the Fillmore has been shrinking for several decades
33.
Doo-wop
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Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time. Doo-wop features vocal harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation. The first record to use the syllables doo-wop was the 1955 hit When You Dance by The Turbans, the term doo-wop first appeared in print in 1961. During the late 1950s many Italian-American groups contributed a significant part in the doo-wop scene, the peak of doo-wop was in 1961. Doo-wops influence continued in soul, pop, and rock groups of the 1960s, at various times in the 1970s, 1980s, and 1990s, the genre has seen revivals. Doo-wop was a precursor to many of the African-American musical styles seen today, an evolution of jazz and blues, doo-wop also influenced many of the major rock and roll groups that defined the later decades of the 20th century. Doo-wop is iconic for its beats and using the off-beat to keep time. Doo-wop laid the foundation for musical innovations, for example. These were generally slow songs in swing time with simple instrumentation, the subject of the lyrics was generally love and relationships. This characteristic harmonic layout was combined with the AABA chorus form typical for Tin Pan Alley pop, a second stream of doo-wop oriented itself to the harmonic, formal and melodic means of jump blues. From the outset, singers gathered on street corners, and in subways, for instance, Count Every Star by The Ravens, includes vocalizations imitating the doomph, doomph plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music, radio, gramophone, and cinema inspired imitation in many U. S. cities. The late 1940s and early 1950s brought the bird groups, The Swallows. A number of names are also drawn from cars. The Orioles helped develop the sound with their hits Its Too Soon to Know. The term doo-wop first appeared in print in 1961 in the Chicago Defender, the phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested doo-wop was already in use to categorize the music in California. The first record to use the syllables doo-wop in the refrain was the 1955 hit When You Dance by The Turbans, previously, the scat backing vocal doo-wop is heard in The Clovers 1953 release Good Lovin and in the chorus of Carlyle Dundee & The Dundees 1954 song Never. After some time, the term doo-wop finally caught on as both a description and category for R&B vocal group harmony, the definition expanded backward to include rhythm and blues groups from the mid-1950s, then cascaded even further back to include groups from the 1940s
34.
Girl group
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A girl group is a music act featuring several female singers who generally harmonize together. All-female bands, in which also play instruments, are usually considered a separate phenomenon. These groups are sometimes called girl bands to differentiate, although this terminology is not universally followed, with the advent of the music industry and radio broadcasting, a number of girl groups emerged, such as the Andrews Sisters. The late 1950s saw the emergence of all-female singing groups as a force, with 750 distinct girl groups releasing songs that reached US. The Supremes alone held 12 number-one singles on the Billboard Hot 100 during the height of the wave, in later eras, the girl group template would be applied to disco, contemporary R&B, and country-based formats, as well as pop. A more globalized music industry saw the popularity of dance-oriented pop music led by major record labels. This emergence, led by the US, UK, South Korea, also, since the late 2000s, South Korea has had a significant impact, with 8 of the top 10 girl groups by digital sales in the world originating there. The ladies were together from 1923 until the early 1940s, and known for their harmonies, as well as barbershop style or novelty tunes. The Three X Sisters were also especially a notable addition to the music scene, the Boswell Sisters, who became one of the most popular singing groups from 1930 to 1936, had over twenty hits. The Andrews Sisters had musical hits across multiple genres, which contributed to the prevalence, the rise of girl groups appeared out of and was influenced by other musical movements of the time period. Importantly, the first successful girl groups of this era were typically white and this era was also advantageous to the beginnings of girl group music because of the newfound prevalence of the radio as well, which allowed this style of music to spread. Also, the Lennon Sisters were a mainstay on the Lawrence Welk Show from 1955 on, in early 1956, doo-wop one-hit wonder acts like the Bonnie Sisters with Cry Baby and the Teen Queens with Eddie My Love showed early promise for a departure from traditional pop harmonies. With Mr. Lee, the Bobbettes lasted for 5 1/2 months on the charts in 1957, building momentum and gaining acceptance of all-female. However, it was the Chantels 1958 song Maybe that became arguably, the mixture of black doo-wop, rock and roll, and white pop was appealing to a teenage audience and grew from scandals involving payola and the perceived social effects of rock music. However, early groups such as the Chantels started developing their groups musical capacities traditionally, through mediums like Latin, the Shirelles solidified their success with five more top 10 hits, most particularly 1962s number one hit Soldier Boy, over the next two and a half years. Motown would mastermind several major groups, including Martha and the Vandellas, the Velvelettes. Other songwriters and producers in the US and UK quickly recognized the potential of new approach. Phil Spector recruited the Crystals, the Blossoms, and the Ronettes, while Goffin, phil Spector made a huge impact on the ubiquity of the girl group, as well as bringing fame and notoriety to new heights for many girl groups
