1.
Violette Leduc
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Violette Leduc was a French author. She was born in Arras, Pas de Calais, France and she was the illegitimate daughter of a servant girl, Berthe Leduc and André Debaralle, the son of a rich protestant family in Valenciennes, who subsequently refused to legitimize her. In Valenciennes, Violette spent most of her suffering from poor self-esteem, exacerbated by her mothers hostility. She developed tender friendships with her grandmother Fideline and her maternal aunt Laure and her grandmother died when Leduc was a young child. Her formal education began in 1913, but was interrupted by World War I. After the war, she went to a school, the Collège de Douai, where she experienced lesbian affairs with her classmate Isabelle. The novel was censored until 2000 and it was also during this time that she was introduced to what would become her first literary passions, the Russian classics, then Cocteau, Duhamel, Gide, Proust and Rimbaud. In 1925, Leduc embarked on an affair with her music instructor, the affair was later discovered and Hertgès was fired over the incident. In 1926 Leduc moved to Paris, along with her mother and step-father and that same year, she failed her baccalaureate exam and began working as a press cuttings clerk and secretary at Plon publishers later becoming a writer of news pieces about their publications. She continued to live with Denise for nine years in the suburbs of Paris, in 1942 she met Maurice Sachs - future author of Le Sabbat - and Simone de Beauvoir, who encouraged her to write. Her first novel, LAsphyxie, was published by Albert Camus for Éditions Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau and her friendship with Sachs is detailed in her autobiography La Bâtarde. In 1955 Leduc was forced to part of her novel Ravages because of sexually explicit passages describing lesbianism. The censored part was published as a separate novella, Thérèse and Isabelle. Another novel, Le Taxi, caused controversy because of its depiction of incest between a brother and sister, critic Edith J. Benkov compared this novel with the work of Marguerite Duras and Nathalie Sarraute. Leducs best-known book, the memoir La Bâtarde, was published in 1964 and it nearly won the Prix Goncourt and quickly became a bestseller. She went on to write eight more books, including La Folie en tête, in 1968 Radley Metzger made a film of Leducs novel Thérèse and Isabelle. The film was a feature about adolescent lesbian love, starring Essy Persson. Leduc developed breast cancer and died at the age of 65 after two operations and she was living at Faucon, Vaucluse, at the time of her death
2.
Nadar (photographer)
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Nadar was the pseudonym of Gaspard-Félix Tournachon, a French photographer, caricaturist, journalist, novelist, and balloonist. Photographic portraits by Nadar are held by many of the national collections of photographs. Nadar was born in April 1820 in Paris and his father, Victor Tournachon, was a printer and bookseller. After his fathers death, Nadar decided to quit his studies for economic reasons. Nadar started working as a caricaturist and novelist for various newspapers and he fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire and Théodore de Banville. His friends picked a nickname for him, Tournadar, which later became Nadar and his work was published in Le Charivari for the first time in 1848. In 1849, he founded the Revue comique and the Petit journal pour rire, from work as a caricaturist, he moved on to photography, particularly portraits. He opened his studio in rue Saint Lazare in 1854. Nadar photographed a wide range of personalities, politicians, stage actors, writers, painters, portrait photography was going through a period of native industrialization and Nadar refused to use the traditional sumptuous decors, preferred natural daylight and despised useless accessories. In 1886, with his son Paul, he did what may be the first photo-report and it was published in Le Journal Illustré. He took his first photographs in 1853 and in 1855 opened a studio at 25 Boulevard des Capucines. He also pioneered the use of lighting in photography, working in the catacombs of Paris. He was the first person to photograph above ground with his balloons, as well as the first to photograph below ground, Le Géant was badly damaged at the end of its second flight, leading Nadar to the conviction that heavier-than-air machines would be more successful. Later, The Society for the Encouragement of Aerial Locomotion by Means of Heavier than Air Machines was established, with Nadar as president, Nadar was the inspiration for the character of Michael Ardan in Vernes From the Earth to the Moon. On his visit to Brussels with Le Géant, on 26 September 1864, crowd control barriers are still known in Belgium as Nadar barriers. In April 1874, he lent his studio to a group of painters to present the first exhibition of the Impressionists. He photographed Victor Hugo on his death-bed in 1885 and he is credited with having published the first photo-interview, and also took erotic photographs. From 1895 until his return to Paris in 1909, the Nadar photo studio was in Marseilles, Nadar died in 1910, aged 89
3.
Lausanne
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Lausanne is a city in the French-speaking part of Switzerland, and the capital and biggest city of the canton of Vaud. The city is situated on the shores of Lake Geneva and it faces the French town of Évian-les-Bains, with the Jura Mountains to its north-west. Lausanne is located 62 kilometres northeast of Geneva, Lausanne has a population of 146,372, making it the fourth largest city in Switzerland, with the entire agglomeration area having 420,000 inhabitants. The metropolitan area of Lausanne-Geneva was over 1.2 million inhabitants in 2000, Lausanne is a focus of international sport, hosting the International Olympic Committee, the Court of Arbitration for Sport and some 55 international sport associations. It lies in a noted wine-growing region, the city has a 28-station metro system, making it the smallest city in the world to have a rapid transit system. Lausanne will host the 2020 Winter Youth Olympics, by the 2nd century AD it was known as vikanor Lousonnensium and in 280 as lacu Lausonio. By 400 it was civitas Lausanna and in 990 it was mentioned as Losanna, after the fall of the Roman Empire, insecurity forced the transfer of Lausanne to its current centre, a hilly site that is easier to defend. The city which emerged from the camp was ruled by the Dukes of Savoy, then it came under Bern from 1536 to 1798 and a number of its cultural treasures, including the hanging tapestries in the Cathedral, were permanently removed. Lausanne has made a number of requests to recover them, after the revocation of the Edict of Nantes in 1685, Lausanne became a place of refuge for French Huguenots. In 1729 a seminary was opened by Antoine Court and Benjamin Duplan, by 1750 ninety pastors had been sent back to France to work clandestinely, this number would rise to four hundred. Official persecution ended in 1787, a faculty of Protestant theology was established at Montauban in 1808, during the Napoleonic Wars, the citys status changed. In 1803, it became the capital of a newly formed Swiss canton, in 1964 the city hosted the Swiss National Exhibition, displaying its newly found confidence to host major international events. From the 1950s to 1970s a large number of Italians, Spaniards and Portuguese immigrated, settling mostly in the district of Renens. The city has served as a refuge for European artists, while under the care of a psychiatrist at Lausanne, T. S. Eliot composed most of his 1922 poem The Wasteland. Hemingway also visited from Paris with his wife during the 1920s, in fact, many creative people - such as Edward Gibbon, an historian, and Romantic era poets Shelley and Byron - have sojourned, lived, and worked in Lausanne or nearby. The city has been quiet, but in the late 1960s. Later demonstrations took place to protest against the high cinema prices, the most important geographical feature of the area surrounding Lausanne is Lake Geneva. Lausanne boasts a dramatic panorama over the lake and the Alps, in addition to its generally southward-sloping layout, the centre of the city is the site of an ancient river, the Flon, which has been covered since the 19th century
4.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
5.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
6.
Notre-Dame de Paris
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Notre-Dame de Paris, also known as Notre-Dame Cathedral or simply Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité in the fourth arrondissement of Paris, France. The cathedral is considered to be one of the finest examples of French Gothic architecture. The naturalism of its sculptures and stained glass are in contrast with earlier Romanesque architecture, as the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris, currently Cardinal André Vingt-Trois. The cathedral treasury contains a reliquary, which some of Catholicisms most important relics, including the purported Crown of Thorns, a fragment of the True Cross. In the 1790s, Notre-Dame suffered desecration in the phase of the French Revolution when much of its religious imagery was damaged or destroyed. An extensive restoration supervised by Eugène Viollet-le-Duc began in 1845, a project of further restoration and maintenance began in 1991. The Notre-Dame de Paris was among the first buildings in the world to use the flying buttress, in response, the cathedrals architects built supports around the outside walls, and later additions continued the pattern. The total surface area is 5,500 m², many small individually crafted statues were placed around the outside to serve as column supports and water spouts. Among these are the famous gargoyles, designed for water run-off, the statues were originally colored as was most of the exterior. The cathedral was complete by 1345. It is possible therefore that the faults with the structure were exaggerated by the Bishop to help justify the rebuilding in a newer style. According to legend, Sully had a vision of a new cathedral for Paris. To begin the construction, the bishop had several houses demolished and had a new road built to transport materials for the rest of the cathedral. Construction began in 1163 during the reign of Louis VII, however, both were at the ceremony. Bishop de Sully went on to devote most of his life, construction of the choir took from 1163 until around 1177 and the new High Altar was consecrated in 1182. By this stage, the facade had also been laid out. Numerous architects worked on the site over the period of construction, between 1210 and 1220, the fourth architect oversaw the construction of the level with the rose window and the great halls beneath the towers. Shortly afterwards Pierre de Montreuil executed a similar scheme on the southern transept,1160 Maurice de Sully orders the original cathedral demolished
7.
Basilica of St Denis
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The Basilica of Saint Denis is a large medieval abbey church in the city of Saint-Denis, now a northern suburb of Paris. The building is of unique importance historically and architecturally as its choir, completed in 1144, the site originated as a Gallo-Roman cemetery in late Roman times. The archeological remains still lie beneath the cathedral, the people buried there seem to have had a faith that was a mix of Christian and pre-Christian beliefs, around 475 St. Genevieve purchased some land and built Saint-Denys de la Chapelle. In 636 on the orders of Dagobert I the relics of Saint Denis, the relics of St-Denis, which had been transferred to the parish church of the town in 1795, were brought back again to the abbey in 1819. Saint-Denis soon became the church of a growing monastic complex. In the 12th century the Abbot Suger rebuilt portions of the church using innovative structural. In doing so, he is said to have created the first truly Gothic building, the abbey church became a cathedral in 1966 and is the seat of the Bishop of Saint-Denis, Pascal Michel Ghislain Delannoy. Although known as the Basilica of St Denis, the cathedral has not been granted the title of Minor Basilica by the Vatican, Saint Denis, a patron saint of France, became the first bishop of Paris. A martyrium was erected on the site of his grave, which became a place of pilgrimage during the fifth and sixth centuries. Dagobert, the king of the Franks, refounded the church as the Abbey of Saint Denis, Dagobert also commissioned a new shrine to house the saints remains, which was created by his chief councillor, Eligius, a goldsmith by training. He composed a crest and a magnificent frontal and surrounded the throne of the altar with golden axes in a circle and he placed golden apples there, round and jeweled. He made a pulpit and a gate of silver and a roof for the throne of the altar on silver axes and he made a covering in the place before the tomb and fabricated an outside altar at the feet of the holy martyr. So much industry did he lavish there, at the kings request, the Basilica of St Denis ranks as an architectural landmark—as the first major structure of which a substantial part was designed and built in the Gothic style. Both stylistically and structurally, it heralded the change from Romanesque architecture to Gothic architecture, before the term Gothic came into common use, it was known as the French Style. As it now stands, the church is a cruciform building of basilica form. It has an aisle on the northern side formed of a row of chapels. The west front has three portals, a window and one tower, on the southern side. The eastern end, which is built over a crypt, is apsidal, surrounded by an ambulatory, the basilica retains stained glass of many periods, including exceptional modern glass, and a set of twelve misericords
8.
Mont Saint-Michel
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Le Mont-Saint-Michel is an island commune in Normandy, France. It is located one kilometre off the countrys northwestern coast. As of 2009, the island has a population of 44, the island has held strategic fortifications since ancient times and since the 8th century AD has been the seat of the monastery from which it draws its name. The Mont remained unconquered during the Hundred Years War, a small garrison fended off an attack by the English in 1433. The reverse benefits of its defence were not lost on Louis XI. Thereafter the abbey began to be used regularly as a jail during the Ancien Régime. One of Frances most recognizable landmarks, visited by more than 3 million people each year, Mont Saint-Michel, over 60 buildings within the commune are protected in France as monuments historiques. Now a rocky island, the Mont occupied dry land in prehistoric times. As sea levels rose, erosion reshaped the landscape, and several outcrops of granite emerged in the bay. These included Lillemer, the Mont-Dol, Tombelaine, and Mont Tombe, the Mont has a circumference of about 960 metres and its highest point is 92 metres above sea level. The tides can vary greatly, at roughly 14 metres between high and low water marks, popularly nicknamed St. Polderisation and occasional flooding have created salt marsh meadows that were found to be ideally suited to grazing sheep. The connection between Mont Saint-Michel and the mainland has changed over the centuries, previously connected by a tidal causeway, this was converted into a raised causeway in 1879, preventing the tide from scouring the silt around the mount. These factors all encouraged silting-up of the bay, the construction of the dam began in 2009. The project also includes the removal of the causeway and its car park. Since 28 April 2012 the new car park on the mainland has been located 2.5 kilometres from the island, visitors can walk or use shuttles to cross the causeway. On 22 July 2014 the new bridge by architect Dietmar Feichtinger was opened to the public, the light bridge allows the waters to flow freely around the island and improves the efficiency of the now operational dam. The project which cost €209 million was opened by President François Hollande. On rare occasions tidal circumstances produce an extremely high supertide, the new bridge was completely submerged on 21 March 2015, by the highest sea level for at least 18 years, as crowds gathered to snap photos
9.
Sainte-Chapelle
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Begun some time after 1238 and consecrated on 26 April 1248, the Sainte-Chapelle is considered among the highest achievements of the Rayonnant period of Gothic architecture. It was commissioned by King Louis IX of France to house his collection of Passion relics, along with the Conciergerie, the Sainte-Chapelle is one of the earliest surviving buildings of the Capetian royal palace on the Île de la Cité. Although damaged during the French Revolution, and restored in the 19th century, the relics arrived in Paris in August 1239, carried from Venice by two Dominican friars. For the final stage of their journey they were carried by the King himself, barefoot and dressed as a penitent, the relics were stored in a large and elaborate silver chest, the Grand-Chasse, on which Louis spent a further 100,000 livres. The entire chapel, by contrast, cost 40,000 livres to build, until it was completed in 1248, the relics were housed at chapels at the Château de Vincennes and a specially built chapel at the Château de Saint-Germain-en-Laye. In 1246, fragments of the True Cross and the Holy Lance were added to Louis collection, the chapel was consecrated on 26 April 1248 and Louis relics were moved to their new home with great ceremony. As well as serving as a place of worship, the Sainte-Chapelle played an important role in the political and cultural ambitions of King Louis and his successors. Just as the Emperor could pass privately from his palace into the Hagia Sophia in Constantinople, the royal chapel is a prime example of the phase of Gothic architectural style called Rayonnant, marked by its sense of weightlessness and strong vertical emphasis. It stands squarely upon a lower chapel, which served as church for all the inhabitants of the palace. The king was recognized as a saint by the Catholic Church. The internal division into upper and lower chapels is clearly marked on the outside by a string-course, despite its decoration, the exterior is relatively simple and austere, devoid of flying buttresses or major sculpture and giving little hint of the richness within. No designer-builder is named in the archives concerned with the construction, modern scholarship rejects this attribution in favour of Jean de Chelles or Thomas de Cormont, while Robert Branner saw in the design the hand of an unidentified master mason from Amiens. As has often been argued however the influence on its overall design seems to have come from contemporary metalwork. The Parisian palatine chapel, built to house a reliquary, was itself like a precious reliquary turned inside out, although the interior is dominated by the stained glass, every inch of the remaining wall surface and the vault was also richly coloured and decorated. Above the dado level, mounted on the shafts that separate the great windows, are 12 larger-than-life-sized sculpted stone figures representing the 12 Apostles. Each carries a disk marked with the crosses that were traditionally marked on the pillars of a church at its consecration. Niches on the north and south sides of the chapel are the private oratories of the king and of his mother, fifteen huge mid-13th-century windows fill the nave and apse, while a large rose window with Flamboyant tracery dominates the western wall. Despite some damage the windows display a clear iconographical programme, the three windows of the eastern apse illustrate the New Testament, featuring scenes of The Passion with the Infancy of Christ and the Life of John the Evangelist
10.
Carcassonne
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Carcassonne is a fortified French town in the Aude department, of which it is the prefecture, in the Region of Occitanie. Inhabited since the Neolithic period, Carcassonne is located in the Aude plain between historic trade routes, linking the Atlantic to the Mediterranean sea and the Massif Central to the Pyrénées and its strategic location led successive rulers to expand its fortifications until the Treaty of the Pyrenees in 1659. The city is famous for the Cité de Carcassonne, a medieval fortress restored by the theorist and architect Eugène Viollet-le-Duc in 1853, consequently, Carcassonne relies heavily on tourism but also counts manufacture and wine-making as some of its other key economic sectors. Carcassonne is located in the south of France, about 80 kilometres east from the city of Toulouse and its strategic location between the Atlantic Ocean and the Mediterranean Sea has been known since the neolithic era. The towns area is about 65 km2, which is larger than the numerous small towns in the Aude department. The rivers Aude, Fresquel and the Canal du Midi flow through the town, the Volcae Tectosages fortified the oppidum. The folk etymology – involving a châtelaine named Carcas, a ruse ending a siege, Carcas on a column near the Narbonne Gate, is of modern invention. The name can be derived as an augmentative of the name Carcas, Carcassonne became strategically identified when Romans fortified the hilltop around 100 BC and eventually made the colonia of Julia Carsaco, later Carcasum. The main part of the courses of the northern ramparts dates from Gallo-Roman times. In 462 the Romans officially ceded Septimania to the Visigothic king Theodoric II who had held Carcassonne since 453 and he built more fortifications at Carcassonne, which was a frontier post on the northern marches, traces of them still stand. Theodoric is thought to have begun the predecessor of the basilica that is now dedicated to Saint Nazaire, in 508 the Visigoths successfully foiled attacks by the Frankish king Clovis. A medieval fiefdom, the county of Carcassonne, controlled the city and it was often united with the County of Razès. The origins of Carcassonne as a county probably lie in local representatives of the Visigoths, Bello founded a dynasty, the Bellonids, which would rule many honores in Septimania and Catalonia for three centuries. In 1067, Carcassonne became the property of Raimond-Bernard Trencavel, viscount of Albi and Nîmes, through his marriage with Ermengard, in the following centuries, the Trencavel family allied in succession either with the counts of Barcelona or of Toulouse. They built the Château Comtal and the Basilica of St. Nazaire, in 1096, Pope Urban II blessed the foundation stones of the new cathedral. Carcassonne became famous for its role in the Albigensian Crusades, when the city was a stronghold of Occitan Cathars, in August 1209 the crusading army of the Papal Legate, Abbot Arnaud Amalric, forced its citizens to surrender. Raymond-Roger de Trencavel was imprisoned whilst negotiating his citys surrender and died in mysterious circumstances three months later in his own dungeon, simon De Montfort was appointed the new viscount. In 1240, Trencavels son tried to reconquer his old domain, the city submitted to the rule of the kingdom of France in 1247
11.
Victor Horta
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Victor Horta was a Belgian architect and designer. John Julius Norwich described him as undoubtedly the key European Art Nouveau architect, Horta is considered one of the most important names in Art Nouveau architecture. With the construction of his Hôtel Tassel in Brussels in 1892-3, the biomorphic whiplash style that Horta promoted deeply influenced architect Hector Guimard who used it in projects in France and extended its influence abroad. In 1932 King Albert I of Belgium conferred on Horta the title of Baron for his services to the field of architecture, four of the buildings he designed have been designated a UNESCO World Heritage Site. Born in Ghent, Horta was first attracted to the profession when he helped his uncle on a building site at the age of twelve. Horta had a great interest in music since childhood and, in 1873, after being expelled for bad behaviour he joined the Department of Architecture at the Royal Academy of Fine Arts in Ghent instead. In 1878 Horta left for Paris, finding work with architect, there he was inspired by the emerging impressionist and pointillist artists, and also by the possibilities of working in iron and glass. In Brussels Horta built a friendship with Paul Hankar, who would also embrace Art Nouveau. Horta did well in his studies and was taken on as an assistant by his professor Alphonse Balat, together they designed the royal Greenhouses of Laeken, Hortas first work to utilise glass and iron. In 1884 Horta won the first Prix Godecharle to be awarded for Architecture, by 1885 Horta was working on his own and was commissioned to design three houses which were built that year. The same year he joined the Central Society of Belgian Architecture. Over the next few years he entered a number of competitions for public work and he focused on the curvature of his designs, believing that the forms he produced were highly practical and not artistic affectations. During this period, Horta socialised widely and, in 1888 and this ensured a stream of clients when he returned to designing houses and shops from 1893. 1919, Officer of the Order of the Crown,1920, Officer of the Order of Leopold. 1932, Created Baron Horta by Royal Decree, after introducing Art Nouveau in an exhibition held in 1892, Horta was inspired. Commissioned to design a home for professor Emile Tassel, he transfused the recent influences into Hôtel Tassel, ornate and elaborate designs and natural lighting were concealed behind a stone façade to harmonize the building with the more rigid houses next door. The building has since recognized as the first appearance of Art Nouveau in architecture. After receiving great acclaim for his designs, Horta was commissioned to complete many important buildings throughout Brussels
12.
Louis Sullivan
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Louis Henry Sullivan was an American architect, and has been called the father of skyscrapers and father of modernism. Along with Wright and Henry Hobson Richardson, Sullivan is one of the trinity of American architecture. Form follows function is attributed to him although he credited the origin of the concept to an ancient Roman architect, in 1944, he was the second architect in history to posthumously receive the AIA Gold Medal. Louis Henry Sullivan was born to a Swiss-born mother, née Andrienne List, and he learned that he could both graduate from high school a year early and bypass the first two years at the Massachusetts Institute of Technology by passing a series of examinations. Entering MIT at the age of sixteen, he studied architecture there briefly, after one year of study, he moved to Philadelphia and took a job with architect Frank Furness. The Depression of 1873 dried up much of Furnesss work, at that point Sullivan moved on to Chicago in 1873 to take part in the building boom following the Great Chicago Fire of 1871. He worked for William LeBaron Jenney, the architect credited with erecting the first steel frame building. After less than a year with Jenney, Sullivan moved to Paris and he returned to Chicago and began work for the firm of Joseph S. Johnston & John Edelman as a draftsman. Johnston & Edleman were commissioned for the design of the Moody Tabernacle, in 1879 Dankmar Adler hired Sullivan. A year later, Sullivan became a partner in the firm and this marked the beginning of Sullivans most productive years. Adler and Sullivan initially achieved fame as theater architects, while most of their theaters were in Chicago, their fame won commissions as far west as Pueblo, Colorado, and Seattle, Washington. After 1889 the firm known for their office buildings, particularly the 1891 Wainwright Building in St. Louis. Prior to the century, the weight of a multistory building had to be supported principally by the strength of its walls. The development of cheap, versatile steel in the half of the nineteenth century changed those rules. America was in the midst of social and economic growth that made for great opportunities in architectural design. A much more urbanized society was forming and the society called out for new, the mass production of steel was the main driving force behind the ability to build skyscrapers during the mid-1880s. By assembling a framework of steel girders, architects and builders suddenly could create tall, slender buildings with a strong, the rest of the building elements—walls, floors, ceilings, and windows—were suspended from the skeleton, which carried the weight. This new way of constructing buildings, so-called column-frame construction, pushed them up rather than out, the steel weight-bearing frame allowed not just taller buildings, but permitted much larger windows, which meant more daylight reaching interior spaces
13.
Napoleon
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Napoleon Bonaparte was a French military and political leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars. As Napoleon I, he was Emperor of the French from 1804 until 1814, Napoleon dominated European and global affairs for more than a decade while leading France against a series of coalitions in the Napoleonic Wars. He won most of these wars and the vast majority of his battles, one of the greatest commanders in history, his wars and campaigns are studied at military schools worldwide. Napoleons political and cultural legacy has ensured his status as one of the most celebrated and he was born Napoleone di Buonaparte in Corsica to a relatively modest family from the minor nobility. When the Revolution broke out in 1789, Napoleon was serving as an officer in the French army. Seizing the new opportunities presented by the Revolution, he rose through the ranks of the military. The Directory eventually gave him command of the Army of Italy after he suppressed a revolt against the government from royalist insurgents, in 1798, he led a military expedition to Egypt that served as a springboard to political power. He engineered a coup in November 1799 and became First Consul of the Republic and his ambition and public approval inspired him to go further, and in 1804 he became the first Emperor of the French. Intractable differences with the British meant that the French were facing a Third Coalition by 1805, in 1806, the Fourth Coalition took up arms against him because Prussia became worried about growing French influence on the continent. Napoleon quickly defeated Prussia at the battles of Jena and Auerstedt, then marched the Grand Army deep into Eastern Europe, France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July 1807, bringing an uneasy peace to the continent. Tilsit signified the high watermark of the French Empire, hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia and declared his brother Joseph the King of Spain in 1808. The Spanish and the Portuguese revolted with British support, the Peninsular War lasted six years, featured extensive guerrilla warfare, and ended in victory for the Allies. The Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia, unwilling to bear the economic consequences of reduced trade, the Russians routinely violated the Continental System and enticed Napoleon into another war. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse of the Grand Army, the destruction of Russian cities, in 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France. A lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813, the Allies then invaded France and captured Paris in the spring of 1814, forcing Napoleon to abdicate in April. He was exiled to the island of Elba near Rome and the Bourbons were restored to power, however, Napoleon escaped from Elba in February 1815 and took control of France once again. The Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June, the British exiled him to the remote island of Saint Helena in the South Atlantic, where he died six years later at the age of 51
14.
Jacques-Louis David
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Jacques-Louis David was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. David later became a supporter of the French Revolution and friend of Maximilien Robespierre. Imprisoned after Robespierres fall from power, he aligned himself with yet another political regime upon his release, at this time he developed his Empire style, notable for its use of warm Venetian colours. After Napoleons fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, then in the United Kingdom of the Netherlands, where he remained until his death. David had a number of pupils, making him the strongest influence in French art of the early 19th century. Jacques-Louis David was born into a family in Paris on 30 August 1748. When he was nine his father was killed in a duel. He covered his notebooks with drawings, and he said, I was always hiding behind the instructors chair. Soon, he desired to be a painter, but his uncles and he overcame the opposition, and went to learn from François Boucher, the leading painter of the time, who was also a distant relative. Boucher was a Rococo painter, but tastes were changing, Boucher decided that instead of taking over Davids tutelage, he would send David to his friend, Joseph-Marie Vien, a painter who embraced the classical reaction to Rococo. There David attended the Royal Academy, based in what is now the Louvre, each year the Academy awarded an outstanding student the prestigious Prix de Rome, which funded a three- to five-year stay in the Eternal City. Each pensionnaire was lodged in the French Academys Roman outpost, which from the years 1737 to 1793 was the Palazzo Mancini in the Via del Corso. David competed for, and failed to win, the prize for three years, each failure contributing to his lifelong grudge against the institution. After his second loss in 1772, David went on a hunger strike, confident he now had the support and backing needed to win the prize, he resumed his studies with great zeal—only to fail to win the Prix de Rome again the following year. Finally, in 1774, David was awarded the Prix de Rome on the strength of his painting of Erasistratus Discovering the Cause of Antiochus Disease, a subject set by the judges. In October 1775 he made the journey to Italy with his mentor, Joseph-Marie Vien, while in Italy, David especially studied the works of 17th-century masters such as Poussin, Caravaggio, and the Carracci. Mengs principled, historicizing approach to the representation of classical subjects profoundly influenced Davids pre-revolutionary painting, such as The Vestal Virgin, mengs also introduced David to the theoretical writings on ancient sculpture by Johann Joachim Winckelmann, the German scholar held to be the founder of modern art history. In 1779, David toured the newly excavated ruins of Pompeii, while in Rome, David also assiduously studied the High Renaissance painters, Raphael making a profound and lasting impression on the young French artist
15.
Stendhal
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Marie-Henri Beyle, better known by his pen name Stendhal, was a 19th-century French writer. Born in Grenoble, Isère, he was a child, disliking his unimaginative father and mourning his mother, whom he passionately loved. He spent the happiest years of his life at the Beyle country house in Claix near Grenoble and his closest friend was his younger sister, Pauline, with whom he maintained a steady correspondence throughout the first decade of the 19th century. The military and theatrical worlds of the First French Empire were a revelation to Beyle and he was named an auditor with the Conseil dÉtat on 3 August 1810, and thereafter took part in the French administration and in the Napoleonic wars in Italy. He travelled extensively in Germany and was part of Napoleons army in the 1812 invasion of Russia, Stendhal witnessed the burning of Moscow from just outside the city. Stendhal was appointed Commissioner of War Supplies and sent to Smolensk to prepare provisions for the returning army and he crossed the Berezina River by finding a usable ford rather than the overwhelmed pontoon bridge, which probably saved his life and those of his companions. Stendhal arrived in Paris in 1813, largely unaware of the fiasco that the retreat had become. Stendhal became known, during the Russian campaign, for keeping his wits about him and he also maintained his daily routine, shaving each day during the retreat from Moscow. After the 1814 Treaty of Fontainebleau, he left for Italy and he formed a particular attachment to Italy, where he spent much of the remainder of his career, serving as French consul at Trieste and Civitavecchia. His novel The Charterhouse of Parma, written in 52 days, is set in Italy, Stendhal was a dandy and wit about town in Paris, as well as an inveterate womaniser who was obsessed with his sexual conquests. His genuine empathy towards women is evident in his books, Simone de Beauvoir spoke highly of him in The Second Sex. One of his works is On Love, a rational analysis of romantic passion that was based on his unrequited love for Mathilde, Countess Dembowska. This fusion of, and tension between, clear-headed analysis and romantic feeling is typical of Stendhals great novels, he could be considered a Romantic realist, Stendhal suffered miserable physical disabilities in his final years as he continued to produce some of his most famous work. Modern medicine has shown that his problems were more attributable to his treatment than to his syphilis. Stendhal died on 23 March 1842, a few hours after collapsing with a seizure on the streets of Paris and he is interred in the Cimetière de Montmartre. Before settling on the pen name Stendhal, he published under pen names, including Louis Alexandre Bombet. The only book that Stendhal published under his own name was The History of Painting, from the publication of Rome, Naples, Florence onwards, he published his works under the pseudonym M. de Stendhal, officier de cavalerie. He borrowed this nom de plume from the German city of Stendal, birthplace of Johann Joachim Winckelmann, in 1807 Stendhal stayed near Stendal, where he fell in love with a woman named Wilhelmine, whom he called Minette, and for whose sake he remained in the city
16.
Charles Augustin Sainte-Beuve
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Charles Augustin Sainte-Beuve was a literary critic of French literature. He was born in Boulogne, educated there, and studied medicine at the Collège Charlemagne in Paris, in 1828, he served in the St Louis Hospital. Sainte-Beuve became friendly with Hugo after publishing a review of the authors work but later had an affair with Hugos wife. His articles and essays were collected the volumes Port-Royal and Portraits littéraires, during the rebellions of 1848 in Europe, he lectured at Liège on Chateaubriand and his literary circle. He returned to Paris in 1849 and began his series of columns, Causeries du lundi in the newspaper. When Louis Napoleon became Emperor, he made Sainte-Beuve professor of Latin poetry at the Collège de France, but anti-Imperialist students hissed him, and he resigned. After several books of poetry and a couple of failed novels, Sainte-Beuve began to do literary research and he continued to contribute to La Revue contemporaine. Port-Royal, probably Sainte-Beuves masterpiece, is an history of the Jansenist abbey of Port-Royal-des-Champs. It not only influenced the historiography of religious belief, i. e. the method of research, but also the philosophy of history. He was made Senator in 1865, in which capacity he distinguished himself by his pleas for freedom of speech, according to Jules Amédée Barbey dAurevilly, Sainte-Beuve was a clever man with the temper of a turkey. In his last years, he was a sufferer and lived much in retirement. One of Sainte-Beuves critical contentions was that, in order to understand an artist and his work, marcel Proust took issue with this notion and refuted it in a set of essays, Contre Sainte-Beuve. Proust developed the ideas first voiced in those essays in À la recherche du temps perdu, friedrich Nietzsche, actually an avowed opponent of Sainte-Beuve, prompted in 1880 the wife of his friend Franz Overbeck, Ida Overbeck, to translate the Causeries du lundi into German. Until then, Sainte-Beuve was never published in German despite his great importance in France, since it was considered representative of a French way of thinking detested in Germany, Ida Overbecks translation appeared in 1880 under the title Die Menschen des XVIII. Nietzsche wrote to Ida Overbeck on August 18,1880, An hour ago I received the Die Menschen des XVIII, jahrhunderts, It is just a marvellous book. Ida Overbecks translation is an important document of the transfer between Germany and France in a period of strong tension, but it was largely ignored. It was not until 2014 that a critical and annotated edition of this appeared in print. Non-fiction Tableau Historique et Critique de la Poésie Française et du Théâtre Français au XVIe Siècle, poetry Vie, Poésies et Pensées de Joseph Delorme
17.
Louis Philippe I
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Louis Philippe I was King of the French from 1830 to 1848 as the leader of the Orléanist party. He spent 21 years in exile after he left France in 1793 and he was proclaimed king in 1830 after his cousin Charles X was forced to abdicate in the wake of the events of the July Revolution of that year. His government, known as the July Monarchy, was dominated by members of a wealthy French elite and he followed conservative policies, especially under the influence of the French statesman François Guizot during the period 1840–48. He also promoted friendship with Britain and sponsored colonial expansion, notably the conquest of Algeria and his popularity faded as economic conditions in France deteriorated in 1847, and he was forced to abdicate after the outbreak of the French Revolution of 1848. He lived out his life in exile in Great Britain, Louis Philippe was born in the Palais Royal, the residence of the Orléans family in Paris, to Louis Philippe, Duke of Chartres, and Louise Marie Adélaïde de Bourbon. As a member of the reigning House of Bourbon, he was a Prince of the Blood and his mother was an extremely wealthy heiress who was descended from Louis XIV of France through a legitimized line. Louis Philippe was the eldest of three sons and a daughter, a family that was to have erratic fortunes from the beginning of the French Revolution to the Bourbon Restoration. Louis Philippes father was exiled from the court, and the Orléans confined themselves to studies of the literature. Louis Philippe was tutored by the Countess of Genlis, beginning in 1782 and she instilled in him a fondness for liberal thought, it is probably during this period that Louis Philippe picked up his slightly Voltairean brand of Catholicism. When Louis Philippes grandfather died in 1785, his father succeeded him as Duke of Orléans, from October 1788 to October 1789, the Palais Royal was a meeting-place for the revolutionaries. Louis Philippe grew up in a period that changed Europe as a whole and, following his fathers support for the Revolution. In his diary, he reports that he took the initiative to join the Jacobin Club. In June 1791, Louis Philippe got his first opportunity to become involved in the affairs of France, in 1785, he had been given the hereditary appointment of Colonel of the 14th Regiment of Dragoons. With war on the horizon in 1791, all proprietary colonels were ordered to join their regiments, Louis Philippe showed himself to be a model officer, and he demonstrated his personal bravery in two famous instances. The young colonel broke through the crowd and extricated the two priests, who then fled, at a river crossing on the same day, another crowd threatened to harm the priests. Louis Philippe put himself between a peasant armed with a carbine and the priests, saving their lives, the next day, Louis Philippe dove into a river to save a drowning local engineer. For this action, he received a crown from the local municipality. His regiment was moved north to Flanders at the end of 1791 after the Declaration of Pillnitz, Louis Philippe served under his fathers crony, the Duke of Biron, along with several officers who later gained distinction in Napoleons empire and afterwards
18.
Leaning Tower of Pisa
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The Leaning Tower of Pisa or simply the Tower of Pisa is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt. It is situated behind Pisas cathedral and is the third oldest structure in the citys Cathedral Square, after the cathedral, the towers tilt began during construction, caused by an inadequate foundation on ground too soft on one side to properly support the structures weight. The tilt increased in the decades before the structure was completed and gradually increased until the structure was stabilized by efforts in the late 20th and early 21st centuries. The height of the tower is 55.86 metres from the ground on the low side and 56.67 metres on the high side, the width of the walls at the base is 2.44 m. Its weight is estimated at 14,500 metric tons, the tower has 296 or 294 steps, the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees and this means the top of the tower is displaced horizontally 3.9 metres from the centre. There has been controversy about the identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast bearing his name was discovered at the foot of the tower in 1820, construction of the tower occurred in three stages over 199 years. Work on the floor of the white marble campanile began on August 14,1173 during a period of military success. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals, the tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, construction was subsequently halted for almost a century, because the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the soil to settle. Otherwise, the tower would almost certainly have toppled, in 1198, clocks were temporarily installed on the third floor of the unfinished construction. In 1272, construction resumed under Giovanni di Simone, architect of the Camposanto, in an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is actually curved, construction was halted again in 1284 when the Pisans were defeated by the Genoans in the Battle of Meloria. The seventh floor was completed in 1319, the bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower, there are seven bells, one for each note of the musical major scale
19.
Salon (Paris)
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The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world, at the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it has been managed by the Société des Artistes Français, in 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture, held its first semi-public art exhibit at the Salon Carré. The Salons original focus was the display of the work of recent graduates of the École des Beaux-Arts, exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years. Exhibition in the Salon marked a sign of royal favor, in 1725, the Salon was held in the Palace of the Louvre, when it became known as Salon or Salon de Paris. In 1737, the exhibitions, held from 18 August 1737 to 5 September 1737 at the Grand Salon of the Louvre and they were held, at first, annually, and then biennially, in odd-numbered years. They would start on the feast day of St. Louis, once made regular and public, the Salons status was never seriously in doubt. In 1748 a jury of awarded artists was introduced, from this time forward, the influence of the Salon was undisputed. The Salon exhibited paintings floor-to-ceiling and on every inch of space. The jostling of artwork became the subject of other paintings. Printed catalogues of the Salons are primary documents for art historians, critical descriptions of the exhibitions published in the gazettes mark the beginning of the modern occupation of art critic. The French revolution opened the exhibition to foreign artists, the vernissage of opening night was a grand social occasion, and a crush that gave subject matter to newspaper caricaturists like Honoré Daumier. Charles Baudelaire, Denis Diderot and others wrote reviews of the Salons, the 1848 revolution liberalized the Salon. The amount of refused works was greatly reduced, the increasingly conservative and academic juries were not receptive to the Impressionist painters, whose works were usually rejected, or poorly placed if accepted. The Salon opposed the Impressionists shift away from traditional painting styles, in 1863 the Salon jury turned away an unusually high number of the submitted paintings. An uproar resulted, particularly from regular exhibitors who had been rejected, in order to prove that the Salons were democratic, Napoleon III instituted the Salon des Refusés, containing a selection of the works that the Salon had rejected that year. It opened on 17 May 1863, marking the birth of the avant-garde, the Impressionists held their own independent exhibitions in 1874,1876,1877,1879,1880,1881,1882 and 1886. In 1881, the government withdrew official sponsorship from the annual Salon, in December 1890, the leader of the Société des Artistes Français, William-Adolphe Bouguereau, propagated the idea that Salon should be an exhibition of young, not-yet awarded, artists
20.
Narbonne
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Narbonne is a commune in southern France in the Occitanie region. It lies 849 km from Paris in the Aude department, of which it is a sub-prefecture, once a prosperous port, and a major city in Roman times, it is now located about 15 km from the shores of the Mediterranean Sea. It is marginally the largest commune in Aude, although the prefecture is the slightly smaller commune of Carcassonne, Narbonne is linked to the nearby Canal du Midi and the Aude River by the Canal de la Robine, which runs through the centre of town. The towns original name is very ancient, the earliest known record of its original name is by the Greek Hecataeus of Miletus in the fifth century BC. In ancient inscriptions the name is rendered in Latin and sometimes translated into Iberian as Nedhena. Narbonne was established in Gaul by the Romans in 118 BC, as Colonia Narbo Martius and it was located on the Via Domitia, the first Roman road in Gaul, built at the time of the foundation of the colony, and connecting Italy to Spain. In addition, it was crossed by the Aude River, surviving members of Julius Caesars Legio X Equestris were given lands in the area that today is called Narbonne. Politically, Narbonne gained importance as a competitor to Massalia, Julius Caesar settled veterans from his 10th Legion there and attempted to develop its port while Marseille was supporting Pompey. Among the amenities of Narbonne, its rosemary-flower honey was famous among Romans, later, the province of Transalpine Gaul was renamed Gallia Narbonensis after the city, which became its capital. Seat of an administration, the city enjoyed economic and architectural expansion. At that point, the city is thought to have had 30, 000–50,000 inhabitants, according to Hydatius, in 462 the city was handed over to the Visigoths by a local military leader in exchange for support, as a result Roman rule ended in the city. It was subsequently the capital of the Visigothic province of Septimania, for 40 years, from 719, Narbonne was part of the Umayyad Empire with a strong Gothic presence. The Carolingian Pepin the Short conquered Narbonne from the Muslims in 759 after which it part of the Carolingian Viscounty of Narbonne. He invited, according to Christian sources, prominent Jews from the Caliphate of Bagdad to settle in Narbonne, in the 12th century, the court of Ermengarde of Narbonne presided over one of the cultural centers where the spirit of courtly love was developed. In the 11th and 12th centuries, Narbonne was home to an important Jewish exegetical school, Jews had settled in Narbonne from about the 5th century, with a community that had risen to approximately 2000 in the 12th century. At this time, Narbonne was frequently mentioned in Talmudic works in connection with its scholars, one source, Abraham ibn Daud of Toledo, gives them an importance similar to the exilarchs of Babylon. In the 12th and 13th centuries, the community went through a series of ups, Narbonne itself fell into a slow decline in the 14th century, for a variety of reasons. One was due to a change in the course of the Aude River, the Aude river had a long history of overflowing its banks
21.
Order of Saint Benedict
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Each community within the order maintains its own autonomy, while the order itself represents their mutual interests. Internationally, the order is governed by the Benedictine Confederation, a body, established in 1883 by Pope Leo XIIIs Brief Summum semper, individuals whose communities are members of the order generally add the initials OSB after their names. The monastery at Subiaco in Italy, established by Saint Benedict of Nursia circa 529, was the first of the monasteries he founded. He later founded the Abbey of Monte Cassino, there is no evidence, however, that he intended to found an order and the Rule of Saint Benedict presupposes the autonomy of each community. It was from the monastery of St. Andrew in Rome that Augustine, the prior, at various stopping places during the journey, the monks left behind them traditions concerning their rule and form of life, and probably also some copies of the Rule. Lérins Abbey, for instance, founded by Honoratus in 375, probably received its first knowledge of the Benedictine Rule from the visit of St. Augustine, in Gaul and Switzerland, it supplemented the much stricter Irish or Celtic Rule introduced by Columbanus and others. In many monasteries it eventually displaced the earlier codes. Largely through the work of Benedict of Aniane, it became the rule of choice for monasteries throughout the Carolingian empire, Monastic scriptoria flourished from the ninth through the twelfth centuries. Sacred Scripture was always at the heart of every monastic scriptorium, as a general rule those of the monks who possessed skill as writers made this their chief, if not their sole active work. In the Middle Ages monasteries were founded by the nobility. Cluny Abbey was founded by William I, Duke of Aquitaine in 910, the abbey was noted for its strict adherence to the Rule of St. Benedict. The abbot of Cluny was the superior of all the daughter houses, one of the earliest reforms of Benedictine practice was that initiated in 980 by Romuald, who founded the Camaldolese community. The English Benedictine Congregation is the oldest of the nineteen Benedictine congregations, Augustine of Canterbury and his monks established the first English Benedictine monastery at Canterbury soon after their arrival in 597. Many of the sees of England were founded and governed by the Benedictines. Monasteries served as hospitals and places of refuge for the weak, the monks studied the healing properties of plants and minerals to alleviate the sufferings of the sick. Germany was evangelized by English Benedictines, willibrord and Boniface preached there in the seventh and eighth centuries and founded several abbeys. In the English Reformation, all monasteries were dissolved and their lands confiscated by the Crown, during the 19th century they were able to return to England, including to Selby Abbey in Yorkshire, one of the few great monastic churches to survive the Dissolution. St. Mildreds Priory, on the Isle of Thanet, Kent, was built in 1027 on the site of an abbey founded in 670 by the daughter of the first Christian King of Kent, currently the priory is home to a community of Benedictine nuns
22.
Mary Magdalene
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Mary Magdalene, literally translated as Mary the Magdalene or Mary of Magdala, was a Jewish woman who, according to texts included in the New Testament, traveled with Jesus as one of his followers. She is said to have witnessed Jesus crucifixion and resurrection, within the four Gospels she is named at least 12 times, more than most of the apostles. Based on texts of the early Christian era in the third century, the Gospel of Luke says seven demons had gone out of her, and the longer ending of Mark says Jesus had cast seven demons out of her. She is most prominent in the narrative of the crucifixion of Jesus, John 20 and Mark 16,9 specifically name her as the first person to see Jesus after his resurrection. Ideas that go beyond the presentation of Mary Magdalene as a prominent representative of the women who followed Jesus have been put forward over the centuries. Mary Magdalene is considered to be a saint by the Catholic, Eastern Orthodox, Anglican, other Protestant churches honor her as a heroine of the faith. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers, during the Middle Ages, Mary Magdalene was regarded in Western Christianity as a repentant prostitute or promiscuous woman, claims not found in any of the four canonical gospels. Mary was a common name in New Testament times, held by a number of women in the canonical Gospels. Mary Magdalene In addition, there were Mary, the mother of James, in the four Gospels, Mary Magdalene is nearly always distinguished from other women named Mary by adding the Magdalene to her name. This has been interpreted to mean the woman from Magdala, a town on the shore of the Sea of Galilee. Luke 8,2 says that she was actually called Magdalene, in Hebrew מגדל Migdal means tower, fortress, in Aramaic, Magdala means tower or elevated, great, magnificent. Talmudic passages speak of a Miriam hamegadela se’ar nasha, Miriam, the plaiter of womens hair, in the Gospel of John, Mary Magdalene is also referred to simply as Mary at least twice. Gnostic writings use Mary, Mary Magdalene, or Magdalene, Mary Magdalenes name is mostly given as Μαρία, but in Matthew 28,1 as Μαριάμ, both of which are regarded as Greek forms of Miriam, the Hebrew name for Moses sister. The name had very popular during Jesus time due to its connections to the ruling Hasmonean and Herodian dynasties. Primary sources about Mary Magdalene come from the four canonical Gospels and these apocryphal sources are dated from the end of the 1st to the early 4th century, all written well after Saint Marys death. The canonical gospels are dated from the half of the 1st century. In addition, the Gregorian figure of the composite Magdalen developed an elaborate literary, Luke 8,2 and Mark 16,9 say Jesus cleansed her of seven demons. Some interpret this as meaning that he healed her from mental or physical illnesses and that she provided for the apostles suggests she was prosperous
23.
Huguenots
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Huguenots are the ethnoreligious group of French Protestants who follow the Reformed tradition. It was used frequently to members of the French Reformed Church until the beginning of the 19th century. The term has its origin in 16th-century France, Huguenot numbers peaked near an estimated two million by 1562, concentrated mainly in the southern and western parts of France. As Huguenots gained influence and more openly displayed their faith, Catholic hostility grew, in spite of political concessions, a series of religious conflicts followed, known as the French Wars of Religion, fought intermittently from 1562 to 1598. The Huguenots were led by Jeanne dAlbret, her son, the future Henry IV, the wars ended with the Edict of Nantes, which granted the Huguenots substantial religious, political, and military autonomy. Huguenot rebellions in the 1620s prompted the abolishment of their political and they retained religious provisions of the Edict of Nantes until the rule of Louis XIV. Nevertheless, a minority of Huguenots remained and faced continued persecution under Louis XV. By the death of Louis XV in 1774, French Calvinism was almost completely wiped out, persecution of Protestants officially ended with the Edict of Versailles, signed by Louis XVI in 1787. Two years later, with the Declaration of the Rights of Man and Citizen of 1789 and they also spread to the Dutch Cape Colony in South Africa, the Dutch East Indies, the Caribbean, New Netherland, and several of the English colonies in North America. Small contingents of families went to Orthodox Russia and Catholic Quebec, a term used originally in derision, Huguenot has unclear origins. Geneva was John Calvins adopted home and the centre of the Calvinist movement, the label Huguenot was purportedly first applied in France to those conspirators involved in the Amboise plot of 1560, a foiled attempt to wrest power in France from the influential House of Guise. The move would have had the effect of fostering relations with the Swiss. Thus, Hugues plus Eidgenosse by way of Huisgenoten supposedly became Huguenot, a version of this complex hypothesis is promoted by O. I. A. Roche, who writes in his book, The Days of the Upright, A History of the Huguenots, that Huguenot is, a combination of a Dutch and a German word. Gallicised into Huguenot, often used deprecatingly, the word became, Some disagree with such double or triple non-French linguistic origins, arguing that for the word to have spread into common use in France, it must have originated in the French language. The Hugues hypothesis argues that the name was derived by association with Hugues Capet, king of France and he was regarded by the Gallicans and Protestants as a noble man who respected peoples dignity and lives. Janet Gray and other supporters of the hypothesis suggest that the name huguenote would be equivalent to little Hugos. It was in place in Tours that the prétendus réformés habitually gathered at night
24.
Jean-Baptiste Lassus
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Jean-Baptiste-Antoine Lassus was a French architect who became an expert in restoration or recreation of medieval architecture. Jean-Baptiste-Antoine Lassus was born in Paris on 19 March 1807 and he studied at the Collège Stanislas de Paris, and in 1823 was given drawing lessons by Christophe Civeton. In 1828 he was admitted to the École des Beaux-Arts in Paris and he left the school in 1830 and joined the architectural studio of Henri Labrouste. Lassus submitted a plan to the Salon in 1833 for rebuilding the Tuileries Palace to return to the design of Philibert de lOrme. In 1835 he proposed restoration of the Gothic-style Sainte-Chapelle and he submitted a plan to the Salon in 1836 to restore the refectory of Saint-Martin-des-Champs Priory. Lassus took commissions to design churches and extensions to convents, in 1835 he began to restore Saint-Séverin, Paris. In 1836 Lassus and Félix Duban were given the task of restoring Sainte-Chapelle and he worked on this project for the rest of his life, concentrating on the spire and the decorations of the interior, which he restored to their earlier form. In 1837 he was named architect for the restoration of Saint-Séverin, in 1839 Lassus and Étienne-Hippolyte Godde were given the task of restoring Saint-Germain lAuxerrois. In 1840 Lassus was asked to undertaken construction of the Basilique Saint-Nicolas de Nantes, in 1841 he built the tomb of the Abbé Charles-Michel de lÉpée in Saint-Roch, Paris. In 1843 Lassus and Eugène Viollet-le-Duc won the competition for restoration of Notre Dame de Paris against Jean-Charles Danjoy and they replaced the old sculpture with new works, often moving the earlier sculptures to museums. Lassus was asked to build the petit séminaire on the rue Notre-Dame des champs in 1845, in 1848 he was asked to serve as an expert at the site of Nantes Cathedral, and was appointed diocesan architect of Chartres and Le Mans. Lassus and Louis Gabriel Esmonnot were commissioned to build the Sacré-Cœur in Moulins in 1849, in 1850 Lassus made the first studies for Saint-Pierre in Dijon. In 1852 he started a project to enlarge Moulins Cathedral, in 1853 he made initial studies for Saint-Jean-Baptiste in Belleville, Paris. In 1855 he was commissioned to build the church in Cusset, Lassus contracted a disease of the liver, which he neglected. He died on 15 July 1857 in Vichy, where he had gone in search of a cure and his funeral was held in Notre-Dame on 20 July 1857. His tomb was designed by Viollet-le-Duc, Lassus was critical of the Académie française, which would only recognize pagan Greek and Roman architecture, which he saw as foreign imports. He said of Greek architecture that it did not suit the French religion or climate and he strongly favored Gothic architecture, a Christian style that had originated in France. He was a purist, would only use historical building materials and he believed that the buildings of the first Gothic period were rational and functional, the peak of French architecture
25.
Leonardo da Vinci
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He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, many historians and scholars regard Leonardo as the prime exemplar of the Universal Genius or Renaissance Man, an individual of unquenchable curiosity and feverishly inventive imagination. Much of his working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded to him by Francis I of France, Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait, Leonardos drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated power, an adding machine. Some of his inventions, however, such as an automated bobbin winder. A number of Leonardos most practical inventions are nowadays displayed as working models at the Museum of Vinci. He made substantial discoveries in anatomy, civil engineering, geology, optics, and hydrodynamics, today, Leonardo is widely considered one of the most diversely talented individuals ever to have lived. Leonardo was born on 15 April 1452 at the hour of the night in the Tuscan hill town of Vinci. He was the son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina. Leonardo had no surname in the modern sense – da Vinci simply meaning of Vinci, his birth name was Lionardo di ser Piero da Vinci, meaning Leonardo. The inclusion of the title ser indicated that Leonardos father was a gentleman, little is known about Leonardos early life. He spent his first five years in the hamlet of Anchiano in the home of his mother and his father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen, his father married again to twenty-year-old Francesca Lanfredini, pieros legitimate heirs were born from his third wife Margherita di Guglielmo and his fourth and final wife, Lucrezia Cortigiani. Leonardo received an education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents, one, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face
26.
Grisaille
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Grisaille is a term for a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider range, like the Andrea del Sarto fresco illustrated. Paintings executed in brown are referred to as brunaille, and paintings executed in green are called verdaille, a grisaille may be executed for its own sake, as underpainting for an oil painting, or as a model for an engraver to work from. Rubens and his school sometimes use monochrome techniques in sketching compositions for engravers, originally these were the sides on display for most of the time, as the doors were normally kept closed except on feast days or at the request of tourists. However today these images are invisible in museums when the tryptych is displayed open. In these cases imitation of sculpture was intended, sculpture was still more expensive than a painting even by a top master. The ceiling frescoes of the Sistine Chapel have portions of the design in grisaille, Grisaille, while less widespread in the 20th Century, continues as an artistic technique. Pablo Picassos painting Guernica is one contemporary example, hugo Bastidas is a contemporary American painter known for black and white paintings that imitate the effect of grisaille and often resemble black and white photographs. Bastidas’ paintings frequently reference architecture, water, vegetation and art history, and reflect his concern about the condition, globalization. After returning to New York from a Fulbright Fellowship in his native Ecuador in the early 1990s, Bastidas began using a color palette of black. His medium- and large-scale paintings allude to black-and-white photography, and feature contrasting zones of high, by making thousands of marks with a size No.1 hogs bristle brush on linen primed with rabbit-skin glue, Bastidas achieves a high level of image definition. He also works in photography, which informs his subject matter without rendering a photo-realistic effect. With the 20th centurys emphasis on painting, the grisaille technique lost favour with artists of the period. This historic method is still incorporated into the curriculum of some private ateliers, the term is also applied to monochrome painting in other media such as enamels, where an effect similar to a relief in silver may be intended. It is common in stained glass, where the need for sections in different colours was thereby greatly reduced, portions of a window may be done in grisaille — using, for example, silver stain or vitreous paint — while other sections are done in coloured glass. Sepia tone References A Watercolour Demonstration Using Grisaille Notes Jan Gossarts Saint Jerome Penitent using grisaille Jean-Auguste-Dominique Ingres and workshop, Odalisque in Grisaille
27.
July Revolution
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Supporters of the Bourbon would be called Legitimists, and supporters of Louis Philippe Orléanists. On 16 September 1824, Charles X ascended to the throne of France and he was the younger brother of Louis XVIII, who, upon the defeat of Napoleon I, and by agreement of the Allied powers, had been installed as King of France. Both Louis and Charles ruled by right rather than Revolution. Upon the abdication of Napoleon in 1814, continental Europe, the Congress of Vienna met to redraw the continents political map. Another very influential person at the Congress was Charles Maurice de Talleyrand, although France was considered an enemy state, Talleyrand was allowed to attend the Congress because he claimed that he had only cooperated with Napoleon under duress. Talleyrand proposed that Europe be restored to its borders and governments. France returned to its 1789 borders and the House of Bourbon, the Congress however forced Louis to grant the Charte constitutionnelle française, the French Constitution otherwise known as La Charte. This document was the trigger of the July Revolution. On 16 September 1824, after an illness of several months. Therefore, his brother, Charles, aged 66, inherited the throne of France. On 27 September Charles X as he was now known, made his entry into Paris to popular acclaim. But eight months later, the mood of the capital had sharply worsened in its opinion of the new king, the causes of this dramatic shift in public opinion were many, but the main two were, The imposition of the death penalty for anyone profaning the Eucharist. The provisions for financial indemnities for properties confiscated by the 1789 Revolution and these indemnities to be paid to any one, whether noble or non-noble, who had been declared enemies of the Revolution. Critics of the first accused the king and his new ministry of pandering to the Catholic Church, the second matter, that of financial indemnities, was far more opportunistic than the first. But opponents, many of whom were frustrated Bonapartists, began a campaign that Charles X was only proposing this in order to shame those who had not emigrated. Both measures, they claimed, were nothing more than clever subterfuge meant to bring about the destruction of La Charte and this, too, was about to change. On 12 April, propelled by both genuine conviction and the spirit of independence, the Chamber of Deputies roundly rejected the proposal to change the inheritance laws. The popular newspaper Le Constitutionnel pronounced this refusal a victory over the forces of counter-revolutionaries, the popularity of both the Chamber of Peers and the Chamber of Deputies skyrocketed, and the popularity of the king and his ministry dropped
28.
Basilica of Saint-Sernin, Toulouse
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The Basilica of Saint-Sernin is a church in Toulouse, France, the former abbey church of the Abbey of Saint-Sernin or St Saturnin. Apart from the church, none of the buildings remain. The current church is located on the site of a basilica of the 4th century which contained the body of Saint Saturnin or Sernin. Constructed in the Romanesque style between about 1080 and 1120, with construction continuing thereafter, Saint-Sernin is the largest remaining Romanesque building in Europe, the church is particularly noted for the quality and quantity of its Romanesque sculpture. In 1998 the basilica was added to the UNESCO World Heritage Sites under the description, the abbey of Saint-Sernin was an ancient foundation. St. Sylvius, bishop of Toulouse, began construction of the basilica towards the end of the 4th century, the size of the current building and the existence of an ambulatory may reflect the need to accommodate increasing numbers of pilgrims. The difficulty of determining an accurate chronology for the construction of Saint-Sernin, at least as early as the 1010s, Bishop Pierre Roger had set aside a portion of the offerings to Saint-Sernin for an eventual rebuilding of the Carolingian church. During the decade of the 1070s and by 1080 at the latest, nevertheless, there are only two firm dates that bear directly on the church itself and even these involve certain difficulties. On May 24,1096, Pope Urban II dedicated the altar of the still incomplete building. Although there have been attempts to determine the point that construction had reached at this time. That is, construction must have begun at least several years before that date, the second firm date is July 3,1118, the death of St. Raymond Gayrard, canon and provost of the chapter. At any rate, whenever started, it appears that construction of the church did not progress continuously through to completion, the walls in this section are built of brick and stone, with a higher proportion of stone than elsewhere in the building. As construction proceeded, it was marked by an increasing proportion of brick. While there is agreement on the starting point, interpretation of the subsequent archeological evidence is subject to varying opinions. The earliest systematic examinations, after the restoration of Viollet-le-Duc, concluded there had been three major building campaigns. More recent observations have concluded there were four major building campaigns. The earliest section begins with the apse and includes the chevet and all of the transept below the level of the gallery, the second stage is marked by the walls of the transept being completed with alternating courses of brick and stone. This change is paralleled by a change in the style of the interior decorated capitals
29.
Amiens Cathedral
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The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic cathedral and seat of the Bishop of Amiens. It is situated on a ridge overlooking the River Somme in Amiens. It is the 19th largest church in the world, medieval cathedral builders were trying to maximize the internal dimensions in order to reach for the heavens and bring in more light. In that regard, the Amiens cathedral is the tallest complete cathedral in France and it also has the greatest interior volume of any French cathedral, estimated at 200,000 cubic metres. The cathedral was built between 1220 and c.1270 and has listed as a UNESCO World Heritage Site since 1981. Bishop Evrard de Fouilly initiated work on the cathedral in 1220, robert de Luzarches was the architect until 1228, and was followed by Thomas de Cormont until 1258. His son, Renaud de Cormont, acted as the architect until 1288, the chronicle of Corbie gives a completion date for the cathedral of 1266. Its floors are covered with a number of designs, such as the bent cross, the labyrinth was installed in 1288. The cathedral contains the head of John the Baptist, a relic brought from Constantinople by Wallon de Sarton as he was returning from the Fourth Crusade. The construction of the cathedral at this period can be seen as resulting from a coming together of necessity and opportunity. The destruction of buildings by fire, and failed attempts at rebuilding forced the fairly rapid construction of a building that. The long and relatively peaceful reign of Louis IX of France brought a prosperity to the region, based on thriving agriculture and a booming cloth trade, the great cathedrals of Reims and Chartres are roughly contemporary. The structure was saved when, centuries later, masons placed a second row of more robust flying buttresses that connected lower down on the outer wall. This fix failed to counteract similar issues with the wall which began to develop large cracks around the late Middle Ages. This was solved by another patch that consisted of an iron bar chain being installed around the mezzanine level to resist the forces pushing the stone columns outward. The chain was installed red hot to act as a cinch, above the rose window there is an open arcade, the galerie des sonneurs. Flanking the nave, the two towers were built without regard to the former design, the south tower being finished in 1366. The western portals of the cathedral are famous for their sculpture, featuring a gallery of locally-important saints
30.
Clermont-Ferrand Cathedral
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Clermont-Ferrand Cathedral is a Gothic cathedral, and French national monument, located in the town of Clermont-Ferrand in the Auvergne. It is the seat of the Archbishops of Clermont and it is built entirely in black lava stone, which makes it highly distinctive, and visible from a great distance. Its twin spires are 108 metres tall, and tower above the towns rooftops, in the 5th century, bishop Namatius laid the foundations of the citys first cathedral, allowing the Christian community to leave its ghetto, the vicus christianorum. He dedicated the building to Saints Vitalis and Agricola, whose relics he brought from Bologna and it was 43 metres long and on a basilica plan, as is known by the account of Gregory of Tours. It was ornamented in marble, with a nave, two aisles, a transept and 70 columns. It was destroyed in 760 by Pepin the Short who, repenting of this act, gave a sum to bishop Haddebert to finance his reconstruction work. This second structure was destroyed, this time by the Normans. Bishop Stephen II built a third Roman cathedral, which was consecrated in 946, unsurpassed, this building probably served as the model and prototype for many churches in the Auvergne. The present crypt dates back to this 10th century church, in 1248, inspired by a visit on Sainte-Chapelle on a trip to Paris, bishop Hugues de la Tour decided to launch work on a new cathedral. Constructing a church in the prestigious Northern Gothic style would thus allow him to assert his supremacy over a city that had put back into its bishops power just some decades earlier. Notre-Dame-du-Port, that had inspired the cathedral of Stephen II, would again be surpassed. The main originality of the structure is the used, the rock from Volvic that gives the building its dark colour. Jean Deschamps was entrusted with the work and he had already worked on the cathedrals at Narbonne and Limoges. Jean worked from 1248 to 1287 on the choir, in which Louis IX came to marry his son to Isabella of Aragon, the king financed part of the stained glass windows that appear to be from the same workshop as those in Sainte-Chapelle. The choir, the transept and the start of the nave were finished about 1295, pierre Deschamps took over from his father up to 1325, pushing the works beyond the transept crossing. From 1325 to 1340, the towers of the arms were raised by an anonymous master. One of them is familiar, the de la Bayette. During the years followed, the chapter was satisfied to have him sculpt a new doorjamb for the door of its sacristy
31.
Reims Cathedral
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Notre-Dame de Reims is a Roman Catholic church in Reims, France. It is the seat of the Archdiocese of Reims, where the kings of France were crowned. The cathedral replaced a church, destroyed by fire in 1211. That original structure had itself been erected on the site of some Roman baths, a major tourism destination, the cathedral receives about one million visitors annually. Excavations have shown that the present building occupies roughly the site as the original cathedral. That church was rebuilt during the Carolingian period and further extended in the 12th century, on 19 May 1051, King Henry I of France and Anne of Kiev were married in the cathedral. Whilst conducting the Council of Reims in 1131, Pope Innocent II anointed and crowned the future Louis VII in the cathedral, on May 6,1210 the cathedral was damaged by fire and reconstruction started shortly after, beginning at the eastern end. In 1233 a long-running dispute between the chapter and the townsfolk boiled over into open revolt. Several clerics were killed or injured during the violence and the entire cathedral chapter fled the city. Work on the new cathedral was suspended for three years, only resuming in 1236 after the clergy returned to the city and the interdict was lifted following mediation by the King and the Pope. The area from the crossing eastwards was in use by 1241, work on the west facade took place in several phases, which is reflected in the very different styles of some of the sculptures. The upper parts of the facade were completed in the 14th century, unusually the names of the cathedrals original architects are known. The labyrinth itself was destroyed in 1779 but its details and inscriptions are known from 18th century drawings, the clear association here between a labyrinth and master masons adds weight to the argument that such patterns were an allusion to the emerging status of the architect. The cathedral also contains evidence of the rising status of the architect in the tomb of Hugues Libergier. Not only is he given the honor of a slab, he is shown holding a miniature model of his church. The towers,81 m tall, were designed to rise 120 m. The south tower holds just two great bells, one of them, named “Charlotte” by Charles, Cardinal of Lorraine in 1570, following the death of the infant King John I, his uncle Philip would be hurriedly crowned at Reims,9 January 1317. During the Hundred Years War the cathedral and city were under siege by the English from 1359 to 1360, but the siege failed
32.
Visigoths
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The Visigoths were the western branches of the nomadic tribes of Germanic peoples referred to collectively as the Goths. These tribes flourished and spread throughout the late Roman Empire in Late Antiquity, the Visigoths emerged from earlier Gothic groups who had invaded the Roman Empire beginning in 376 and had defeated the Romans at the Battle of Adrianople in 378. Relations between the Romans and the Visigoths were variable, alternately warring with one another and making treaties when convenient, the Visigoths invaded Italy under Alaric I and sacked Rome in 410. The Visigoths first settled in southern Gaul as foederati of the Romans – a relationship established in 418, however, they soon fell out with their Roman hosts and established their own kingdom with its capital at Toulouse. They next extended their authority into Hispania at the expense of the Suebi, in 507, however, their rule in Gaul was ended by the Franks under Clovis I, who defeated them in the Battle of Vouillé. After that, the Visigoth kingdom was limited to Hispania, in or around 589, the Visigoths under Reccared I converted from Arianism to Nicene Christianity, gradually adopting the culture of their Hispano-Roman subjects. Their legal code, the Visigothic Code abolished the practice of applying different laws for Romans. Once legal distinctions were no longer being made between Romani and Gothi, they became known collectively as Hispani, in the century that followed, the region was dominated by the Councils of Toledo and the episcopacy. In 711 or 712, a force of invading African Moors defeated the Visigoths in the Battle of Guadalete and their king and many members of their governing elite were killed, and their kingdom rapidly collapsed. During their governance of the Kingdom of Hispania, the Visigoths built several churches that survive and they also left many artifacts, which have been discovered in increasing numbers by archaeologists in recent times. The Treasure of Guarrazar of votive crowns and crosses is the most spectacular and they founded the only new cities in western Europe from the fall of the Western half of the Roman Empire until the rise of the Carolingian dynasty. Many Visigothic names are still in use in modern Spanish and Portuguese, contemporaneous references to the Gothic tribes use the terms Vesi, Ostrogothi, Thervingi, and Greuthungi. Most scholars have concluded that the terms Vesi and Tervingi were both used to refer to one particular tribe, while the terms Ostrogothi and Greuthungi were used to refer to another. In addition, the Notitia Dignitatum equates the Vesi with the Tervingi in a reference to the years 388–391, the earliest sources for each of the four names are roughly contemporaneous. The first recorded reference to the Tervingi is in a eulogy of the emperor Maximian, delivered in or shortly after 291 and it says that the Tervingi, another division of the Goths, joined with the Taifali to attack the Vandals and Gepidae. The first known use of the term Ostrogoths is in a document dated September 392 from Milan and this would explain why the latter terms dropped out of use shortly after 400, when the Goths were displaced by the Hunnic invasions. Wolfram believes that the people Zosimus describes were those Tervingi who had remained behind after the Hunnic conquest, for the most part, all of the terms discriminating between different Gothic tribes gradually disappeared after they moved into the Roman Empire. The last indication that the Goths whose king reigned at Toulouse thought of themselves as Vesi is found in a panegyric on Avitus by Sidonius Apollinaris dated 1 January 456, most recent scholars have concluded that Visigothic group identity emerged only within the Roman Empire
33.
Louis XI of France
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Louis XI, called the Prudent, was a monarch of the House of Valois who ruled as King of France from 1461 to 1483. He succeeded his father Charles VII. Louis was a devious, the king forgave his rebellious vassals, including Louis, to whom he entrusted the management of the Dauphiné, then a province in southeastern France. Louiss ceaseless intrigues, however, led his father to him from court. From the Dauphiné, Louis led his own political establishment and married Charlotte of Savoy, daughter of Louis, Duke of Savoy, against the will of his father. Charles VII sent an army to compel his son to his will, but Louis fled to Burgundy, where he was hosted by Philip the Good, when Charles VII died in 1461, Louis left the Burgundian court to take possession of his kingdom. His taste for intrigue and his diplomatic activity earned him the nicknames the Cunning. In 1472, the subsequent Duke of Burgundy, Charles the Bold, however, Louis was able to isolate Charles from his English allies by signing the Treaty of Picquigny with Edward IV of England. The treaty formally ended the Hundred Years War, with the death of Charles the Bold at the Battle of Nancy in 1477, the dynasty of the dukes of Burgundy died out. Louis took advantage of the situation to seize numerous Burgundian territories, including Burgundy proper, without direct foreign threats, Louis was able to eliminate his rebellious vassals, expand royal power, and strengthen the economic development of his country. He died in 1483 and was succeeded by his son Charles VIII, Louis was born in Bourges on 3 July 1423, the son of King Charles VII of France. At the time of the Hundred Years War, the English held northern France, including the city of Paris, and Charles VII was restricted to the centre and south of the country. Louis was the grandson of Yolande of Aragon, who was a force in the family for driving the English out of France. Just a few weeks after Louiss christening at the Cathedral of St. Étienne on 4 July 1423, shortly thereafter, a combined Anglo-Burgundian army threatened Bourges itself. Duke Philip II was the reigning Duke of Burgundy while he was king, phillip was an uncle of King Charles VI, and he actually served on a council of regents for King Charles. The Dukes of Anjou, Berry, and Bourbon, all uncles of Charles VI, all effective power in France actually lay with this council of dukes. In its position of independence from the French throne, Burgundy had grown in size, during the Hundred Years War, the Burgundians allied themselves with England against the French crown. Indeed, the Burgundians were responsible for the capture of Joan of Arc, Joan later led troops in other victories at the Battle of Jargeau and the Battle of Patay. Nevertheless, Louis grew up aware of the weakness of the French nation
34.
Philip the Bold
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Philip the Bold was Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. The fourth and youngest son of King John II of France and his wife, Bonne of Luxembourg and his vast collection of territories made him the undisputed premier peer of the kingdom of France and made his successors formidable rivals of the kings of France. Born in Pontoise in 1342, Philip gained his cognomen the Bold at the age of 14 and he remained in the custody of the English with his father until the terms of their ransom were agreed to in the Treaty of Brétigny of 1360. His father had been the ruler of the duchy since the death of Duke Philip I in 1361, Philip would rule the duchy as Philip II until his death. He was actually the stepbrother of Philip I of Burgundy, whose mother Joan was married to King John II of France, Philip the Bolds father, Margaret became the widow of Philips stepbrother Duke Philip I of Burgundy while still a child of about 11. As her fathers heiress, Margaret would bring rich possessions to Philip the Bold. From 1379 to 1382, Philip helped his father-in-law Louis II put down revolts in Flanders, particularly in Ghent, the revolts were finally ended in 1385, following the death of Louis II, with the Peace of Tournai. As jure uxoris Count of Flanders, he would keep in mind the interests of the Flemish cities. Philip was very active at the court of France, particularly after the death in 1380 of his brother King Charles V, among Philips acts while regent was the suppression of a tax revolt in 1382 known as the Harelle. The regency lasted until 1388, always with Philip assuming the dominant role, Louis of Bourbon was largely an unimportant figure due to his personality and his status. In 1392, events conspired to allow Philip to seize power once more in France, Charles VIs friend and advisor Olivier de Clisson had recently been the target of an assassination attempt by agents of John V, Duke of Brittany. The would-be assassin, Pierre de Craon, had taken refuge in Brittany, Charles, outraged at these events, determined to punish Craon, and on 1 July 1392 led an expedition against Brittany. While traveling to Brittany, the king, already overwrought by the progress, was shocked by a madman who spent half-an-hour following the procession to warn the king that he had been betrayed. When a page dropped a lance, the king reacted by killing several of his knights and had to be wrestled to the ground, Philip, who was present, immediately assumed command and appointed himself regent, dismissing Charles advisors. He was the ruler of France until 1402. His seizure of power, however, had consequences for the unity of the House of Valois. This struggle only served to enhance the reputation of Philip, since he appeared to be a sober and honest reformer in comparison to the profligate and irresponsible Louis. Although Charles VI confirmed his brother as regent in 1402 in a moment of sanity, Louiss misrule allowed Philip to regain control of France as regent in 1404
35.
Fleuron (architecture)
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A fleuron is a flower shaped ornament, and in architecture may have a number of meanings. It is a noun for the ornamental termination at the ridge of a roof such as a crop. It is also a form of stylised late gothic decoration in the form of a square, often seen on crockets. It can be the ornament in the middle of each face of a Corinthian abacus. Finally it can be a form of Anthemion, the decorative Greek floral decoration
36.
Mulhouse
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Mulhouse is a city and commune in eastern France, close to the Swiss and German borders. Mulhouse is the commune of the 33 making up the communauté dagglomération Mulhouse Alsace Agglomération. Mulhouse is famous for its museums, especially the Cité de l’Automobile, an industrial town nicknamed the French Manchester, Mulhouse is also the main seat of the Upper Alsace University, where the secretariat of the European Physical Society can be found. Mulhouse is the city of an arrondissement of the Haut-Rhin département. Legends mention the origin of the town in 58 BC, and it was part of the southern Alsatian county of Sundgau in the Holy Roman Empire. From 1354–1515 Mulhouse was part of the Décapole, an association of ten Free Imperial Cities in Alsace, the city joined the Swiss Confederation as an associate in 1515 and was therefore not annexed by France in the Peace of Westphalia in 1648 like the rest of the Sundgau. Starting in the middle of the century, the Koechlin family pioneered cotton cloth manufacturing. André Koechlin built machinery and started making railroad equipment in 1842, the firm in 1839 already employed 1,800 people. After the Prussian victory in the Franco-Prussian War Mulhouse was annexed to the German Empire as part of the territory of Alsace-Lorraine. The city was occupied by French troops on 8 August 1914 at the start of World War I. The citizens of Alsace who unwisely celebrated the appearance of the French army, were left to face German reprisals, after World War I ended in 1918, French troops entered Alsace. Germany ceded the region to France under the Treaty of Versailles, after the Battle of France in 1940, it was occupied by German forces until returned to French control at the end of the war in May 1945. The towns development was stimulated first by the expansion of the industry and tanning. Mulhouse was for a time called the French Manchester. In consequence, the town has enduring links with Louisiana, from which it imported cotton, the towns history also explains why its centre is relatively small. Two rivers run through Mulhouse, the Doller and the Ill, Mulhouse is approximately 100 kilometres away from Strasbourg and Zürich, it is 350 km away from Milan and about 340 km from Frankfurt. It is close enough to Basel, Switzerland and Freiburg, Germany to share the EuroAirPort international airport with two cities. Medieval Mulhouse consists essentially of a lower and an upper town, the lower town was formerly the inner city district of merchants and craftsmen
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Works related to Dictionary of French Architecture from the 11th to 16th Century at Wikisource
Media related to Viollet-le-Duc at Wikimedia Commons
Chisholm, Hugh, ed. (1911). "Viollet-le-Duc, Eugène Emmanuel". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Chisholm, Hugh, ed. (1911). "