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Poster for the silent exploitation film The Road to Ruin (1928)
Poster for the silent exploitation film The Road to Ruin (1928)
Reefer Madness, a 1936 film about marijuana
Reefer Madness, a 1936 film about marijuana
Poster for the independent film Sweet Sweetback's Baadasssss Song (1971)
Poster for the independent film Sweet Sweetback's Baadasssss Song (1971)
Godzilla (1954), the first film in the Godzilla series
Godzilla (1954), the first film in the Godzilla series
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The "King of the Bs", Roger Corman, produced and directed The Raven (1963) for American International Pictures. Vincent Price headlines a cast of vete
The "King of the Bs", Roger Corman, produced and directed The Raven (1963) for American International Pictures. Vincent Price headlines a cast of veteran character actors along with a young Jack Nicholson.
Stony Brooke (Wayne), Tucson Smith (Corrigan), and Lullaby Joslin (Terhune) did not get much time in harness. Republic Pictures' Pals of the Saddle (1
Stony Brooke (Wayne), Tucson Smith (Corrigan), and Lullaby Joslin (Terhune) did not get much time in harness. Republic Pictures' Pals of the Saddle (1938) lasts just 55 minutes, average for a Three Mesquiteers adventure.
Often marketed as pure sensationalism, many films noir also possessed great visual beauty. Raw Deal (1948), writes scholar Robert Smith, is "resplende
Often marketed as pure sensationalism, many films noir also possessed great visual beauty. Raw Deal (1948), writes scholar Robert Smith, is "resplendent with velvety blacks, mists, netting, and other expressive accessories of poetic noir decor and lighting". Directed by Anthony Mann and shot by John Alton, it was released by Poverty Row's Eagle-Lion firm.
Rocketship X-M (1950), produced and released by small Lippert Pictures, is cited as possibly "the first postnuclear holocaust film". It was at the lea
Rocketship X-M (1950), produced and released by small Lippert Pictures, is cited as possibly "the first postnuclear holocaust film". It was at the leading edge of a large cycle of movies, mostly low-budget and many long forgotten, classifiable as "atomic bomb cinema".