1.
Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
2.
Latin
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Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
3.
Book
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A book is a set of written, printed, illustrated, or blank sheets, made of paper, parchment, or other materials, fastened together to hinge at one side, with text and/or images printed in ink. A single sheet within a book is a leaf, and each side of a leaf is a page, a set of text-filled or illustrated pages produced in electronic format for reading on a computer screen, smartphone or e-reader device is known as an electronic book, or e-book. The term books may refer the body of works of literature. In library and information science, a book is called a monograph, to distinguish it from serial periodicals such as magazines, journals, in novels and sometimes other types of books, a book may be divided into several large sections, also called books. An avid reader or collector of books or a lover is a bibliophile or colloquially. A shop where books are bought and sold is a bookshop or bookstore, Books are also sold in some department stores, drugstores and newspaper vendors. Books can also be borrowed from libraries, google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, printed books are giving way to the usage of electronic or e-books, the word book comes from Old English bōc, which in turn comes from the Germanic root *bōk-, cognate to beech. Similarly, in Slavic languages буква is cognate with beech, in Russian and in Serbian and Macedonian, the word букварь or буквар refers specifically to a primary school textbook that helps young children master the techniques of reading and writing. It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood, similarly, the Latin word codex, meaning a book in the modern sense, originally meant block of wood. When writing systems were created in ancient civilizations, a variety of objects, such as stone, clay, tree bark, metal sheets, the study of such inscriptions forms a major part of history. The study of inscriptions is known as epigraphy, the Ancient Egyptians would often write on papyrus, a plant grown along the Nile River. At first the words were not separated from other and there was no punctuation. Texts were written right to left, left to right. The technical term for that last type of writing is boustrophedon, a tablet might be defined as a physically robust writing medium, suitable for casual transport and writing. See also stylus, the instrument used to write on a tablet, clay tablets were flattened and mostly dry pieces of clay that could be easily carried, and impressed with a stylus. They were used as a medium, especially for writing in cuneiform, throughout the Bronze Age. Tablets were used by traders to record sales of such as bushels of grain
4.
Manuscript
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A manuscript is any document written by hand or typewritten, as opposed to being mechanically printed or reproduced in some automated way. More recently, it is understood to be a written, typed, or word-processed copy of a work. Before the arrival of printing, all documents and books were manuscripts, manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, explanatory figures or illustrations. Manuscripts may be in form, scrolls or in codex format. Illuminated manuscripts are enriched with pictures, border decorations, elaborately embossed initial letters or full-page illustrations. The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS. ms or ms. for singular, and MSS. mss or mss. for plural are also accepted. The second s is not simply the plural, by an old convention, it doubles the last letter of the abbreviation to express the plural, just as pp. means pages. Before the invention of printing in China or by moveable type in a printing press in Europe. Historically, manuscripts were produced in form of scrolls or books, manuscripts were produced on vellum and other parchment, on papyrus, and on paper. In Russia birch bark documents as old as from the 11th century have survived, in India, the palm leaf manuscript, with a distinctive long rectangular shape, was used from ancient times until the 19th century. Paper spread from China via the Islamic world to Europe by the 14th century, when Greek or Latin works were published, numerous professional copies were made simultaneously by scribes in a scriptorium, each making a single copy from an original that was declaimed aloud. Manuscripts in Tocharian languages, written on leaves, survived in desert burials in the Tarim Basin of Central Asia. Volcanic ash preserved some of the Roman library of the Villa of the Papyri in Herculaneum, ironically, the manuscripts that were being most carefully preserved in the libraries of antiquity are virtually all lost. Originally, all books were in manuscript form, in China, and later other parts of East Asia, woodblock printing was used for books from about the 7th century. The earliest dated example is the Diamond Sutra of 868, in the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. Manuscript copying of books continued for a least a century, as printing remained expensive, private or government documents remained hand-written until the invention of the typewriter in the late 19th century. In the Philippines, for example, as early as 900AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and bamboo staves that were inscribed. However, neither the leaves nor paper were as durable as the document in the hot
5.
Map
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A map is a symbolic depiction emphasizing relationships between elements of some space, such as objects, regions, or themes. Many maps are static, fixed to paper or some other durable medium, although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word map comes from the medieval Latin Mappa mundi, wherein mappa meant napkin or cloth, thus, map became the shortened term referring to a two-dimensional representation of the surface of the world. Cartography or map-making is the study and practice of crafting representations of the Earth upon a flat surface, in addition to location information maps may also be used to portray contour lines indicating constant values of elevation, temperature, rainfall, etc. The orientation of a map is the relationship between the directions on the map and the compass directions in reality. The word orient is derived from Latin oriens, meaning East, in the Middle Ages many maps, including the T and O maps, were drawn with East at the top. Today, the most common – but far from universal – cartographic convention is that North is at the top of a map, several kinds of maps are often traditionally not oriented with North at the top, Maps from non-Western traditions are oriented a variety of ways. Old maps of Edo show the Japanese imperial palace as the top, labels on the map are oriented in such a way that you cannot read them properly unless you put the imperial palace above your head. Medieval European T and O maps such as the Hereford Mappa Mundi were centred on Jerusalem with East at the top, indeed, prior to the reintroduction of Ptolemys Geography to Europe around 1400, there was no single convention in the West. Portolan charts, for example, are oriented to the shores they describe, Maps of cities bordering a sea are often conventionally oriented with the sea at the top. Route and channel maps have traditionally been oriented to the road or waterway they describe, polar maps of the Arctic or Antarctic regions are conventionally centred on the pole, the direction North would be towards or away from the centre of the map, respectively. Typical maps of the Arctic have 0° meridian towards the bottom of the page, reversed maps, also known as Upside-Down maps or South-Up maps, reverse the North is up convention and have south at the top. Buckminster Fullers Dymaxion maps are based on a projection of the Earths sphere onto an icosahedron, the resulting triangular pieces may be arranged in any order or orientation. Modern digital GIS maps such as ArcMap typically project north at the top of the map, compass decimal degrees can be converted to math degrees by subtracting them from 450, if the answer is greater than 360, subtract 360. The scale statement may be taken as exact when the region mapped is small enough for the curvature of the Earth to be neglected, over larger regions where the curvature cannot be ignored we must use map projections from the curved surface of the Earth to the plane. Thus for map projections we must introduce the concept of point scale, which is a function of position, although the scale statement is nominal it is usually accurate enough for all but the most precise of measurements. Large scale maps, say 1,10,000, cover relatively small regions in detail and small scale maps, say 1,10,000,000, cover large regions such as nations, continents. The large/small terminology arose from the practice of writing scales as numerical fractions, there is no exact dividing line between large and small but 1/100,000 might well be considered as a medium scale
6.
Old master print
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An old master print is a work of art produced by a printing process within the Western tradition. Fifteenth-century prints are rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term, the main techniques used, in order of their introduction, are woodcut, engraving, etching, mezzotint and aquatint, although there are others. Different techniques are combined in a single print. With rare exceptions printed on textiles, such as silk, or on vellum, many great European artists, such as Albrecht Dürer, Rembrandt, and Francisco Goya, were dedicated printmakers. In their own day, their international reputations largely came from their prints, influences between artists were also mainly transmitted beyond a single city by prints, for the same reason. Prints therefore are frequently brought up in detailed analyses of individual paintings in art history, today, thanks to colour photo reproductions, and public galleries, their paintings are much better known, whilst their prints are only rarely exhibited, for conservation reasons. But some museum print rooms allow visitors to see their collection, the oldest technique is woodcut, or woodblock printing, which was invented as a method for printing on cloth in China, and perhaps separately in Egypt in the Byzantine period. This had reached Europe via the Byzantine or Islamic worlds before 1300, religious images and playing cards are documented as being produced on paper, probably printed, by a German in Bologna in 1395. However, the most impressive printed European images to survive from before 1400 are printed on cloth, for use as hangings on walls or furniture, including altars, some were used as a pattern to embroider over. Some religious images were used as bandages, to speed healing, the earliest print images are mostly of a high artistic standard, and were clearly designed by artists with a background in painting. Whether these artists cut the blocks themselves, or only inked the design on the block for another to carve, is not known, the great majority of surviving 15th-century prints are religious, although these were probably the ones more likely to survive. Their makers were sometimes called Jesus maker or saint-maker in documents, as with manuscript books, monastic institutions sometimes produced, and often sold, prints. No artists can be identified with specific woodcuts until towards the end of the century, the little evidence we have suggests that woodcut prints became relatively common and cheap during the fifteenth century, and were affordable by skilled workers in towns. For example, what may be the earliest surviving Italian print, the school caught fire, and the crowd who gathered to watch saw the print carried up into the air by the fire, before falling down into the crowd. This was regarded as an escape and the print was carried to Forlì Cathedral. Like the majority of prints before approximately 1460, only a single impression of this print has survived, Woodcut blocks are printed with light pressure, and are capable of printing several thousand impressions, and even at this period some prints may well have been produced in that quantity. Many prints were hand-coloured, mostly in watercolour, in fact the hand-colouring of prints continued for many centuries, Italy, Germany, France and the Netherlands were the main areas of production, England does not seem to have produced any prints until about 1480
7.
Conservation-restoration of cultural heritage
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The conservation-restoration of cultural heritage focuses on protection and care of tangible cultural heritage, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment and this field is closely allied with conservation science, curators and registrars. Conservation of cultural heritage can be described as a type of ethical stewardship, Conservation of cultural heritage applies simple ethical guidelines, Minimal intervention, Appropriate materials and reversible methods, Full documentation of all work undertaken. Often there are compromises between preserving appearance, maintaining original design and material properties, and ability to reverse changes, reversibility is now emphasized so as to reduce problems with future treatment, investigation, and use. The care of cultural heritage has a history, one that was primarily aimed at fixing and mending objects for their continued use. Until the early 20th century, artists were normally the ones called upon to repair damaged artworks, louis Pasteur carried out scientific analysis on paint as well. The society was founded by William Morris and Philip Webb, both of whom were influenced by the writings of John Ruskin. He not only developed an approach to the care of objects in the collections. The early development of conservation of heritage in any area of the world is usually linked to the creation of positions for chemists within museums. Lauries interests were fostered by William Holman Hunt, the creation of this department moved the focus for the development of conservation theory and practice from Germany to Britain, and made the latter a prime force in this fledgling field. In the United States, the development of conservation of heritage can be traced to the Fogg Art Museum. Importantly he also brought onto the staff chemists. Rutherford John Gettens was the first of usch in the US to be employed by an art museum. He worked with George L. Stout, the founder and first editor of Technical Studies, Gettens and Stout co-authored Painting Materials, A Short Encyclopaedia in 1942, reprinted in 1966. This compendium is still cited regularly, only a few dates and descriptions in Gettens and Stouts book are now outdated. George T. Oliver, of Oliver Brothers Art Restoration and Art Conservation-Boston invented the vacuum hot table for relining paintings in 1920s, taylors prototype table, which he designed and constructed, is still in operation. Oliver Brothers is believed to be the first and the oldest continuously operating art restoration company in the United States, the focus of conservation development then accelerated in Britain and America, and it was in Britain that the first International Conservation Organisations developed. Art historians and theorists such as Cesare Brandi have also played a significant role in developing conservation science theory, in recent years ethical concerns have been at the forefront of developments in conservation
8.
Special edition
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A limited edition is restricted in the number of copies produced, although in fact the number may be very low or very high. A special edition implies there is material of some kind included. The term is used on DVD film releases, often when the so-called special edition is actually the only version released. Collectors edition may just be another term for special edition, popular culture widely employs Special, Deluxe, Expanded and Limited Edition in marketing, releasing subsequent, improved versions of film DVDs, music, and video games. Companies widely use special editions and incremental improvements to sell the products to consumers multiple times. In many cases, successful releases have had items made in limited numbers. These limited editions contain the best DVD edition possible of a film with special items in a box set. It is also common to have such items packaged with unique designs, with the success of DVDs, special editions of films themselves have also become fairly common. Sharing similarities with the concept of a directors cut and these generally feature additional in-movie material. The material may be footage originally deleted from the final cut, the Doctor Who television movie The Five Doctors was edited, recut, amongst various other changes, to make the Special Edition in 1999 for the first DVD release of the episode. Limited edition prints, also known as LEs, have been standard in printmaking from the century onwards. A limit to the print run is crucial, as many traditional printmaking techniques can produce a limited number of best quality impressions. Edition sizes higher than about 500 are likely to be of print reproductions of paintings, of less value. As in other fields, the use of the concept has become largely driven by marketing imperatives and these need to be distinguished from the original artists print, carefully produced directly from his work, and printed under the artists supervision. In the United States limited editions are regulated under state consumer protections laws, California became the first state to regulate the sale of limited edition art prints with the California Print Law of 1971. The state of Illinois later expanded on the California statute, however, it was not until 1986 that more comprehensive provisions, still in place today, were enacted with the passage of the Georgia Print Law. That law became the template for statutes subsequently enacted by other states, the Georgia Print Law written by State Representative Chesley V. Morton, became effective July 1,1986. The penalty for violation of the law ranges from simple reimbursement to treble damages and those found to be in violation of the law are also liable for court costs, expenses, and attorney fees
9.
United States dollar
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The United States dollar is the official currency of the United States and its insular territories per the United States Constitution. It is divided into 100 smaller cent units, the circulating paper money consists of Federal Reserve Notes that are denominated in United States dollars. The U. S. dollar was originally commodity money of silver as enacted by the Coinage Act of 1792 which determined the dollar to be 371 4/16 grain pure or 416 grain standard silver, the currency most used in international transactions, it is the worlds primary reserve currency. Several countries use it as their currency, and in many others it is the de facto currency. Besides the United States, it is used as the sole currency in two British Overseas Territories in the Caribbean, the British Virgin Islands and Turks and Caicos Islands. A few countries use the Federal Reserve Notes for paper money, while the country mints its own coins, or also accepts U. S. coins that can be used as payment in U. S. dollars. After Nixon shock of 1971, USD became fiat currency, Article I, Section 8 of the U. S. Constitution provides that the Congress has the power To coin money, laws implementing this power are currently codified at 31 U. S. C. Section 5112 prescribes the forms in which the United States dollars should be issued and these coins are both designated in Section 5112 as legal tender in payment of debts. The Sacagawea dollar is one example of the copper alloy dollar, the pure silver dollar is known as the American Silver Eagle. Section 5112 also provides for the minting and issuance of other coins and these other coins are more fully described in Coins of the United States dollar. The Constitution provides that a regular Statement and Account of the Receipts and that provision of the Constitution is made specific by Section 331 of Title 31 of the United States Code. The sums of money reported in the Statements are currently being expressed in U. S. dollars, the U. S. dollar may therefore be described as the unit of account of the United States. The word dollar is one of the words in the first paragraph of Section 9 of Article I of the Constitution, there, dollars is a reference to the Spanish milled dollar, a coin that had a monetary value of 8 Spanish units of currency, or reales. In 1792 the U. S. Congress passed a Coinage Act, Section 20 of the act provided, That the money of account of the United States shall be expressed in dollars, or units. And that all accounts in the offices and all proceedings in the courts of the United States shall be kept and had in conformity to this regulation. In other words, this act designated the United States dollar as the unit of currency of the United States, unlike the Spanish milled dollar the U. S. dollar is based upon a decimal system of values. Both one-dollar coins and notes are produced today, although the form is significantly more common
10.
Fax
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Fax, sometimes called telecopying or telefax, is the telephonic transmission of scanned printed material, normally to a telephone number connected to a printer or other output device. The receiving fax machine interprets the tones and reconstructs the image, early systems used direct conversions of image darkness to audio tone in a continuous or analog manner. Since the 1980s, most machines modulate the audio frequencies using a digital representation of the page which is compressed to quickly transmit areas which are all-white or all-black. Scottish inventor Alexander Bain worked on chemical mechanical fax type devices and he received British patent 9745 on May 27,1843 for his Electric Printing Telegraph. Frederick Bakewell made several improvements on Bains design and demonstrated a telefax machine, the Pantelegraph was invented by the Italian physicist Giovanni Caselli. He introduced the first commercial service between Paris and Lyon in 1865, some 11 years before the invention of the telephone. In 1880, English inventor Shelford Bidwell constructed the scanning phototelegraph that was the first telefax machine to scan any two-dimensional original, previously, photographs had been sent over the radio using this process. The Western Union Deskfax fax machine, announced in 1948, was a machine that fit comfortably on a desktop. As a designer for the Radio Corporation of America, in 1924, Richard H. Ranger invented the wireless photoradiogram, or transoceanic radio facsimile, the forerunner of today’s fax machines. A photograph of President Calvin Coolidge sent from New York to London on November 29,1924 became the first photo picture reproduced by transoceanic radio facsimile, commercial use of Ranger’s product began two years later. Also in 1924, Herbert E. Ives of AT&T Corporation transmitted and reconstructed the first color facsimile, around 1952 or so, Finch Facsimile, a highly developed machine, was described in detail in a book, it was never manufactured in quantity. By the late 1940s, radiofax receivers were sufficiently miniaturized to be fitted beneath the dashboard of Western Unions Telecar telegram delivery vehicles, in the 1960s, the United States Army transmitted the first photograph via satellite facsimile to Puerto Rico from the Deal Test Site using the Courier satellite. Radio fax is still in limited use today for transmitting weather charts, in 1964, Xerox Corporation introduced what many consider to be the first commercialized version of the modern fax machine, under the name or Long Distance Xerography. This model was superseded two years later with a unit that would set the standard for fax machines for years to come. Up until this point facsimile machines were expensive and hard to operate. In 1966, Xerox released the Magnafax Telecopiers, a smaller and this unit was far easier to operate and could be connected to any standard telephone line. This machine was capable of transmitting a letter-sized document in about six minutes, the first sub-minute, digital fax machine was developed by Dacom, which built on digital data compression technology originally developed at Lockheed for satellite communication. By the late 1970s, many companies around the world, entered the fax market, very shortly after a new wave of more compact, faster and efficient fax machines would hit the market
11.
Printmaking
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
12.
Abraham Ortelius
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Abraham Ortelius was a Flemish/Netherlandish cartographer and geographer, conventionally recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum. Ortelius was born in the city of Antwerp, which was then in the Habsburg Netherlands, the Orthellius family were originally from Augsburg, a Free imperial city of the Holy Roman Empire. In 1535, the family had fallen under suspicion of Protestantism, following the death of Ortelius father, his uncle Jacobus van Meteren returned from religious exile in England to take care of Ortelius. Abraham remained close to his cousin Emanuel van Meteren who would move to London. In 1575 he was appointed geographer to the king of Spain, Philip II, on the recommendation of Arias Montanus, beginning as a map-engraver, in 1547 he entered the Antwerp Guild of Saint Luke as an illuminator of maps. He supplemented his income trading in books, prints, and maps, in 1560, however, when travelling with Mercator to Trier, Lorraine, and Poitiers, he seems to have been attracted, largely by Mercator’s influence, towards the career of a scientific geographer. This map subsequently appeared in reduced form in the Terrarum, in 1578 he laid the basis of a critical treatment of ancient geography by his Synonymia geographica. In 1596 he received a presentation from Antwerp city, similar to that afterwards bestowed on Rubens and his death on 28 June 1598, and his burial in the church of St. Michaels Abbey, Antwerp, were marked by public mourning. Quietis cultor sine lite, uxore, prole, reads the inscription on his tombstone, on 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius’ Theatrum Orbis Terrarum, the first modern atlas. Most of the maps were admittedly reproductions, and many discrepancies of delineation or nomenclature occur, in 1573 Ortelius published seventeen supplementary maps under the title Additamentum Theatri Orbis Terrarum. Four more Additamenta were to follow, the last one appearing in 1597 and he also had a keen interest and formed a fine collection of coins, medals and antiques, and this resulted in the book Deorum dearumque capita. He also published Itinerarium per nonnuilas Galliae Belgicae partes, a record of a journey in Belgium, in 1589 he published Maris Pacifici, the first dedicated map of the Pacific to be printed. Among his last works were an edition of Caesar, and the Aurei saeculi imago, sive Germanorum veterum vita, mores and he also aided Welser in his edition of the Peutinger Table in 1598. Contrary to popular belief, Abraham Ortelius, who had no children, never lived at the Mercator-Orteliushuis, originals of Ortelius maps are popular collectors items and often sell for tens of thousands of dollars. Facsimiles of his maps are available from many retailers. A map he made of North and South America is also included in the worlds largest commercially available jigsaw puzzle which is of four world maps and this puzzle is made by Ravensburger, measures 6 feet ×9 feet, and has over 18,000 pieces. Ortelius was the first to underline the geometrical similarity between the coasts of America and Europe-Africa, and to continental drift as an explanation. Kious described Ortelius thoughts in this way, Abraham Ortelius in his work Thesaurus Geographicus, suggested that the Americas were torn away from Europe and Africa
13.
Lithography
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Lithography is a method of printing originally based on the immiscibility of oil and water. The printing is from a stone or a plate with a smooth surface. It was invented in 1796 by German author and actor Alois Senefelder as a method of publishing theatrical works. Lithography can be used to print text or artwork onto paper or other suitable material, Lithography originally used an image drawn with oil, fat, or wax onto the surface of a smooth, level lithographic limestone plate. The stone was treated with a mixture of acid and gum arabic, when the stone was subsequently moistened, these etched areas retained water, an oil-based ink could then be applied and would be repelled by the water, sticking only to the original drawing. The ink would finally be transferred to a paper sheet. This traditional technique is used in some fine art printmaking applications. In modern lithography, the image is made of a coating applied to a flexible aluminum plate. The image can be printed directly from the plate, or it can be offset, by transferring the image onto a sheet for printing. In fact, photolithography is used synonymously with offset printing, the technique as well as the term were introduced in Europe in the 1850s. Beginning in the 1960s, photolithography has played an important role in the fabrication, Lithography uses simple chemical processes to create an image. For instance, the part of an image is a water-repelling substance. Thus, when the plate is introduced to a printing ink and water mixture, the ink will adhere to the positive image. This allows a flat print plate to be used, enabling much longer, Lithography was invented by Alois Senefelder in the Kingdom of Bavaria in 1796. In the early days of lithography, a piece of limestone was used. After the oil-based image was put on the surface, a solution of gum arabic in water was applied, during printing, water adhered to the gum arabic surfaces and was repelled by the oily parts, while the oily ink used for printing did the opposite. Lithography works because of the repulsion of oil and water. The image is drawn on the surface of the print plate with a fat or oil-based medium such as a wax crayon, which may be pigmented to make the drawing visible
14.
Aquatint
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Aquatint is an intaglio printmaking technique, a variant of etching. In intaglio printmaking, the artist makes marks on the plate that are capable of holding ink, the inked plate is passed through a printing press together with a sheet of paper, resulting in a transfer of the ink to the paper. This can be repeated a number of times, depending on the particular technique, like etching, aquatint uses the application of a mordant to etch into the metal plate. Where the engraving uses a needle to make lines that print in black. The rosin is acid resistant and typically adhered to the plate by controlled heating, the tonal variation is controlled by the level of mordant exposure over large areas, and thus the image is shaped by large sections at a time. Another tonal technique, mezzotint, begins with a surface that is evenly indented so that it will carry a fairly dark tone of ink. The mezzotint plate is then smoothed and polished to make areas carry less ink, alternatively, beginning with a smooth plate, areas are roughened to make them darker. Occasionally these two techniques are combined, the painter and printmaker Jan van de Velde IV invented the aquatint technique in Amsterdam, around 1650. The cartographer Peter Perez Burdett later introduced his secret aquatint technique to England in the 1770s, an aquatint requires a metal plate, an acid, and something to resist the acid. Traditionally copper or zinc plates were used, the artist applies a ground that will resist acid. Ground is applied by either dissolving powdered resin in spirits, applying the powder directly to the surface of the plate, in all forms of etching the acid resist is commonly referred to as the ground. An aquatint box is used to apply resin powder, the powder is at the bottom of the box, a crank or a bellows is used to blow the powder up into the air of the box. A window allows the engraver to see the density of flowing powder, when the powder covers the plate, it can be extracted from the box for the next operations. The plate is then heated, if the plate is covered with powder, the resin melts forming a fine and even coat, if it is in spirits, the spirits evaporate and the result is essentially the same. Now the plate is dipped in acid, producing an even, at this point, the plate is said to carry about a 50% halftone. This means that, were the plate printed with no further biting, at some point the artist will then etch an outline of any aspects of the drawing s/he wishes to establish with line, this provides the basis and guide for the later tone work. S/he may also have applied an acid-resistant stop out if s/he intends to keep any areas totally white and free of ink, the artist then begins immersing the plate in the acid bath, progressively stopping out any areas that have achieved the designed tonality. These tones, combined with the limited line elements, give aquatints a distinctive, also, aquatints, like mezzotints, provide ease in creating large areas of tone without laborious cross-hatching, but aquatint plates, it is noted, are generally more durable than mezzotint plates
15.
Old Master
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In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
16.
Photostat machine
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The Photostat machine, or Photostat, was an early projection photocopier created in the decade of the 1900s by the Commercial Camera Company, which became the Photostat Corporation. The Photostat name, which was originally a trademark of the company, became genericized, the growth of business during the industrial revolution created the need for a more efficient means of transcription than hand copying. Carbon paper was first used in the early 19th century, by the late 1840s copying presses were used to copy outgoing correspondence. One by one, other methods appeared and these included the manifold writer, developed from Christoph Scheiners pantograph and used by Mark Twain, copying baths, copying books, and roller copiers. Among the most significant of them was the Blue process in the early 1870s, stencil duplicators surfaced in 1874, and the Cyclostyle in 1891. All were manual and most involved messy fluids, the Rectigraph Company was acquired by the Haloid Company in 1935. In 1948 Haloid purchased the rights to produce Chester Carlsons xerographic equipment and in 1958 the firm was reorganized to Haloid Xerox, Haloid continued selling Rectigraph machines into the 1960s. The Photostat brand machine, differing in operation from the Rectigraph, a directory of the city from 1909 shows his Gregory Commercial Camera Company. By 1910, Gregory had co-filed a patent application with Norman W, by 1912, Photostat brand machines were in use, as evidenced by a record of one at the New York Public Library. By 1913, advertisements described the Commercial Camera Company as headquartered at Rochester, the pair filed another U. S. patent application in 1913 further developing their ideas. By 1920, distribution agency in various European markets was by the Alfred Herbert companies, for at least 40 years the brand was widespread enough that its name was genericized by the public. The Photostat Corporation was eventually absorbed by Itek in 1963, a prism was placed in front of the lens to reverse the image. After a 10-second exposure, the paper was directed to developing and fixing baths, the result was a negative print, which took about two minutes in total to produce, which could in turn be photographed to make any number of positive prints. The photographic prints produced by such machines are referred to as photostats. People who operated these machines were known as photostat operators and it was the expense and inconvenience of photostats that drove Chester Carlson to study electrophotography. In the mid-1940s Carlson sold the rights to his invention – which became known as xerography – to the Haloid Company and photostatting soon sank into history
17.
Hectograph
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While the original use of the technology has diminished, it has recently been revived for use in the art world. The hectograph has been modernized and made practical for anyone to use, the special aniline dyes for making the master image came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are still available. Various other inks have been found usable to varying degrees in the process, unlike a spirit duplicator master, a hectograph master is not a mirror image. The master is placed on the gelatin and spirits applied to transfer the ink from the master to the gelatin, after transfer of the image to the inked gelatin surface, copies are made by pressing paper against it. When a pad ceased to be useful, the gelatin could be soaked with spirits and the ink could be sponged away, a grey-colored, thick, absorbent paper pad was supplied to cover the gelatin surface for storage. This also removed ink from the surface, but took hours to do so. Care needed to be taken that the surface was kept clean. The gelatin process produced print runs of somewhere between 20 and 80 copies, depending upon the skill of the user and the quality of the original. At least eight different colors of ink were available at one time. Hectography, requiring limited technology and leaving few traces behind, has deemed useful both in low-technology environments and in clandestine circumstances where discretion was necessary. In the earlier 20th century, the process lent itself to small runs of school classroom test papers, church newsletters, prisoners-of-war at Stalag Luft III and at Colditz Castle during World War II used an improvised hectograph to reproduce documents for a planned escape attempt. It has also used, though not very extensively, as an artistic medium in printmaking. The Russian Futurists used it for book illustrations, and the German expressionist Emil Nolde made four hectographs, stephen King, in his book On Writing, talks about how he and his older brother Dave used the process to create their newspaper, Daves Rag. Before the popularization of spirit duplicators and the mimeograph, there were mechanized hectography machines that used a drum, in the final chapters of The Pothunters by P. G. Wodehouse the major characters use a jellygraph to produce a school magazine at very short notice. Wodehouse assumes his reader knows exactly what a jellygraph is and alludes to its being unattractive, I think well keep to print in future. The young, even those who had been too young to fight, were in a bad temper with their elders, as well they might be, meanwhile the old—those over sixty, say—were running in circles like hens, squawking about subversive ideas. Gordon and his friends had quite a time with their subversive ideas
18.
Photography
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Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic sensor, this produces an electrical charge at each pixel. A negative image on film is used to photographically create a positive image on a paper base, known as a print. The word photography was created from the Greek roots φωτός, genitive of φῶς, light and γραφή representation by means of lines or drawing, several people may have coined the same new term from these roots independently. Johann von Maedler, a Berlin astronomer, is credited in a 1932 German history of photography as having used it in an article published on 25 February 1839 in the German newspaper Vossische Zeitung. Both of these claims are now widely reported but apparently neither has ever been confirmed as beyond reasonable doubt. Credit has traditionally given to Sir John Herschel both for coining the word and for introducing it to the public. Photography is the result of combining several technical discoveries, later Greek mathematicians Aristotle and Euclid also independently described a pinhole camera in the 5th and 4th centuries BCE. Daniele Barbaro described a diaphragm in 1566, wilhelm Homberg described how light darkened some chemicals in 1694. The fiction book Giphantie, published in 1760, by French author Tiphaigne de la Roche, the discovery of the camera obscura that provides an image of a scene dates back to ancient China. Leonardo da Vinci mentions natural camera obscura that are formed by dark caves on the edge of a sunlit valley, a hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the birth of photography was primarily concerned with inventing means to capture, renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means dark chamber in Latin and it is a box with a hole in it which allows light to go through and create an image onto the piece of paper. Around the year 1800, British inventor Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance and he used paper or white leather treated with silver nitrate. The shadow images eventually darkened all over, the first permanent photoetching was an image produced in 1822 by the French inventor Nicéphore Niépce, but it was destroyed in a later attempt to make prints from it. Niépce was successful again in 1825, in 1826 or 1827, he made the View from the Window at Le Gras, the earliest surviving photograph from nature. Because Niépces camera photographs required a long exposure, he sought to greatly improve his bitumen process or replace it with one that was more practical. With an eye to eventual commercial exploitation, the partners opted for total secrecy, Daguerres efforts culminated in what would later be named the daguerreotype process
19.
Photocopier
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A photocopier is a machine that makes paper copies of documents and other visual images quickly and cheaply. Heat, pressure or a combination of both is used to fuse the toner onto the paper. Earlier versions included the Gestetner stencil duplicator, invented by David Gestetner in 1881, xerographic office photocopying was introduced by Xerox in 1959, and it gradually replaced copies made by Verifax, Photostat, carbon paper, mimeograph machines, and other duplicating machines. Photocopying is widely used in the business, education, and government sectors, in the 2010s, there is a convergence in some high-end machines between the roles of a photocopier, a fax machine, a scanner, and a computer network-connected printer into a multi-function printer. As of 2015, some machines can copy and print in color. Chester Carlson, the inventor of photocopying, was originally a patent attorney, as well as a part-time researcher and his job at the patent office in New York required him to make a large number of copies of important papers. Carlson, who was arthritic, found this to be a painful and this motivated him to conduct experiments with photo conductivity. Carlson used his kitchen for his experiments, and, in 1938. He made the first photocopy using a plate covered with sulfur. The words 10-22-38 Astoria were written on a slide, which was placed on top of more sulfur. After the slide was removed, an image of the words remained. Carlson tried to sell his invention to some companies, but failed because the process was still underdeveloped, between 1939 and 1944, Carlson was turned down by over 20 companies, including IBM and General Electric—neither of which believed there was a significant market for copiers. In 1944, the Battelle Memorial Institute, a organization in Columbus, Ohio. Over the next five years, the institute conducted experiments to improve the process of electrophotography, in 1947, Haloid Corporation approached Battelle to obtain a license to develop and market a copying machine based on this technology. Haloid felt that the word electrophotography was too complicated and did not have good recall value, Haloid called the new copier machines Xerox Machines and, in 1948, the word Xerox was trademarked. Haloid eventually changed its name to Xerox Corporation, in 1949, Xerox Corporation introduced the first xerographic copier called the Model A. Xerox became so successful that, in North America, photocopying came to be known as xeroxing. Xerox has actively fought to prevent Xerox from becoming a genericized trademark, some languages include hybrid terms, such as the widely used Polish term kserokopia, even though relatively few photocopiers are of the Xerox brand
20.
Image scanner
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Commonly used in offices are variations of the desktop flatbed scanner where the document is placed on a glass window for scanning. Mechanically driven scanners that move the document are typically used for large-format documents, a rotary scanner, used for high-speed document scanning, is a type of drum scanner that uses a CCD array instead of a photomultiplier. Non-contact planetary scanners essentially photograph delicate books and documents, all these scanners produce two-dimensional images of subjects that are usually flat, but sometimes solid, 3D scanners produce information on the three-dimensional structure of solid objects. Digital cameras can be used for the same purposes as dedicated scanners, when compared to a true scanner, a camera image is subject to a degree of distortion, reflections, shadows, low contrast, and blur due to camera shake. Resolution is sufficient for less demanding applications, Digital cameras offer advantages of speed, portability and non-contact digitizing of thick documents without damaging the book spine. As of 2010 scanning technologies were combining 3D scanners with digital cameras to create full-color, in the biomedical research area, detection devices for DNA microarrays are called scanners as well. These scanners are high-resolution systems, similar to microscopes, the detection is done via CCD or a photomultiplier tube. Modern scanners are considered the successors of early telephotography and fax input devices and it used electromagnets to drive and synchronize movement of pendulums at the source and the distant location, to scan and reproduce images. It could transmit handwriting, signatures, or drawings within an area of up to 150 x 100mm, Édouard Belins Belinograph of 1913, scanned using a photocell and transmitted over ordinary phone lines, formed the basis for the AT&T Wirephoto service. In Europe, services similar to a wirephoto were called a Belino and it was used by news agencies from the 1920s to the mid-1990s, and consisted of a rotating drum with a single photodetector at a standard speed of 60 or 120 rpm. They send a linear analog AM signal through standard telephone lines to receptors. Color photos were sent as three separated RGB filtered images consecutively, but only for special events due to transmission costs, Drum scanners capture image information with photomultiplier tubes, rather than the charge-coupled device arrays found in flatbed scanners and inexpensive film scanners. Modern color drum scanners use three matched PMTs, which red, blue, and green light, respectively. Light from the artwork is split into separate red, blue. Photomultipliers offer superior dynamic range and for this reason drum scanners can extract more detail from very dark areas of a transparency than flatbed scanners using CCD sensors. The smaller dynamic range of the CCD sensors, versus photomultiplier tubes, can lead to loss of shadow detail, while mechanics vary by manufacturer, most drum scanners pass light from halogen lamps though a focusing system to illuminate both reflective and transmissive originals. The drum scanner gets its name from the clear acrylic cylinder, depending on size, it is possible to mount originals up to 20x28, but maximum size varies by manufacturer. One of the features of drum scanners is the ability to control sample area
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Personal computer
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A personal computer is a multi-purpose electronic computer whose size, capabilities, and price make it feasible for individual use. PCs are intended to be operated directly by a end-user, rather than by an expert or technician. In the 2010s, PCs are typically connected to the Internet, allowing access to the World Wide Web, personal computers may be connected to a local area network, either by a cable or a wireless connection. In the 2010s, a PC may be, a multi-component desktop computer, designed for use in a location a laptop computer, designed for easy portability or a tablet computer. In the 2010s, PCs run using a system, such as Microsoft Windows, Linux. The very earliest microcomputers, equipped with a front panel, required hand-loading of a program to load programs from external storage. Before long, automatic booting from permanent read-only memory became universal, in the 2010s, users have access to a wide range of commercial software, free software and free and open-source software, which are provided in ready-to-run or ready-to-compile form. Since the early 1990s, Microsoft operating systems and Intel hardware have dominated much of the computer market, first with MS-DOS. Alternatives to Microsofts Windows operating systems occupy a minority share of the industry and these include Apples OS X and free open-source Unix-like operating systems such as Linux and Berkeley Software Distribution. Advanced Micro Devices provides the alternative to Intels processors. PC is an initialism for personal computer, some PCs, including the OLPC XOs, are equipped with x86 or x64 processors but not designed to run Microsoft Windows. PC is used in contrast with Mac, an Apple Macintosh computer and this sense of the word is used in the Get a Mac advertisement campaign that ran between 2006 and 2009, as well as its rival, Im a PC campaign, that appeared in 2008. Since Apples transition to Intel processors starting 2005, all Macintosh computers are now PCs, the “brain” may one day come down to our level and help with our income-tax and book-keeping calculations. But this is speculation and there is no sign of it so far, in the history of computing there were many examples of computers designed to be used by one person, as opposed to terminals connected to mainframe computers. Using the narrow definition of operated by one person, the first personal computer was the ENIAC which became operational in 1946 and it did not meet further definitions of affordable or easy to use. An example of an early single-user computer was the LGP-30, created in 1956 by Stan Frankel and used for science and it came with a retail price of $47, 000—equivalent to about $414,000 today. Introduced at the 1965 New York Worlds Fair, the Programma 101 was a programmable calculator described in advertisements as a desktop computer. It was manufactured by the Italian company Olivetti and invented by the Italian engineer Pier Giorgio Perotto, the Soviet MIR series of computers was developed from 1965 to 1969 in a group headed by Victor Glushkov
22.
Desktop printer
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In computing, a printer is a peripheral which makes a persistent human-readable representation of graphics or text on paper or similar physical media. The worlds first computer printer was a 19th-century mechanically driven apparatus invented by Charles Babbage for his difference engine, the plotter was used for those requiring high quality line art like blueprints. Laser printers using PostScript mixed text and graphics, like dot-matrix printers, by 1990, most simple printing tasks like fliers and brochures were now created on personal computers and then laser printed, expensive offset printing systems were being dumped as scrap. The HP Deskjet of 1988 offered the same advantages as laser printer in terms of flexibility, inkjet systems rapidly displaced dot matrix and daisy wheel printers from the market. By the 2000s high-quality printers of this sort had fallen under the price point. Even the desire for printed output for offline reading while on mass transit or aircraft has been displaced by e-book readers, today, traditional printers are being used more for special purposes, like printing photographs or artwork, and are no longer a must-have peripheral. Starting around 2010, 3D printing became an area of intense interest and these devices are in their earliest stages of development and have not yet become commonplace. Personal printers are designed to support individual users, and may be connected to only a single computer. These printers are designed for low-volume, short-turnaround print jobs, requiring minimal setup time to produce a copy of a given document. However, they are generally slow devices ranging from 6 to around 25 pages per minute, however, this is offset by the on-demand convenience. Some printers can print documents stored on cards or from digital cameras. Networked or shared printers are designed for high-volume, high-speed printing and they are usually shared by many users on a network and can print at speeds of 45 to around 100 ppm. The Xerox 9700 could achieve 120 ppm, a virtual printer is a piece of computer software whose user interface and API resembles that of a printer driver, but which is not connected with a physical computer printer. It is called a printer by analogy with a printer which produces a two-dimensional document by a similar process of depositing a layer of ink on paper. The choice of print technology has an effect on the cost of the printer and cost of operation, speed, quality and permanence of documents. Some printer technologies dont work with certain types of physical media, cheques can be printed with liquid ink or on special cheque paper with toner anchorage so that alterations may be detected. The machine-readable lower portion of a cheque must be printed using MICR toner or ink, banks and other clearing houses employ automation equipment that relies on the magnetic flux from these specially printed characters to function properly. The following printing technologies are found in modern printers, A laser printer rapidly produces high quality text
23.
Replica
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A replica is an exact reproduction, such as of a painting, as it was executed by the original artist or a copy or reproduction, especially one on a scale smaller than the original. A replica is a copying closely resembling the original concerning its shape, an inverted replica complements the original by filling its gaps. It can be a used for historical purposes, such as being placed in a museum. Not all incorrectly attributed items are intentional forgeries, in the same way that a museum shop might sell a print of a painting or a replica of a vase, copies of statues, paintings, and other precious artifacts have been popular through the ages. In arts or collectible automobiles, the replica is used for discussing the non-original recreation. In motor racing, especially motorcycling, often manufacturers will produce a street version product with the colours of the vehicle or clothing of a famous racer. This is not the vehicle or clothing worn during the race by the racer. These high-performance race-look products termed Replica, are priced higher and are usually more sought-after than plain colours of the same product, because of gun ownership restrictions in some locales, gun collectors create non-functional legal replicas of illegal firearms. Such replicas are also preferred to real firearms when used as a prop in a film or stage performance, a prop replica is an authentic-looking duplicate of a prop from a video game, movie or television show. Replicas represent a copy or forgery of another object and we think of forgeries we think of paintings but, in fact, anything that is collectible. Replicas have been made by people to preserve a link to the past. This can be linked to a historical past or specific time-period or just to commemorate an experience, replicas and reproductions of artifacts help provide a material representation of the past for the public. Replicas of artifacts and art have a purpose within museums and research and they are created to help with preserving of original artifacts. Replicas and their original representation can be seen as fake or real depending on the viewer, good replicas take much education related to understanding all the processes and history that go behind the culture and the original creation. To create a good and authentic replica of an object, there is to be a skilled artisan or forger to create the authentic experience that the original object provides. This process takes time and much money to be done correctly for museum standards. Authenticity or real feeling presented by an object can be “described as the experience of an ‘aura’ of an original. ”An aura of an object is what an object represents through its previous history and experience. Replicas work well in museum settings because they have the ability to look so real, through the context and experience that a replica can provide in a museum setting, people can be fooled into seeing it as ‘original’
24.
Record type
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Record type is a family of typefaces designed to allow medieval manuscripts to be published as near-facsimiles of the originals. The typefaces include a number of special characters intended to replicate the various scribal abbreviations. They were used in the publication of texts between 1774 and 1900. Record type was developed in the 1770s when plans were under way for the publication of Domesday Book. He was so pleased with the result that he and the co-editor of Domesday, Abraham Farley and it was consequently used in Farley’s edition of Domesday Book, published in 1783. Nichols regarded the design as among his greatest achievements, stating that on the correctness and beauty of this important Work and it was subsequently used in the publications of the Pipe Roll Society from 1884 until 1900, and in 1890 in a single volume published by the Selden Society. The Selden Societys experiment was not repeated, and at a General Meeting held in 1903 the Pipe Roll Society decided to abandon record type in favour of publishing its texts in extenso. Paul Harvey regards record type as falling badly between two stools, giving less than a facsimile on the one hand, less than a text on the other. Government Printing of the Public Records in the Eighteenth Century, journal of the Society of Archivists
25.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
26.
Oxford Art Online
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A new edition was published in 2003 by Oxford University Press. Written by 6,700 experts from around the world, its 32, 600-pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to The New York Times Book Review it is the most ambitious art-publishing venture of the late 20th century, almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret Cameron to Shoji Hamada, Korea to Timbuktu, the Enlightenment to Marxism, entries include bibliographies and a vast number of images. The dictionary is available in a standard hardcover edition, though the leather-bound version appears to be out of print. The Grove Dictionary of Art is published by Oxford University Press, the online version, which is updated three times a year, is available by subscription and includes some extra content. In the UK, many libraries offer it free to their online users using their library membership number. The Grove Dictionary of Art was first offered online through the Grove Art Online web site in 1998. The site was expanded and renamed as Oxford Art Online, including works, The Oxford Companion to Western Art, Encyclopedia of Aesthetics. In 2011, the Benezit Dictionary of Artists was added to the database, the New Grove Dictionary of Music and Musicians References Sources Jane Turner
27.
University of Melbourne
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The University of Melbourne is a public research university located in Melbourne, Australia. Founded in 1853, it is Australias second oldest university and the oldest in Victoria, Times Higher Education ranks Melbourne as 33rd in the world, while the Academic Ranking of World Universities places Melbourne 40th in the world. Melbournes main campus is located in Parkville, a suburb north of the Melbourne central business district. Melbourne is a university and a member of the Group of Eight, Universitas 21. Since 1872 various residential colleges have become affiliated with the university, there are 12 colleges located on the main campus and in nearby suburbs offering academic, sporting and cultural programs alongside accommodation for Melbourne students and faculty. Amongst Melbournes 15 graduate schools the Melbourne Business School, the Melbourne Law School, four Australian prime ministers and five governors-general have graduated from Melbourne. Nine Nobel laureates have been students or faculty, the most of any Australian university, the university was established by Act of Incorporation on 22 January 1853, with power to confer degrees in arts, medicine, laws and music. The act provided for an endowment of £9,000. The original buildings were opened by the Lieutenant Governor of the Colony of Victoria, Sir Charles Hotham. The first chancellor, Redmond Barry, held the position until his death in 1880, the inauguration of the university was made possible by the wealth resulting from Victorias gold rush. The institution was designed to be an influence at a time of rapid settlement. In 1881, the admission of women was a seen as victory over the conservative ruling council. The universitys 150th anniversary was celebrated in 2003, as of May 2009 the university suspended the Bachelor of Music Theatre and Puppetry courses at the college and there were fears they may not return under the new curriculum. New dean Sharman Pretty outlined drastic changes under the plan for the college in early April 2009. As a result, it is now being called into question whether the university have upheld that agreement, staff at the college responded to the changes, claiming the university did not value vocational arts training, and voicing fears over the future of quality training at the VCA. Melbourne University has 12 residential colleges in total, seven of which are located in an arc around the oval at the northern edge of the campus. The other five are located outside of university grounds, the residential colleges aim to provide accommodation and holistic education experience to university students. Several of the earliest campus buildings, such as the Old Quadrangle and Baldwin Spencer buildings, the new Wilson Hall replaced the original building which was destroyed by fire
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Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
