1.
Alexandria
–
Alexandria is the second largest city and a major economic centre in Egypt, extending about 32 km along the coast of the Mediterranean Sea in the north central part of the country. Its low elevation on the Nile delta makes it vulnerable to rising sea levels. Alexandria is Egypts largest seaport, serving approximately 80% of Egypts imports and exports and it is an important industrial center because of its natural gas and oil pipelines from Suez. Alexandria is also an important tourist destination, Alexandria was founded around a small Ancient Egyptian town c.331 BC by Alexander the Great. Alexandria was the second most powerful city of the ancient world after Rome, Alexandria is believed to have been founded by Alexander the Great in April 331 BC as Ἀλεξάνδρεια. Alexanders chief architect for the project was Dinocrates, Alexandria was intended to supersede Naucratis as a Hellenistic center in Egypt, and to be the link between Greece and the rich Nile valley. The city and its museum attracted many of the greatest scholars, including Greeks, Jews, the city was later plundered and lost its significance. Just east of Alexandria, there was in ancient times marshland, as early as the 7th century BC, there existed important port cities of Canopus and Heracleion. The latter was rediscovered under water. An Egyptian city, Rhakotis, already existed on the shore also and it continued to exist as the Egyptian quarter of the city. A few months after the foundation, Alexander left Egypt and never returned to his city, after Alexanders departure, his viceroy, Cleomenes, continued the expansion. Although Cleomenes was mainly in charge of overseeing Alexandrias continuous development, the Heptastadion, inheriting the trade of ruined Tyre and becoming the center of the new commerce between Europe and the Arabian and Indian East, the city grew in less than a generation to be larger than Carthage. In a century, Alexandria had become the largest city in the world and and it became Egypts main Greek city, with Greek people from diverse backgrounds. Alexandria was not only a center of Hellenism, but was home to the largest urban Jewish community in the world. The Septuagint, a Greek version of the Tanakh, was produced there, in AD115, large parts of Alexandria were destroyed during the Kitos War, which gave Hadrian and his architect, Decriannus, an opportunity to rebuild it. On 21 July 365, Alexandria was devastated by a tsunami, the Islamic prophet, Muhammads first interaction with the people of Egypt occurred in 628, during the Expedition of Zaid ibn Haritha. He sent Hatib bin Abi Baltaeh with a letter to the king of Egypt and Alexandria called Muqawqis In the letter Muhammad said, I invite you to accept Islam, Allah the sublime, shall reward you doubly. But if you refuse to do so, you bear the burden of the transgression of all the Copts
Alexandria
–
Alexandria Ἀλεξάνδρεια
Alexandria
Alexandria
–
Residential neighborhood in Alexandria
Alexandria
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Fishing in Alexandria
2.
Khedivate of Egypt
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Upon the conquest of the Sultanate of Egypt by the Ottoman Empire in 1517, the country was governed as an Ottoman eyalet. The Porte was content to local rule to remain in the hands of the Mamluks, the Egyptian military caste of Circassian. Between 1799 and 1801, the Ottoman Porte, working at times with Frances main enemy, by August,1801, the remaining French forces of General Jacques-François Menou withdrew from Egypt. Following the defeat of the French, the Porte assigned Husrev Pasha as the new Wāli of Egypt, many of these were freed by or fled with the British, while others held Minya between Upper and Lower Egypt. Amid these disturbances, Husrev Pasha attempted to disband his Albanian bashi-bazouks without pay and this led to rioting that drove Husrev Pasha from Cairo. During the ensuing turmoil, the Porte sent Muhammad Ali Pasha to Egypt, however, Muhammad Ali seized control of Egypt, declaring himself ruler of Egypt and quickly consolidating an independent local powerbase. After repeated failed attempts to remove and kill him, in 1805, demonstrating his grander ambitions, Muhammad Ali Pasha claimed for himself the higher title of Khedive, ruling the self-proclaimed Khedivate of Egypt. He murdered the remaining Mamluk beys in 1811, solidifying his own control of Egypt and he is regarded as the founder of modern Egypt because of the dramatic reforms he instituted in the military, agricultural, economic and cultural spheres. By this revolutionary method of land nationalization Muhammad Ali became proprietor of nearly all the soil of Egypt, the pasha also attempted to reorganize his troops on European lines, but this led to a formidable mutiny in Cairo. Muhammad Alis life was endangered, and he sought refuge by night in the citadel, the revolt was reduced by presents to the chiefs of the insurgents, and Muhammad Ali ordered that the sufferers by the disturbances should receive compensation from the treasury. The project of the Nizam Gedid was, in consequence of this mutiny, while Ibrahim was engaged in the second Arabian campaign the pasha turned his attention to strengthening the Egyptian economy. He created state monopolies over the products of the country. He set up a number of factories and began digging in 1819 a new canal to Alexandria, the old canal had long fallen into decay, and the necessity of a safe channel between Alexandria and the Nile was much felt. Another notable fact in the progress of the country was the development of the cultivation of cotton in the Delta in 1822. The cotton grown had been brought from the Sudan by Maho Bey, efforts were made to promote education and the study of medicine. To European merchants, on whom he was dependent for the sale of his exports, Muhammad Ali showed much favor and it was also under Muhammad Alis encouragement that the overland transit of goods from Europe to India via Egypt was resumed. In 1820 Muhammad Ali gave orders to commence the conquest of eastern Libya and he first sent an expedition westward which conquered and annexed the Siwa oasis. Alis intentions for Sudan was to extend his rule southward, to capture the caravan trade bound for the Red Sea
Khedivate of Egypt
–
Flag (1867–81)
3.
Bellagio (Italian region)
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Bellagio is a comune in the Province of Como in the Italian region of Lombardy. It is located on Lake Como, also known by its Latin-derived name, the arms of the lake form an inverted Y. The triangular land mass at the base of the inverted Y is the Larian Triangle, the Como arm of the lake lies to its south west, the Lecco arm of the lake to its south east. At the northern point of the triangle sits Bellagio, looking across to the arm of the lake and, behind it. It has always been famous for its location, Bellagio is situated upon the cape of the land mass that divides Lake Como in two. The city centre occupies the tip of the promontory, while other districts are scattered along the lake shores, from the ancient glacial blanket only the highest tops emerged, one of them Mount St. Primo, which obliged the glaciers to divide into two arms. Nowadays, a luxuriance of trees and flowers is favoured by a mild, the historic centre of Bellagio shelters 350m southwest of the promontory of the Larian Triangle, between the Villa Serbelloni on the hill and the Como arm of the lake. At the far tip of the promontory are a park and a marina, parallel to the shore are three streets, Mazzini, Centrale and Garibaldi in ascending order. Cutting across them to form a grid are seven medieval stone stairs running uphill. The Basilica of San Giacomo and a tower, sole relic of medieval defences. In 225 BC, the territory of the Gallo-Insubres was occupied by the Romans, the Romans, led by consul Marcus Claudius Marcellus, defeated the Gallo-Insubres in a fierce battle near Camerlata, occupying Como and the shores of the lake. Insubre hopes of independence were raised by an alliance with Hannibal during the Second Punic War, Bellagio became both a Roman garrison and a point of passage and wintering for the Roman armies on their way through to the province of Raetia and the Splügen pass. Troops wintered at the foot of the present Villa Serbelloni, sheltered from north winds, such variant Latin names as Belacius and Bislacus suggest Bellagio was originally Bi-lacus. Between 81 and 77 BC Cornelius Scipio brought 3,000 Latin colonists to Lake Como, from 59 BC Julius Caesar, as pro-consul, brought up another 5000 colonists, most importantly 500 Greeks from Sicily. Their names are borne by their descendants. Bellagio became a mixture of races which became more and more complex in the following centuries, also it increased its strategic importance because, as well as a place for wintering, it sheltered warships especially at Loppia, where the natural creek made it easy to repair them. Around Loppia there formed one of the first suburbs of Bellagio, the Romans introduced many Mediterranean crops, including the olive and laurel, from the name of the latter derives the Latin name of Lake Como. In the early decades of the Empire, two great figures brought fame to the lake and Bellagio, Virgil and Pliny the Younger, Virgil, the Latin poet, visited Bellagio and remembered the lake in the second book of the Georgics, verse 155
Bellagio (Italian region)
–
A view over Bellagio looking along the Como arm of the lake.
Bellagio (Italian region)
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Coat of arms
Bellagio (Italian region)
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The Basilica of St. James (San Giacomo), built by 12th century artisans from Como.
Bellagio (Italian region)
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The promontory of Bellagio seen from the belvedere of the Sanctuary of San Martino at
Griante on the Como arm of the lake. The white block on the side of the hill is Villa Serbelloni. Along the shore to the right, the white block of Villa Melzi d'Eril can be seen.
4.
Futurism
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Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere. It glorified modernity and aimed to liberate Italy from the weight of its past, Cubism contributed to the formation of Italian Futurisms artistic style. Important Futurist works included Marinettis Manifesto of Futurism, Boccionis sculpture Unique Forms of Continuity in Space, to some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurism is a movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini, Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. We want no part of it, the past, he wrote, publishing manifestos was a feature of Futurism, and the Futurists wrote them on many topics, including painting, architecture, religion, clothing and cooking. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, the Futurist painters were slow to develop a distinctive style and subject matter. In 1910 and 1911 they used the techniques of Divisionism, breaking light and color down into a field of stippled dots and stripes, which had been originally created by Giovanni Segantini and others. Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant-garde art. Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists, Cubism offered them a means of analysing energy in paintings and expressing dynamism. They often painted modern urban scenes, carràs Funeral of the Anarchist Galli is a large canvas representing events that the artist had himself been involved in, in 1904. The action of an attack and riot is rendered energetically with diagonals. His Leaving the Theatre uses a Divisionist technique to render isolated, Boccionis The City Rises represents scenes of construction and manual labour with a huge, rearing red horse in the centre foreground, which workmen struggle to control. The Futurists aimed through their art thus to enable the viewer to apprehend the inner being of what they depicted, Boccioni developed these ideas at length in his book, Pittura scultura Futuriste, Dinamismo plastico. Ballas Dynamism of a Dog on a Leash exemplifies the Futurists insistence that the world is in constant movement
Futurism
–
Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.),
Museum of Modern Art, New York
Futurism
–
Futurists
Luigi Russolo,
Carlo Carrà,
Filippo Tommaso Marinetti,
Umberto Boccioni and
Gino Severini in front of Le Figaro, Paris, February 9, 1912
Futurism
–
Giacomo Balla, Abstract Speed + Sound, 1913–1914
Futurism
–
Umberto Boccioni, sketch of
The City Rises (1910)
5.
Poet
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POET LLC is a U. S. biofuel company that specializes in the creation of bioethanol. The privately held corporation, which was originally called Broin Companies, is headquartered in Sioux Falls, in 2007, the Renewable Fuels Association named POET the largest U. S. ethanol producer, creating 1.1 billion US gallons of fuel per year. Currently, POET produces 1.7 billion gallons of ethanol per year, POET operates 27 ethanol plants spread across Indiana, Iowa, Michigan, Missouri, Ohio, Minnesota, and South Dakota. In 2007, the received a US$80 million grant from the U. S. Department of Energy for the creation of a cellulosic ethanol production facility in Emmetsburg. A grand opening was held for the facility on September 3rd,2014 and it is expected to produce 25 million gallons of ethanol per year from corncobs, leaves and husks provided by farmers in and around the area. POET has also collaborated with companies, including Deere & Co. and Vermeer Company. Among its products in the process are distillers grains branded Dakota Gold, Inviz, the company traces its history to the family farm in Wanamingo, Minnesota where the Broins began producing ethanol in 1983. In 1986 it became commercial launching its flagship plant in Scotland, in 2007, it was renamed POET. Then company president Jeff Broin said the new name is not an acronym, bush in Wentworth, South Dakota in April 2002 and by Barack Obama in Macon, Missouri in April 2010. POET has constructed an $8 million pilot plant to produce cellulosic ethanol made from corn cobs, a commercial scale project, based on the pilot plant, was undertaken as a joint venture with Royal DSM under the name POET-DSM Advanced Biofuels, LLC. A federal loan guarantee was obtained in July,2011 for a plant to be built in Emmetsburg. This loan guarantee was later declined when the joint venture with Royal DSM was announced. Originally scheduled to open in 2013, the facility opened a year late in September,2014
Poet
6.
Utopian
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A utopia is an imagined community or society that possesses highly desirable or nearly perfect qualities for its citizens. The opposite of a utopia is a dystopia and you could also say that utopia is a perfect place that has been made so there are no problems. The term has been used to describe intentional communities, the term utopia was coined from Greek by Sir Thomas More for his 1516 book Utopia, describing a fictional island society in the Atlantic Ocean. The word comes from Greek, οὐ and τόπος and means no-place, however, in standard usage, the words meaning has narrowed and now usually describes a non-existent society that is intended to be viewed as considerably better than contemporary society. Eutopia, derived from Greek εὖ and τόπος, means good place, in English, eutopia and utopia are homophonous, which may have given rise to the change in meaning. Chronologically, the first recorded utopian proposal is Platos Republic, part conversation, part fictional depiction, and part policy proposal, Republic would categorize citizens into a rigid class structure of golden, silver, bronze and iron socioeconomic classes. The golden citizens are trained in a rigorous 50-year-long educational program to be benign oligarchs, plato stressed this structure many times in both quotes by him and in his published works, such as the Republic. The wisdom of these rulers will supposedly eliminate poverty and deprivation through fairly distributed resources, the educational program for the rulers is the central notion of the proposal. It has few laws, no lawyers and rarely sends its citizens to war, during the 16th century, Thomas Mores book Utopia proposed an ideal society of the same name. Some maintain the position that Mores Utopia functions only on the level of a satire, but the homophonic prefix eu-, meaning good, also resonates in the word, with the implication that the perfectly good place is really no place. Ecological utopian society describes new ways in which society should relate to nature and these works perceive a widening gap between the modern Western way of living that destroys nature and a more traditional way of living before industrialization. Ecological utopias may advocate a society that is more sustainable, according to the Dutch philosopher Marius de Geus, ecological utopias could be inspirational sources for movements involving green politics. Particularly in the early 19th century, several ideas arose. These ideas are often grouped in a utopian socialist movement. A once common characteristic is a distribution of goods, frequently with the total abolition of money. Citizens only do work which they enjoy and which is for the good, leaving them with ample time for the cultivation of the arts. One classic example of such a utopia was Edward Bellamys Looking Backward, Another socialist utopia is William Morriss News from Nowhere, written partially in response to the top-down nature of Bellamys utopia, which Morris criticized. However, as the socialist movement developed, it moved away from utopianism, in a materialist utopian society, the economy is perfect, there is no inflation, and only perfect social and financial equality exists
Utopian
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Left panel (The Earthly Paradise –
Garden of Eden) from
Hieronymus Bosch 's
The Garden of Earthly Delights.
Utopian
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New Harmony, a utopian attempt; depicted as proposed by
Robert Owen
Utopian
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Utopian flying machines, France, 1890-1900 (chromolithograph
trading card).
Utopian
–
The Golden Age by
Lucas Cranach the Elder.
7.
Symbolism (art)
–
Symbolism was a late nineteenth-century art movement of French, Russian and Belgian origin in poetry and other arts. In literature, the style originates with the 1857 publication of Charles Baudelaires Les Fleurs du mal, the works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s, in the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The name symbolist itself was first applied by the critic Jean Moréas, distinct from, but related to, the style of literature, symbolism in art is related to the gothic component of Romanticism and Impressionism. In ancient Greece, the symbolon was a shard of pottery which was inscribed, Symbolism was a reaction in favour of spirituality, the imagination, and dreams. Some writers, such as Joris-Karl Huysmans, began as naturalists before becoming symbolists, for Huysmans, the Symbolist poets have a more complex relationship with Parnassianism, a French literary style that immediately preceded it. The Symbolists continued to admire Théophile Gautiers motto of art for arts sake, many Symbolist poets, including Stéphane Mallarmé and Paul Verlaine, published early works in Le Parnasse contemporain, the poetry anthologies that gave Parnassianism its name. One of Symbolisms most colourful promoters in Paris was art and literary critic Joséphin Péladan, a number of Symbolists were associated with the Salon. Symbolists believed that art should represent absolute truths that could only be described indirectly, thus, they wrote in a very metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Jean Moréas published the Symbolist Manifesto in Le Figaro on 18 September 1886, the Symbolist Manifesto names Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine as the three leading poets of the movement. In a nutshell, as Mallarmé writes in a letter to his friend Cazalis, to not the thing. Symbolist poems were attempts to evoke, rather than primarily to describe, – both poets seek to identify one sense experience with another. The earlier Romanticism of poetry used symbols, but these symbols were unique, the symbolists were more extreme, investing all things, even vowels and perfumes, with potential symbolic value. The physical universe, then, is a kind of language that invites a privileged spectator to decipher it, Symbolist symbols are not allegories, intended to represent, they are instead intended to evoke particular states of mind. The nominal subject of Mallarmés Le cygne is of a trapped in a frozen lake. Significantly, in French, cygne is a homophone of signe, un cygne d’autrefois se souvient que c’est lui Magnifique mais qui sans espoir se délivre. They were also portrayed as at odds with society, having tragic lives and these traits were not hindrances but consequences of their literary gifts. Schopenhauers aesthetics represented shared concerns with the symbolist programme, they tended to consider Art as a contemplative refuge from the world of strife and will
Symbolism (art)
–
Pierre Puvis de Chavannes, Jeunes Filles au Bord de la Mer (Young Girls on the Edge of the Sea), 1879,
Musée d'Orsay, Paris
Symbolism (art)
–
Victor Vasnetsov, The Knight at the Crossroads, 1878
Symbolism (art)
–
John William Waterhouse, Cecilia, 1895
Symbolism (art)
–
Henri Fantin-Latour, By the Table, depicting: seated:
Paul Verlaine,
Arthur Rimbaud, Léon Valade, Ernest d'Hervilly and
Camille Pelletan; standing: Pierre Elzéar, Emile Blémont and
Jean Aicard.
8.
Futurist Manifesto
–
The Manifesto of Futurism, Italian, Manifesto del Futurismo, is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909. Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper Gazzetta dellEmilia in Bologna on 5 February 1909, Man is reacting against the potentially overwhelming strength of progress, and shouts out his centrality. Man will use speed, not the opposite, poetry will help Man to consent his soul be part of all that, indicating a new concept of beauty that will refer to the human instinct of aggression. In article 9, war is defined as a necessity for the health of human spirit and their explicit glorification of war and its hygienic properties influenced the ideology of fascism. The Futurist Party, for example, became part of the Combatto Fascisti before the latters assuming power, F. T. Marinetti was very active in Fascist politics until he withdrew in protest of the Roman Grandeur which had come to dominate Fascist aesthetics. Article 10 states, We want to demolish museums and libraries, fight morality, feminism and all opportunist and this manifesto was published well before the occurrence of any of the 20th-century events which are commonly suggested as a potential meaning of this text. Many of them could not even be imagined yet, for example, the Russian Revolutions of 1917 were the first of the sort described by article 11, yet the first of those occurred eight years after the Manifestos publication. The effect of the manifesto is even evident in the Italian version. Not one of the words used is casual, if not the form, at least the roots of these words recall those more frequently used during the Middle Ages. The founding manifesto did not contain an artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting. This committed them to a universal dynamism, which was to be represented in painting. The motor bus rushes into the houses which it passes, du Cubisme, the Cubist manifesto Art manifesto Fascist manifesto Futurist Painting, Technical Manifesto The Founding and Manifesto of Futurism The Futurist Manifesto - F. T. Marinetti
Futurist Manifesto
–
Filippo Tommaso Marinetti, author of the Futurist Manifesto.
9.
Khedive
–
The term Khedive is a title largely equivalent to the English word viceroy. It was first used, without recognition, by Muhammad Ali Pasha, the governor of Egypt and Sudan. The initially self-declared title was recognized by the Ottoman government in 1867, and used subsequently by Ismail Pasha. From the compound khvat-data-, literally created from oneself, from khvat-, however, upon the French defeat and departure, Muhammad Ali seized control of the country, and declared himself ruler of Egypt, quickly consolidating an independent local powerbase. After repeated failed attempts to remove and kill him, in 1805, however, demonstrating his grander ambitions, he claimed for himself the higher title of Khedive, as did his successors, Ibrahim Pasha, Abbas I, and Said I. The Muhammad Ali dynasty’s use of the title Khedive was not sanctioned by the Ottoman Empire until 1867 when Sultan Abdülaziz officially recognized it as the title of Ismail Pasha. In May 1879, the British Empire and France began pressuring the Ottoman Sultan Abdülhamid II to depose Ismail Pasha, the more pliable Tewfik Pasha, Ismails son, was made his successor as the new Khedive. Ismail Pasha left Egypt and initially went into exile to Naples, there he remained, more or less a state prisoner, until his death. He was later buried in Cairo, after the nationalist Urabi Revolt of 1882, Britain invaded Egypt in support of Tewfik Pasha, and would continue to occupy and dominate the country for decades. Hussein Kamel and later Fuad I issued a series of orders to strip Abbas Hilmi Pasha, their nephew, of property in Egypt and Sudan. These also barred Abbas Hilmi Pasha from entering Egyptian territory and stripped him of the right to sue in Egyptian courts, Abbas Hilmi Pasha finally accepted the new order of things and formally abdicated on May 12,1931. He retired to Switzerland, where he died in Geneva on December 19,1944, with Article 17 of the Treaty of Lausanne in 1923, Turkey formally ceded all remaining claims and rights in Egypt and Sudan. Khedivate of Egypt Khedive Palace Muhammad Ali Dynasty List of monarchs of the Muhammad Ali Dynasty Egypt under Muhammad Ali and his successors Etymonline RoyalArk- Egypt
Khedive
–
Muhammad Ali Pasha
Khedive
–
Abbas Hilmi Pasha, the last Khedive.
10.
Jesuits
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The Society of Jesus Latin, Societas Iesu, S. J. SJ or SI) is a religious congregation of the Catholic Church which originated in Spain. The society is engaged in evangelization and apostolic ministry in 112 nations on six continents, Jesuits work in education, intellectual research, and cultural pursuits. Jesuits also give retreats, minister in hospitals and parishes, and promote social justice, Ignatius of Loyola founded the society after being wounded in battle and experiencing a religious conversion. He composed the Spiritual Exercises to help others follow the teachings of Jesus Christ, ignatiuss plan of the orders organization was approved by Pope Paul III in 1540 by a bull containing the Formula of the Institute. Ignatius was a nobleman who had a background, and the members of the society were supposed to accept orders anywhere in the world. The Society participated in the Counter-Reformation and, later, in the implementation of the Second Vatican Council, the Society of Jesus is consecrated under the patronage of Madonna Della Strada, a title of the Blessed Virgin Mary, and it is led by a Superior General. The Society of Jesus on October 3,2016 announced that Superior General Adolfo Nicolás resignation was officially accepted, on October 14, the 36th General Congregation of the Society of Jesus elected Father Arturo Sosa as its thirty-first Superior General. The headquarters of the society, its General Curia, is in Rome, the historic curia of St. Ignatius is now part of the Collegio del Gesù attached to the Church of the Gesù, the Jesuit Mother Church. In 2013, Jorge Mario Bergoglio became the first Jesuit Pope, the Jesuits today form the largest single religious order of priests and brothers in the Catholic Church. As of 1 January 2015, Jesuits numbered 16,740,11,986 clerics regular,2,733 scholastics,1,268 brothers and 753 novices. In 2012, Mark Raper S. J. wrote, Our numbers have been in decline for the last 40 years—from over 30,000 in the 1960s to fewer than 18,000 today. The steep declines in Europe and North America and consistent decline in Latin America have not been offset by the significant increase in South Asia, the Society is divided into 83 Provinces with six Independent Regions and ten Dependent Regions. On 1 January 2007, members served in 112 nations on six continents with the largest number in India and their average age was 57.3 years,63.4 years for priests,29.9 years for scholastics, and 65.5 years for brothers. The current Superior General of the Jesuits is Arturo Sosa, the Society is characterized by its ministries in the fields of missionary work, human rights, social justice and, most notably, higher education. It operates colleges and universities in countries around the world and is particularly active in the Philippines. In the United States it maintains 28 colleges and universities and 58 high schools and he ensured that his formula was contained in two papal bulls signed by Pope Paul III in 1540 and by Pope Julius III in 1550. The formula expressed the nature, spirituality, community life and apostolate of the new religious order, the meeting is now commemorated in the Martyrium of Saint Denis, Montmartre
Jesuits
–
Ignatius of Loyola
Jesuits
–
Society of Jesus
Jesuits
–
Church of
Saint-Pierre de Montmartre, Paris.
Jesuits
–
Fresco of Approving of bylaw of Society of Jesus depicting
Ignatius of Loyola receiving papal bull
Regimini militantis Ecclesiae from
Pope Paul III. The fresco was created by
Johann Christoph Handke in the Church of Our Lady Of the Snow in
Olomouc after 1743.
11.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
12.
University of Pavia
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The University of Pavia is a university located in Pavia, Lombardy, Italy. It was founded in 1361 and has thirteen faculties, an edict issued by the Frankish king of Italy Lothar I mentions the existence of a higher education institution at Pavia as early as AD825. This institution, mainly devoted to ecclesiastical and civil law as well as to divinity studies, was selected as the prime educational centre for northern Italy. In 1858, the University was the scene of student protests against Austrian rule in northern Italy. The authorities responded by ordering the universitys temporary closure, the incidents at Pavia were typical of the wave of nationalist demonstrations all over Italy that immediately preceded the Unification. During the following centuries, through periods of both adversity and prosperity, the fame of the University of Pavia grew over the last years due to the number of applicants. Three Nobel Prize winners also taught in Pavia, physician Camillo Golgi, chemist Giulio Natta, also critical to the universitys reputation was its distinguished record of public education, epitomised by the establishment of 5 private and public colleges. In 1997 the IUSS, was established, a Higher Learning Institution analogous to the Scuola Normale Superiore, the IUSS is the federal body that links the 5 colleges of Pavia which constitute the Pavia University System. Today, the University continues to offer a variety of disciplinary and inter-disciplinary teaching. Research is carried out in departments, institutes, clinics, centres and laboratories, in association with public and private institutions, enterprises. English - One single-cycle masters degree and seven masters degrees are offered in English
University of Pavia
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Borromeo college
University of Pavia
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University of Pavia
University of Pavia
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Ghislieri college
13.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
Poetry
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Aristotle
Poetry
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Literature
Poetry
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John Keats
Poetry
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Archibald MacLeish
14.
Theatre
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The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence, the specific place of the performance is also named by the word theatre as derived from the Ancient Greek θέατρον, itself from θεάομαι. Modern theatre, broadly defined, includes performances of plays and musical theatre, there are connections between theatre and the art forms of ballet, opera and various other forms. The city-state of Athens is where western theatre originated, participation in the city-states many festivals—and mandatory attendance at the City Dionysia as an audience member in particular—was an important part of citizenship. The Greeks also developed the concepts of dramatic criticism and theatre architecture, Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama, tragedy, comedy, and the satyr play, the origins of theatre in ancient Greece, according to Aristotle, the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10, the stage consisted of a dancing floor, dressing room and scene-building area. Since the words were the most important part, good acoustics, the actors wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, the origins of tragedy remain obscure, though by the 5th century BCE it was institution alised in competitions held as part of festivities celebrating Dionysus. As contestants in the City Dionysias competition playwrights were required to present a tetralogy of plays, the performance of tragedies at the City Dionysia may have begun as early as 534 BCE, official records begin from 501 BCE, when the satyr play was introduced. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his Poetics, Athenian comedy is conventionally divided into three periods, Old Comedy, Middle Comedy, and New Comedy. Old Comedy survives today largely in the form of the surviving plays of Aristophanes. New Comedy is known primarily from the papyrus fragments of Menander. Aristotle defined comedy as a representation of people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyrs themselves were tied to the god Dionysus as his loyal companions, often engaging in drunken revelry
Theatre
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Sarah Bernhardt as
Hamlet, in 1899
Theatre
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A master (right) and his slave (left) in a
Greek phlyax play, circa 350/340 BCE
Theatre
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Mosaic depicting masked actors in a play: two women consult a "witch"
Theatre
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Performer playing
Sugriva in the
Koodiyattam form of
Sanskrit theatre.
15.
Wall poems in Leiden
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Wall Poems is a project in which 101 poems in many different languages were painted on the exterior walls of buildings in the city of Leiden, The Netherlands. It began in 1992 with a poem in Russian by Marina Tsvetaeva and finished in 2005 with the Spanish poem De Profundis by Federico García Lorca. Other poets included in the set include E. E. Cummings, Langston Hughes, Jan Hanlo, Du Fu, Louis Oliver, Pablo Neruda, Rainer Maria Rilke, William Shakespeare, yeats, as well as local writers Piet Paaltjens and J. C. A guide available on the web describes a tour for visitors to Leiden that takes in 25 of the 101 poems. The first 43 poems have been collected in a book by Marleen van der Weij, Dicht op de muur, gedichten in Leiden, based on the success of the Leiden poetry project, wall poems have also been painted in several other Dutch cities. In 2012 a poem by Marsman was painted on a wall in Berlin, Marleen van der Weij, Dicht op de muur. Gemeente Leiden, Dienst Bouwen en Wonen,1996, 6th, rev. ed. Burgersdijk & Niermans, Leiden,2000. Marleen van der Weij, Dicht op de muur 2, ISBN9075089112 Poems on the Underground, a public display of poetry in the London Underground Complete list of all poems, with some background information on the project and the poems
Wall poems in Leiden
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A wall poem in
Russian by
Alexander Blok
Wall poems in Leiden
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William Shakespeare
Wall poems in Leiden
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E.E. Cummings
Wall poems in Leiden
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Du Fu
16.
Cubism
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Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. Cubism has been considered the most influential art movement of the 20th century, the term is broadly used in association with a wide variety of art produced in Paris during the 1910s and extending through the 1920s. The movement was pioneered by Georges Braque and Pablo Picasso, joined by Andre Lhote, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Fernand Léger and Juan Gris. A primary influence that led to Cubism was the representation of form in the late works of Paul Cézanne. The impact of Cubism was far-reaching and wide-ranging, Cubism spread rapidly across the globe and in doing so evolved to a greater or lesser extent. In essence, Cubism was the origin of a process that produced diversity. In France, offshoots of Cubism developed, including Orphism, Abstract art, in other countries Futurism, Suprematism, Dada, Constructivism, De Stijl and Art Deco developed in response to Cubism. Other common threads between these movements include the faceting or simplification of geometric forms, and the association of mechanization. Cubism began between 1907 and 1911, Pablo Picassos 1907 painting Les Demoiselles dAvignon has often been considered a proto-Cubist work. Georges Braques 1908 Houses at L’Estaque prompted the critic Louis Vauxcelles to refer to bizarreries cubiques, Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebro, as the first Cubist paintings. A second phase, Synthetic Cubism, remained vital until around 1919, english art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch. Douglas Coopers restrictive use of terms to distinguish the work of Braque, Picasso, Gris. Alternative interpretations of Cubism have therefore developed, wider views of Cubism include artists who were later associated with the Salle 41 artists, e. g. John Berger identifies the essence of Cubism with the mechanical diagram. The metaphorical model of Cubism is the diagram, The diagram being a symbolic representation of invisible processes, forces, structures. A diagram need not eschew certain aspects of appearance but these too will be treated as not as imitations or recreations. During the late 19th and early 20th centuries, Europeans were discovering African, Polynesian, Micronesian, artists such as Paul Gauguin, Henri Matisse, and Pablo Picasso were intrigued and inspired by the stark power and simplicity of styles of those foreign cultures. Around 1906, Picasso met Matisse through Gertrude Stein, at a time when artists had recently acquired an interest in primitivism, Iberian sculpture, African art and African tribal masks. Picassos paintings of 1907 have been characterized as Protocubism, as seen in Les Demoiselles dAvignon
Cubism
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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 x 73.6 cm,
Museum of Modern Art, New York
Cubism
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Pablo Picasso,
Les Demoiselles d'Avignon, 1907, considered to be a major step towards the founding of the Cubist movement
Cubism
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Pablo Picasso, 1909-10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm,
Tate Modern, London
Cubism
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Paul Cézanne, Quarry Bibémus, 1898-1900,
Museum Folkwang,
Essen,
Germany
17.
Albert Gleizes
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Albert Gleizes was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Gleizes was a founding member of the Section dOr group of artists. He was also a member of Der Sturm, and his theoretical writings were originally most appreciated in Germany. Gleizes spent four years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, Gleizes exhibited regularly at Léonce Rosenberg’s Galerie de l’Effort Moderne in Paris, he was also a founder, organizer and director of Abstraction-Création. From the mid-1920s to the late 1930s much of his energy went into writing, La Peinture et ses lois, Vers une conscience plastique, La Forme et l’histoire and Homocentrisme. Born Albert Léon Gleizes and raised in Paris, he was the son of a designer who ran a large industrial design workshop. He was also the nephew of Léon Comerre, a portrait painter who won the 1875 Prix de Rome. The young Albert Gleizes did not like school and often skipped classes to idle away the time writing poetry, finally, after completing his secondary schooling, Gleizes spent four years in the 72nd Infantry Regiment of the French army then began pursuing a career as a painter. Gleizes began to paint self-taught around 1901 in the Impressionist tradition and his first landscapes from around Courbevoie appear particularly inspired by Sisley or Pissarro. The density with which these works are painted and their solid framework suggest affinities with Divisionism which were noted by early critics. Gleizes was only years of age when his work titled La Seine à Asnières was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year Gleizes exhibited two paintings at the Salon dAutomne, in 1905 Gleizes was among the founders of lAssociation Ernest-Renan, a union of students opposed to military propaganda. Gleizes was in charge of the Section littéraire et artistique, organizing theater productions, at the Musée des Beaux-Arts de Lyon, Gleizes exhibited Jour de marché en banlieue. Tending towards 1907 his work evolved into a Post-Impressionist style with strong Naturalist and Symbolist components, Gleizes and others decide to create an association fraternelle dartistes and rent a large house in Créteil. The Abbaye de Créteil was a community of artists that aimed to develop their art free of any commercial concerns. For nearly a year, Gleizes along with painters, poets, musicians and writers. A lack of income forced them to give up their cherished Abbaye de Créteil in early 1908 and Gleizes moved to rue du Delta near Montmartre, in 1908 Gleizes exhibited at the Toison dOr in Moscow
Albert Gleizes
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Albert Gleizes, circa 1920
Albert Gleizes
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Albert Gleizes, 1909,
Bords de la Marne, oil on canvas, 54 x 65 cm, Musée des Beaux-Arts, Lyon
Albert Gleizes
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Albert Gleizes, 1910,
La Femme aux Phlox (Woman with Phlox), oil on canvas, 81 x 100 cm, exhibited
Armory Show, New York, 1913,
Museum of Fine Arts, Houston
Albert Gleizes
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Albert Gleizes, 1911,
Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London. This painting was reproduced in Fantasio: published 15 October 1911, for the occasion of the Salon d'Automne where it was exhibited the same year.
18.
Alexandre Mercereau
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Alexandre Mercereau, Paris,22 October 1884 –1945, was a French symbolist poet and critic associated with Unanimism and the Abbaye de Créteil. He founded the Villa Médicis Libre, which helped impoverished artists, Mercereaus work inspired the revolutionary artistic movement of the early 20th century known as Cubism. Born Alexandre Mercereau de la Chaume, he signed his first texts Eshmer-Valdor, in 1901, at sixteen years of age, Mercereaus first verses were published, poetry and criticism in Oeuvre dart international. In 1904 he co-founded the magazine La Vie, where he became assistant editor, drama critic, in 1905 he published Les Thuribulums affaissés, a book of verse that attracted much attention. At the same time, he co-founded the Association Ernest-Renan, in 1906 he organized the French section of Salon exhibition and literary review La Toison dOr. In 1907 he published Gens de là et dailleurs, from 1907 to 1908 he co-founded and participated in the experience of the Abbaye de Créteil, a collective open to artists. Mercereau organized exhibitions of French artists in Moscow, Saint-Petersburg, Kiev, after World War I he published a pamphlet, LAbbaye et le bolchevisme culturel, in which he denounced the attitude of Georges Duhamel and Charles Vildrac. From 1910 he co-directed with Paul Fort the Parisian literary review Vers et Prose, in 1911 he created the literary section of the Salon dAutomne in Paris, called Comité dinitiative théâtrale, consisting of public lectures by emerging authors at the Théâtre de lOdéon. He subsequently co-founded the Revue indépendante and La Rue, in addition to Vers et Prose, Mercereau was literary director at Jacques Povolozky & Cie publishing, director of Caméléon, a café littéraire in Montparnasse. In Histoire Contemporaine des Lettres Française de 1885 à1914, Ernest Florian-Parmentier writes M. Mercereau seems endowed with all the qualities that lead almost inevitably to success, the movement drew its inspiration from the Abbaye de Thélème, a fictional creation by Rabelais in his novel Gargantua. Albert Gleizes met the artists Berthold Mahn, Jacques dOtémar and Josué Gaboriaud while in Amiens, as well as the printer, Lucien Linard, who would run the printshop at the Abbaye de Créteil. At this time, the art critic Jean Valmy Baysse, in collaboration with Alexandre Mercereau, René Arcos, Charles Vildrac and Georges Duhamel were invited to participate on a new journal, Symbolist poet and writer Henri-Martin Barzun joined the group of writers and painters in 1905. Gleizes assisted in the formation of the Association Ernest Renan in December at the Théâtre Pigalle, in the process, publications and artwork tended towards a more popular and secular culture. Gleizes was in charge of the literary and artistic developments that organized poetry readings, Mercereau, Gleizes and others throughout 1906 worked on a concept established by Charles Vildrac of creating a self-supporting community of artists. The motivation was to develop their art free of commercial considerations, in Créteil, a small village outside Paris, they invested a house and grounds. Barzun paid the rent for the first six months, financed with his small inheritance, Gleizes and Vildrac moved in during the month of December. At the outset of 1907 the Abbaye de Créteil consisted of Gleizes, Arcos and Vildrac with his wife Rose, Duhamel and Barzun joined the group periodically. The musician Albert Doyen, later to become known as founder of the Fêtes du Peuple also participated intermittently, in 1906 Mercereau travelled to Moscow, where he met a group of Russian symbolist and Art Nouveau artists called Голубая роза
Alexandre Mercereau
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Alexandre Mercereau
Alexandre Mercereau
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Abbaye de Créteil, ca.1908. First row:
Charles Vildrac, René Arcos,
Albert Gleizes, Barzun, Alexandre Mercereau. Second row:
Georges Duhamel, Berthold Mahn, d'Otémar
Alexandre Mercereau
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Alexandre Mercereau, circa 1906
Alexandre Mercereau
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Abbaye de Créteil, interior scene, circa 1907
19.
Rabelais
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François Rabelais was a French Renaissance writer, physician, Renaissance humanist, monk and Greek scholar. He has historically been regarded as a writer of fantasy, satire and his best known work is Gargantua and Pantagruel. Because of his power and historical importance, Western literary critics consider him one of the great writers of world literature. His literary legacy is such that today, the word Rabelaisian has been coined as an inspired by his work. Merriam-Webster defines the word as describing someone or something that is marked by gross robust humor, extravagance of caricature, no reliable documentation of the place or date of the birth of François Rabelais has survived. While some scholars put the date as early as 1483, he was born in November 1494 near Chinon in the province of Touraine. The estate of La Devinière in Seuilly in the modern-day Indre-et-Loire, allegedly the writers birthplace, later he left the monastery to study medicine at the University of Poitiers and at the University of Montpellier. In 1532 he moved to Lyon, one of the centres of France. From 1540, François Rabelais came to Gryphius to publish his translations of Hippocrates, Galen, as a physician, he used his spare time to write and publish humorous pamphlets which were critical of established authority and stressed his own perception of individual liberty. Using the pseudonym Alcofribas Nasier, in 1532 he published his first book, Pantagruel, Rabelaiss third book, published under his own name in 1546, was also banned. With support from members of the prominent du Bellay family, Rabelais received approval from King François I to continue to publish his collection. However, after the death in 1547, the academic élite frowned upon Rabelais. Rabelais probably spent some time in hiding, threatened by being labeled a heretic, only the protection of du Bellay saved Rabelais after the condemnation of his novel by the Sorbonne. Du Bellay would again help Rabelais in 1540 by seeking a papal authorization to legitimize two of his children, Rabelais taught medicine at Montpellier in 1534 and in 1539. In June 1543 Rabelais became Master of Requests, between 1545 and 1547 François Rabelais lived in Metz, then a free imperial city and a republic, to escape the condemnation by the University of Paris. In 1547, he became curate of Saint-Christophe-du-Jambet in Maine and of Meudon near Paris, different accounts survive of Rabelais death and of his last words. According to some, he wrote a one sentence will, I have nothing, I owe a great deal, and the rest I leave to the poor. One last words reference work provides at least four versions of his last words
Rabelais
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François Rabelais
Rabelais
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The house of François Rabelais in
Metz
Rabelais
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Titlepage of a 1571 edition containing the last three books of Pantagruel: "Le Tiers Livre des Faits & Dits Heroïques du Bon Pantagruel" ("The Third Book of the True and Reputed Heroic Deeds of the Noble Pantagruel")
Rabelais
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Bust of Rabelais in
Meudon, where he served as Curé
20.
Gargantua
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The Life of Gargantua and of Pantagruel is a pentalogy of novels written in the 16th century by François Rabelais, which tells of the adventures of two giants, Gargantua and his son Pantagruel. The text is written in an amusing, extravagant, and satirical vein, and features much crudity, scatological humor, according to Rabelais, the philosophy of his giant Pantagruel, Pantagruelism, is rooted in a certain gaiety of mind pickled in the scorn of fortuitous things. Rabelais had studied Ancient Greek and he applied it in inventing hundreds of new words in the text, wordplay and risqué humor abound in his writing. Although different editions divide the work into a number of tomes. The original title of the work was Pantagruel roy des dipsodes restitué à son naturel avec ses faictz et prouesses espoventables, Pantagruel was a sequel to an anonymous book entitled The Great Chronicles of the Great and Enormous Giant Gargantua. This early Gargantua text enjoyed great popularity, despite its poor construction. At the beginning of book, Gargantuas wife dies giving birth to Pantagruel. Rabelais gives a catalog of his reading, mostly humorously-titled books, together with a group of friends, they intoxicate an army of invading giants, burn their camp, and drown survivors in urine. Epistemon, decapitated in the fray, recovers when Panurge sews his head back to his body and he reports that souls in hell are poorly paid and work bad jobs, but thats the extent of their torments. Another battle is missed by the narrator, who is exploring the civilization in Pantagruels mouth at the time, after the success of Pantagruel, Rabelais revisited and revised his source material. He produced a narrative of the life and acts of Pantagruels father in The Very Horrific Life of Great Gargantua, Father of Pantagruel. This volume begins with the birth of Gargantua after an 11-month pregnancy. The labor is so difficult, his mother threatens to castrate his father, the giant Gargantua emerges at his mothers left ear, calling for ale, while 17,913 cows were required for the provision of his daily milk. His first garment featured a codpiece whose exiture, outjecting or outstanding, was of the length of a yard, its contents providing so much delight that his three nurses squabble over claims to it. After some indifferent education at home, he is sent to Paris where the crowds so annoy him that he drowns thousands of them in a flood of urine. He steals the bells of St. Anthony, but gives them back after a sophist makes ludicrously self-centered appeals for their return, while he studies diligently in Paris, the neighboring Lord Picrocholes bakers are insulted and attacked by Grandgousiers shepards. A massive retaliatory strike against Grandgousiers lands is finally halted at Seville by the merciless Friar John, Grandgousier sues for peace, but Picrochole arrogantly rebuffs him. Gargantua and Friar John rally the troops and they win a battle, drive Picrochole back to his city
Gargantua
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Illustration by
Gustave Doré, 1873
Gargantua
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Gargantua and "Pilgrims eaten in salads," illustration
Gustave Doré, 1873.
Gargantua
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An example of the giants' shift in body size, above where people are the size of Pantagruel's foot, and below where Gargantua is hardly twice the height of a human.
Gargantua
21.
Le Figaro
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Le Figaro is a French daily morning newspaper founded in 1826 and published in Paris. The oldest national daily in France, Le Figaro is one of the two French newspapers of record, along with Le Monde, and is one of the most widely respected newspapers in the world. In 2012, the paper had a circulation of 330,952 copies per issue. The paper is published in the format, switching from a broadsheet in 2009. The newspaper is owned by Le Figaro Group, whose publications include TV Magazine and Evene, the companys chairman is Serge Dassault, whose Dassault Group has controlled the paper since 2004. Le Figaro was founded as a weekly in 1826, taking its name and motto from Le Mariage de Figaro. Its motto, from Figaros monologue in the final act, is Sans la liberté de blâmer. In 1833, editor Nestor Roqueplan fought a duel with a Colonel Gallois, who was offended by an article in Le Figaro, albert Wolff, Émile Zola, Alphonse Karr and Jules Claretie were among the papers early contributors. It was published irregularly until 1854, when it was taken over by Hippolyte de Villemessant. In 1866 Le Figaro became a daily newspaper and its first daily edition, that of 16 November 1866, sold 56,000 copies, having highest circulation of any newspaper in France. In 1922, Le Figaro was purchased by perfume millionaire François Coty, abel Faivre did cartoons for the paper. By the start of World War II, Le Figaro had become Frances leading newspaper, after the war it became the voice of the upper middle class, and continues to maintain a conservative position. In 1975, Le Figaro was bought by Robert Hersants Socpresse, in 1999, the Carlyle Group obtained a 40% stake in the paper, which it later sold in March 2002. Dassault owns 80% of the paper, in 2006, Le Figaro was banned in Egypt and Tunisia for publishing articles allegedly insulting Islam. Le Figaro switched to Berliner format in 2009, the paper has published The New York Times International Weekly on Friday since 2009, an 8-page supplement featuring a selection of articles from The New York Times translated into French. In 2010, Lefigaro. fr created a section called Le Figaro in English, Le Figaro has traditionally held a conservative editorial stance, becoming the voice of the French upper and middle classes. His son Olivier Dassault is a member of the French National Assembly, Dassault has remarked in an interview in 2004 on the public radio station France Inter that newspapers must promulgate healthy ideas and that left-wing ideas are not healthy ideas. They requested more pluralism and honesty and accused the paper of one-sided political reporting, mougeotte had previously said that Le Figaro would do nothing to embarrass the government and the right
Le Figaro
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Front page of Le Figaro, August 4, 1914
Le Figaro
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First issue, 15 January 1826
Le Figaro
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Figaro Illustré 01-08-1906
Le Figaro
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Logo during the 1820s
22.
Georges Sorel
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Georges Eugène Sorel was a French philosopher and theorist of revolutionary syndicalism. His notion of the power of myth in peoples lives inspired anarchists, Marxists and it is, together with his defense of violence, the contribution for which he is most often remembered. Born in Cherbourg as the son of a wine merchant, he moved to Paris in 1864 to attend the Collège Rollin. He became chief engineer with the Department of Public Works, stationed briefly in Corsica, in 1891, he was awarded the Légion dhonneur. He retired in 1892 and moved to Boulogne-sur-Seine, near Paris, beginning in the second half of the 1880s, he published articles in various fields displaying the influence of Aristotle, as well as Hippolyte Taine and Ernest Renan. In 1893, he affirmed his position as a Marxist. His social and political philosophy owed much to his reading of Proudhon, Karl Marx, Giambattista Vico, Henri Bergson, Sorels engagement in the political world was accompanied by a correspondence with Benedetto Croce, and later with Vilfredo Pareto. Sorel worked on the first French Marxist journals, L’Ère nouvelle and Le Devenir social and he took the side of Eduard Bernstein against Karl Kautsky. Sorel supported acquittal during the Dreyfus affair, although, like his friend Charles Péguy, through his contributions to Enrico Leones Il Divenire sociale and Hubert Lagardelles Mouvement socialiste, he contributed around 1905 to the theoretical elaboration of revolutionary syndicalism. In 1906, his most famous text, Reflections on Violence and it was published in book form in 1908, and was followed the same year by Illusions du Progrès. Disappointed by the CGT, Sorel associated himself for a period in 1909-1910 with Charles Maurras’ Action française and this collaboration inspired the founders of the Cercle Proudhon, which brought together revolutionary syndicalists and monarchists. Sorel himself, with Jean Variot, founded a journal in 1911 called LIndépendance, although disagreements, in part over nationalism, soon ended the project. Ferociously opposed to the 1914 Union sacrée, Sorel denounced the war and in 1917 praised the Russian Revolution and he wrote numerous small pieces for Italian newspapers defending the Bolsheviks. After the war, Sorel published a collection of his writings entitled Matériaux d’une Théorie du Prolétariat, at the time of his death, in Boulogne sur Seine, he had an ambivalent attitude towards both Fascism and Bolshevism. His ideas, most notably the concept of a general strike, have contributed significantly to anarcho-syndicalism. Sorel began his writing as a marginal Marxist, a critical analyst of Marxs economics and philosophy, when the Bolsheviks came to power, he completed his cycle of illusions by saluting Vladimir Lenin as the leader who had realized his syndicalist myth. The syndicalist or militant trade union movement, which burst into prominence in France around 1900, the turmoil engendered by strikes was universally condemned even by parliamentary socialists, who favored negotiation and conciliation. To justify the militancy and to give syndicalism an ideology, Sorel published the series of articles that became, as one of his biographers calls it, indeed, it was Sorels only successful book of about a dozen published
Georges Sorel
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Georges Sorel
Georges Sorel
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Syndicalism
23.
Benito Mussolini
–
Benito Amilcare Andrea Mussolini was an Italian politician, journalist, and leader of the National Fascist Party, ruling the country as Prime Minister from 1922 to 1943. He ruled constitutionally until 1925, when he dropped all pretense of democracy, known as Il Duce, Mussolini was the founder of Italian Fascism. In 1912 Mussolini was the member of the National Directorate of the Italian Socialist Party. Mussolini was expelled from the PSI for withdrawing his support for the stance on neutrality in World War I. He served in the Royal Italian Army during the war until he was wounded and discharged in 1917, Mussolini denounced the PSI, his views now centering on nationalism instead of socialism, and later founded the fascist movement. Following the March on Rome in October 1922 he became the youngest Prime Minister in Italian history until the appointment of Matteo Renzi in February 2014, within five years he had established dictatorial authority by both legal and extraordinary means, aspiring to create a totalitarian state. Mussolini remained in power until he was deposed by King Victor Emmanuel III in 1943, a few months later, he became the leader of the Italian Social Republic, a German client regime in northern Italy, he held this post until his death in 1945. Mussolini had sought to delay a major war in Europe until at least 1942, however, Germany invaded Poland on 1 September 1939, resulting in declarations of war by France and the United Kingdom and starting World War II. In the summer of 1941 Mussolini sent Italian forces to participate in the invasion of the Soviet Union, and war with the United States followed in December. On 24 July 1943, soon after the start of the Allied invasion of Italy, the Grand Council of Fascism voted against him, on 12 September 1943, Mussolini was rescued from prison in the Gran Sasso raid by German special forces. In late April 1945, with total defeat looming, Mussolini attempted to escape north and his body was then taken to Milan, where it was hung upside down at a service station for public viewing and to provide confirmation of his demise. Mussolini was born in Dovia di Predappio, a town in the province of Forlì in Romagna on 29 July 1883. During the Fascist era, Predappio was dubbed Duces town, pilgrims went to Predappio and Forlì, to see the birthplace of Mussolini. His father, Alessandro Mussolini, was a blacksmith and a Socialist, while his mother, Benito was the eldest of his parents three children. His siblings Arnaldo and Edvige followed, as a young boy, Mussolini would spend some time helping his father in his smithy. His fathers political outlook combined views of anarchist figures like Carlo Cafiero and Mikhail Bakunin, the military authoritarianism of Garibaldi, in 1902, at the anniversary of Garibaldis death, Benito Mussolini made a public speech in praise of the republican nationalist. The conflict between his parents about religion meant that, unlike most Italians, Mussolini was not baptized at birth, as a compromise with his mother, Mussolini was sent to a boarding school run by Salesian monks. After joining a new school, Mussolini achieved good grades, in 1902, Mussolini emigrated to Switzerland, partly to avoid military service
Benito Mussolini
–
Benito Mussolini
Benito Mussolini
–
Birthplace of Benito Mussolini in
Predappio, now used as a museum
Benito Mussolini
–
Mussolini's father, Alessandro
Benito Mussolini
–
Mussolini's mother, Rosa
24.
Milan
–
Milan is a city in Italy, capital of the Lombardy region, and the most populous metropolitan area and the second most populous comune in Italy. The population of the city proper is 1,351,000, Milan has a population of about 8,500,000 people. It is the industrial and financial centre of Italy and one of global significance. In terms of GDP, it has the largest economy among European non-capital cities, Milan is considered part of the Blue Banana and lies at the heart of one of the Four Motors for Europe. Milan is an Alpha leading global city, with strengths in the arts, commerce, design, education, entertainment, fashion, finance, healthcare, media, services, research, and tourism. Its business district hosts Italys Stock Exchange and the headquarters of the largest national and international banks, the city is a major world fashion and design capital, well known for several international events and fairs, including Milan Fashion Week and the Milan Furniture Fair. The city hosts numerous cultural institutions, academies and universities, with 11% of the national total enrolled students, Milans museums, theatres and landmarks attract over 9 million visitors annually. Milan – after Naples – is the second Italian city with the highest number of accredited stars from the Michelin Guide, the city hosted the Universal Exposition in 1906 and 2015. Milan is home to two of Europes major football teams, A. C. Milan and F. C. Internazionale, the etymology of Milan is uncertain. One theory holds that the Latin name Mediolanum comes from the Latin words medio, however, some scholars believe lanum comes from the Celtic root lan, meaning an enclosure or demarcated territory in which Celtic communities used to build shrines. Hence, Mediolanum could signify the central town or sanctuary of a Celtic tribe, indeed, the name Mediolanum is borne by about sixty Gallo-Roman sites in France, e. g. Saintes and Évreux. Alciato credits Ambrose for his account, around 400 BC, the Celtic Insubres settled Milan and the surrounding region. In 222 BC, the Romans conquered the settlement, renaming it Mediolanum, Milan was eventually declared the capital of the Western Roman Empire by Emperor Diocletian in 286 AD. Diocletian chose to stay in the Eastern Roman Empire and his colleague Maximianus ruled the Western one, immediately Maximian built several monuments, such as a large circus 470 m ×85 m, the Thermae Herculeae, a large complex of imperial palaces and several other buildings. With the Edict of Milan of 313, Emperor Constantine I guaranteed freedom of religion for Christians, after the city was besieged by the Visigoths in 402, the imperial residence was moved to Ravenna. In 452, the Huns overran the city, in 539, the Ostrogoths conquered and destroyed Milan during the Gothic War against Byzantine Emperor Justinian I. In the summer of 569, a Teutonic tribe, the Lombards, conquered Milan, some Roman structures remained in use in Milan under Lombard rule. Milan surrendered to the Franks in 774 when Charlemagne took the title of King of the Lombards, the Iron Crown of Lombardy dates from this period
Milan
–
Milan Cathedral,
La Scala opera house and
Porta Nuova business district
Milan
Milan
Milan
25.
Art nouveau
–
Art Nouveau is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants. English uses the French name Art Nouveau, according to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, artists desired to combine the fine arts and applied arts, even for utilitarian objects. By 1910, Art Nouveau was already out of style and it was replaced as the dominant European architectural and decorative style first by Art Deco and then by Modernism. Art Nouveau took its name from the Maison de lArt Nouveau, in France, Art Nouveau was also sometimes called by the British term Modern Style due to its roots in the Arts and Crafts Movement, Style moderne, or Style 1900. It was also sometimes called Style Jules Verne, Le Style Métro, Art Belle Époque, in Belgium, where the architectural movement began, it was sometimes termed Style nouille or Style coup de fouet. In Britain, it was known as the Modern Style, or, because of the arts and crafts movement led by Charles Rennie Mackintosh in Glasgow, as the Glasgow style. In Italy, because of the popularity in Italy of designs from Londons Liberty & Co department store, in the United States, due to its association with Louis Comfort Tiffany, it was often called the Tiffany style. In Germany and Scandinavia, a style emerged at about the same time, it was called Jugendstil. In Catalonia the related style was known as Modernisme, in Spain as Modernismo, Arte joven, in Russia, it was called Modern, and Jugendstil, and Nieuwe Kunst in the Netherlands. Some names refer specifically to the forms that were popular with the Art Nouveau artists, Stile Floreal in France, Paling Stijl in the Netherlands. The new art movement had its roots in Britain, in the designs of William Morris. Early prototypes of the include the Red House of Morris. In France, the style combined several different tendencies, in architecture, it was influenced by the architectural theorist and historian Eugène Viollet-le-Duc, a declared enemy of the historical Beaux-Arts architectural style. For each function its material, for each material its form and this book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard, and Antoni Gaudí. The French painters Maurice Denis, Pierre Bonnard and Édouard Vuillard played an important part in integrating fine arts painting with decoration, I believe that before everything a painting must decorate, Denis wrote in 1891. The choice of subjects or scenes is nothing and it is by the value of tones, the colored surface and the harmony of lines that I can reach the spirit and wake up the emotions
Art nouveau
–
Table Lamp by
François-Raoul Larche in
gilt bronze, with the dancer
Loïe Fuller as model
Art nouveau
–
Louis Majorelle, wall cabinet
Art nouveau
–
Art Nouveau interior at the 1900 Paris Universal Exhibition by Bruno Möhring, German pavilion.
Art nouveau
–
Art Nouveau sculpture, detail of facade in
Metz, France
26.
Militarism
–
It may also imply the glorification of the military and of the ideals of a professional military class and the predominance of the armed forces in the administration or policy of the state. Militarism has been a significant element of the imperialist or expansionist ideologies of several nations throughout history, after World War II, militarism appeared in many of the post-colonial nations of Asia and Africa. Sŏngun, North Koreas Military First policy, regards military power as the highest priority of the country and this has escalated so much in the DPRK that one in five people serves in the armed forces, and the military has become one of the largest in the world. Songun elevates the Korean Peoples Armed Forces within North Korea as an organization and as a function, granting it the primary position in the North Korean government. The principle guides domestic policy and international interactions and it provides the framework of the government, designating the military as the supreme repository of power. It also facilitates the militarization of non-military sectors by emphasizing the unity of the military, the North Korean government grants the Korean Peoples Army as the highest priority in the economy and in resource-allocation, and positions it as the model for society to emulate. Songun is also the concept behind a shift in policies which emphasize the peoples military over all other aspects of state. The roots of German militarism can be found in 19th-century Prussia, after Napoleon Bonaparte conquered Prussia in 1806, one of the conditions of peace was that Prussia should reduce its army to no more than 42,000 men. Thus, in the course of ten years, he was able to gather an army of 420,000 men who had at least one year of military training, the officers of the army were drawn almost entirely from among the land-owning nobility. The result was there was gradually built up a large class of professional officers on the one hand, and a much larger class. These enlisted men had become conditioned to obey all the commands of the officers. This system led to several consequences, a second result was that the governing class desired to continue a system which gave them so much power over the common people, contributing to the continuing influence of the Junker noble classes. Militarism in Germany continued after World War I and the fall of the German monarchy, during the period of the Weimar Republic, the Kapp Putsch, an attempted coup détat against the republican government, was launched by disaffected members of the armed forces. After this event, some of the more radical militarists and nationalists were submurged in grief and despair into the NSDAP, the Third Reich was a strongly militarist state, after its fall in 1945, militarism in German culture was dramatically reduced as a backlash against the Nazi period. Contemporary opinions vary but Germans predominantly oppose unilateral military actions and are suspicious of all claims advocating them, in parallel with 20th-century German militarism, Japanese militarism began with a series of events by which the military gained prominence in dictating Japans affairs. This was evident in 15th-century Japans Sengoku period or Age of Warring States, Japans militarism is deeply rooted in the ancient samurai tradition, centuries before Japans modernization. It is exemplified by the 1882 Imperial Rescript to Soldiers and Sailors, in the 20th century, two factors contributed both to the power of the military and chaos within its ranks. One was the Cabinet Law, which required the Imperial Japanese Army and this essentially gave the military veto power over the formation of any Cabinet in the ostensibly parliamentary country
Militarism
–
At the height of the
British Empire, photographs of naval and military commanders were a popular subject for eagerly collected
cigarette cards. The one shown here, from the turn of the 20th century, depicts then-Captain Jellicoe (later
Admiral Jellicoe of World War I) in command of
HMS Centurion, the flagship of the
Royal Navy 's
China Station.
Militarism
–
Korean People's Army soldiers
Militarism
–
Prussian (and later German) Chancellor
Otto von Bismarck, right, with General
Helmuth von Moltke the Elder, left, and General
Albrecht von Roon, centre. Although Bismarck was a civilian politician and not a military officer, he wore a military uniform as part of the Prussian militarist culture of the time. From a painting by
Carl Steffeck
Militarism
–
1939 Recruitment poster for the Tank School of the
Imperial Japanese Army
27.
Patriotism
–
Patriotism is an attachment to a homeland. This attachment can be viewed in terms of different features relating to ones own homeland, including ethnic and it encompasses a set of concepts closely related to those of nationalism. An excess of patriotism in the defense of a nation is called chauvinism, the abstract noun patriotism appears in the early 18th century. The general notion of virtue and group dedication has been attested in culture globally throughout the historical period. For the Enlightenment thinkers of 18th-century Europe, loyalty to the state was considered in contrast to loyalty to the Church. It was argued that clerics should not be allowed to teach in schools since their patrie was heaven. One of the most influential proponents of this notion of patriotism was Jean-Jacques Rousseau. Enlightenment thinkers also criticized what they saw as the excess of patriotism, in 1774, Samuel Johnson published The Patriot, a critique of what he viewed as false patriotism. On the evening of 7 April 1775, he made the famous statement, however, there is no direct evidence to contradict the widely held belief that Johnsons famous remark was a criticism of patriotism itself. Patriotism is the will of the members of a country to support the country, Patriotism may be strengthened by adherence to a national religion. This is the opposite of the separation of church and state demanded by the Enlightenment thinkers who saw patriotism and faith as similar and opposed forces. Michael Billig and Jean Bethke Elshtain have both argued that the difference between patriotism and faith is difficult to discern and relies largely on the attitude of the one doing the labelling. Wellman calls this position patriotist rather than nationalist to single out the members of territorial, political units rather than cultural groups, marxists have taken various stances regarding patriotism. On one hand, Karl Marx famously stated that The working men have no country, the same view is promoted by present-day Trotskyists such as Alan Woods, who is in favour of tearing down all frontiers and creating a socialist world commonwealth. On the other hand, Stalinists and Maoists are usually in favour of socialist patriotism based on the theory of socialism in one country. Several surveys have tried to measure patriotism for various reasons, such as the Correlates of War project which found some correlation between war propensity and patriotism, the results from different studies are time dependent. For example, patriotism in Germany before World War I ranked at or near the top, since 1981, the World Values Survey explores peoples national values and beliefs and refer to the average answer for high income residents of a country to the question Are you proud to be. Charles Blatberg, From Pluralist to Patriotic Politics, Putting Practice First, craig Calhoun, Is it Time to Be Postnational. in Ethnicity, Nationalism, and Minority Rights, Stephen May, Tariq Modood and Judith Squires
Patriotism
–
Allegory of Patriotism at the
Monument to the Fallen for Spain in
Madrid (1840), by sculptor Francisco Pérez del Valle.
Patriotism
–
An American poster with a patriotic theme (1917), issued by the U.S. Food Administration during World War I
28.
Turin
–
Turin is a city and an important business and cultural centre in northern Italy, capital of the Piedmont region and was the first capital city of Italy. The city is located mainly on the bank of the Po River, in front of Susa Valley and surrounded by the western Alpine arch. The population of the city proper is 892,649 while the population of the area is estimated by Eurostat to be 1.7 million inhabitants. The Turin metropolitan area is estimated by the OECD to have a population of 2.2 million, in 1997 a part of the historical center of Torino was inscribed in the World Heritage List under the name Residences of the Royal House of Savoy. Turin is well known for its Renaissance, Baroque, Rococo, Neo-classical, many of Turins public squares, castles, gardens and elegant palazzi such as Palazzo Madama, were built between the 16th and 18th centuries. This was after the capital of the Duchy of Savoy was moved to Turin from Chambery as part of the urban expansion, the city used to be a major European political center. Turin was Italys first capital city in 1861 and home to the House of Savoy, from 1563, it was the capital of the Duchy of Savoy, then of the Kingdom of Sardinia ruled by the Royal House of Savoy and finally the first capital of the unified Italy. Turin is sometimes called the cradle of Italian liberty for having been the birthplace and home of notable politicians and people who contributed to the Risorgimento, such as Cavour. The city currently hosts some of Italys best universities, colleges, academies, lycea and gymnasia, such as the University of Turin, founded in the 15th century, in addition, the city is home to museums such as the Museo Egizio and the Mole Antonelliana. Turins attractions make it one of the worlds top 250 tourist destinations, Turin is ranked third in Italy, after Milan and Rome, for economic strength. With a GDP of $58 billion, Turin is the worlds 78th richest city by purchasing power, as of 2010, the city has been ranked by GaWC as a Gamma World city. Turin is also home to much of the Italian automotive industry, the Taurini were an ancient Celto-Ligurian Alpine people, who occupied the upper valley of the Po River, in the center of modern Piedmont. In 218 BC, they were attacked by Hannibal as he was allied with their long-standing enemies, the Taurini chief town was captured by Hannibals forces after a three-day siege. As a people they are mentioned in history. It is believed that a Roman colony was established in 27 BC under the name of Castra Taurinorum, both Livy and Strabo mention the Taurinis country as including one of the passes of the Alps, which points to a wider use of the name in earlier times. In the 1st century BC, the Romans created a military camp, the typical Roman street grid can still be seen in the modern city, especially in the neighborhood known as the Quadrilatero Romano. Via Garibaldi traces the path of the Roman citys decumanus which began at the Porta Decumani. The Porta Palatina, on the side of the current city centre, is still preserved in a park near the Cathedral
Turin
–
From top to bottom, left to right: panorama of the
Mole Antonelliana,
Valentino Park with the medieval village, Piazza Castello with Palazzo Reale and Palazzo Madama, San Carlo Plaza with the Caval ëd Bronz, the Arco Olimpico and the Lingotto, the sarcophagus of Oki at the
Egyptian Museum, a view of the hills, the
Po, the Gran Madre, the Monte of Cappuccini and
Palatine Towers.
Turin
–
The Roman
Palatine Towers.
Turin
–
Siege of Turin
Turin
–
Turin in the 17th century.
29.
Czechs
–
Ethnic Czechs were called Bohemians in English until the early 20th century, referring to the late Iron Age tribe of Celtic Boii and the land Bohemia. The Czech diaspora is found in numbers in the United States, Canada, Israel, Austria, Germany, Slovakia, Switzerland, Italy. The Czech ethnic group is part of the West Slavic subgroup of the larger Slavic ethno-linguistical group, the West Slavs have origin in early Slavic tribes which settled in Central Europe after East Germanic tribes had left this area during the migration period. The West Slavic tribe of Bohemians settled in the area of Bohemia during the migration period and they formed an independent principality in the 9th century, the Duchy of Bohemia, under the Přemyslid dynasty. According to mythology, the father of the Czech people were Forefather Čech. The Czech are closely related to the neighbouring Slovaks, the Czech–Slovak languages form a dialect continuum rather than being two clearly distinct languages. Czech cultural influence in Slovak culture is noted as having much higher than the other way around. Czech people have a history of coexistence with Germanic people. The Czech National Revival took place in the 18th and 19th centuries aiming to revive Czech language, culture, the Czech were the initiators of Pan-Slavism. The Czech ethnonym was the name of a Slavic tribe in central Bohemia that subdued the tribes in the late 9th century. The origin of the name of the tribe itself is unknown, according to legend, it comes from their leader Čech, who brought them to Bohemia. Research regards Čech as a derivative of the root čel-, the Czech ethnonym was adopted by the Moravians in the 19th century. The name Bohemia is Germanic, English used that name until after the establishment of Czechoslovakia, the population of the Czech lands has been influenced by different human migrations that wide-crossed Europe over time. In their Y-DNA haplogroups, which are inherited along the male line,34. 2% of Czech males belong to R1a, which is particularly common in a large region extending from South Asia and Southern Siberia to Central Europe and Scandinavia. The population of the Czech Republic descends from diverse peoples of Slavic, Celtic and Germanic origin, presence of West Slavs in the 6th century during the Migration Period has been documented on the Czech territory. Slavs settled in Bohemia, Moravia and Austria sometime during the 6th or 7th centuries, according to a popular myth, the Slavs came with Forefather Čech who settled at the Říp Mountain. The Duchy of Bohemia emerged in the late 9th century, in 880, Prague Castle was constructed by Prince Bořivoj, founder of the Přemyslid dynasty and the city of Prague was established. Vratislav II was the first Czech king in 1085 and the duchy was raised to a kingdom under Ottokar I in 1198
Czechs
–
Forefather Čech on the
Říp Mountain
Czechs
–
An overview of the Celtic
Hallstatt (yellow), the preceding
La Tène (green) cultures and
Boii
Czechs
–
Statue of
Wenceslaus I, Duke of Bohemia, a saint patron of the Czech people at the
Holy Trinity Column in Olomouc
Czechs
–
The brothers Lech and Czech, founders of
West Slavic lands of
Lechia (
Poland) and
Bohemia in " Chronica Polonorum " (1506)
30.
Robot
–
A robot is a machine—especially one programmable by a computer—capable of carrying out a complex series of actions automatically. Robots can be guided by a control device or the control may be embedded within. Robots may be constructed to take on human form but most robots are designed to perform a task with no regard to how they look. By mimicking a lifelike appearance or automating movements, a robot may convey a sense of intelligence or thought of its own. These technologies deal with automated machines that can take the place of humans in dangerous environments or manufacturing processes, or resemble humans in appearance, many of todays robots are inspired by nature contributing to the field of bio-inspired robotics. These robots have also created a branch of robotics, soft robotics. From the time of ancient civilization there have many accounts of user-configurable automated devices and even automata resembling animals and humans. As mechanical techniques developed through the Industrial age, there appeared more practical applications such as automated machines, remote-control and wireless remote-control. The word robot was first used to denote a fictional humanoid in a 1920 play R. U. R. by the Czech writer, Karel Čapek but it was Karels brother Josef Čapek who was the words true inventor. Electronics evolved into the force of development with the advent of the first electronic autonomous robots created by William Grey Walter in Bristol. The first digital and programmable robot was invented by George Devol in 1954 and was named the Unimate, there are concerns about the increasing use of robots and their role in society. Robots are blamed for rising unemployment as they replace workers in increasing numbers of functions, the use of robots in military combat raises ethical concerns. The possibilities of robot autonomy and potential repercussions have been addressed in fiction, the word robot can refer to both physical robots and virtual software agents, but the latter are usually referred to as bots. Closely related to the concept of a robot is the field of Synthetic Biology, the idea of automata originates in the mythologies of many cultures around the world. Engineers and inventors from ancient civilizations, including Ancient China, Ancient Greece, since circa 400 BC, myths of Crete include Talos, a man of bronze who guarded the Cretan island of Europa from pirates. In ancient Greece, the Greek engineer Ctesibius applied a knowledge of pneumatics and hydraulics to produce the first organ, in the 4th century BC, the Greek mathematician Archytas of Tarentum postulated a mechanical steam-operated bird he called The Pigeon. Hero of Alexandria, a Greek mathematician and inventor, created numerous user-configurable automated devices, the 11th century Lokapannatti tells of how the Buddhas relics were protected by mechanical robots, from the kingdom of Roma visaya, until they were disarmed by King Ashoka. Yan Shi proudly presented the king with a life-size, human-shaped figure of his mechanical handiwork made of leather, wood, in 1066, the Chinese inventor Su Song built a water clock in the form of a tower which featured mechanical figurines which chimed the hours
Robot
–
ASIMO (2000) at the
Expo 2005, a
bipedal humanoid robot.
Robot
–
Articulated welding robots used in a factory, a type of
industrial robot.
Robot
–
The
quadrupedal military robot Cheetah, an evolution of
BigDog (pictured), was clocked as the world's fastest legged robot in 2012, beating the record set by an
MIT bipedal robot in 1989.
Robot
–
KITT (a fictitious robot) is mentally anthropomorphic
31.
Umberto Boccioni
–
Umberto Boccioni was an influential Italian painter and sculptor. He helped shape the revolutionary aesthetic of the Futurism movement as one of its principal figures, despite his short life, his approach to the dynamism of form and the deconstruction of solid mass guided artists long after his death. His works are held by many art museums, and in 1988 the Metropolitan Museum of Art in New York organized a major retrospective of 100 pieces. Umberto Boccioni was born on 19 October 1882 in Reggio Calabria and his father was a minor government employee, originally from the Romagna region in the north, and his job included frequent reassignments throughout Italy. The family soon relocated further north, and Umberto and his older sister Amelia grew up largely in Forlì, Genoa, at the age of 15, in 1897, Umberto and his father moved to Catania, Sicily, where he would finish school. Some time after 1898, he moved to Rome and studied art at the Scuola Libera del Nudo of the Accademia di Belle Arti di Roma, boccionis writings at this time already express the combination of outrage and irony that would become a lifelong characteristic. His critical and rebellious nature, and overall ability, would contribute substantially to the development of the Futurism movement. Severini wrote It was a stroke of luck for us to meet such a man. Returning to Italy in 1907, he took drawing classes at the Accademia di Belle Arti of Venice. He had first visited the Famiglia Artistica, a society for artists in Milan, Boccioni moved to Milan in 1907. There, early in 1908, he met the Divisionist painter Gaetano Previati, in early 1910 he met Filippo Tommaso Marinetti, who had already published his Manifesto del Futurismo in the previous year. Boccioni became the main theorist of the artistic movement, only when Boccioni, Severini and a few other Futurists traveled to Paris and saw what Braque and Picasso had been doing did the movement begin to take real shape. He also decided to be a sculptor after he visited various studios in Paris, in 1912, including those of Braque, Archipenko, Brâncuși, Raymond Duchamp-Villon and, probably, Medardo Rosso. In the brief span of the Italian Futurist movement, the short-lived Umberto Boccioni was a blazing comet. Boccioni was a theoretician of the movement, drafting two Futurist manifestoes in 1910 and 1912 that exalted the force and energy of contemporary life. They called for an art that glorified speed, violence and the machine age, one that above all reflected the dynamism of an engine-driven civilization. He exhibited in London, together with the group, in 1912 and 1914, others aligned themselves instead to its British equivalent, Vorticism, led by Wyndham Lewis. Boccionis gift was to bring a fresh eye to reality in ways that, we now recognise, defined the nature of the movement in the visual arts and literature
Umberto Boccioni
–
Umberto Boccioni self-portrait (1905)
Umberto Boccioni
–
Self portrait, 1905, oil on canvas
Umberto Boccioni
–
Umberto Boccioni, 1913, Synthèse du dynamisme humain (Synthesis of Human Dynamism), sculpture destroyed
Umberto Boccioni
–
Three Women, 1910
32.
Luigi Russolo
–
Luigi Russolo was an Italian Futurist painter, composer, builder of experimental musical instruments, and the author of the manifesto The Art of Noises. He is often regarded as one of the first noise music experimental composers with his performances of music concerts in 1913–14 and then again after World War I. He designed and constructed a number of noise-generating devices called Intonarumori, Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, LArte dei Rumori, translated as The Art of Noises, Russolo found traditional melodic music confining, and he envisioned noise music as its future replacement. Russolo designed and constructed a number of noise-generating devices called Intonarumori, a performance of his Gran Concerto Futuristico was met with strong disapproval and violence from the audience, as Russolo himself had predicted. None of his intoning devices have survived, though some have been reconstructed and used in performances. Although Russolos works bear little resemblance to modern music, his pioneering creations cannot be overlooked as an essential stage in the evolution of the several genres in this category. Many artists are now familiar with Russolos manifesto, at first the art of music sought purity, limpidity and sweetness of sound. Then different sounds were amalgamated, care being taken, however, today music, as it becomes continually more complicated, strives to amalgamate the most dissonant, strange and harsh sounds. In this way we come ever closer to noise-sound, antonio Russolo, another Italian Futurist composer and Luigis brother, produced a recording of two works featuring the original Intonarumori. The phonograph recording, made in 1921, included works entitled Corale and Serenata and it is the only surviving contemporaneous sound recording of Luigi Russolos noise music. Russolo and Filippo Tommaso Marinetti gave the first concert of Futurist music, complete with intonarumori, in April 1914, causing a riot. The program comprised four networks of noises with the titles, Awakening of a City Meeting of cars. Some of Russolos instruments were destroyed in World War II, others have been lost, replicas of the instruments have since been built. A Dictionary of Modern and Contemporary Art, Oxford and New York, Oxford University Press. Noise, Visual Arts, and the Occult, Video Video of Carnegie Mellon Universitys 2013 Wats, ON. NOISE Festival, Intonarumori-100 performance featuring 11 reconstructed Intonarumori Instruments
Luigi Russolo
–
Luigi Russolo, 1911, The Revolt (La rivolta), oil on canvas, 150.8 x 230.7 cm,
Gemeentemuseum Den Haag
Luigi Russolo
–
Luigi Russolo ca. 1916
Luigi Russolo
–
Luigi Russolo, 1912, Sintesi plastica dei movimenti di una donna (Synthèse plastique des mouvements d'une femme), oil on canvas, 86 x 65 cm,
Musée de Grenoble
Luigi Russolo
–
Russolo, Piatti and the
Intonarumori, 1917
