1.
The Black Dahlia (film)
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The Black Dahlia is a 2006 neo-noir crime thriller film directed by Brian De Palma and written by Josh Friedman. It is drawn from a novel of the name by James Ellroy, the author of L. A. Confidential. The widely sensationalized murder of Elizabeth Short inspired both the novel and the film, the film played at the 63rd Venice International Film Festival on August 30,2006, and was released in the United States on September 15,2006. Despite its failure—both critically and financially—the film was nominated for Best Cinematography at the 79th Academy Awards, Mia Kirshners performance as Short was also widely praised. On January 15,1947, LAPD Detectives Dwight Bucky Bleichert and Lee Blanchard investigate the murder and dismemberment of Elizabeth Short, Bucky learns that Elizabeth was an aspiring actress who appeared in a pornographic film. Through his investigation, Bucky learns that Elizabeth liked to hang out with lesbians and he goes to a lesbian nightclub and meets Madeleine Linscott, who looks very much like Elizabeth. Madeleine, who comes from a prominent family, tells Bucky that she was close with Elizabeth. In exchange for his silence, she promises him sexual favors, continuing his relationship with Madeleine, Bucky meets her wealthy parents, Emmett and Ramona. Buckys partner, Lee, also obsessed with Elizabeths murder. Lees obsession leads him to become erratic and abusive towards his long-time girlfriend Kay Lake, Bucky goes to the location and gets into an altercation with DeWitt in the atrium of the building. DeWitt is gunned down by Lee, standing on the stairs across the atrium, Bucky sees a man sneak up behind Lee, and wrap a rope around Lees neck. Lee fights back while Bucky, paralyzed with shock, watches from across the atrium as a shadowy figure steps out. Lee and the man holding the rope fall over the railing to their deaths several floors below and it is then that Bucky is helped by Millard and Morrie Friedman, a friend of Lees whom Bucky saw with Lee at the New Years party in 1946. Dealing with the grief of losing Lee propels Bucky and Kay into a sexual encounter, the next morning, Bucky finds money from a bank robbery hidden in Lee and Kays bathroom. Kay reveals that she had been DeWitts girlfriend, that DeWitt had mistreated her, Lee had rescued Kay and stolen DeWitts bank robbery money. Lee needed to kill DeWitt now that he was out of prison, Bucky leaves, furious with Lee and Kay for their actions and lies. He returns to Madeleines family mansion and continues his relationship with her. Kay is furious when she discovers the relationship, especially with the fact that Madeleine bears a resemblance to the same girl Lee obsessed over before he was killed
2.
Hollywood Boulevard
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West of Laurel Canyon, it continues as a residential street and ending at Sunset Plaza Drive. The eastern end of Hollywood Boulevard passes through Little Armenia and Thai Town, parts of the boulevard are popular tourist destinations. Prior to Hollywood Boulevard, the street was named Prospect Avenue until 1910, after annexation, the street numbers changed from 100 Prospect Avenue, at Vermont Avenue, to 6400 Hollywood Boulevard. In the early 1920s, real estate developer Charles E. Toberman envisioned a thriving Hollywood theatre district, Toberman was involved in 36 projects while building the Max Factor Building, Hollywood Roosevelt Hotel and the Hollywood Masonic Temple. With Sid Grauman, he opened the three themed theatres, Egyptian, El Capitan, and Chinese, and was inspired to write Here Comes Santa Claus with Oakley Haldeman. In 1958, the Hollywood Walk of Fame, which runs from Gower Street to La Brea Avenue, was created as a tribute to artists working in the entertainment industry, the El Capitan Theatre was refurbished in 1991 then damaged in the 1994 Northridge earthquake. The full El Capitan building was restored and upgraded in December 1997. The Hollywood Entertainment District, a business improvement district, was formed for the properties from La Brea to McCadden on the boulevard. The Hollywood extension of the Metro Red Line subway was opened in June 1999, stops on Hollywood Boulevard are located at Western Avenue, Vine Street, and Highland Avenue. Metro Local lines 180,181, and 217, and Metro Rapid line 780 also serve Hollywood Boulevard, an anti-cruising ordinance prohibits driving on parts of the boulevard more than twice in four hours. Beginning in 1995, then Los Angeles City Council member Jackie Goldberg initiated efforts to clean up Hollywood Boulevard, central to these efforts was the construction of the Hollywood and Highland Center and adjacent Dolby Theatre in 2001. In early 2006, the city made revamping plans on Hollywood Boulevard for future tourists, the three-part plan was to exchange the original streetlights with red stars into two-headed old-fashioned streetlights, put in new palm trees, and put in new stoplights. The renovations were completed in late 2006, in the few years leading up to 2007, more than $2 billion was spent on projects in the neighborhood, including mixed-use retail and apartment complexes and new schools and museums. A popular event that takes place on the Boulevard is the transformation of the street to a Christmas theme. Shops and department stores attract customers by lighting their stores and the street with decorated Christmas trees. The street essentially becomes Santa Claus Lane, list of Los Angeles Historic-Cultural Monuments in Hollywood Hollywood Chamber of Commerce
3.
Film
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A film, also called a movie, motion picture, theatrical film or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession, the process of filmmaking is both an art and an industry. The word cinema, short for cinematography, is used to refer to the industry of films. Films were originally recorded onto plastic film through a photochemical process, the adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the process of production, distribution. Films recorded in a form traditionally included an analogous optical soundtrack. It runs along a portion of the film exclusively reserved for it and is not projected, Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them, Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer, some have criticized the film industrys glorification of violence and its potentially negative treatment of women. The individual images that make up a film are called frames, the perception of motion is due to a psychological effect called phi phenomenon. The name film originates from the fact that film has historically been the medium for recording and displaying motion pictures. Many other terms exist for a motion picture, including picture, picture show, moving picture, photoplay. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field, in general, include the big screen, the screen, the movies, and cinema. In early years, the sheet was sometimes used instead of screen. Preceding film in origin by thousands of years, early plays and dances had elements common to film, scripts, sets, costumes, production, direction, actors, audiences, storyboards, much terminology later used in film theory and criticism apply, such as mise en scène. Owing to the lack of any technology for doing so, the moving images, the magic lantern, probably created by Christiaan Huygens in the 1650s, could be used to project animation, which was achieved by various types of mechanical slides
4.
Television program
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It may be a single production, or more commonly, a series of related productions. A limited number of episodes of a show may be called a miniseries or a serial or limited series. Television series are without a fixed length and are divided into seasons or series. While there is no defined length, U. S. industry practice has traditionally favored longer television seasons than those of other countries, a one-time broadcast may be called a special, or particularly in the UK a special episode. A television film is a film that is initially broadcast on television rather than released in theaters or direct-to-video, a program can be either recorded, as on video tape, other various electronic media forms, played with an on-demand player or viewed on live television. Television programs may be fictional, or non-fictional and it may be topical, or historical. They could be primarily instructional or educational, or entertaining as is the case in situation comedy, a drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures, except for soap opera-type serials, many shows especially before the 1980s, remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters lives during the episode, because of this, the episodes could be broadcast in any order. Since the 1980s, there are series that feature progressive change to the plot. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time television series to have this kind of dramatic structure. While the later series, Babylon 5 is an example of such production that had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a component of major media companies revenues than film. Some also noted the increase in quality of television programs. When a person or company decides to create a new series, they develop the elements, consisting of the concept, the characters, the crew. Then they offer it to the networks in an attempt to find one interested enough to order a prototype first episode of the series. They want very much to get the word out on what types of shows they’re looking for, to create the pilot, the structure and team of the whole series must be put together. If the network likes the pilot, they pick up the show to air it the next season, sometimes they save it for mid-season, or request rewrites and further review
5.
Set construction
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The set designer produces a scale model, scale drawings, paint elevations, and research about props, textures, and so on. In theater, the director or production manager is the person responsible for evaluating the finished designs and considering budget. He or she engineers the scenery, has it redrafted for building, budgets time, crew and materials, technical directors often have assistant technical directors whose duties can range from drafting to actually building scenery. A scene shop, in production is often overseen by a shop foreman or master carpenter. This person assigns tasks, does direct supervision of carpenters, and deals with matters such as absences, breaks, tool repair. The staff of a shop is usually referred to as scenic carpenters, but within that there are many specialities such as plasterers, welders. Scenic painting is an aspect of scenic construction, although the scenic painter usually answers to the technical director. In major film production in England, a Supervising Art Director is responsible for a team of Art Directors, Construction supervisors interpret the drawings and allocate labor and resources, with the Production Designer giving approval of the finished set on the Directors behalf. Film construction is rigidly compartmentalized on major motion pictures, a prop making workshop is set up in a similar stage and may be paid for out of a Construction or Art Department budget depending on the nature and size of the props in question. The construction department is led by a construction coordinator, the coordinator reports to the art director and production designer and is in charge of budgeting and implementing designs. The construction coordinator has a general foreman to assist, next there are other foremen, lead carpenters called gang bosses, and then all of the carpenters and craftsmen. In the United States, set construction workers are members of the entertainment union, IATSE. Sound stage Stagecraft Staging Theatrical scenery Film sculptor
6.
Film studio
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The majority of firms in the entertainment industry have never owned their own studios, but have rented space from other companies. The largest film studio in the world is Hengdian World Studios, in Zhejiang and he distributed these movies at vaudeville theaters, penny arcades, wax museums, and fairgrounds. The pioneering Thanhouser film studio was founded in New Rochelle, New York in 1909 by American theatrical impresario Edwin Thanhouser, the company produced and released 1,086 films between 1910 and 1917, successfully distributing them around the world. The first film ever, Million Dollar Mystery, was released by the Thanhouser company in 1914. In the early 1900s, companies started moving to Los Angeles, although electric lights were by then widely available, none were yet powerful enough to adequately expose film, the best source of illumination for motion picture production was natural sunlight. Some movies were shot on the roofs of buildings in Downtown Los Angeles, early movie producers also relocated to Southern California to escape Edisons Motion Picture Patents Company, which controlled almost all the patents relevant to movie production at the time. The first movie studio in the Hollywood area was Nestor Studios, in the same year, another 15 independents settled in Hollywood. Other production companies eventually settled in the Los Angeles area in such as Culver City, Burbank. Five large companies, 20th Century Fox, RKO Pictures, Paramount Pictures, smaller studios operated simultaneously with the majors. Together with smaller outfits such as PRC TKO and Grand National, the Big Fives ownership of movie theaters was eventually opposed by eight independent producers, including Samuel Goldwyn, David O. Selznick, Walt Disney, Hal Roach, and Walter Wanger. In 1948, the government won a case against Paramount in the Supreme Court. This decision, reached after years of litigation, hastened the end of the studio system. By the 1950s, the components of a typical major film studio had become standardized. Movement in and out of the studio is normally limited to specific gates, Studio premises generally feature multiple sound stages along with an outside backlot, as well as offices for studio executives and production companies. There is normally a studio commissary, which is the term in the film industry for what other industries call a company cafeteria. With the growing diversification of studios into such fields as video games, television, theme parks, home video and publishing, instead the studios transformed into financing and distribution entities for the films made by their affiliated production companies. With the decreasing cost of CG and visual effects, many studios sold large chunks of their once massive studio spaces or backlots to private real-estate developers. Century City in Los Angeles was once part of the 20th Century Fox backlot, in most cases portions of the backlots were retained and are available for rental by various film and television productions
7.
Backlot
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A backlot is an area behind or adjoining a movie studio, containing permanent exterior buildings for outdoor scenes in filmmaking or television productions, or space for temporary set construction. Some movie studios build a variety of sets on the backlot. There are streets that comprise an assortment of styles, Victorian to suburban homes. An example of this is Forty Acres in Culver City, California or, in the case of Universal Studios, the home of Norman Bates from the Hitchcock movie Psycho. The shells, or façades, on a studio backlot are usually constructed with three sides and a roof, often missing the back wall and/or one of the side walls. The interior is a space, with no rooms, and from the back of the structure one can see the electrical wires, pipes, beams and scaffolding. Ladders are usually built into the structure, allowing performers to climb to a window or the roof to perform scenes. Not all the buildings and houses are shells, some are closed in with a fourth wall. When not otherwise in use, they serve as facilities for lighting. When in use, the structures are dressed by adding doors, window treatments, l-shaped temporary walls are placed inside of doors to give the illusion of an interior. When not in use, the structures are stripped of this dressing. Television shows such as Moonlighting and Its Garry Shandlings Show also broke the fourth wall and gave audiences a peek of life on the other side of the camera. All the sets on a studio backlot are built so that what seems large, or as if it covers miles of ground on the big or small screen, today many studio backlots are gone or nearly gone. There are several reasons for this, los Angeles, like the rest of the United States, went through an economic boom after World War II. This caused real estate prices and property taxes linked to market value to rise dramatically. At the same time, during the 1950s, 1960s, and 1970s, global movie audiences were annoyed by films that were supposedly set all over the world. The primitive special effects technology of the era made it difficult to remove clues, audiences wanted to see actors in locations which were both exotic and authentic, as opposed to tacky Hollywood copies. The box office failure of the 1968 film Camelot was blamed in part on this issue, many were razed and the land was either sold to developers or repurposed for theme parks or office buildings
8.
Realism (arts)
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Realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in part a matter of technique and training. In the visual arts, illusionistic realism is the depiction of lifeforms, perspective. Realist works of art may emphasize the mundane, ugly or sordid, such as works of realism, regionalism. There have been various movements in the arts, such as the opera style of verismo, literary realism, theatrical realism. The realism art movement in painting began in France in the 1850s, the realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century. Realism is the precise, detailed and accurate representation in art of the appearance of scenes. Realism in this sense is also called naturalism, mimesis or illusionism, realistic art was created in many periods, and it is in large part a matter of technique and training, and the avoidance of stylization. It becomes especially marked in European painting in the Early Netherlandish painting of Jan van Eyck, however such realism is often used to depict, for example, angels with wings, which were not things the artists had ever seen in real life. It is the choice and treatment of matter that defines Realism as a movement in painting. The development of increasingly accurate representation of the appearances of things has a long history in art. It includes elements such as the depiction of the anatomy of humans and animals, of perspective and effects of distance. Ancient Greek art is recognised as having made great progress in the representation of anatomy. Pliny the Elders famous story of birds pecking at grapes painted by Zeuxis in the 5th century BC may well be a legend, roman portraiture, when not under too much Greek influence, shows a greater commitment to a truthful depiction of its subjects. The art of Late Antiquity famously rejected illusionism for expressive force, scientific methods of representing perspective were developed in Italy and gradually spread across Europe, and accuracy in anatomy rediscovered under the influence of classical art. As in classical times, idealism remained the norm, intriguingly, having led the development of illusionic painting, still life was to be equally significant in its abandonment in Cubism. The depiction of ordinary, everyday subjects in art also has a history, though it was often squeezed into the edges of compositions. However these objects are at least largely there because they carry layers of complex significance, pieter Bruegel the Elder pioneered large panoramic scenes of peasant life
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